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Wyldchyld
Current Version
Changed line(s) 2 from:
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** Volume 2 has 12 episodes that are all around 12 minutes each (to address the very common 'short episode' complaint Volume 1 was hit with) and has improved animation due to Monty changing the character rig.
** Volume 3 seems to be answering complaints from Volume 2. The pacing is faster, Jaune's screentime has been greatly reduced (answering complaints that he was a one man SpotlightStealingSquad) and the villains are finally given motives and development.
** After almost three seasons of the heroes never really being put in enough danger or suffering major consequences for losing fights,
** Volume 3 seems to be answering complaints from Volume 2. The pacing is faster, Jaune's screentime has been greatly reduced (answering complaints that he was a one man SpotlightStealingSquad) and the villains are finally given motives and development.
** After almost three seasons of the heroes never really being put in enough danger or suffering major consequences for losing fights,
to:
** Volume 2 has 12 episodes that are all around 12 minutes each (to address the very common \'short episode\' complaint Volume 1 was hit with) and has improved animation due to Monty changing the character rig.
** Volume 3 seems to be answering complaints from Volume 2. The pacing is faster, Jaune\'s screentime has been greatly reduced (answering complaints that he was a one man SpotlightStealingSquad) and the villains are finally given motives and development.
** After almost three seasons of the heroes never really being put in enough danger or suffering major consequences for losing fights, \"Heroes and Monsters\" suddenly delivered in a way nobody expected when [[spoiler:Yang\'s arm got cut off]]. While the fans are largely shocked and horrified by this, they\'re also relieved that the show is attempting such a level of gravitas.
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Are these really examples? As far as I can tell from the trope description, this is for cases where the fanbase has walked away from the work and the creator does something to bring the ratings and popularity back. These seem to be nothing more than an observation of certain criticisms that fans had with the show being addressed, which wouldn\'t be this trope. None are examples of creators making major changes in order to win back the lost fanbase.
** Volume 3 seems to be answering complaints from Volume 2. The pacing is faster, Jaune\'s screentime has been greatly reduced (answering complaints that he was a one man SpotlightStealingSquad) and the villains are finally given motives and development.
** After almost three seasons of the heroes never really being put in enough danger or suffering major consequences for losing fights, \"Heroes and Monsters\" suddenly delivered in a way nobody expected when [[spoiler:Yang\'s arm got cut off]]. While the fans are largely shocked and horrified by this, they\'re also relieved that the show is attempting such a level of gravitas.
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Are these really examples? As far as I can tell from the trope description, this is for cases where the fanbase has walked away from the work and the creator does something to bring the ratings and popularity back. These seem to be nothing more than an observation of certain criticisms that fans had with the show being addressed, which wouldn\'t be this trope. None are examples of creators making major changes in order to win back the lost fanbase.
