Quotes: Tall Poppy Syndrome

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    Film — Animated 

Helen Parr: I can't believe you don't want to go to your own son's graduation.
Bob Parr: It is not a graduation. He is moving from the fourth grade to the fifth grade.
Helen: It's a ceremony!
Bob: It's psychotic. They keep creating new ways to celebrate mediocrity.

    Film — Live-Action 

"If we let you carry on running around town, you'll continue to be exceptional... and we can't have that. You'll put us all out of a job."

    Literature 

"The greater a man's talents, the greater his power to lead astray. It is better that one should suffer than that many be corrupted."
The Director, Brave New World

"In Scotland, there's an enduring hatred of people who are too successful."
Christopher Brookmyre, Caledonia Dreaming

"One did not accidentally graduate from top-tier schools. One strove to get in and to maintain grades once there, and to do that, one usually needed to be a master at conformity. To excel in all the accepted conventions. No, the truly different thinkers often went unnoticed."
Daniel Suarez, Influx

"Everyone, either from modesty or egotism, hides away the best and most delicate of his soulís possessions; to gain the esteem of others, we must only ever show our ugliest sides; this is how we keep ourselves on the common level."
Gustave Flaubert, November

    Music 

"...one of the many fine things one has to admit is the way that the Army has carried the American democratic ideal to its logical conclusion in the sense that not only do they prohibit discrimination on the grounds of race, creed, and color, but also on the grounds of ability."
Tom Lehrer, "It Makes a Fellow Proud to Be a Soldier"

    Podcasts 

Jay: Any big movie, there are gonna be compromises and changes.
Mike: That always seems to be the case unless you're a shitty director. Then you get free range to do what you want. Your M. Night Shyamalans...
Jay: Michael Bay. Nobody's telling him what to do anymore.
Half in the Bag riffs Alien (1979)

    Web Original 

"Burn Gorman is probably the strongest performer of the ensemble but in year one he is handed the least presentable character...Naoko Mori is the weakest member of the ensemble but she has been handed the most likable character. Go figure."

"It's worth noting here that a shocking number of Boston fans LOVE calling [Tom] Brady washed up, because they think he's a pretty Cali boy and not one of them, and they can only tolerate Brady when he's winning titles. The lack of affection is stunning. In any other town, Brady would be a god. But Pats fans hate being repped by a dude who does magazine shoots. No title means Brady goes back to being a FAG in their eyes again. They secretly can't wait for Janeane Garofalo to take over. NOW THAT KID LOOKS TOUGH!"

"Hogan has the biggest ego in the history of pro wrestling. Someone who was younger and obviously more talented was taking over his spot. This is a guy who will never, ever admit that he was one of the luckiest men to ever live. I honestly think if Terry Bollea wasnít around, Vince would have foundóand madeóanother Hulk Hogan. Probably one with a moveset that included more than a punch, bodyslam and horrible looking legdrop."
Bleacher Report, "Bret Hart is Right, Hulk Hogan is a Bum"

"It seems only appropriate that the last guy on the list is Zack Ryder. When the company was on their other old scam of telling guys they needed to come up with ways to get themselves over, Ryder did, creating a goofy YouTube show that got him tons of attention on every conceivable social media. And we all know how much WWE loves social media! But since this was NOT their idea, Ryder has been killed over and over and those ďWe Want RyderĒ chants vanished. As has Ryder, who is so rarely seen on WWE television that one has to question why they havenít bothered to just go ahead and future endeavor him...Ryder is, to me, is the guy who is what this Ďawardí is all about. I mean, seriously — WWE tells their guys to do something to get themselves over, this guy does it with absolutely zero assistance from the company, and then is buried six feet below the earth."

"I donít care if you make a crappy sequel to The Mask with your even crappier Jamie Kennedy. We are talking about a cheap cash in. I get that. But if you are making a cheap cash in, why the f*ck would you give this schmuck more than $30 million, 40, 50, 60, 90 MILLION!? Where do you draw the line? Where do you stop? It just seems to me if I were the head of New Line, I would say 'You want your crappy cash in, you have $30 million to make it and no more.' There at least with theatrical release and DVD sales, you make a tidy profit. But with 90 million, you need at least 180 million dollars to make back your money... Think of the sheer number of low budget movies that could be made on $90 million dollars. Or the number of movies you could make with Evan Almightyís budget of 200 million. Think of the number of wonderful directors that cannot get even a few million for their projects. Steven Spielberg, arguably the greatest director working today (arguably), cannot get $30 million to finish his Abe Lincoln biopic he had been wanting to do for years. Steven Spielberg no, but Son of the Mask; yes, yes, 90 million dollars YES!!!"

"Originally, Joel Soisson, the writer of [Highlander] Endgame, wrote the script. Not surprisingly, it sucked. He got dropped from the project, and Peter Briggs, the screenwriter for Hellboy, came in. In preparation for the project, Briggs actually did research and listened to fans, rewatching all of the movies and the TV series and signing up on the official Highlander message boards under an alias so he could figure out what fans wanted. With someone so dedicated to making a quality film, itís not surprising that he got kicked off the project. Canít have quality and a respect for the source material in this franchise, no sirree. His replacement was Stephen Kelvin Watkins, a guy who had never written a professional screenplay before and who I assume was hired because he came on the cheap."
The Screamsheet on Highlander: The Source

"Fourth grade, academically, was not what I would call one of the good years. Actually, it's decisively the worst year of elementary school. The issue was a teacher who was, and you'll have to forgive my profound lack of humility here, completely unsuited to having a smart kid in her class...Some teachers I had rose to the challenge, testing me back, trying to see if they could find my limits. Others treated me as an inconvenient barrier to what I imagine they saw as their real job, educating people who were not already smart. Mrs. Aschauer, my fourth grade teacher, was in the latter category, a problem that culminated in the absurd moment in which she suggested to me that many of my problems could be solved if only I'd stop being so smart."

"From the haterís POV, you (the Koolaid server) do not 'deserve' that attention. You are 'stealing' an audience. From their angry, frustrated point of view, the idea that others listen to you is insanity. From their emotion-fueled view you donít have readers you have cult followers. That just canít be allowed.

You must be stopped. And if they cannot stop you, they can at least ruin your quality of life. A standard goal, in troll culture, I soon learned, is to cause 'personal ruin'."
Kathy Sierra, "Why the Trolls Will Always Win"

"'You think youíre so cool' became the basis for an entire book by Fox News pundit Greg Gutfeld, who wrote an entire book called Not Cool: The Hipster Elite and Their War on You. So much for the conservative claim that striving individuals should be rewarded for their contributions to society. If youíre a successful scientist, writer, or even just an actor, you are now one of the 'termites of life' who presumably should be extinguished."
Amanda Marcotte, "Why they really hate Neil deGrasse Tyson"

    Web Video 

Jay: Styker went on to become a great ECW commentator—I'm actually serious about that—as he was a huge wrestling fan and a historian. He's very sharp and he knows his stuff, as well. And also, after the live Raw and Smackdown, Vince would be too knackered to even care about ECW, so people would get to shine; you'd get to see what they can actually do. He made a horrific decision: He'd routinely embarrass Jerry Lawler who doesn't watch the show, doesn't know anything, just shows up and spouts out lines. And he'd embarrass him, pick holes in whatever he was saying. For that he was muzzled and he had his credibility shattered, as Vince would demand he'd bark out incorrect facts, garbage.
V1: "The pile driver was invented in 1774 by—"
OOC: "George Washington!"
Jay: So by the end, he became a worse version of Michael Cole. It's very sad, 'cause you see what he was capable of, and as soon as he was moved to the big leagues, Raw, Smackdown... [imitates falling bomb]
V1: Don't. Embarrass. The King.
OSW Review on December to Dismember 2006, Ep. 43

"We. Don't. Need. Sting. We don't need a 55-year-old motherfucker and Triple H on a PPV...We don't need this. We have so many new characters out there they need to bring up, and in a hurry. Because if John Cena gets injured, if Randy Orton gets injured, then they are in Such. Deep. Shit. And they're doing everything they can right now to bury guys like Dean Ambrose, (ESPECIALLY) Cesaro, and so many other guys deep beneath the earth. They desperately need to bring in some of the newer guys (and some of the veterans), they need to give 'em a chance. They need to bring Sami Zayn, they need to bring Finn BŠlor, Kenta, Tyson Kidd — they need to bring so many of these guys to just freshen things up. Guys who have been proven. These guys have pedigree. But they need to start handing the ball off.
Because the one thing we
don't need is Sting. This is not the "seasoning" we need here. We do not need to go backwards. We need to really, really push forwards."

    Western Animation 

"Arthur, you're making the other accountants nervous. We all find this kind of... rampant individuality... very disturbing."
Mr. Widerspann, The Tick

    Real Life 
All serious innovation is only rendered possible by some accident enabling unpopular persons to survive.
Bertrand Russell, In Praise of Idleness and Other Essays

Everyone is a genius, but if you judge a fish for its ability to climb up a tree, it'll spend its whole life thinking itself being stupid.

Iíve never been certain whether the moral of the Icarus story should only be, as is generally accepted, 'Donít try to fly too high,' or whether it might also be thought of as, 'Forget the wax and feathers and do a better job on the wings.'

The theory seems to be that so long as a man is a failure he is one of God's chillun, but that as soon as he has any luck he owes it to the Devil.

Only in Britain could it be thought a defect to be 'too clever by half.' The probability is that too many people are too stupid by three-quarters.

America is proud of what it does to its writers, the way it breaks and bedevils them, rendering them deluded or drunken or dead by their own hands. To overpower its tender spirits makes America feel tough. Careers are generally short.
Martin Amis, "The Moronic Inferno and Other Visits to America"

There has never been a Hollywood director more successful than Steven Spielberg. Not Cecil B. DeMille, not John Ford, not Frank Capra or Alfred Hitchcock or George Lucas or Francis Ford Coppola or any combination of two of those names...Because you cannot be stupid and get far in Hollywood, the people who make bad movies are usually smart enough to know they are bad. Hollywood is such a competitive town that you need to be smart, gifted and luck to claw yourself up to the point where you can make bad movies. There is a lot of self-hatred involved.

Now here comes this kid who makes it look so easy. Who can't seem to fail. Who makes a movie like E.T. that not only grosses hundreds of millions of dollars but is just as popular all over the world as here at home, and is even acclaimed as a masterpiece of popular art. There is something unfair about it. Nobody should get all the breaks...It's not even that the voters didn't like it. They probably did like it. But in the politics of Oscar (can't you hear them saying), 'This just wasn't Steven's year.'

It made me sad when she passed, and it made me mad at the time how available she was. Jan should have had a bigger career. Jan deserved a big movie career. Certainly as big as Rob Schneiderís fucking career. She was a bigger star on SNL.
Tina Fey on Jan Hooks

You know whoís not laughing at that quick burn to Rob Schneiderís asshole? Tinaís accountant and manager. Tina really stepped it in barefoot this time, because now sheíll never get a call for the lady lead in The Animal 2.

TNG was just a happy place to be. It was the kind of place where there were no bad ideas in the room. Michael [Piller] created an atmosphere where you really felt free to voice your opinions. You could argue with the boss. I argued with Mike a lot, right to the point I thought I should be fired, but he never even came close to that. Thatís a tribute to him...What I found on Voyager was suddenly it wasnít about the work anymore. It wasnít about making the best show that we possibly could; it was about all these other extraneous issues. It was about the politics of the show, and the strange sort of competition of egos within the writing staff and the producing staff and the management of the show. ĎCompetitioní is probably a misleading term. The politics of the show were such that the egos of the people in charge of the series were threatened by the people who worked for them...it was done was to keep the guys on the top of the pyramid feeling good about themselves.
Ronald D. Moore on Star Trek: Voyager

When they ended Goldberg's streak, it was the biggest mistake that company ever made. The fans weren't tired of him—they were buying tickets to see him, buying his shirts, chanting his name. But some people didn't care about that.
WCW announcer Bobby Heenan

There's an old belief in wrestling that bookers shouldn't be on-screen talent themselves: it's almost impossible for them to do what's right for business, since what's right for business is usually not them...While some companies tried way too hard to get a family member over as a star, they were at least trying to get someone over as a star. WCW killed all their talent. They killed the undercard guys by making them out to be bit players, they killed the mid-carders by making it very clear that they were mid-carders for life, and they killed anyone even close to the top of the pack by booking them as goofs or losers...As it turned out, nobody was a star, and worse, when it appeared a wrestler was starting to get some fan support, he was immediately booked into oblivion.
R. D. Reynolds and Bryan Alvarez, The Death of WCW