Follow TV Tropes

This is based on opinion. Please don't list it on a work's trope example list.

Following

Nightmare Fuel / 1408

Go To

Per wiki policy, Spoilers Off applies here and all spoilers are unmarked. You Have Been Warned.

It wouldn't be a Stephen King adaptation without some truly horrifying moments.

The Film

https://static.tvtropes.org/pmwiki/pub/images/1408_nightmare_fuel.jpg
  • Absolutely everything that happens in room 1408.
    • "As you are, I was. And as I am, you will be."
    • When the room directory changes to show the hotel completely blacked out except for 1408.
    • "Five. This is five. Ignore the sirens. Even if you leave this room, you can never leave this room..."
    • That... fucking... phone. And the clock radio. You will NEVER hear “We’ve Only Just Begun” the same way again…
    • The windows.
    • We've only just begun to live . . .
    • To say nothing of when it hijacks his video chat with his ex to get her to come up to the room so she'll die too.
    • One of the alternate endings on the Blu-ray release has Mike's editor receiving the manuscript he wrote—though God only knows how he got it—and reading it. Quotes from the movie begin to play, looping and overlapping each other, including a few from that delightful phone (including one that didn't happen in the movie—"Your daughter is being eaten by wolves on the Connecticut turnpike") as the camera slowly backs away from the editor...through the now-inexplicably empty office. The doors swing shut accompanied by "As I am...", and the movie cuts to black just before "...you will be." Brrr...
    • Mike tries to escape through the vents, only to be chased back into 1408 by the reanimated corpse of Kevin O'Malley, one of the room's first victims.
    • The Reveal that at the end of the hour, Enslin gets to look forward to experiencing it again. And again. And again...
  • Watching your child slowly dying from a horrible illness. Full stop.
  • The false ending gives way to a worse piece: the evil room trots out Enslin's dead daughter, lets him hold her as she begs him not to let "them" take her away, then she crumbles to ash in his arms.
  • The very real possibility that Enslin might never have escaped the room after all. Earlier he hallucinated that it was All Just a Dream, and the vision lasted days, perhaps weeks from his perspective, before the room revealed the truth, and Enslin was completely fooled. When the credits roll there's no way to know if he actually made it out, or if the room just did the same stunt and is letting him enjoy the reprieve before pulling him back in...
  • The most unsettling thing about Room 1408 is that it's unknown what truly resides in the room. The Room itself seems to work around the concept of Genius Loci, playing off as a normal hotel room before psychologically tormenting its victims with past sins/mistakes/regrets/events of their lives against it, keeping them in the room until they either take their lives or repeat the hour they're now trapped in. When Olin calls 1408 an "evil fucking room", he truly means it, since what else could the Room be?
    • This also could apply to the entire 14th floor as well. When Enslin first arrives to the 14th floor, there's a sense of unease as he circles the floor and looking through the information about 1408, all while noises are heard from each room. There's a housekeeper and later on a shot of left over food with flies, but other than that...it seems completely deserted. Yet, earlier, when Mike floated the idea that Olin is playing up 1408's reputation for gain, Olin shoots back that the Dolphin operates consistently at almost peak capacity. So, where are the other guests?
  • Enslin looking around the room in the dark, using a blacklight to see the bloodstains left by the room's previous victims long after they've been cleaned up. Every time the light reveals a particularly large patch of blood, we see a flash of the appropriate victim from Olin's folder. It's a grim reminder to Mike and the audience that whatever he believes about the room by this point, he can't actually deny that people have really suffered and died within the room, in very bad ways.

The Short Story

  • It's more psychedelic than Gothic and ghostly, but the imagery (and the protagonist's increasingly disjointed comments) will still make you sleep under the covers. Same with the descriptions of the room's "effects" on visitors. Even if you're not creeped out by the long (very long) beginning sequence where the hotel manager tries his best to convince Our Hero that he should just walk away, the room itself starts messing with reality before we've even seen the inside of it;
    The door was crooked.
    Not by a lot, but it was crooked, all right, canted just the tiniest bit to the left.
    ...
    He pushed RECORD [on his minicorder] as he straightened up, saw the little red eye go on, and opened his mouth to say, "The door of room 1408 offers it own unique greeting; it appears to have been set crooked, tipped slightly to the left."
    He said The door, and that's all. If you listen to the tape, you can hear the words clearly, The door and then the click of the STOP button. Because the door wasn't crooked. It was perfectly straight. Mike turned, looked at the door of 1409 across the hall, then back at the door of 1408. Both doors were the same, white with gold number-plaques and gold doorknobs. Both perfectly straight.
    Mike bent, picked up his overnight case with the hand holding the minicorder, moved the key in his other hand towards the lock, then stopped again.
    The door was crooked again.
    This time it tilted slightly to the right.
  • Stephen King actually reads 1408 on an audiobook called Blood and Smoke. It's even worse hearing his weird, creepy voices than it was reading the text!
  • For Enslin, he's so traumatized that he disconnected all the phones in his house and has to sleep with a nightlight. After an experience like that, you can't blame him. "Even if you leave this room you can never leave this room"
  • The Evil Phone screeching in a high-pitched robotic voice "This is nine. Nine. We have killed your friends. Every friend is now dead."
  • Enslin's final realization: "It was never human. Ghosts... at least ghosts were once human. The thing in the wall, though... that thing..." So what was it?
    • The story is very reminiscent of King's previous short story Crouch End, which was inspired by H.P Lovecraft. Vetter, one of the characters of that story, describes Crouch End as a spot on a rubber ball where the rubber has worn away to almost nothing, letting whatever is on the other side begin to seep through. Room 1408 might very well be another place just like that.
      Vetter: And sometimes I think, wouldnt it be a day if one day the last of that rubber just...wears off? Wouldnt it be a day, Farnham?
  • The cleaning woman who was struck blind while working in the room. She wasn't even struck blind technically, but suffered some sort of mind-breaking amalgam of colors not belonging to our reality in her vision. Once she was outside, her vision returns to normal again.
  • The menu sequence. Enslin flips through the pages, before settling on one particular item. Each time he closes his eyes the menu changes to a different horrific vision, ending with a boy being eaten by wolves.
  • "My brother was killed by wolves on the Connecticut Turnpike..."
  • "Remember that if you try to solve the puzzle and fail, you will be put out into the snow beside the Connecticut Turnpike and the wolves will eat you."
  • The changing painting of the woman.
  • "I have to get out of here."

Top