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* HilariousInHindsight: In the novel, reference is made to Dickie being portrayed as a "combination of Paul Gauguin and Creator/ErrolFlynn". Creator/JudeLaw would also make a cameo appearance as Flynn in ''Film/TheAviator'' (which also had Creator/CateBlanchett in it).

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* HilariousInHindsight: HilariousInHindsight:
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In the novel, reference is made to Dickie being portrayed as a "combination of Paul Gauguin and Creator/ErrolFlynn". Creator/JudeLaw would also make a cameo appearance as Flynn in ''Film/TheAviator'' (which also had Creator/CateBlanchett in it).
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* TearJerker: The ending. [[spoiler:Tom Ripley has escaped suspicion for murdering and impersonating Dickie Greenleaf, and is on a boat to Athens with his lover Peter [who is the first person to love him for being Tom], when he runs into Meredith, who thinks Tom is Dickie, and coincidentally knows Peter. Worse, she's on the boat with her entire family - Peter has no-one but Tom. Resolved, Tom goes to Peter in his room and asks Peter to tell him "some nice things about Tom Ripley." Baffled, but playing along, Peter does so as Tom cuddles up to him. Cut to Tom entering his own room, miserable and shaken, as Peter's list (which makes it very clear that Tom's love for him is mutual) goes on in voiceover - and then changes to the sounds of Tom sobbing as he chokes Peter to death]].

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* TearJerker: The ending. [[spoiler:Tom Ripley has escaped suspicion for murdering and impersonating Dickie Greenleaf, and is on a boat to Athens with his lover Peter [who is the first person to love him for being Tom], when he runs into Meredith, who thinks Tom is Dickie, and coincidentally knows Peter. Worse, she's on the boat with her entire family family, who will notice if she disappears - Peter has no-one but Tom. Resolved, Tom goes to Peter in his room and asks Peter to tell him "some nice things about Tom Ripley." Baffled, but playing along, Peter does so as Tom cuddles up to him. Cut to Tom entering his own room, miserable and shaken, as Peter's list (which makes it very clear that Tom's love for him is mutual) goes on in voiceover - and then changes to the sounds of Tom sobbing as he chokes Peter to death]].
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** The opera shown in the film is the end of Act II from Tchaikovsky's "Yevgeny Onyegin". In this particular scene, Lenski challenged his friend Onyegin for a duel over Olga, who had been engaged to Lenski at that time. Lenski was mortally wounded, and Onyegin departed Russia for a self-imposed exile.

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** The opera shown in the film is the end of Act II from Tchaikovsky's "Yevgeny Onyegin".''Theatre/EugeneOnegin''. In this particular scene, Lenski challenged his friend Onyegin for a duel over Olga, who had been engaged to Lenski at that time. Lenski was mortally wounded, and Onyegin departed Russia for a self-imposed exile.
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* OneSceneWonder: Creator/PhilipBakerHall as Alvin MacCarron ("I don't care for B.S. I don't care to hear it, I don't care to speak it"), the no-nonsense private detective hired by Dickie's father, even if he doesn't know the entire truth about Tom.

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* OneSceneWonder: Creator/PhilipBakerHall as Alvin MacCarron [=MacCarron=] ("I don't care for B.S. I don't care to hear it, I don't care to speak it"), the no-nonsense private detective hired by Dickie's father, even if he doesn't know the entire truth about Tom.
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* OneSceneWonder: Creator/PhilipBakerHall as Alvin MacCarron ("I don't care for B.S. I don't care to hear it, I don't care to speak it"), the no-nonsense private detective hired by Dickie's father, even if he doesn't know the entire truth about Tom.
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** Ripley jokes that when Dickie wears his glasses, he looks like Clark Kent, and without them, he looks like Superman. Jude Law was up for the role of Clark Kent/Superman in an ultimately-unproduced ''Batman vs. Superman'' project in the 2000s, and even got to try on the Superman suit.

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* AlternativeCharacterInterpretation: Is Tom's obsession with Dickie borne of sexual attraction - or of envy, and a desire to ''become'' him?

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* AlternativeCharacterInterpretation: Is Tom's obsession with Dickie borne of sexual attraction - or of envy, and Rather than a desire to ''become'' him?crime thriller, the film is a character-focused drama that is all about humanizing Ripley.


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* ItWasHisSled: Ripley kills Dickie and assumes his identity.
* NightmareFuel: The whole second half of the film. Ripley's whole predicament just keeps on getting tenser and more grimly farcical until he literally has to keep six different parties from running into each other for risk of exposure... all for telling a little white lie.
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Added DiffLines:

* AlternativeCharacterInterpretation: Is Tom's obsession with Dickie borne of sexual attraction - or of envy, and a desire to ''become'' him?
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* TearJerker: The ending. [[spoiler:Tom Ripley has escaped suspicion for murdering and impersonating Dickie Greenleaf, and is on a boat to Athens with his lover Peter, when he runs into Meredith, who thinks Tom is Dickie, and coincidentally knows Peter. Worse, she's on the boat with her entire family - Peter has no-one but Tom. Resolved, Tom goes to Peter in his room and asks Peter to tell him "some nice things about Tom Ripley." Baffled, but playing along, Peter does so as Tom cuddles up to him. Cut to Tom entering his own room, miserable and shaken, as Peter's list (which makes it very clear that he's in love with Tom) goes on in voiceover - and then changes to the sounds of Tom sobbing as he chokes Peter to death]].

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* TearJerker: The ending. [[spoiler:Tom Ripley has escaped suspicion for murdering and impersonating Dickie Greenleaf, and is on a boat to Athens with his lover Peter, Peter [who is the first person to love him for being Tom], when he runs into Meredith, who thinks Tom is Dickie, and coincidentally knows Peter. Worse, she's on the boat with her entire family - Peter has no-one but Tom. Resolved, Tom goes to Peter in his room and asks Peter to tell him "some nice things about Tom Ripley." Baffled, but playing along, Peter does so as Tom cuddles up to him. Cut to Tom entering his own room, miserable and shaken, as Peter's list (which makes it very clear that he's in Tom's love with Tom) for him is mutual) goes on in voiceover - and then changes to the sounds of Tom sobbing as he chokes Peter to death]].
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Added DiffLines:

* TearJerker: The ending. [[spoiler:Tom Ripley has escaped suspicion for murdering and impersonating Dickie Greenleaf, and is on a boat to Athens with his lover Peter, when he runs into Meredith, who thinks Tom is Dickie, and coincidentally knows Peter. Worse, she's on the boat with her entire family - Peter has no-one but Tom. Resolved, Tom goes to Peter in his room and asks Peter to tell him "some nice things about Tom Ripley." Baffled, but playing along, Peter does so as Tom cuddles up to him. Cut to Tom entering his own room, miserable and shaken, as Peter's list (which makes it very clear that he's in love with Tom) goes on in voiceover - and then changes to the sounds of Tom sobbing as he chokes Peter to death]].
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* GeniusBonus:
** The opera shown in the film is the end of Act II from Tchaikovsky's "Yevgeny Onyegin". In this particular scene, Lenski challenged his friend Onyegin for a duel over Olga, who had been engaged to Lenski at that time. Lenski was mortally wounded, and Onyegin departed Russia for a self-imposed exile.
** Tom kills Freddie with a bust of the Roman emperor Hadrian who had a gay lover who was killed.
* HilariousInHindsight: In the novel, reference is made to Dickie being portrayed as a "combination of Paul Gauguin and Creator/ErrolFlynn". Creator/JudeLaw would also make a cameo appearance as Flynn in ''Film/TheAviator'' (which also had Creator/CateBlanchett in it).
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