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Changed line(s) 6 (click to see context) from:
* TheOner of Lorraine fighting several mooks in an apartment and a staircase well, in an effort to protect Spyglass. It's been cited by many as a [[SignatureScene standout scene]] in the film. It's a brilliantly choreographed symphony of violence on par with something seen in ''Franchise/JohnWick'' or ''Film/TheRaid''. The fight is absolutely ''brutal'', with Lorraine using everything at her disposal to maul her opponents. Doubles as an awesome moment for Creator/CharlizeTheron, who proved herself capable enough in performing her own stunts that they were able to add the oner in the first place at all.
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* TheOner of Lorraine fighting several mooks in an apartment and a staircase well, in an effort to protect Spyglass. It's been cited by many as a [[SignatureScene standout scene]] in the film. It's a brilliantly choreographed symphony of violence on par with something seen in ''Franchise/JohnWick'' or ''Film/TheRaid''. The fight is absolutely ''brutal'', realistic and taxing, with Lorraine using everything at her disposal to maul her opponents. Doubles as an awesome moment for Creator/CharlizeTheron, who proved herself capable enough in performing her own stunts that they were able to add the oner in the first place at all.
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!Per wiki policy, Administrivia/SpoilersOff applies here and all spoilers are unmarked. Administrivia/YouHaveBeenWarned.
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Changed line(s) 8 (click to see context) from:
* Lorraine's final confrontation with Bremovych and his goons in slow motion, getting rid of half a dozen men and Bremovych himself with a gun she hid in an ice bucket, despite being initially ambushed by them.
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* Lorraine's final confrontation with Bremovych and his goons in slow motion, motion in Paris, getting rid of half a dozen men and Bremovych himself with a gun she hid in an ice bucket, despite being initially ambushed by them.
