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* SugarWiki/AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic|1997}}''; for anyone who suffered HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).

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* SugarWiki/AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic|1997}}''; for anyone who suffered HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g com/watch?v=tyvt6IRKhC0 Here it is]] (the relevant portion is from 1:19 to 2:52).
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* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic|1997}}''; for anyone who suffered HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).

to:

* AwesomeMusic: SugarWiki/AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic|1997}}''; for anyone who suffered HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).
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* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; for anyone who suffered HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).

to:

* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; ''Film/{{Titanic|1997}}''; for anyone who suffered HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).


* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; for anyone who suffered HypeBacklash[=/=]DeaderThanDisco for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).

to:

* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; for anyone who suffered HypeBacklash[=/=]DeaderThanDisco HypeBacklash for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).
Is there an issue? Send a MessageReason:
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* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; for anyone who suffered HypeBacklash[=/=]DeaderThanDisco for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])...

to:

* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; for anyone who suffered HypeBacklash[=/=]DeaderThanDisco for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])... [[https://www.youtube.com/watch?v=l8MRfAbxc2g Here it is]] (the relevant portion is from 1:19 to 2:52).
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* TearJerker: To follow on the above: Ingrid's genuinely moving performance as she realized Anna wasn't lying, that Gerda really did love her; her understanding and acceptance of [[MyGodWhatHaveIDone what she had done]] and [[SomeoneHasToDie the only way to undo it]]; Emma and Elsa pleading with her that there had to be another way; her giving them her blessing, thanking them for bringing her back to her sisters and telling them to stay with their families who love them; then combining all this with the musical score. It all really hangs on Elizabeth Mitchell's incredible performance. Seldom have CryForTheDevil and SympathyForTheDevil united so well.

to:

* TearJerker: To follow on the above: Ingrid's genuinely moving performance reaction as she realized Anna wasn't lying, that Gerda really did love her; her understanding and acceptance of [[MyGodWhatHaveIDone what she had done]] and [[SomeoneHasToDie the only way to undo it]]; Emma and Elsa pleading with her that there had to be another way; her giving them her blessing, thanking them for bringing her back to her sisters and telling them to stay with their families who love them; then combining all this with the musical score. It all really hangs on Elizabeth Mitchell's incredible performance. Seldom have CryForTheDevil and SympathyForTheDevil united so well.
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Added DiffLines:

* AwesomeMusic: The OneWomanWail during Ingrid's HeelRealization[=/=]HeroicSacrifice[=/=]DeathEqualsRedemption is amazing, emotional, tragic, and beautiful all at once. It's also rather reminiscent of the one used most frequently in the score of ''Film/{{Titanic}}''; for anyone who suffered HypeBacklash[=/=]DeaderThanDisco for that film, this would likely make Ingrid's death scene {{Narm}}, but [[TearJerker for those]] who still like James Cameron's movie (or [[PopularityPolynomial like it again]])...
* TearJerker: To follow on the above: Ingrid's genuinely moving performance as she realized Anna wasn't lying, that Gerda really did love her; her understanding and acceptance of [[MyGodWhatHaveIDone what she had done]] and [[SomeoneHasToDie the only way to undo it]]; Emma and Elsa pleading with her that there had to be another way; her giving them her blessing, thanking them for bringing her back to her sisters and telling them to stay with their families who love them; then combining all this with the musical score. It all really hangs on Elizabeth Mitchell's incredible performance. Seldom have CryForTheDevil and SympathyForTheDevil united so well.

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