Manga: The Legend Of Mother Sarah
Another Katsuhiro Otomo
hit manga, The Legend Of Mother Sarah
was written by the creator of AKIRA
but was drawn by Takumi Nagayasu from 1990 to 2006.
In a dystopian
future, the Earth has been utterly poisoned by nuclear warfare and, even though there are still people living there
, most of humanity has fled onto satellites to live tranquilly away from the devastated planet, now nothing but a wasteland.
However, one day, a scientist came up with a new invention: a massive but environmentally clean bomb that could actually make the Southern Hemisphere of the planet a land of prosperity for humanity while burying the radioactive Northern Hemisphere under snow and ice
. The existence of this bomb initiated the endless war between opposing factions Epoch and Mother Earth who want to decide whether or not to use that bomb. A conflict that slowly but surely contaminated the tranquil space colonies and sparked a massive exodus back to Earth from the people living in the satellites orbiting around the Earth.Sarah
, a mother of 4, used to live peacefully with her family in the satellites that orbited around Earth until one of the numerous terrorist attacks shaking the satellites forced her back to Earth. In the debacle, she got separated from her husband, Bard, and 3 of her children: Harato (her firstborn son), Satoko (her daughter) and Tsumuri (her middle son) but kept her baby boy Kazuki with her.
Flash forward 10 years later. Roaming the inhospitable wastelands of Earth, Sarah is now searching for her children
, accompanied by her sidekick Tsue
, a truck-riding merchant who took her in. And she won't stop until she has foud all 3 of them.
The series is now mostly out-of-print but it can be found online. The series was also an oddity for its time since it's technically a Seinen
(and not a Josei
) but it features an adult woman and covers many themes related to childhood, childbearing and motherhood in general, along with wartime realities, soldier kids
, survival and religion.
The series presents the following tropes:
- Action Girl: Sarah, obviously, whose build is indeed appropriate for this trope, being unusually tall and jacked for a woman, in addition to being beautiful.
- Action Mom: A sweet mother of 4 children who throws a particularly mean right.
- After the End: As could be expected of a Dystopia, the whole story takes place after the "end of the world".
- All Men Are Perverts / All Women Are Lustful: Or more specifically, Men Of Power are perverts, other men are usually decent. And that goes for women too.
- Ambiguously Brown: It is not known whether Tsue is African or Indian.
- And the Adventure Continues: When all is said and done, Tsue asks Sarah So What Do We Do Now?. Realizing that she has nowhere to go, that her husband is dead, that she may probably never see Harato again, that Satoko is now moving on with her own life and ignoring that Tsumuri is probably still alive, Sarah ponders for a while, realizing that another journey awaits: fulfilling her husband's wish. She will now go to where Satoko lives, and then to where she buried Kazuki and then to where Tsumuri supposedly died and make all of these areas "green", as Bard wished.
- Badass Long Robe: When she's on the road or when she wants to remain unnoticed, Sarah wears a long beige cloak, which she wears niqab-style. Makes sense since she mostly cruises deserts and Arctic zones.
- Badass Normal: Sarah doesn't have superpowers. She's just trained and determined enough to fight off the countless attempts on her virtue or the ones who oppose her in her quest.
- Because You Were Nice to Me: How Sarah makes it out of the City of Children alive, thanks to Kebu, a mentally retarded teenager whom she left sleep at her side because her smell reminded him of his own mother.
- Bitch in Sheep's Clothing: Claus qualifies big time, using his appearance and apparent clumsiness to fool people.
- Bittersweet Ending: By the end of the story, Sarah has lost her husband, her infant son and her younger son (but it's hinted that he's actually alive). Her daughter is a mother too, but chose to stay where she was as a nurse/nun and her eldest son is now a Rebel Leader doing his own stuff. In the end, she resolves to continue journeying, planting the seeds of peace of Bard's potatoes along the way.
- Black Best Friend: Averted. Tsue being black bears little to no meaning as for why Sarah is travelling with him.
- Boobs of Steel: Sarah, being a competent brawler and markswoman, is indeed very well endowed in the chest area. In addition to owning an actual steel breast, see below.
- Breast Attack: Self-inflicted. After having had to kill her own infant, Sarah was forced to work in a labor camp near the desert. Being naturally much stronger than the average female, she was forced to work alongside the men in a tough, physically demanding manual job. The scorching heat got her to be shirtless, exposing her lactating right breast. Guilt-ridden and forlorn, Sarah decided to punish herself for what she had done to her son by thrusting a wooden stake through her right breast. She is now wearing a permanent prosthetic right breast made of steel.
- But Now I Must Go: Constantly driving across deserts and steppes, Sarah never stops anywhere very long. She usually stays in a place until she finds a valuable info to locate her children. And eventually resolves to continue her journey with Tsue, since she's got nowhere left to go.
- Cat Fight: Averted. Sarah doesn't Cat Fight when she battles a female opponent. She fights, period. With punches, kicks, headbutts and other serious blows.
- Children Are Innocent <-> Kids Are Cruel: Zigzagged. While the younger ones may be described as indeed helpless and innocent, the older ones (10 and older) are sometimes just as corrupt and selfish as adults.
- Corruption by a Minor: The City of Children Arc reveals that children aren't always the innocent angels people want to believe they are, especially when said children's goal includes manipulating adults into obedience to their every whim.
- Determinator: You can't do much to stop Sarah in her search for her children.
- Determined Widow: It's never stated upfront that her husband was killed but Sarah never saw her husband again after her fall from space. Double subverted late in the story when she eventually reunites with Bard who had been lurking in one of the 5 satellites to never have landed on Earth, as part of the "Mother Earth" project. Only to lose him for good upon the Final Battle against the bloodthirsty warlords of Epoch and M.E..
- Died in Your Arms Tonight: Too many instances to keep score.
- Enfant Terrible:
- Zach, a merely 8-9 years old who uses his hypnotic abilities to manipulate others to do his bidding, even though the strong-willed can break the spell.
- Claus, the boy Harato saved on a whim during a tribal genocide because he reminded him of his borther, turns out this way in the end as well.
- Good Girls Avoid Abortion: Double subverted. In the Mother-Daughter Reunion arc, it's explained that abortion is sometimes the only option, especially in this kind of setting where being pregnant is dangerous in and of itself, since you must be able to run away anytime due to bombings and gunfights happening anytime and anywhere. Double points when being a woman doesn't grant you any special immunity. However, it doesn't stop Satoko from carrying her own unplanned pregnancy to completion, as her newborn will also be a memento from her dead lover.
- Green Aesop: The whole series is quite Anvilicious about nuclear energy but since it was written right after the Tchernobyl catastrophe, you do the maths.
- Groin Attack: Sarah seldom uses this but when push comes to shove, she may use a kick to the nads to get herself out of some guy's grip.
- Important Haircut: Upon returning to Byron City, Harato reappears before his paramour with his hair cut short.
- Incest Subtext: It's heavily hinted that Zach and his "mother" had an incestuous relationship.
- Intrepid Merchant: Tsue, who roams the Earth in his merchant's truck, buying and selling rare items such as medicine or more daily-use stuff such as food, clothes but also weapons, war gear and...er...men's magazines.
- Infant Immortality: Averted. In this war-torn setting, children are likely to die just as gruesomely as adults.
- Knight Errant: Sarah is a variation, since she usually solves the problems of the places she visits before saying goodbye and leaving for another place.
- Mama Bear: The whole point of the series, in case it wasn't clear enough just from the title.
- Men Are the Expendable Gender: Averted partially. While more men than women are seen dying on panel from gunfights or on battlefields, in any other context, women get no special treatment and are killed with no more thought than men are. Best example being shown right after Sarah's fall from space, where she and other refugess not only had to survive famine and drought but also the mercenary militias whose goals included wiping off said refugees, women and children included.
- Never Found the Body: Even though Harato contends Tsumuri is dead and was suffering from malnutrition in one of the countless orphanages of war, he never really found any grave or ossuary to confirm it.
- Nuns N' Rosaries: Averted. While Satoko eventually became a nun, she doesn't wear the usual Catholic garb.
- Never a Self-Made Woman: Inverted. Being the protagonist, Sarah has no one to thank for her position in the story, not even her children. And even though she may sometimes fade in the background so the story can focus on the side-story of Harato, it's him who owes her his importance in the story, not the other way around.
- Offing the Offspring: An incredibly tragic instance. Sarah, soon after she escaped the wreackage of the capsule that brought her back to Earth, had to deal with a lot of mercenary militias that would pillage and kill the survivors of the wreckage. One night, as she was hiding from a patrol of mercernaries, she found herself next to a little family, her baby in her arms. Her baby started to cry and would have had her and the family next to her spotted and killed. She had no other choice to survive but to smother her own child to death, all while crying.
- Rape as Backstory: May explain why rape is Sarah's Berserk Button, along with mistreatment of children, of course.
- Red Herring Twist: In the last chapters, a young boy asks Harato if he could fill in the dissident army's application form for him. The boy looks a lot like a grown-up Tsumuri. It's only implied that it's him indeed.
- Replacement Goldfish: On a whim, Harato saved a random boy during a tribal genocide because he reminded him of his brother. And he never should have done that.
- La Résistance: The militia led by Harato, Sarah's eldest son is actually working against both Epoch and Mother Earth.
- Road Series: Sarah and Tsue drive from town to town, all through the story, making business and finding clues to the location of Sarah's children.
- Scenery Porn: Nagayasu's drawings are exquisitely refined and precise, both in depicting the horrors of a war-torn earth and the beauty of some locations.
- She-Fu: Averted. Sarah doesn't fight in an acrobatic style, she fights in a rather academic punch-kick style.
- Shirtless Scene: A deconstructed Rare Female Example. In the work camps she was forced to work in, Sarah had to work shirtless and bra-less. As most prisoners looked on her perfect body, Sarah also starts to lactate. None of this ends well.
- Snake Oil Salesman: Subverted. Tsue may sometimes use a Honest John's Dealership technique, most of the stuff he sells is actually useful.
- Spanner in the Works: Hadn't Lt. Tomaru ruined everything by assuming the corpses in Bard's space colony were victims of an outbreak, none of the Peace Conference fiasco would have happened.
- Statuesque Stunner: Sarah is a beautiful woman in her late-30's/early 40's... who towers over many characters and is often tall enough to look most men she meets right in the eyes.
- Shorter Means Smarter: Tsue isn't always very bright but he's cunning and resourceful enough to work his way through most situations.
- Stripperiffic: Averted. Despite being an attractive Action Mom, Sarah wears convincing combat clothes and, while she may sometimes strip, it's more out of practicality (like exploring underwater premises) than showing off her otherwise perfect body.
- Take That: The Mother-Daughter Reunion arc is a big one towards religion. Sarah isn't afraid to call religious figures "gurus" and is usually quite sceptical towards organized religion.
- Taking the Veil: The whole point of the Mother-Daughter Reunion Arc. Satoko chose to be a nun after having been separated from her parents and siblings but it's also subverted since, in order to survive and take care of the orphans she and the other nuns had taken in, they would survive on the good will of other people, their own cultures (until the soil was too barren to cultivate) and exchanging sexual favors for goods from the soldiers. It doesn't help that the Mother Superior is a former brothel madame.
- That Man Is Dead: Harato eventually renames himself "Latz" after his girlfriend of sorts ruined his plans of revenge against the Mother Earth and Epoch governors. It's hinted that Tsumuri did so as well and renamed himself "Zabel".
- Vanity Is Feminine: Most female antagonists of the series display this, especially the female sergeant who Zach appointed as his "mother" and who spared Tsue because he offered her gorgeous ballgowns and dresses.
- Walking the Earth: A Rare Female Example, especially a solo one since Tsue is much weaker than Sarah is.
- Would Hit a Girl: Comes with the territory.
- Would Hurt a Child: Most military figures, even female ones, are not above using violence towards kids.