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*EnsembleDarkHorse: Many find Osgood Fielding to be the funniest and most memorable character in the movie.
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Renamed one trope.
Added line(s) 9 (click to see context) :
* OnceOriginalNowCommon: At the time, the joke with the line "Nobody talks like that" is that Creator/TonyCurtis was doing an impression of his idol Creator/CaryGrant, whose voice hadn't yet been heard on film in 1929. Grant's distinctive transatlantic accent quickly faded out of fashion and is now viewed as a relic of the 1930s and '40s, likely causing people to just take it at face value.
Deleted line(s) 9 (click to see context) :
* SeinfeldIsUnfunny: At the time, the joke with the line "Nobody talks like that" is that Creator/TonyCurtis was doing an impression of his idol Creator/CaryGrant, whose voice hadn't yet been heard on film in 1929. Grant's distinctive transatlantic accent quickly faded out of fashion and is now viewed as a relic of the 1930s and '40s, likely causing people to just take it at face value.
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None
* AlternativeCharacterInterpretation: Some people have taken Osgood's completely nonplussed reaction to "Daphne's" confession of actually being a man in drag as an indication that he'd already figured it out on his own.
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* TheWoobie: Sugar when she recounts and experiences tales of having her heart broken by scumbag men. As she sings "I'm Through With Love" at the end, Joe has a HeelRealization and realizes he actually cares about her, unlike the countless girls he's used in the past.
to:
* TheWoobie: Sugar when she recounts and experiences tales of having her heart broken by scumbag men. As she sings "I'm Through With Love" at the end, Joe has a HeelRealization and realizes he actually cares about her, [[LadykillerInLove unlike the countless girls he's used in the past.past]].
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Changed line(s) 9 (click to see context) from:
* SignatureScene: The ending: "Well, nobody's perfect!" That final line ranks #48 on AFI's 100 Years...100 Movie Quotes and is even paid homage to on Billy Wilder's gravestone.
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* SignatureScene: The ending: "Well, nobody's perfect!" That final line ranks #48 on AFI's 100 Years...100 Movie Quotes and is even paid homage to on Billy Wilder's Creator/BillyWilder's gravestone.
Changed line(s) 12 (click to see context) from:
** Jerry tries to get her drunk while pretending to be a girl to lure her into a false sense of security (presumably so he can have his way with her while she's too intoxicated to know what's going on [[WhatDidIDoLastNight or remember that her band mate "Daphne" is a man in the morning]]). He lampshades this by saying "This may even turn out to be a surprise party!" This is played for laughs. Today, it wouldn't be played for light-hearted comedy.
to:
** Jerry tries to [[ButLiquorIsQuicker get her drunk drunk]] while pretending to be a girl woman to lure her into a false sense of security (presumably so he can have his way with her while she's too intoxicated to know what's going on [[WhatDidIDoLastNight or remember that her band mate "Daphne" is a man in the morning]]). He lampshades this by saying "This may even turn out to be a surprise party!" This is played {{played for laughs.laughs}}. Today, it wouldn't be played for light-hearted comedy.
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* OneSceneWonder: Creator/NehemiahPersoff as Little Bonaparte.
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None
Changed line(s) 9 (click to see context) from:
* TransAudienceInterpretation: Not only does Jerry apparently come to enjoy pretending to be a woman, one scene has him forget he's actually a man and cheerfully announce that he's going to marry the (male) millionaire Osgood, much to Joe's bewilderment. This has led many 21st-century viewers to interpret Jerry as genderfluid.
to:
* TransAudienceInterpretation: Not only does Jerry apparently come to enjoy pretending to be a woman, one scene has him forget he's actually a man and cheerfully announce that he's going to marry the (male) millionaire Osgood, much to Joe's bewilderment. This has led many 21st-century viewers to interpret Jerry as genderfluid.genderfluid, a view that the 2022 musical adaptation wholeheartedly embraces.
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* FairForItsDay: When you take the ValuesDissonance and ValuesResonance below and put them together, you get this trope.
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Requires Word Of God confirmation
Deleted line(s) 1 (click to see context) :
* AuthorsSavingThrow: After Creator/TheCriterionCollection announced a 2018 DVD/Blu-ray re-release, the [[https://s3.amazonaws.com/criterion-production/films/720ac5d0fe56d3f5e365059a7bb21b86/QsIig1CXGzvqmO7UR79mko1R3l2NoX_large.jpg cover]] they unveiled received disdain for its unflattering picture of Sugar, the out-of-scale Josephine and Daphne, and [[WhatWereTheySellingAgain the altogether rather confusing tableau]]. Before the discs hit retail, Criterion commissioned [[https://s3.amazonaws.com/criterion-production/films/b935a8eaff6f0e92d17b18a1cd19fdf6/5ZrsCMJikkq6bPNmWjofhZswbi544L_large.jpg a new cover]].
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Misuse; the trope is about unintentional homoeroticism.
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* HoYay:
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed.
** "Josephine" and Sugar have these moments. She's surprised but not horrified when "she" kisses her.
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed.
** "Josephine" and Sugar have these moments. She's surprised but not horrified when "she" kisses her.
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Funny moment, sure, but not a meme.
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* MemeticMutation: The first time Jerry and Joe are seen in their women outfits and walking towards the train station.
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None
Changed line(s) 12 (click to see context) from:
* SignatureScene: The ending. "Well, nobody's perfect!"
to:
* SignatureScene: The ending. ending: "Well, nobody's perfect!"perfect!" That final line ranks #48 on AFI's 100 Years...100 Movie Quotes and is even paid homage to on Billy Wilder's gravestone.
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None
Changed line(s) 1 (click to see context) from:
* AuthorsSavingThrow: After Creator/TheCriterionCollection announced a 2018 DVD/Blu-ray re-release, the [[http://forum.blu-ray.com/showpost.php?p=15281483&postcount=1 cover]] they unveiled received distain for its unflattering picture of Sugar, and out-of-scale Josephine and Daphne. Before the discs hit retail, Criterion commissioned [[http://forum.blu-ray.com/showpost.php?p=15462948&postcount=99 a new cover]].
to:
* AuthorsSavingThrow: After Creator/TheCriterionCollection announced a 2018 DVD/Blu-ray re-release, the [[http://forum.blu-ray.com/showpost.php?p=15281483&postcount=1 [[https://s3.amazonaws.com/criterion-production/films/720ac5d0fe56d3f5e365059a7bb21b86/QsIig1CXGzvqmO7UR79mko1R3l2NoX_large.jpg cover]] they unveiled received distain disdain for its unflattering picture of Sugar, and the out-of-scale Josephine and Daphne. Daphne, and [[WhatWereTheySellingAgain the altogether rather confusing tableau]]. Before the discs hit retail, Criterion commissioned [[http://forum.blu-ray.com/showpost.php?p=15462948&postcount=99 [[https://s3.amazonaws.com/criterion-production/films/b935a8eaff6f0e92d17b18a1cd19fdf6/5ZrsCMJikkq6bPNmWjofhZswbi544L_large.jpg a new cover]].
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None
Changed line(s) 8 (click to see context) from:
* RetroactiveRecognition: Sugar's fiddle player is Creator/GraceLeeWhitney.
to:
* RetroactiveRecognition: RetroactiveRecognition:
** Sugar's fiddle player isCreator/GraceLeeWhitney.Creator/GraceLeeWhitney.
** Creator/NehemiahPersoff, better known for his later roles such as Reb Mendel in ''Film/{{Yentl}}'' and as the voice of Papa Mousekewitz in the ''[[WesternAnimation/AnAmericanTail American Tail]]'' movies, plays a mobster known as [[FakeNationality Little Bonaparte]].
** Sugar's fiddle player is
** Creator/NehemiahPersoff, better known for his later roles such as Reb Mendel in ''Film/{{Yentl}}'' and as the voice of Papa Mousekewitz in the ''[[WesternAnimation/AnAmericanTail American Tail]]'' movies, plays a mobster known as [[FakeNationality Little Bonaparte]].
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None
Changed line(s) 8 (click to see context) from:
* RetroactiveRecognition: Sugar's fiddle player is Creator/GraceLeeWhintey.
to:
* RetroactiveRecognition: Sugar's fiddle player is Creator/GraceLeeWhintey.Creator/GraceLeeWhitney.
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Changed line(s) 8,9 (click to see context) from:
* SugarWiki/MomentOfAwesome: As a meta example, it seems amazing that the closing words went from a "dummy line" that Wilder and Diamond intended to replace before filming, to the movie's actual final words, to [[GraveHumor the last words on Wilder's epitaph]].
* RetroactiveRecognition: If Sugar's fiddle player reminds you of [[Series/StarTrekTheOriginalSeries Yeoman Rand]], there's a reason for that.
* RetroactiveRecognition: If Sugar's fiddle player reminds you of [[Series/StarTrekTheOriginalSeries Yeoman Rand]], there's a reason for that.
to:
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* AwardSnub: It received six UsefulNotes/AcademyAward nominations and won for Best Costume Design, but it wasn't up for Best Picture. While Creator/JackLemmon was nominated for Best Actor, neither Creator/TonyCurtis nor Creator/MarilynMonroe were nominated.
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Nope.
Changed line(s) 3 (click to see context) from:
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. In fact, his original response was simply "I know."
to:
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. In fact, his original response was simply "I know."
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Deleted line(s) 1,2 (click to see context) :
----
* SugarWiki/MomentOfAwesome: As a meta example, it seems amazing that the closing words went from a "dummy line" that Wilder and Diamond intended to replace before filming, to the movie's actual final words, to [[GraveHumor the last words on Wilder's epitaph]].
Deleted line(s) 10 (click to see context) :
* SugarWiki/MomentOfAwesome: As a meta example, it seems amazing that the closing words went from a "dummy line" that Wilder and Diamond intended to replace before filming, to the movie's actual final words, to [[GraveHumor the last words on Wilder's epitaph]].
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* TransAudienceInterpretation: Not only does Jerry apparently come to enjoy pretending to be a woman, one scene has him forget he's actually a man and cheerfully announce that he's going to marry the (male) millionaire Osgood, much to Joe's bewilderment. This has led many 21st-century viewers to interpret Jerry as genderfluid.
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None
Added DiffLines:
* RetroactiveRecognition: If Sugar's fiddle player reminds you of [[Series/StarTrekTheOriginalSeries Yeoman Rand]], there's a reason for that.
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* ItWasHisSled: Jerry/Daphne reveals his true gender to Osgood and the latter's cool with it.
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Changed line(s) 5 (click to see context) from:
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. Though the fact that Osgood is obviously ''slightly'' senile might explain the reaction.
to:
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. Though the fact that Osgood is obviously ''slightly'' senile might explain the reaction.In fact, his original response was simply "I know."
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* MemeticMutation: The first time Jerry and Joe are seen in their women outfits and walking towards the train station.
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Changed line(s) 14 (click to see context) from:
* ValuesResonance: While the film's comedy hinges on playing with gender roles, it's done light-heartedly, and plays more with social expectations of the genders rather than how it perceives them (especially women) to actually be. The amount of LesYay between Sugar and her "pals" Daphne and Josephine, and implied HoYay between the secretly male "Daphne" and Osgood (who seem to still have some feelings for each other even when they know the other is male) is done non-malicously, non-stereotypically, and very much taken in stride. Such portrayals continue to be well-regarded in a time when gender and sexuality norms are continually called into question.
to:
* ValuesResonance: While the film's comedy hinges on playing with gender roles, it's done light-heartedly, and plays more with social expectations of the genders rather than how it perceives them (especially women) to actually be. The amount of LesYay between Sugar and her "pals" Daphne and Josephine, and implied HoYay between the secretly male "Daphne" and Osgood (who seem to still have some feelings for each other even when they know the other is male) is done non-malicously, non-maliciously, non-stereotypically, and very much taken in stride. Such portrayals continue to be well-regarded in a time when gender and sexuality norms are continually called into question.
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** Also, the way Joe and Sugar talk about aromantics and asexuals like they're horrifically deformed is hard to stomach for modern audiences, especially with Sugar's insistence that they just need to find the right woman in order to be cured.
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* SignatureScene: The ending. "Well, nobody's perfect!"
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None
Changed line(s) 10 (click to see context) from:
** Jerry tries to get her drunk while pretending to be a girl to lure her into a false sense of security (presumably so he can have his way with her while she's too intoxicated to know what's going on [[WhatDidIDoLastNight or remember that her band mate "Daphne" is a man in the morning]]). This is played for laughs. Today, it wouldn't be played for light-hearted comedy.
to:
** Jerry tries to get her drunk while pretending to be a girl to lure her into a false sense of security (presumably so he can have his way with her while she's too intoxicated to know what's going on [[WhatDidIDoLastNight or remember that her band mate "Daphne" is a man in the morning]]). He lampshades this by saying "This may even turn out to be a surprise party!" This is played for laughs. Today, it wouldn't be played for light-hearted comedy.
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None
Changed line(s) 4 (click to see context) from:
* HoYay: "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. Though the fact that Osgood is obviously ''slightly'' senile might explain the reaction.
to:
* HoYay: HoYay:
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. Though the fact that Osgood is obviously ''slightly'' senile might explain the reaction.
** "Daphne" and Osgood - although Osgood thinks Jerry's a woman, when he reveals himself to be a man, Osgood doesn't seem too fazed. Though the fact that Osgood is obviously ''slightly'' senile might explain the reaction.
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None
Changed line(s) 7 (click to see context) from:
* SeinfeldIsUnfunny: At the time, the joke with the line "Nobody talks like that" is that Tony Curtis was doing an impression of his idol Creator/CaryGrant, whose voice hadn't yet been heard on film in 1929. Grant's distinctive transatlantic accent quickly faded out of fashion and is now viewed as a relic of the 1930s and '40s, likely causing people to just take it at face value.
to:
* SeinfeldIsUnfunny: At the time, the joke with the line "Nobody talks like that" is that Tony Curtis Creator/TonyCurtis was doing an impression of his idol Creator/CaryGrant, whose voice hadn't yet been heard on film in 1929. Grant's distinctive transatlantic accent quickly faded out of fashion and is now viewed as a relic of the 1930s and '40s, likely causing people to just take it at face value.