Is there a trope for a character being more deeply fleshed-out in an adaptation? For instance, Mizuki was given more screen time, more first-person content and generally more clear definition of her character in the TV series than in the original manga. She became more independent, more dedicated, with much more demonstration of what she's doing and why she's doing it. It's particularly more thorough in its presentation of her feelings toward Sho and Agito, adding in her expressing fear toward Agito after he killed all the villagers, as well as a conversation with Murakami about how she used to look down at Sho for not being athletic enough, and having her give a long narrative before seeing Sho off at the relic about how much he means to her.
Is there a trope for a character being more deeply fleshed-out in an adaptation? For instance, Mizuki was given more screen time, more first-person content and generally more clear definition of her character in the TV series than in the original manga. She became more independent, more dedicated, with much more demonstration of what she's doing and why she's doing it. It's particularly more thorough in its presentation of her feelings toward Sho and Agito, adding in her expressing fear toward Agito after he killed all the villagers, as well as a conversation with Murakami about how she used to look down at Sho for not being athletic enough, and having her give a long narrative before seeing Sho off at the relic about how much he means to her.