Describe a song in a sentence or less

• "American Pie" by Don Mc Lean: The 1960s in eight minutes.
• "Lola" by The Kinks: Some guy unknowingly flirts with a transvestite in a club.
• "Semi-Charmed Life" by Third Eye Blind: Hey guys, I'm talking about meth addiction on the radio! Sing along!
• "Get Up and Boogie" by the Silver Convention: The title describes itself if you put a period at the end of it.

Royal Orleans by Led Zeppelin: John Paul Jones and a transvestite smoke weed and set the hotel on fire.

"The Masturbation Session" by GG Allin: Classy.

"Lucy In The Sky With Diamonds": Your on an Acid Trip, and your being stalked on the trip.

"A Different Feeling" by The Avalanches: the greatest cruise of your life.

"Gangnam Style" by Psy "HEEEEEEEEEEEEEEEEEEEYYYYY SEXY LADY!!!"

Is your username a GY!BE reference?

Swans, Filth: Be animal

Isn't that the actual line, though? Dammit, wrong thread.

edited 23rd Oct '12 7:42:28 PM by 0dd1

Yes it is.

It reminds me of the song "Slow Ride".

• Angels Of Light, "The Rose of Los Angeles"—Spite beyond death and a hellish procession.
• NEU!, "Hallogallo"—A guitar/drum plane moving endlessly outward.
• This Heat, "Horizontal Hold"—Assault made sound.
• Swans, "The Seer"—*...* *THUD* *screeediddledee...* *THUD*

• The Rolling Stones - Sympathy For The Devil : The Devil admits all his crimes in a song that's a horrible misnomer.
• The Rolling Stones - Jumping Jack Flash: The tragic story of a Cosmic Plaything...or drug withdrawal.
• L'Arc-en-Ciel - Ready Steady Go!: Best played when destroying earth-bound meteors with Kamehamehas.
• Hoobastank - Without A Fight: Viva la revolution!
• David Glen Eisley - Sweet Victory: Seriously, why don't people use this instead of (the overused) We Are The Champions?
• Dragonforce - Through The Fire And Flames: Abandon all hope, all ye guitarists who enter.
• Europe - The Final Countdown: DAT SYNTH BRASS (and GUITAR SOLO)

If we're going to be EBA-ish...

Good Charlotte - The Anthem: I don't want to be anything like you... unless you can beat up giant golems with baseball skills. That would be cool.

Steriogram - "Walkie Talkie Man": Man, that fat guy can dance.

"Nights In White Satin" by The Moody Blues: A guy is watching people and reflects on his pathetic life.

Weezer - "Why Bother": Relationships always end in heartbreak, so I would rather stay single and masturbate.

ZZ Top - "La Grange": I have heard that there is a pretty good bordello in La Grange, Texas.

Duran Duran - "Rio". There's this woman named Rio who is mysterious and sexy.

edited 26th Oct '12 8:36:26 PM by MikeK

• Duran Duran, "Hungry Like the Wolf": Let me talk about how madly I need you in the most nonsensical way possible.

Blue Stahli, "Blue Stahli". Most awesome 2+ minutes of relentless self promotion ever.

• Ali Tabatabaee & Matty Lewis - His World: Sonic '06 does not deserve this awesome song as its main theme.
• Sambomaster - Sekai Wa Sore O Ai To Yobundaze: Good friggin' luck trying to pronounce or even shorten this one's name.
• Earth, Wind, and Fire - September: Yes, yes, Sophie, I saw your show...
• Nobuo Uematsu - One-Winged Angel: XBOX, big cherries, steal a bear, magic cheese, SEPHIROTH!
• Kidneythieves - God In Fire: Suck it, Sephiroth.

• Carole King, "Smackwater Jack": A man goes on a mass killing spree, and then an angry mob hangs him.

Here goes:

• "Stand" by Rascal Flatts: Four minutes of metaphors and similes in search of a narrative.
• "Elvira" by The Oak Ridge Boys: An Ear Worm whose main purpose is to show off Richard Sterban's impressive Basso Profondo pipes.
• "Need You Now" by Lady Antebellum: The booty call song by which all other booty call songs should be judged.
• "Creepin'" by Eric Church: Jay Joyce is having WAY too much fun in the producer's booth, which is EXACTLY why he should get more production jobs.
• "God Must Have Spent a Little More Time on You" by Alabama with 'N Sync: The ultimate proof that Alabama really jumped the shark in the 90s.
• "If I Were a Boy": It's enough of a stretch when a late-20s woman sings it, never mind a woman in her mid 50s.
• "The Wind" by Zac Brown Band: A breakneck modern-bluegrass song that was apparently too country for 21st century radio, even though a jam band song ("Keep Me in Mind") and two classic country Tear Jerkers ("Highway 20 Ride" and "Colder Weather") weren't.
• "Pontoon" by Little Big Town: Mmmm, motorboatin'.

"Cocktails" by Hot Leg: an excuse to say cock roughly 20 times.

"Patience" by Guns N Roses: The band shows off their "Roses" side.

"Seemed Like A Good Idea At The Time" by The Darkness: Mildly serious lovesong that really sorta hits you.

"No Rain" by Blind Melon: Depressed woman wishes it'd rain so she'd have an excuse to stay in bed all day.

"Kiss Me" by Sixpence None The Richer: A lovely piece of fluff.

"Home" by Daughtry: One way nostalgia trip.

"Achy Breaky Heart": The song by which Billy Ray will forever be unfairly judged, even though he can do much better (though I actually unironically like it).

Any The Shadow Ring song ever - Guitars: detuned, recording quality: low, melodies: barely there, lyrics: spoken, noise: always... let's go.

Wait, Reba did a cover of "If I Were a Boy"? I'm not sure I wanna know...

Daniel Powter, "Bad Day": The most depressing (if sappy) song ever the first time you hear it, then a few hours later you're so sick of it that you want to strangle its composer. (It's still 2006, right?)