Follow TV Tropes

Following

Discussion History Characters / SuperRobotWarsJudgment

Go To

[006] Mysterion Current Version
Changed line(s) 1 from:
n
That's factually incorrect to say that Calvina takes over for Touya while he's gone. The opposite is true: Touya's plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It's not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes an ''active participant'' in the plot again, rather than a MagGuffin the villains are after.
to:
That\'s factually incorrect to say that Calvina takes over for Touya while he\'s gone. The opposite is true: Touya\'s plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It\'s not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes an \'\'active participant\'\' in the plot again, rather than a MacGuffin the villains are after.
Changed line(s) 3 from:
n
Between those points the Judgement part of the plot revolves around: Calvina's grudge, Al-Van's supremely poor communication skills, and Jau-Mu's rise and fall as a knight as he battles Calvina (in the chapters where Lamalice aren't distracting everyone). In other words, it's about Calvina and the villains' connection to ''her''.
to:
Between those points the Judgement part of the plot revolves around: Calvina\'s grudge, Al-Van\'s supremely poor communication skills, and Jau-Mu\'s rise and fall as a knight as he battles Calvina (in the chapters where Lamalice aren\'t distracting everyone). In other words, it\'s about Calvina and the villains\' connection to \'\'her\'\'.
Changed line(s) 1 from:
n
That's factually incorrect to say that Calvina takes over for Touya while he's gone. The opposite is true: Touya's plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It's not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
to:
That\'s factually incorrect to say that Calvina takes over for Touya while he\'s gone. The opposite is true: Touya\'s plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It\'s not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes an \'\'active participant\'\' in the plot again, rather than a MagGuffin the villains are after.
Changed line(s) 3 from:
n
Between those points the Judgement part of the plot revolves around: Calvina's grudge, Al-Van's supremely poor communication skills, and Jau-Mu's rise and fall as a knight as he battles Calvina (in the chapters where Lamalice aren't distracting everyone). In other words, it's about Calvina and the villians' connection to ''her''.
to:
Between those points the Judgement part of the plot revolves around: Calvina\'s grudge, Al-Van\'s supremely poor communication skills, and Jau-Mu\'s rise and fall as a knight as he battles Calvina (in the chapters where Lamalice aren\'t distracting everyone). In other words, it\'s about Calvina and the villains\' connection to \'\'her\'\'.
Changed line(s) 1 from:
n
That's factually incorrect to say that Calvina takes over for Touya while he's gone. The opposite is true: Touya's plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It's not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
to:
That\'s factually incorrect to say that Calvina takes over for Touya while he\'s gone. The opposite is true: Touya\'s plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It\'s not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
Changed line(s) 3 from:
n
Between those points the Judgement part of the plot revolves around: Calvina's grudge, Al-Van's supremely poor communication skills, and Jau-Mu's rise and fall as a knight (in the chapters where Lamalice aren't distracting everyone). In other words, it's about Calvina and the villians' connection to ''her''.
to:
Between those points the Judgement part of the plot revolves around: Calvina\'s grudge, Al-Van\'s supremely poor communication skills, and Jau-Mu\'s rise and fall as a knight as he battles Calvina (in the chapters where Lamalice aren\'t distracting everyone). In other words, it\'s about Calvina and the villians\' connection to \'\'her\'\'.
Changed line(s) 1 from:
n
That's factually incorrect to say that Calvina takes over for Touya while he's gone. The opposite is true: Touya's plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It's not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
to:
That\'s factually incorrect to say that Calvina takes over for Touya while he\'s gone. The opposite is true: Touya\'s plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It\'s not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
Changed line(s) 3 from:
n
Between those points the Judgement part of the plot revolves around, Calvina's grudge, Al-Van's supremely poor communication skills, and Jau-Mu's rise and fall as a knight (in the chapters where Lamalice aren't distracting everyone). In other words, it's about Calvina and the villians' connection to ''her''.
to:
Between those points the Judgement part of the plot revolves around: Calvina\'s grudge, Al-Van\'s supremely poor communication skills, and Jau-Mu\'s rise and fall as a knight (in the chapters where Lamalice aren\'t distracting everyone). In other words, it\'s about Calvina and the villians\' connection to \'\'her\'\'.
Changed line(s) 1 from:
n
That's factually incorrect to say that Calvina takes over for Touya while he's gone. The opposite is true: Touya's plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It's not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
to:
That\'s factually incorrect to say that Calvina takes over for Touya while he\'s gone. The opposite is true: Touya\'s plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It\'s not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
Changed line(s) 3 from:
n
Between those points the Judgement part of the plot revolves around, Calvina's grudge, Al-Van's supremely poor communication skills, and Jau-Mu's rise and fall as a knight (in the chapters where Lamalice aren't distracting everyone). In other words, it's about Calvina and the villians' connection to her.
to:
Between those points the Judgement part of the plot revolves around, Calvina\'s grudge, Al-Van\'s supremely poor communication skills, and Jau-Mu\'s rise and fall as a knight (in the chapters where Lamalice aren\'t distracting everyone). In other words, it\'s about Calvina and the villians\' connection to \'\'her\'\'.
Changed line(s) 1 from:
n
That's factually incorrect to say that Calvina takes over for Touya while he's gone. The opposite is true Touya's plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It's not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
to:
That\'s factually incorrect to say that Calvina takes over for Touya while he\'s gone. The opposite is true: Touya\'s plotline fades into the background between him discovering the drive to become a pilot, and him actually being captured. It\'s not until Touya gets some answers from that and kidnaps the princess in his escape, that he becomes the Hero again.
Changed line(s) 3 from:
n
Between those points the Judgement part of the plot revolves around, Calvina's grudge, Al-Van's supremely poor communication skills, and Jau-Mu's rise and fall as a knight (in the chapters where Lamalice aren't distracting everyone). In other words, it's about Calvina and the villians' connection to her.
to:
Between those points the Judgement part of the plot revolves around, Calvina\'s grudge, Al-Van\'s supremely poor communication skills, and Jau-Mu\'s rise and fall as a knight (in the chapters where Lamalice aren\'t distracting everyone). In other words, it\'s about Calvina and the villians\' connection to her.
Top