• Adaptation Displacement: The movie is undoubtedly more well known than the original manga, in part because the source material had a really screwed up release. Marvel Comics bought the rights to translate it/bring it over to America when the movie was released in the US in 1989 and but Katsuhiro Otomo's decision to redraw the last 1/6th of the manga led to the US version seeing a massive delay in the publication of the last eight issues and by the time the last issue came out in 1995, the series was out of print as well as the trade paperbacks, of which only 10 of the proposed 13 volumes ever saw the light of day. It was not until Dark Horse Comics got the rights to the series in 2000 that the manga received wide release, in terms of availability.
  • Alternative Character Interpretation: Especially regarding the roles of Kaneda and Tetsuo in the story.
  • Awesome Music: Most of the soundtrack, but especially the opening/ending music, Kaneda.
  • Designated Hero: Kaneda, at least in the beginning.
  • Ensemble Dark Horse: Kaori, and to some extent, Akira himself.
  • Hollywood Homely: A prominent example is Kai (aka Kaisuke), the necktie-clad biker from Kaneda's gang. Like Tetsuo, he's not drawn in Mr. Fanservice fashion, but a lot of people call him the Bishōnen.
  • I Am Not Shazam: People who have seen covers for the movie or comic often mistake either Kaneda or Tetsuo for Akira since they are more prominent.
    • Also, there is a literal example in the first dubbed version of the movie. When Tetsuo hears the name Akira in his head, he shouts "I'm not Akira!". In the second dub, he says "I don't know who that is!"
      • And Akira's doomsday cult in the movie think he's Akira after he shows off his powers battling the army, a misconception Tetsuo is in no hurry to correct.
  • Jerkass Woobie: Tetsuo's had a pretty sucky life. And then he pulled all kinds of shit on others.
  • Moe
    • Kaori, in a fair few ways (although the movie came out before the trope was really recognized). Like a lot of early examples from this time period, it doesn't end well for her.
    • Akira's the most adorable walking apocalypse ever.
  • Moral Event Horizon: Tetsuo crosses it when he kills Yamagata in both the film and the manga; earlier on in the manga than in the film.
  • The Woobie: Kaori, She's one of the few characters who actually loves and cares for Tetsuo and for simply liking the guy, she was molested by a biker gang that was rivals with Tetsuo's, is constantly shown to be in a state of sadness due to all the crap that happened to Tetsuo, and is rather cruelly killed off at the end. Tetsuo himself would be here on this list too if not for his more villainous actions.


  • Animation Age Ghetto: Despite the original release having warnings that it was not for children and the re-release being rated R, you can still find stores that put this in the "family" shelf. Other stores at least put it in the dedicated "Anime" section, leaving it to the person browsing the shelf to at least use their own discretion when searching for stuff to show their children.
    • The movie is sometimes cited as the one thing that first proved there was potential for animation beyond the ghetto.
  • Awesome Art: Dear GOD YES!. Even people who aren't fans of the film won't deny how stunning its animation is.
  • Gateway Series: Towards adult-oriented anime. Steven Spielberg had claimed the movie to be Unmarketable in the U.S. due to the Animation Age Ghetto.
  • Genre Turning Point: In the West, the film kicked off interest in anime for adults.
  • Germans Love David Hasselhoff: For some reason, the film was overlooked in Japan while it received positive reviews in the Americas and Europe, basically introducing anime aimed at adults in those regions. The film version was also cited, along with Ghost in the Shell and Serial Experiments Lain, as influences for American films like The Matrix and Chronicle.
  • Harsher in Hindsight: As Tetsuo advances towards the city we see a young man standing down a tank, an anti-government demonstration, government censorship of the media, and the massacre of countless civilians. Remember that the movie was released in 1988. Do you know what happened in China the following year?
  • Hilarious in Hindsight: The story is in a backdrop of the 2020 Neo-Tokyo Olympics, and Akira was apparently below the unfinished Olympic stadium. On September 9, 2013, Tokyo was selected as the host of the 2020 Summer Olympics.
    • In addition, the giant teddy bear and rabbit resemble Freddy and Bonnie respectively from Five Nights at Freddy's, even invading the main character's darkened room with murderous intent.
  • Hype Backlash: Inevitable given the amount of praise it still gets.
  • Memetic Mutation:
  • Narm:
    • Original Japanese version: "Bird-brain!"
    • The 1988 dub: "Do it NOW!"
    • The 2001 dub: "You mess with my head!"
  • Nausea Fuel: You might want to stay away from meat for a while after watching Tetsuo's horrible mutation sequence at the end of the film.
    • Also in the film, Kaori's death - she's pulled inside Tetsuo's mutating, expanding body and squashed like a bug. Onscreen.
  • Retroactive Recognition: Matthew Mercer, who would become better known in the 2010s, appeared in the 2001 dub.
  • Romantic Plot Tumor: Just narrowly averted with Kaneda and Kei's romance, because it's not really developed that much onscreen.
  • "Seinfeld" Is Unfunny: The 1988 dub, which was well regarded when it first came out, but is disliked by newer fans who are used to hearing the 2001 dub or original Japanese audio. Likewise, older fans who are used to the 1988 dub dislike the 2001 dub.
  • Signature Scene: The single most famous scene, the one that has been homaged several times and will be remembered forever in popular culture, is the scene where Kaneda stops his motorcycle. Bonus points if they use their foot as a brake.
    • There's also Tetsuo's mutation at the end of the movie.
  • They Changed It, Now It Sucks: Many fans of the manga have this complaint because the film tries to cram the first third of the manga into a single movie (many for first two acts it has plotlines following three to four characters at a time) and doesn't use the rest due to a divergence in plot.
  • They Wasted a Perfectly Good Character: Kaori is Tetsuo's girlfriend and probably one of the few people who really understood/cared for him. She only gets a handful of lines and screentime before being killed off unceremoniously.
  • Woolseyism:
    • Tetsuo's "Bitchin'!" line.
    • A couple of Kaneda's lines.
    Kaneda: "Let's sit down and talk about the Revolution and stuff!"
    Kaneda: "Hey, your bike's still burnin', man!"