- Arkham Asylum: A Serious House on Serious Earth
- The Batman Adventures
- Batman Eternal
- The Dark Knight Strikes Again
- Death of the Family
- For the Man Who Has Everything
- The Nail
- Whatever Happened to the Caped Crusader?
- On a meta-level, Anton Furst's suicide not longer after winning the Academy Award for his set design for Batman. A true genius was lost.
- The scene where Bruce reminisces about his parents' deaths. He's clearly fighting back tears at that point and the man who murdered them is smugly grinning at him from the comforts of his criminal empire.
- A subtle moment, but the exchange between Alfred and Bruce is heartbreaking.
Alfred: Miss Vale called. She was rather concerned. I've noticed that there is a certain weight that lifts when she's here.Bruce: Alfred, why don't you marry her?Alfred: (smiling sadly) That's not exactly what I had in mind, sir.Bruce: I can't go on with that right now.Alfred: If not now... when?
- There is no version of Bruce's parents getting gunned down that isn't a Tear Jerker.
- Flashpoint inverts this to similar results and for extra crazy points is also the event that turns Martha Wayne into that universe's version of the Joker. Chilling. Just chilling.
- The scene in "Batman: The Dark Knight Returns" where Superman pleads to the planet Earth itself for the strength to save its people. Later in that same book, the death of Alfred, as he watches Wayne Manor and his life with the Waynes go up in a roaring ball of flame - as he thinks, "How utterly proper."
- The death of Toyman at the roller coaster (though he had it coming); it's not the actual event that packs the punch, but to see the usually cheery Carrie Kelly completely shattered and crying at the gruesomeness of his death, shedding tears through her silly thick glasses. A couple of pages through the next issue, she is still at it, about to be traumatized for life until Batman calls her to pick him up.
- A Death In the Family, with the infamous panel of Batman carrying Jason Todd's corpse from the ruins.
- This scene is so infamous, that the only death scene more famous that it is the Death Of Superman (whether its the Man of Steel's torn cape flying on a stick or Lois Lane cradling a bloody, bruised and very much dead Superman)
- And in in 'Under The Hood', where Jason had a gun to The Joker's head, telling Batman that if he were to stop him from killing the clown, he'd have to shoot Jason in the face, complete with tears. See here.
- Battle For The Cowl had some moments, despite Batman's actual death happening earlier. Notable points include the idea of supervillains doing good to honor Batman, Batman's holographic will attempting to set right what couldn't be fixed in a lifetime, and Jason Todd finally snapping completely. His actions are hard to sympathize with, but imagine that your Last Words from the most important person in your life are "You're broken, and I couldn't fix you. Maybe someone else can."
- Similarly, the goodbye to Alfred.
- Alfred's reaction when asked by Superman at Bruce's funeral how he is handling it all:
"Am I alright? No, I'm not. ...My son has died."
"I always thought of you as a father to me, but I was wrong. You're not like a father, you are my father Alfred. And the fact I am blessed to have had two amazing ones in this life of mine, well it only makes it harder to say. Goodbye, Dad.
- Similarily, Bruce leaves a message concerning his last farewells, in case of his death.
- Dick mourns Bruce's death by going to Crime Alley and burning the same candle that Bruce inducted Dick into the Bat-Family with. There, via inner monologue, do we learn that it's taking his all not to cry...dang allergies...
- In Knightfall, when Scarecrow makes Batman relive Jason Todd's death, he delivers a eulogy while beating the Joker half to death.
Batman: "Just a boy. Braver than any man. Too brave to become a man."
- Parts of The Killing Joke with regards to the Joker, of all people. The joke at the end, and the following line:
Joker: "Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. You can lock them away... forever."
Joker: No... I'm sorry, but...no. It's too late for that. Far too late...
- The implication being that something happened to him that was so horrible that he gave himself amnesia to forget and still went insane.
- Batman asking the Joker to let him help, and the Joker briefly pausing. You can see that some part of him wants to, but...
- Fridge Horror sets in when you realize that somewhere, buried deep within layers upon layers of insanity and psychological damage, lies a conscience, a small, sane, unchanging fragment of Joker's personality that not only realizes what he's done/doing, but so desperately wants Batman to stop him.
- Another Batman example: you would never believe a Lampshade Hanging to be this, but the story "When Is A Door" from Secret Origins Special #1 (penned by Neil Gaiman himself) has one. Despite being rather nonsensical, The Riddler's longing for "the good old days", back when The Joker wasn't killing everything that had a pulse, always gets to him. Nostalgia may be a part of it, seeing as how Riddler makes several references to the unforgettable sixties Batman TV show. This line is what really makes him crack up:
Riddler: "You look around here these days, it's all different. It's all changed. The Joker's killing people, for God's sake! Did I miss something? Was I away when they changed the rules?"
- The Batman storyline "No Man's Land" has the death of Commissioner Gordon's wife, Sarah, at the hands of the Joker. Joker has a large number of infants held hostage; Sarah rushes in with a gun, and Joker tosses one of the babies at her, forcing her to drop her gun to save it. No points for guessing what he does once she's unarmed. Gordon gets the news outside - he rants tearfully about how the Joker has gone too far and seriously considers killing him, but after shooting him in the knee, chooses law over anarchy and walks away. And if him weeping on the steps as Batman holds him steady doesn't get to you, then the scene of him spending the new year alone, singing Auld Lang Syne dry-eyed over Sarah's grave definitely will.
- Actually, what's even worse is that the Joker isn't laughing as he walks away. Even HE doesn't find it funny, which just makes it depressing.
- Earlier on in "No Man's Land," there's the story where Renee Montoya first really meets Two-Face, "Two Down". At first, Renee is understandably suspicious of Two-Face who is a prominent member of Batman's own Rogues Gallery... but as they work together, even though she never forgets what he now is, she starts bonding with him and seeing what he could have been—-to the point where she's willing to stand up to the Batman himself in his defense. A viewer who doesn't feel her anguish and compassion for this horribly tragic person has no soul.
- Actually, what's even worse is that the Joker isn't laughing as he walks away. Even HE doesn't find it funny, which just makes it depressing.
- Going Sane. This underrated little four-part story arc humanizes The Joker far better than The Killing Joke ever did. The finale is especially sad: it features The Joker's inevitable return to madness and Rebecca hoping in vain for the return of her "missing" fiance, "Joseph Kerr".
- What's worse is the realization that, because the Joker constantly reinvents his personality as a symptom of his madness, events similar to Going Sane may have played out several times over the course of the Joker's career.
- The ending to the Batman: Black and White story ''Two of A Kind'': Two-Face, after being cured of his psychosis and having his face restored, falls in love with his psychiatrist and gets engaged. However, it is revealed that said psychiatrist has a psychotic twin sister who will stop at nothing to get Harvey to herself. She successfully seduces him, but when Harvey tries to break off the affair, she went Jumping Off the Slippery Slope and brutally murders her sister. Harvey, though consumed with rage, realizes that the therapy still works and prevents him from wanting to exact revenge. So he revives his Two-Face persona by burning his newly restored face and meets with the murderous twin, so as to kill her, and does so successfully, though he breaks down heartwrenchingly after having committed the act, cradling her body helplessly, looking as if he was crying. This is less heartbreaking than what he says to Batman after shooting the sister in the chest:
"Then I just waited for you to show up— as you always do— to take me back where I belong... with the rest of the crazy people."
- A recent story in Batman: Streets of Gotham dealt with Mr. Zsasz kidnapping orphans and runaways and forcing them to participate in knife fights for people to gamble on. The Tearjerker comes into play when Batman and Robin encounter Humpty Dumpty, who has been gathering the bodies of the murdered children and giving them toys to try to "fix" them. And it's Christmas time as well, just to twist the knife a little more.
- Batman's final scene in Identity Crisis always gets to me.
- Gotham Central: Crispus Allen's murder. And how his killer got away with it. The only time I've ever cried reading a comic.
- Damian's death and the resulting fallout in the Bat-Family. Batman & Robin in particular has an arc with Bruce going through the 5 stages of grief, where he further alienates and hurts his allies, still bearing wounds from Death of the Family.
- Another Streets of Gotham example is pretty much everything about "Sonny" the orphan and who he is heavily implied to grow up to become. Injured at a fire in his foster home he is sent to Martha Wayne's clinic where Martha and the staff are the only ones to ever show him kindness, and ends up witnessing a crime by some particularly nasty mobsters who break his jaw and infect him with a virus they were planning to use in wiping out Gotham's slumdwellers to test its effects. However he returns to the clinic and Martha and her friends managed to find a cure which averts the deadly epidemic, which causes the most repulsive and sadistic of the mobsters to immediately firebomb the clinic in an insane rage. The kid survives and rushes to find help for an unconscious Martha, only to run into the same mobster who abducts him unseen even as the Justice Society closes in. He then proceeds to inflict horrifying physical, mental, and sexual abuse on the kid for the next few years, beating him till he is unrecognisable and forcing his already broken jaw to set incorrectly making it extremely pointed. All the while taunting him by telling him to "laugh more" and to stop frowning. Given such a horrifying backstory it's depressingly clear how someone like The Joker was born.
- Batman #471. Batman heads into the sewers to investigate an odd string of robberies perpetrated by Killer Croc. Turns out that he had been taken in by a bunch of vagabonds, an old lady protecting him. When Batman finds Croc, Croc goes nuts and starts attacking until Bats realizes that time's up: they're activating a new waterway and it would destroy these people's home. Bats and Croc try to hold back a crumbling wall, but when the old lady falls into the flooding room, Bats is forced to rescue her. Helplessly, everyone watches as Croc is swept away, defiantly screaming at the water before he does. The last panels show the vagabonds singing "Hush Little Baby", the song the old lady used to pacify Croc. He did come back about two years later, but those last panels are still powerful.
- Hush is full of these, but there's a rather subtle and unexpected one at the very end. The Riddler has successfully pulled off one of the most amazing crime waves in Gotham's history, involving nearly every one of Batman's Rogues Gallery and even managing to manipulate the heroes as well; it helps that Riddler is viewed as something of a washed-up, joke villain at this point in the series. He even manages to deduce Batman's secret identity, and thinks that he's finally at the top of the heap...only for Batman, with a single question, to completely destroy those plans: "Who is Batman?" is one of the greatest riddles out there, and if the Riddler gives away the answer, that riddle will become worthless—and the Riddler is so obsessed with puzzles that he physically can't allow that to happen. This could be viewed as a Crowning Momentof Awesome for Batman, but on the other hand, it shows that Riddler, like the Caped Crusader's other villains, is legitimately insane, unable to even enjoy victory because of his psychosis. It's a moment that makes Batman comics more realistic, and a lot more heartbreaking.
- Another Batman Black & White example appears in "Fat City." In that story, a freak accident in Gotham's sewers brings a pile of grease to life, turning it into a liquefied monster that kills people by sucking the fat from their bodies. When every attempt to destroy it fails, Alfred inspires Batman to ask Chloe Willow, "Gotham's fattest woman," for help. Chloe agrees, and is flown to a square in the center of the city to be live bait for the creature. The plan is to blow the monster up with a phosphorus bomb, but when the creature suddenly and viciously attacks, Chloe grabs the bomb from Batman, explaining that she's dying of a heart condition, but wants to go helping Gotham somehow. Batman himself calls her a "brave woman," and she thanks him, before asking him to tell her husband Stanley that she loves him. As Batman swings away, we see a close-up of Chloe, tears on her face, as she detonates the bomb:
Chloe: I-I love you, Stanley.
- And yet another from the Black & White collections: in Good Evening, Midnight, Batman hurries off to deal with a dangerous hostage situation. Alfred, meanwhile, dutifully puts away the untouched dinner and retires to his room, where he opens a box containing a letter from Thomas Wayne to his son. Thomas starts by wondering at Bruce's limitless potential and lamenting the time he wasted in trying to eradicate every disease and vanquish every hate, as we see Batman steadily advancing upon the hostage taker, and then Thomas states he hopes Bruce never has to know such obsession - he wants better for him. As the terrified felon falls, Alfred puts the letter back into his box, pulls out a cake from the fridge, lights a single candle and leaves it in the kitchen, the tiny light flickering as Batman returns home. It's even more painful in the animated adaptation, which keeps a sorrowful piano tune across the short.