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* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Music/{{Duke}}'' was to Music/{{Genesis}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles Music/JohnFoxx introduced on ''Music/SystemsOfRomance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
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* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Music/{{Duke}}'' was to Music/{{Genesis}} Music/{{Genesis|Band}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles Music/JohnFoxx introduced on ''Music/SystemsOfRomance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
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* FirstInstallmentWins: ''Vienna'' is generally agreed upon by fans and critics as being the best album of the Midge Ure era of Ultravox, though some consider "Music/RageInEden" as their finest work.
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* FirstInstallmentWins: ''Vienna'' is generally agreed upon by fans and critics as being the best album of the Midge Ure era of Ultravox, though some consider "Music/RageInEden" ''Music/RageInEden'' as their the Ure era's finest work.
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* SugarWiki/AwesomeMusic: The whole LP is great from start to finish, but "Vienna", "All Stood Still", "Mr. X", and "Sleepwalk" are stone-cold classics.
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* FirstInstallmentWins: ''Vienna'' is generally agreed upon by fans and critics as being the best album of the Midge Ure era of Ultravox.
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* FirstInstallmentWins: ''Vienna'' is generally agreed upon by fans and critics as being the best album of the Midge Ure era of Ultravox.Ultravox, though some consider "Music/RageInEden" as their finest work.
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* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Duke'' was to Music/{{Genesis}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles Music/JohnFoxx introduced on ''Music/SystemsOfRomance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
to:
* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Duke'' ''Music/{{Duke}}'' was to Music/{{Genesis}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles Music/JohnFoxx introduced on ''Music/SystemsOfRomance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
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* SignatureSong: The TitleTrack is one for Ultravox.
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* SignatureSong: The TitleTrack is one remain Ultravox's best-known work, being frequently featured in media as a key representative of the 80's.
* SuspiciouslySimilarSong: "Mr. X" shares the same synth and bass melodies as "Touch & Go" by their former frontman Music/JohnFoxx. "Touch & Go", as well as as "He's A Liquid" (both from Foxx's solo debut ''Metamatic''), would actually originate from Ultravox, being preformed with Foxx during his final tour with the band in 1979. Neither Ultravox nor Foxx credited each other on their respective releases; ''Vienna'' being released after ''Metamatic'' makes it possible Ultravox didn't credit Foxx as a TakeThat forUltravox.not crediting them for ''Touch & Go''.
* SuspiciouslySimilarSong: "Mr. X" shares the same synth and bass melodies as "Touch & Go" by their former frontman Music/JohnFoxx. "Touch & Go", as well as as "He's A Liquid" (both from Foxx's solo debut ''Metamatic''), would actually originate from Ultravox, being preformed with Foxx during his final tour with the band in 1979. Neither Ultravox nor Foxx credited each other on their respective releases; ''Vienna'' being released after ''Metamatic'' makes it possible Ultravox didn't credit Foxx as a TakeThat for
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Changed line(s) 1 (click to see context) from:
* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Duke'' was to Music/{{Genesis}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles John Foxx introduced on ''Systems of Romance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
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* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Duke'' was to Music/{{Genesis}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles John Foxx Music/JohnFoxx introduced on ''Systems of Romance'', ''Music/SystemsOfRomance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
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* SignatureSong: The TitleTrack is one for Ultravox.
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* SignatureSong: The TitleTrack is one for Ultravox.Ultravox.
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* BrokenBase: ''Vienna'' ended up being to Ultravox what ''Duke'' was to Music/{{Genesis}} earlier that same year. Depending on who you talk to, you'll meet fans who either enjoyed the change in tone Ultravox took on and the album's continuation of the styles John Foxx introduced on ''Systems of Romance'', or fans who feel that Ultravox lost their way on ''Vienna'' by removing the edge of the John Foxx-penned records.
* FirstInstallmentWins: ''Vienna'' is generally agreed upon by fans and critics as being the best album of the Midge Ure era of Ultravox.
* SignatureSong: The TitleTrack is one for Ultravox.
* FirstInstallmentWins: ''Vienna'' is generally agreed upon by fans and critics as being the best album of the Midge Ure era of Ultravox.
* SignatureSong: The TitleTrack is one for Ultravox.
