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Cat Smile was renamed to Playful Cat Smile. Moving wicks with enough context to the new trope.


--->'''Mari:''' ([[CatSmile Catsmiling]]) You sure you didn't visit him ''just'' to see his face?\\

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--->'''Mari:''' ([[CatSmile ([[PlayfulCatSmile Catsmiling]]) You sure you didn't visit him ''just'' to see his face?\\
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** The enormous red streak running across the moon's surface, mirroring the blood spray that Rei/Lilith left on the moon in ''End'' when she died.

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** The enormous red streak running across the moon's surface, mirroring the blood spray that Rei/Lilith left on the moon in ''End'' when she died. Behind the scenes, however, [[AllThereInTheScript the script and storyboards]] shows this to also be a result of ''Rebuild''[='s=] version of Second Impact.
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Ha, interesting. I just revised Gendo's flashbacks, but his Mari looks just like her present self, while this woman has a completely different, more Asuka-esque hairstyle. Intentional or not? Either way, I gave her a character folder. Maybe we will know some day.


* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager.

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* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What Mari, who [[spoiler:turns out to have been Gendo's classmate due to the Curse of Eva]], even although the woman's appearance doesn't really match [[spoiler:the Mari shown in Gendo's flashbacks]] or [[spoiler:the one shown in the tetralogy's epilogue]]. Who is she and what does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager.unknown.
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Mari is certainly a possible option (if one arguable against, as Mari is an immortal teenager, yet the woman in the photo is an adult), but the truth is never revealed in any of the movies.


* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager. It is later revealed in ''3.0 + 1.0'' that the woman in the photo is actually [[spoiler: ''Mari'', who hasn't aged at all due to exposure to LCL and being a pilot for so long.]]

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* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager. It is later revealed in ''3.0 + 1.0'' that the woman in the photo is actually [[spoiler: ''Mari'', who hasn't aged at all due to exposure to LCL and being a pilot for so long.]]
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* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager.

to:

* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager. It is later revealed in ''3.0 + 1.0'' that the woman in the photo is actually [[spoiler: ''Mari'', who hasn't aged at all due to exposure to LCL and being a pilot for so long.]]
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* SomeoneToRememberHimBy: [[spoiler:Kaji Ryoji Jr]]. The revelation of his existence in ''3.0 + 1.0'' is the first and only proof that his parents were even a couple (''2.0'' shows them as exes without any sign that they ended up reconciling like they more explicitly did in the original anime).

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* SomeoneToRememberHimBy: [[spoiler:Kaji Ryoji Jr]]. The revelation of his existence in ''3.0 + 1.0'' is the first and only proof that his parents were even a couple (''2.0'' shows them as exes without any sign that they ended up reconciling like they more explicitly did in the original anime). That said, [[spoiler:Misato]] makes no effort to actually be a mother, leaving her child in the care of others while she dedicates her life to WILLE.
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* SomeoneToRememberHimBy: [[spoiler:Kaji Ryoji Jr]]. The revelation of his existence in ''3.0 + 1.0'' is the first and only proof that his parents were even a couple (''2.0'' shows them as exes without any sign that they ended up reconciling like they more explicitly did in the original anime).
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* MenLikeDogsWomenLikeCats: Present throughout the series. Asuka and Mari, the two most prominent female pilots, are both heavily identified with cats (and in Asuka's case, gains a cat-shaped SuperMode for her Eva), while Shinji, the lone male pilot, picks up the nickname of "puppy boy". In the fourth movie, [[spoiler: Toji is also shown to own a dog, while Rei Q gets a scene where she bonds with a cat]].
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Added example(s), Minor edits


[[caption-width-right:1000: [[NothingIsTheSameAnymore You Can (Not) Rebuild]].]]

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[[caption-width-right:1000: [[NothingIsTheSameAnymore You Can (Not) Rebuild]].]][[note]]From left to right: Kaworu Nagisa, Mari Makinami Illustrious, Asuka Langley Shikinami, Shinji Ikari and Rei Ayanami. Background: [[spoiler:Awakened]] EVA Unit 1. Not featured: [[spoiler: A retelling of a familiar story that's [[EarnYourHappyEnding changed for the better]]... [[DarkerAndEdgier or for the worse]].]][[/note]]]]

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%%The page image provided is taken from [[Creator/YokoTakahashi Yoko Takahashi]]'s "EVANGELION EXTREME" mini-album for the ''Rebuild of Evangelion'' movie tetralogy.



%%The page image provided is taken from [[Creator/YokoTakahashi Yoko Takahashi]]'s "EVANGELION EXTREME" mini-album for the ''Rebuild of Evangelion'' movie tetralogy.
%%

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%%The page image provided is taken from [[Creator/YokoTakahashi Yoko Takahashi]]'s "EVANGELION EXTREME" mini-album for the ''Rebuild of Evangelion'' movie tetralogy.
%%

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%%
%%The page image provided is taken from [[Creator/YokoTakahashi Yoko Takahashi]]'s "EVANGELION EXTREME" mini-album for the ''Rebuild of Evangelion'' movie tetralogy.
%%
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/rebuild2-793373.jpg]]
[[caption-width-right:350:[[YouAreNotAlone You are (not) alone]].]]

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[[quoteright:350:https://static.[[quoteright:1000:https://static.tvtropes.org/pmwiki/pub/images/rebuild2-793373.jpg]]
[[caption-width-right:350:[[YouAreNotAlone
org/pmwiki/pub/images/cover_evangelion_extreme.jpg]]
[[caption-width-right:1000: [[NothingIsTheSameAnymore
You are (not) alone]].Can (Not) Rebuild]].]]
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* {{Reconstruction}}: Of the source material. [[ExactlyWhatItSaysOnTheTin It's even right there in the title]]. Seemingly used as an apology for [[DysfunctionJunction everything the]] [[TearJerker original series did]] [[MindScrew to the viewer]], though those things are still there just much milder - in fact, a good analogy for the reconstruction is that the flaws and cracks of the characters and setting are still there, they're just much less prone to breaking, and when they do its not without good reason. [[spoiler: Even though there's ''3.0'', reminding everyone that this is indeed an Evangelion series, some of the aspects of the movie indicate that things may turn for the better.]] Perhaps the most moving reimagining is that they what they do with the theme that the characters simply seek love and affection from others - rather than wallowing in this desire until things are too late, it's that exact desire that ''means'' they're willing to reach out to others, even if first, they need to take baby steps or even regress. Shinji is more considerate of others and proactive in helping those he loves, Asuka isn't the borderline-violent tsundere she once was when she starts growing closer to others, and even Gendo gets this treatment [[spoiler: finally realizing he is to blame for his own emotional isolation and reconciling with his son; ''this'' is what earns him the right to be with Yui, rather than remaining the distant, manipulative planner he did in the original series. And ultimately, is what ensures a positive ending for everyone, because Shinji was willing to move on and reach out rather than hang on to the pain his father caused him.]]

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* {{Reconstruction}}: Of the source material. [[ExactlyWhatItSaysOnTheTin It's even right there in the title]]. Seemingly used as an apology for [[DysfunctionJunction everything the]] [[TearJerker original series did]] [[MindScrew to the viewer]], though those things are still there just much milder - in fact, a good analogy for the reconstruction is that the flaws and cracks of the characters and setting are still there, they're just much less prone to breaking, and when they do its not without good reason. [[spoiler: Even though there's ''3.0'', reminding everyone that this is indeed an Evangelion series, some of the aspects of the movie indicate that things may turn for the better.]] Perhaps the most moving reimagining is that they what they do with the theme that the characters simply seek love and affection from others - rather than wallowing in this desire until things are too late, it's that exact desire that ''means'' they're willing to reach out to others, even if first, they need to take baby steps or even regress. Shinji is more considerate of others and proactive in helping those he loves, Asuka isn't the borderline-violent tsundere she once was when she starts growing closer to others, and even Gendo gets this treatment [[spoiler: finally realizing he is to blame for his own emotional isolation and reconciling with his son; ''this'' is what earns him the right to be with Yui, rather than remaining the distant, manipulative planner he did in the original series. And ultimately, is what ensures a positive ending for everyone, because Shinji was willing to move on and reach out rather than hang on to let the pain his father caused him.him hold him back from others.]]
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None


* {{Reconstruction}}: Of the source material. [[ExactlyWhatItSaysOnTheTin It's even right there in the title]]. Seemingly used as an apology for [[DysfunctionJunction everything the]] [[TearJerker original series did]] [[MindScrew to the viewer]], though those things are still there just much milder - in fact, a good analogy for the reconstruction is that the flaws and cracks of the characters and setting are still there, they're just much less prone to breaking, and when they do its not without good reason. [[spoiler: Even though there's ''3.0'', reminding everyone that this is indeed an Evangelion series, some of the aspects of the movie indicate that things may turn for the better.]] Perhaps the most moving reimagining is the fact that, ultimately, the theme is all the characters simply seek love and affection from others - rather than wallowing in this desire until things are too late, it's that exact desire that ''means'' they're willing to reach out to others, even if they're taking baby steps first. Shinji is more considerate of others and proactive in helping those he loves, Asuka isn't the borderline-violent tsundere she once was when she starts growing closer to others, and even Gendo gets this treatment [[spoiler: finally realizing he is to blame for his own emotional isolation and reconciling with his son; ''this'' is what earns him the right to be with Yui, rather than remaining the distant, manipulative planner he did in the original series. And ultimately, is what ensures a positive ending for everyone, because Shinji was willing to move on and reach out rather than hang on to the pain his father caused him.]]

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* {{Reconstruction}}: Of the source material. [[ExactlyWhatItSaysOnTheTin It's even right there in the title]]. Seemingly used as an apology for [[DysfunctionJunction everything the]] [[TearJerker original series did]] [[MindScrew to the viewer]], though those things are still there just much milder - in fact, a good analogy for the reconstruction is that the flaws and cracks of the characters and setting are still there, they're just much less prone to breaking, and when they do its not without good reason. [[spoiler: Even though there's ''3.0'', reminding everyone that this is indeed an Evangelion series, some of the aspects of the movie indicate that things may turn for the better.]] Perhaps the most moving reimagining is the fact that, ultimately, that they what they do with the theme is all that the characters simply seek love and affection from others - rather than wallowing in this desire until things are too late, it's that exact desire that ''means'' they're willing to reach out to others, even if they're taking first, they need to take baby steps first.or even regress. Shinji is more considerate of others and proactive in helping those he loves, Asuka isn't the borderline-violent tsundere she once was when she starts growing closer to others, and even Gendo gets this treatment [[spoiler: finally realizing he is to blame for his own emotional isolation and reconciling with his son; ''this'' is what earns him the right to be with Yui, rather than remaining the distant, manipulative planner he did in the original series. And ultimately, is what ensures a positive ending for everyone, because Shinji was willing to move on and reach out rather than hang on to the pain his father caused him.]]

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* {{Reconstruction}}: Of the source material. [[ExactlyWhatItSaysOnTheTin It's even right there in the title]]. Seemingly used as an apology for [[DysfunctionJunction everything the]] [[TearJerker original series did]] [[MindScrew to the viewer]], though those things are still there just much milder.
** [[spoiler:And then there's 3.0, reminding everyone that this is indeed an Evangelion series, that said, some of the aspects of the movie indicate that things may turn for the better.]]

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* {{Reconstruction}}: Of the source material. [[ExactlyWhatItSaysOnTheTin It's even right there in the title]]. Seemingly used as an apology for [[DysfunctionJunction everything the]] [[TearJerker original series did]] [[MindScrew to the viewer]], though those things are still there just much milder.
** [[spoiler:And then
milder - in fact, a good analogy for the reconstruction is that the flaws and cracks of the characters and setting are still there, they're just much less prone to breaking, and when they do its not without good reason. [[spoiler: Even though there's 3.0, ''3.0'', reminding everyone that this is indeed an Evangelion series, that said, some of the aspects of the movie indicate that things may turn for the better.]] Perhaps the most moving reimagining is the fact that, ultimately, the theme is all the characters simply seek love and affection from others - rather than wallowing in this desire until things are too late, it's that exact desire that ''means'' they're willing to reach out to others, even if they're taking baby steps first. Shinji is more considerate of others and proactive in helping those he loves, Asuka isn't the borderline-violent tsundere she once was when she starts growing closer to others, and even Gendo gets this treatment [[spoiler: finally realizing he is to blame for his own emotional isolation and reconciling with his son; ''this'' is what earns him the right to be with Yui, rather than remaining the distant, manipulative planner he did in the original series. And ultimately, is what ensures a positive ending for everyone, because Shinji was willing to move on and reach out rather than hang on to the pain his father caused him.]]
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%% Misinformation is constant with this series. Even the most reputable trades and credible sources get things wrong. We collect the tropes. See Administrivia/CreatingAWorkPageForAnUpcomingWork for more.

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%% Misinformation is constant with this series. Even the most reputable trades and credible sources get things wrong. We collect the tropes. See Administrivia/CreatingAWorkPageForAnUpcomingWork Administrivia/CreatingAWorkPageForAnUnreleasedWork for more.
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** That one could also be seen as an [[InvertedTrope Inversion]]. Kaworu clearly tells to Shinji that "something isn't right", that [[spoiler:they need both the Lances of Cassius and Longinus to undo the Near-Third Impact, but those two lances are supposed to look different while the two in front of them are identical]], and while he doesn't seems to know what would happen if they [[spoiler:pull the twin Spears of Longinus from Lilith]] he begs Shinji to stop and listen. But Shinji is too determined [[TheAtoner to atone]] for his [[MyGreatestFailure his biggest failure]] to be able to process the thought that ''he can not redo'' the past.

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** That one could also be seen as an [[InvertedTrope Inversion]]. Kaworu clearly tells to Shinji that "something isn't right", that [[spoiler:they need both the Lances of Cassius and Longinus to undo the Near-Third Impact, but those two lances are supposed to look different while the two in front of them are identical]], and while he doesn't seems to know what would happen if they [[spoiler:pull the twin Spears of Longinus from Lilith]] he begs Shinji to stop and listen. But Shinji is too determined [[TheAtoner to atone]] for his [[MyGreatestFailure his biggest failure]] to be able to process the thought that ''he can not redo'' the past.
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** How much of the ''3.0.'' teaser in ''2.0.'' ended up getting used in the movie proper? ''None'' of it.[[note]]Though certain elements in the trailers were used in the movie, such as Asuka with an eyepatch.[[/note]] [[spoiler:More accurately, none of the ''visuals'' make it into the movie, but everything Misato says except for "the NERV staff are incarcerated" ''does''.]]

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** How much of the footage from the ''3.0.'' teaser in at the end of ''2.0.'' ended up getting used in the movie proper? ''None'' of it.[[note]]Though certain elements in the trailers were used in the movie, such as Asuka with an eyepatch.[[/note]] [[spoiler:More accurately, none of the ''visuals'' make it into the movie, but everything [[spoiler:Everything Misato says except for "the NERV staff are incarcerated" ''does''.''says'' in the trailer actually did happen, just off-screen during the 14 year time skip that the movie deals with the fallout from.]]

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The character is ambiguous, but she is almost certainly not identifiable as Mari.


* AmbiguousSituation: Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, among which there is an unidentified adult woman with long brown hair, red hair clips and matching glasses. She looks enough like an older version of Asuka to be believably meant to be Kyoko, whose appearance was never clearly shown in the original series, but her glasses and hair color also evoke Mari. What does this mean, if it even means something, remains unknown. The manga's bonus chapter reveals [[spoiler:Mari met Yui as a 16 years old]], but the anime continuity doesn't seem to follow this due to the woman in the photo being clearly not a teenager.



** Fuyutsuki keeps a photo of Yui with a young Shinji surrounded by other people, [[spoiler:the only other girl in the photo has red glasses and brown hair similar to Mari. Turns out, that actually ''is'' Mari.]]






* OlderThanTheyLook: [[spoiler:Asuka and Mari in ''3.0.'' have not physically aged due to piloting the Evangelion, which stunts their aging in some way. Asuka even starts calling Shinji "brat" instead of "stupid" now that she's 14 years older than him mentally.]]
** [[spoiler:''3.0+1.0'' reveals that Mari has been thus since her first appearance in ''2.0'', having actually been a friend of Yui]].

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* OlderThanTheyLook: OlderThanTheyLook:
**
[[spoiler:Asuka and Mari in ''3.0.'' have not physically aged due to piloting the Evangelion, which stunts their aging in some way. Asuka even starts calling Shinji "brat" instead of "stupid" now that she's 14 years older than him mentally.]]
** [[spoiler:''3.0+1.0'' reveals that Mari has been thus since her first appearance in ''2.0'', having actually been a friend of Yui]].0''.]].
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* MotionParallax: Every monitor, particularly at the NERV headquarters and including non-plot-relevant ones, displays 5D parallax screens. This facilitates tracking where the Evas and Angels are in relation to each other but is mostly just ExtremeGraphicalRepresentation.
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* ViolenceReallyIsTheAnswer: This gets deconstructed in 3.0 + 1.0 in which Shinji's attempts to fight [[spoiler: Gendo are either [[FearfulSymmetry evenly matched]] or either [[CurbstompBattle get him thrown around like a ragdoll.]] It's only when Shinji finally forced to understand Gendo that he's able to finally end the Additional Impact.

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* ViolenceReallyIsTheAnswer: This gets deconstructed in 3.''3.0 + 1.0 0'' in which Shinji's attempts to fight [[spoiler: Gendo are either [[FearfulSymmetry evenly matched]] or either [[CurbstompBattle get him thrown around like a ragdoll.]] It's only when Shinji finally forced to understand Gendo that he's able to finally end the Additional Impact.]]
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** ''3.0+1.0'' had an updated ''3.0+1.01'' release as a patched theatrical release near the end of the film's theatrical run, and would be later released on Creator/AmazonPrimeVideo. This release, however, was not made for the IMAX standard and was only shown in standard formats. An upcoming ''3.0+1.11'' version is also made which further updates the film for [=DVD=], Blu-ray, and in IMAX Enhanced standards like the original ''3.0+1.0'' and ''3.333'' for 4K Ultra HD Blu-ray.

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** ''3.0+1.0'' had an updated ''3.0+1.01'' release as a patched theatrical release near the end of the film's theatrical run, and would be later released on Creator/AmazonPrimeVideo. This release, however, was not made for the IMAX standard and was only shown in standard formats. An upcoming A ''3.0+1.11'' version is was also made which further updates the film for [=DVD=], Blu-ray, and in IMAX Enhanced standards like the original ''3.0+1.0'' and ''3.333'' for 4K Ultra HD Blu-ray.

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* DeathWorld: [[spoiler:The Earth goes from being simply post-apocalyptic to a much more empty wasteland after the Near Third Impact. However, it may not be as bad as Shinji is led to believe. The Wunder's fleet consists of at least 40 ships, including multiple aircraft carriers and submarines, and several helicopters are seen delivering supplies. Plus Wille has the resources to launch space missions and maintain at least two Evangelions, which were noted to be huge money pits. They're getting significant resources from somewhere. The fourth film clarifies that there are scattered pockets of civilization left, behind special "L-Nullification Barriers" that prevent the landscape from being affected by an Impact, but even these are predicted to eventually fail.]]

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* DeathWorld: [[spoiler:The Earth goes from being simply post-apocalyptic to a much more empty wasteland after the Near Third Impact. However, it may not be as bad as Shinji is led to believe. The Wunder's fleet consists of at least 40 ships, including multiple aircraft carriers and submarines, and several helicopters are seen delivering supplies. Plus Wille WILLE has the resources to launch space missions and maintain at least two Evangelions, which were noted to be huge money pits. They're getting significant resources from somewhere. The fourth film clarifies that there are scattered pockets of civilization left, behind special "L-Nullification Barriers" that prevent the landscape from being affected by an Impact, but even these are predicted to eventually fail.]]



* EvilCounterpart: [[spoiler:Unit-13 is seemingly this to Unit-01. Not only do they have the same coloration, armor design and Shinji as pilot, both enter into a [[SuperMode "pseudo-evolved form"]] after consuming an Angel (Zeruel for Unit-01, Twelfth Angel for Unit-13), starting an Impact in the process. The only difference is that Unit-01 triggering Third Impact was accidental, while Unit-13's triggering of Fourth Impact was completely deliberate, if not with the desired outcome]]. Practically enforced in ''3.0 + 1.0'', [[spoiler:with Gendo ''himself'' piloting Eva-13 and fighting Shinji, who's piloting Eva-01, and their movements mirror each other in every hit.]]

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* EvilCounterpart: EvilCounterpart:
**
[[spoiler:Unit-13 is seemingly this to Unit-01. Not only do they have the same coloration, armor design and Shinji as pilot, both enter into a [[SuperMode "pseudo-evolved form"]] after consuming an Angel (Zeruel for Unit-01, Twelfth Angel for Unit-13), starting an Impact in the process. The only difference is that Unit-01 triggering Third Impact was accidental, while Unit-13's triggering of Fourth Impact was completely deliberate, if not with the desired outcome]]. Practically enforced in ''3.0 + 1.0'', [[spoiler:with Gendo ''himself'' piloting Eva-13 and fighting Shinji, who's piloting Eva-01, and their movements mirror each other in every hit.]]



* FanDisservice: [[spoiler:After consuming Eva-00 and Rei, Zeruel [[MythologyGag grows a hundred foot-tall female body]]. The unnaturally long arms and Angel-body for a head only reinforce just how ''wrong'' it is.]]

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* FanDisservice: FanDisservice:
**
[[spoiler:After consuming Eva-00 and Rei, Zeruel [[MythologyGag grows a hundred foot-tall female body]]. The unnaturally long arms and Angel-body for a head only reinforce just how ''wrong'' it is.]]



** [[spoiler:The Imaginary Evangelion, which is the new version of 'Giant Naked Rei'. Still gigantic, still stark naked, but now rendered in a ''very unsettling photorealistic style''.]]

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** [[spoiler:The Imaginary Evangelion, Evangelion Imaginary, which is the new version of 'Giant Naked Rei'. Still gigantic, still stark naked, but now rendered in a ''very unsettling photorealistic style''.]]



* FishOutOfTemporalWater: [[spoiler:A major part of ''3.0.'' is Shinji waking up 14 years after ''2.0.'' and realizing/coming to terms with just how much has changed- and how much of it is his own fault.]]

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* FishOutOfTemporalWater: FightingAcrossTimeAndSpace: During their fight in [[spoiler:Minus Space, Shinji and Gendo end in various locations that reference the [[Anime/NeonGenesisEvangelion original timeline]]. After being thrown around by Gendo, its revealed that the locations are actually {{Toku}} movie sets in keeping with the series tradition of having a MindScrew finale.
* FishOutOfTemporalWater:
**
[[spoiler:A major part of ''3.0.'' is Shinji waking up 14 years after ''2.0.'' and realizing/coming to terms with just how much has changed- and how much of it is his own fault.]]



* {{Foreshadowing}}: In ''3.0'', Shinji ends up playing a game of shogi against Fuyutsuki, and Fuyutsuki tells Shinji that he will lose in 31 turns. Exactly 31 minutes later in the film, [[spoiler:Kaworu dies and Shinji is sent into another traumatic coma, with Gendo and SEELE's plan going on unhindered]].

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* {{Foreshadowing}}: {{Foreshadowing}}:
**
In ''3.0'', Shinji ends up playing a game of shogi against Fuyutsuki, and Fuyutsuki tells Shinji that he will lose in 31 turns. Exactly 31 minutes later in the film, [[spoiler:Kaworu dies and Shinji is sent into another traumatic coma, with Gendo and SEELE's plan going on unhindered]].



* TakeThat: ''3.33'' has the honour of actually slapping both ends of the Idealism and Cynicism scale.

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* TakeThat: TakeThat:
**
''3.33'' has the honour of actually slapping both ends of the Idealism and Cynicism scale.



* UpgradeVsPrototypeFight: The trailer for ''3.0+1.0'' shows Unit-01 -- the test-type Evangelion -- duelling Unit-13 with the two Lances of Longinus.

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* UpgradeVsPrototypeFight: The trailer for ''3.0+1.0'' and the final movie proper shows Unit-01 -- the test-type Evangelion -- duelling Unit-13 with the two Lances of Longinus.Longinus.


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* ViolenceReallyIsTheAnswer: This gets deconstructed in 3.0 + 1.0 in which Shinji's attempts to fight [[spoiler: Gendo are either [[FearfulSymmetry evenly matched]] or either [[CurbstompBattle get him thrown around like a ragdoll.]] It's only when Shinji finally forced to understand Gendo that he's able to finally end the Additional Impact.
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* InsistentTerminology: The incident at the end of ''2.22'' is referred to as [[spoiler:Near-Third Impact]] by [[spoiler:WILLE]] and [[spoiler:Third Impact]] by NERV.
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** Asuka spends a large part of the first half ''3.0 + 1.0'' at Kensuke's house wearing nothing but panties and an unbuttoned jacket, but she's so disillusioned and obviously unhappy that it's far more disturbing than titillating.
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Per TRS


%% Misinformation is constant with this series. Even the most reputable trades and credible sources get things wrong. We collect the tropes.See Administrivia/CreatingAWorkPageForAnUpcomingWork for more.

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%% Misinformation is constant with this series. Even the most reputable trades and credible sources get things wrong. We collect the tropes. See Administrivia/CreatingAWorkPageForAnUpcomingWork for more.



** Even then, ''3.33'', while incredibly bleak, is still lighter than it's original counterpart, at least in some regards. In the series, Kaworu's advent was marked by pretty much the entire cast in shambles (Asuka was catatonic, Ritsuko was a shameful wreck, Misato ''seemed'' to be stable, but was still grieving the loss of Kaji, Rei was [[CloningBlues different]], and Shinji was left all alone and confused). In this version, most of the (surviving) cast is mentally stable (if immensely [[KnightInSourArmor bitter]]) and in top form, most of the cast isn't killed off (the exceptions being Toji, Kensuke, and Hikari, and even then it's left ambiguous), Kaworu is much less of an AntiVillain and much more of a genuine NiceGuy, and even though things get much, ''much'' worse at the end, things still seem to be somewhat hopeful.

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** Even then, ''3.33'', while incredibly bleak, is still lighter than it's original counterpart, at least in some regards. In the series, Kaworu's advent was marked by pretty much the entire cast in shambles (Asuka was catatonic, Ritsuko was a shameful wreck, Misato ''seemed'' to be stable, but was still grieving the loss of Kaji, Rei was [[CloningBlues different]], different, and Shinji was left all alone and confused). In this version, most of the (surviving) cast is mentally stable (if immensely [[KnightInSourArmor bitter]]) and in top form, most of the cast isn't killed off (the exceptions being Toji, Kensuke, and Hikari, and even then it's left ambiguous), Kaworu is much less of an AntiVillain and much more of a genuine NiceGuy, and even though things get much, ''much'' worse at the end, things still seem to be somewhat hopeful.



* TwoBeingsOneBody: Evangelion Unit-13 is piloted by both Shinji and Kaworu. In addition, the preview for ''Evangelion 3.0+1.0'' shows an [=EVA=] composed of one half of Unit-02's body and one half of Unit-08's body stuck together, entitled Unit 8+2. [[spoiler:It turns out to be a RedHerring - until Unit-08 enters an "overlapping mode" and proceeds to cannibalize several other Evas. Unit-13 also gets back in the game as, in addition to Kaworu, it now also somehow contains Asuka's [[CloningBlues original]], with Gendo as the sole pilot.]]

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* TwoBeingsOneBody: Evangelion Unit-13 is piloted by both Shinji and Kaworu. In addition, the preview for ''Evangelion 3.0+1.0'' shows an [=EVA=] composed of one half of Unit-02's body and one half of Unit-08's body stuck together, entitled Unit 8+2. [[spoiler:It turns out to be a RedHerring - until Unit-08 enters an "overlapping mode" and proceeds to cannibalize several other Evas. Unit-13 also gets back in the game as, in addition to Kaworu, it now also somehow contains Asuka's [[CloningBlues original]], original, with Gendo as the sole pilot.]]
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* AllTheWorldsAreAStage: [[spoiler:Shinji's final battle against Gendo in the Anti-Universe features all of the iconic locations of the series: downtown Tokyo-3, Tokyo-3 outskirts, Misato's dining room, the Children's classroom, Gendo's office, Terminal Dogma, Kaji's melon patch, the NERV ruins, and so on. Justified due to the environment being a mental construct drawn from their memories because they don't have the appropriate senses to perceive the space in its true form, though it gets weird(er) when Shinji and Gendo start breaking through the boundaries to find that their conflict has been taking place on a literal set, complete with props, soundstage, and recording and lighting equipment.]]


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* MetaFiction: [[spoiler:The battle between Shinji and Gendo at the climax of ''3.0 + 1.0'' leans in this direction when their two Evas begin breaking through environmental boundaries and find that they are actually located in a literal production studio. However, this all takes place in the Anti-Universe which is constructed from their thoughts and memories, leaving the significance of this reveal ambiguous at best.]]
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* SurprisinglyGoodEnglish
** The opening of ''2.0'' is almost entirely in fluent, clear English (except for [[GratuitousEnglish Kaji]]). Mari's phone call later in the movie is also in English, albeit accented.
** Mari's voice actress -- the reknowned Creator/MaayaSakamoto -- is actually fairly fluent with English and ''finally'' gets to show it off for a major production.
** All of the English ''and''' Russian on the computer screens is grammatically and semantically accurate, too. There ''were'' a couple of typos in the original release... which were all fixed for the Blu-ray. Some of the English in the Bethany Base sequence is still a ''little'' off, but only compared to what a "real" computer display would read like. (For instance, "bound for Akron" when the actors are obviously saying "Acheron" is the most obvious.)
** The songs that play in background music in certain fight scenes had surprisingly good English as well.
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'''Note:''' When released on home media (or theaters & streaming services in the case of '3.0'' and ''3.0+1.0''), each film received a few enhancements to its audio and visuals. The film's number receives an update to reflect this: ''1.0'' became ''1.01'' (DVD) and ''1.11'' (BD), ''2.0'' became ''2.22'', ''3.0'' became ''3.33'' (BD/DVD) and ''3.333'' (theaters and UHD BD), and ''3.0+1.0'' became ''3.0+1.01'' (theaters and streaming) and ''3.0+1.11'' (BD/DVD). The films also received other minor, plot-irrelevant additions. Both sets of numbers are used interchangeably on all the pages related to ''Rebuild'' for this reason.

to:

'''Note:''' When released on home media (or theaters & streaming services in the case of '3.''3.0'' and ''3.0+1.0''), each film received a few enhancements to its audio and visuals. The film's number receives an update to reflect this: ''1.0'' became ''1.01'' (DVD) and ''1.11'' (BD), ''2.0'' became ''2.22'', ''3.0'' became ''3.33'' (BD/DVD) and ''3.333'' (theaters and UHD BD), and ''3.0+1.0'' became ''3.0+1.01'' (theaters and streaming) and ''3.0+1.11'' (BD/DVD). The films also received other minor, plot-irrelevant additions. Both sets of numbers are used interchangeably on all the pages related to ''Rebuild'' for this reason.
Is there an issue? Send a MessageReason:
None


'''Note:''' When released on home media (or theaters & streaming services in the case of ''3.0+1.0''), each film received a few enhancements to its audio and visuals. The film's number receives an update to reflect this: ''1.0'' became ''1.01'' (DVD) and ''1.11'' (BD), ''2.0'' became ''2.22'', ''3.0'' became ''3.33'', and ''3.0+1.0'' became ''3.0+1.01'' (theaters and streaming) and ''3.0+1.11'' (BD/DVD). The films also received other minor, plot-irrelevant additions. Both sets of numbers are used interchangeably on all the pages related to ''Rebuild'' for this reason.

to:

'''Note:''' When released on home media (or theaters & streaming services in the case of '3.0'' and ''3.0+1.0''), each film received a few enhancements to its audio and visuals. The film's number receives an update to reflect this: ''1.0'' became ''1.01'' (DVD) and ''1.11'' (BD), ''2.0'' became ''2.22'', ''3.0'' became ''3.33'', 33'' (BD/DVD) and ''3.333'' (theaters and UHD BD), and ''3.0+1.0'' became ''3.0+1.01'' (theaters and streaming) and ''3.0+1.11'' (BD/DVD). The films also received other minor, plot-irrelevant additions. Both sets of numbers are used interchangeably on all the pages related to ''Rebuild'' for this reason.

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