Trevor: The dream to awaken our world. Aeon: You're out of control. Trevor: I take control... Whose side are you on? Aeon: I take no sides. Trevor: You're skating the edge. Aeon: I am the edge. Trevor: What you truly want, only I can give. Aeon: You can't give it, can't even buy it, and you just don't get it.
It's a possible trait of inhabitants of the Spirit World in Avatar: The Last Airbender. Avatar Yangchen, the previous Air Nomadic Avatar, mentions to Aang that many Air Nomads have detached themselves from all worldly concerns and achieved spiritual enlightenment, but the Avatar can never do it because it's the Avatar's job to be the bridge between the physical world and the spiritual world, which requires them to be a part of the world they're protecting. It's likely the Avatar was created so that a powerful spiritual being could comprehend humanity and the concerns of the physical world, and thus not have blue and orange morality as a result of their detachment. From what we see of the other spirits - most of whom are capricious, whimsical, offhandedly cruel, violently attached to one single concept or another, or just plain alien - it was a necessary step.
The Legend of Korra confirms that the spirits' blue and orange morality was why the Avatar was created. Humans and spirits did not trust each other, and spirits frequently attacked humans with seemingly little provocation, except that humans were doing what they needed to do to survive. During Wan's lifetime, the spirits' cruelty to humans as well as the effects of Raava and Vaatu's eternal struggle were precisely why Wan became the Avatar; after the Harmonic Convergence in which Vaatu was defeated and imprisoned, Wan decides to use his powers to send the spirits back to their world and close the spirit portals, to protect humanity and keep the peace among the four newly-united Lion Turtle cities.
Dinobot in Beast Wars: "I have honour, but it is PREDACON honour!" That seems to mean that if you don't trust your leader's competence, you usurp them; if said leader is unable to prevent this, that leader isn't fit to command.
So, basically, Sith.
In King of the Hill, Hank Hill has some thoughts on this trope: "What kind of code lets you return a bag of shaving cream and not marry a girl you got knocked up?" Much of the show's humor comes from contrasting morality systems that will seem strange to either one or another group of characters in the show or the audience. For instance, an acceptable and encouraged tradition was called the "McMaynerbury Whuppin'," which involved the McMaynerbury school band beating the crap out of the Arlen mascot. When Bobby ran away because he didn't want to get beat up, they tried to have him stricken from the school yearbook.
"Keep Calm and Flutter On" reveals he only needed a friend, proving once again, Friendship Is Magic.
Discord seemingly claims higher ground when he says he doesn't turn his opponents to stone, implying that he considers his imprisonment a greater offense than anything he's done. Obviously, to an embodiment of chaos and change, being trapped in an unchanging form would be horrifying.
The Changelings might be this, depending on whether they merely feed on love as a food source or if they exploit The Power of Love to make themselves more powerful. If the former, their treatment of the ponies to them would be equivalent to cultivating livestock.
Ponies seem to consider being mind-controlled as something that just kinda happens, and if the controller has your best interest at heart, so much the better. Nobody bats an eye at Twilight's constant use of such magic (including one instance that reduced the town to shambles and another that sparked a riot), and Cadence is likewise allowed to brainwash an arguing couple into dropping the matter.
Similarly, nobody seems to have any problem with anypony (usually Twilight) magically preventing others from moving and then dragging them places.
Roger's species from American Dad! has this, probably because they become violently ill if they aren't casually cruel. Or as Roger himself puts it, "Let out their bitchiness." They're also not above using live crash test dummies.
Chaos from Aladdin: The Series thought in terms of "predictable" and "unpredictable", and above all, fun for him.
The titular lovable Man Child of Dan Vs. operates on a very skewed honor code and set of morals. He's willing to do just about anything in his pursuit of revenge but when it comes to the revenge itself he won't go farther than what he feels is deserved, such as hunting a werewolf who scratched his car so he can merely key the werewolf's car, or halting his vengeance against a wild west theme park that "cheated him out of $20" after he felt the things he did trying to get said vengeance (such as sticking someone up and having a Quick Draw with the corrupt sheriff) was well worth the money he spent.
Rick and Morty is basically built around this trope, consistently contrasting straightforward morality of Morty with peculiar moralities of alien species.
For Meeseeks (who are actually blue and orange) their sole Goal in Life is performing a single given task and disappearing. Prolongued existence is extremely painful to them, making it understandable if they take some drastic measures to complete the task.
Abradolf Lincler is a failed experiment of Rick to create a morally neutral super leader by combining DNA of Adolf Hitler and Abraham Lincoln. The result is an extremely morally confused and ambiguous Tortured Monster.
Transdimensional being known as Fart reveals before the end that carbon-based life forms are like a disease to his species and that they plan to exterminate them appealing to Morty's own moral code for protecting life above everything else.
Peridot in Steven Universe is shown to view right and wrong in terms of the greater good of the Gem Empire, at one point describing an image of a hollowed-out Earth that couldn't possibly sustain life as "beautiful" because of how much it would have helped the Diamond Authority, compared to Earth's current situation of having a gargantuan fusion abomination growing inside it, which wouldn't really benefit anyone; the only thing higher than this is her own survival. She also has trouble grasping the concept of romantic affection, creating a shipping grid for a TV show based on which pairing would gain the best tactical advantages, and puts so much stock in logic and reason that she rebels upon learning that her superior is in fact motivated largely by spite, despite not being particularly rational herself in many situations.