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** One of Kent's (many) digs at Oswald is calling him a "base football player". Even the most talented actors have to work ''very'' hard to get over how hilariously bizarre it sounds to modern ears to be hurling that as an insult.
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** Productions and interpretations of the play that present Edmund favourably tend to dismiss Edgar (especially in his first scene) as something of a foolish fop who, at best, doesn't stand up to their father regarding Edmund's birth status and, at worst, joins their father in his mockery of Edmund and who effectively seizes the rule of the entire country at the end of the play for no good reason when he's almost entirely unequipped and unqualified to do so. However, it's worth noting that Edgar does repeatedly call Edmund his brother in their scenes together and Edmund even outright admits that Edgar's never done anything to harm anyone (presumably including Edmund). It's also possible to present his taking control at the end less as a selfish grab for power and more that he takes charge simply because every other potential candidate is either dead[[note]]Lear, Goneril, Regan, Cordelia, Cornwall, Edmund and Gloucester[[/note]] or else refuses the position[[note]]Albany and Kent[[/note]] and leaving Britain with no ruler in the wake of a devastating war with France is not really an option.
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* CondemnedByHistory: While the play remains one of Shakespeare's most acclaimed works, the same cannot be said for the infamous HappilyEverAfter version by Nahum Tate. The 1681 rewrite (which Tate boasted "rectifies what was wanting in the Regularity and Probability of the Tale") ends with the good guys surviving, Lear regaining his throne, and Edgar and Cordelia marrying. It proved popular with Restoration audiences, who ''hated'' Shakespeare's KillEmAll DownerEnding. The ending was purely Shakespeare's invention and diverged drastically from his source material, the ''Literature/HistoriaRegumBritanniae''. The legendary king's story had a cheerful conclusion. Tates's version completely eclipsed Shakespeare's ''King Lear'' for the next 150 years, enjoying hundreds of productions. The original ''Lear'' languished in obscurity and went all but unperformed. In the 1830s reverent fans of the Bard began to restore Shakespeare's original ending to performances, and the Tate version gradually fell out of favor. It was increasingly derided by Victorian critics as sentimental and trite. Since the start of the twentieth century, the Tate play has only been revived a few times. It is seen as a quaint historical curiosity.

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* CondemnedByHistory: While the play remains one of Shakespeare's most acclaimed works, the same cannot be said for the infamous HappilyEverAfter version by Nahum Tate. The 1681 rewrite (which Tate boasted "rectifies what was wanting in the Regularity and Probability of the Tale") ends with the good guys surviving, Lear regaining his throne, and Edgar and Cordelia marrying. It proved popular with Restoration audiences, who ''hated'' Shakespeare's KillEmAll DownerEnding.EverybodyDiesEnding. The ending was purely Shakespeare's invention and diverged drastically from his source material, the ''Literature/HistoriaRegumBritanniae''. The legendary king's story had a cheerful conclusion. Tates's version completely eclipsed Shakespeare's ''King Lear'' for the next 150 years, enjoying hundreds of productions. The original ''Lear'' languished in obscurity and went all but unperformed. In the 1830s reverent fans of the Bard began to restore Shakespeare's original ending to performances, and the Tate version gradually fell out of favor. It was increasingly derided by Victorian critics as sentimental and trite. Since the start of the twentieth century, the Tate play has only been revived a few times. It is seen as a quaint historical curiosity.

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** There is a massive amount of debate over Lear's line "my poor fool is hanged". Some assume it means that [[spoiler: The Fool who disappeared after Act III has been executed too. Others point to the lower case f - and that an upper case one would have been used if Lear had been referring to The Fool. 'Fool' was also another word for child, and he could be referring to Cordelia in this case]].

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** There is a massive amount of debate over Lear's line "my poor fool is hanged". Some assume it means that [[spoiler: The Fool who disappeared after Act III has been executed too. Others point to the lower case f - and that an upper case one would have been used if Lear had been referring to The Fool. 'Fool' was also another word for child, and he could be referring to Cordelia in this case]].case--which could be a case of LeaningOnTheFourthWall, as stage productions sometimes cast the same actor as the Fool and Cordelia, with the line nodding to this overlap in their roles]].


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** Lear's gut-wrenching final monologues are preceded by him saying [[SayingSoundEffectsOutLoud "Howl, howl, howl, howl!"]], which if staged and performed poorly can give the impression that Lear has suddenly begun transforming into a werewolf.

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* AudienceAlienatingEnding: While not the case today, there was much derision towards the ending when it was first performed, tainting the play to many in their eyes. It was so strong that for centuries a slightly happier ending was written and exclusively performed where [[spoiler: Cordelia survives and marries Edgar]].
* CondemnedByHistory: While the play remains one of Shakespeare's most acclaimed works, the same cannot be said for the infamous HappilyEverAfter version by Nahum Tate. The 1681 rewrite (which Tate boasted "rectifies what was wanting in the Regularity and Probability of the Tale") ends with the good guys surviving, Lear regaining his throne, and Edgar and Cordelia marrying. It proved popular with Restoration audiences, who ''hated'' Shakespeare's KillEmAll DownerEnding. The ending was purely Shakespeare's invention and diverged drastically from his source material, the ''Literature/HistoriaRegumBritanniae''. The legendary king's story had a cheerful conclusion. Tates's version completely eclipsed Shakespeare's ''King Lear'' for the next 150 years, enjoying hundreds of productions. The original ''Lear'' languished in obscurity and went all but unperformed. In the 1830s reverent fans of the Bard began to restore Shakespeare's original ending to performances, and the Tate version gradually fell out of favor. It was increasingly derided by Victorian critics as sentimental and trite. Since the start of the twentieth century, the Tate play has only been revived a few times. It is seen as a quaint historical curiosity.



* EndingAversion: This was so strong that for centuries a slightly happier ending was written where [[spoiler: Cordelia survives and marries Edgar]].
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** The Fool has been portrayed this way. Behind all of his jokes is a man desperately trying in vein to help his king and friend. And then there's the number of productions that kill him off.

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** The Fool has been portrayed this way. Behind all of his jokes is a man desperately trying in vein vain to help his king and friend. And then there's the number of productions that kill him off.
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*** Regan standing by and supporting this monstrous act shows she's crossed it as well.

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** The Fool steals the show, more so than usual in this type of play.

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** The Fool Fool. Thanks to his delightful wit and touching friendship with Lear, he steals the show, more so than usual in this type of play.



* UnintentionallySympathetic: Edmund these days is viewed far more sympathetically than he was in Shakespeare's day. Given that he's snubbed for being an illegitimate child, his villainy comes across as more of a ThenLetMeBeEvil situation. He was expected to be nothing but trouble since he's illegitimate - so he's just doing what's expected of him.

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* TheyWastedAPerfectlyGoodCharacter: The Fool famously disappears partway through the plot with no explanation, which is a shame given he's agreed to be one of the play's best characters. Many productions try to alleviate this by giving him a sendoff of some kind.
* UnintentionallySympathetic: Edmund these days is viewed far more sympathetically than he was in Shakespeare's day. Given that he's snubbed for being an illegitimate child, his villainy comes across as more of a ThenLetMeBeEvil situation. He was expected to be nothing but trouble since he's illegitimate - so he's just doing what's expected of him. [[TropesAreTools Tropes Are Not Bad]] as this interpretation has made him an enduring TragicVillain.


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** The Fool has been portrayed this way. Behind all of his jokes is a man desperately trying in vein to help his king and friend. And then there's the number of productions that kill him off.

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** The First Servant who eventually turns on and kills Cornwall is something of a MemeticBadass and is often hailed as one of the most heroic characters of the play. In short, they're frankly astoundingly popular for a character with no actual name and only 8 lines.



* Edmund as well - to the point of being WoobieDestroyerOfWorlds. It's not difficult to see that much of his evil was motivated by years of resentment of having the fact that he's the unfavored bastard son rubbed in his face (Gloucester openly jokes about it right in front of Edmund in one scene).

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* ** Edmund as well - to the point of being WoobieDestroyerOfWorlds. It's not difficult to see that much of his evil was motivated by years of resentment of having the fact that he's the unfavored bastard son rubbed in his face (Gloucester openly jokes about it right in front of Edmund in one scene).
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** Edmund (like Richard III) appears to be inherently [[BastardBastard evil as a result of his illegitimacy]].

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** Edmund (like Richard III) appears to be inherently [[BastardBastard evil as a result of his illegitimacy]].illegitimacy]], though a case could also be made that Edmund's evil wasn't innate but rather a consequence of the resentment he feels towards a family (and a society) that looks down on him because of his illegitimacy.
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* Edmund as well. It's not difficult to see that much of his evil was motivated by years of resentment of having the fact that he's the unfavored bastard son rubbed in his face (Gloucester openly jokes about it right in front of Edmund in one scene).

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* Edmund as well.well - to the point of being WoobieDestroyerOfWorlds. It's not difficult to see that much of his evil was motivated by years of resentment of having the fact that he's the unfavored bastard son rubbed in his face (Gloucester openly jokes about it right in front of Edmund in one scene).
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* Edmund as well. It's not difficult to see that much of his evil was motivated by years of resentment of having the fact that he's the unfavored bastard son rubbed in his face (Gloucester openly jokes about it right in front of Edmund in one scene).
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** At least one critic has wondered if a few particular lines in the play indicate that Lear has sexually abused his two oldest daughters. He refers to Goneril's 'dishonoured body' and the specific wording the two use to lay on the flattery in the love test is rather sketchy. This idea formed the basis for the adaptation ''A Thousand Acres''.

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** At least one critic has wondered if a few particular lines in the play indicate that Lear has sexually abused his two oldest daughters. He refers to Goneril's 'dishonoured body' and the specific wording the two use to lay on the flattery in the love test is rather sketchy. This idea formed the basis for the adaptation ''A Thousand Acres''.''Literature/AThousandAcres''.
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Trope deprecated per TRS


** Oswald's FamousLastWords? "Slave, thou hast slain me". Well yeah.

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** Oswald's FamousLastWords? last words? "Slave, thou hast slain me". Well yeah.
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** One of Lear's insults to his eldest daughter involves calling her a "detested kite".

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** One of Lear's insults to his eldest daughter involves calling her a "detested kite". He's using the older definition of the word "kite" and calling her a bird of prey, but most modern audiences will think first of the flying toy, which is named after the bird.


* HilariousInHindsight:
** "What, art thou mad, old fellow?" [[http://knowyourmeme.com/memes/u-mad Sound familiar?]]
** The most kind-hearted person in the play is called Cordelia, which becomes hilarious to ''Series/BuffyTheVampireSlayer'' fans; the show's resident AlphaBitch is Cordelia Chase. Even more hilarious with the spin-off ''{{Series/Angel}}'' where Cordelia TookALevelInKindness to become TheHeart in the same way that this Cordelia is.
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** Edmund (like Richard III) appears to be inherently evil as a result of his illegitimacy.

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** Edmund (like Richard III) appears to be inherently [[BastardBastard evil as a result of his illegitimacy.illegitimacy]].
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* MagnificentBastard: Edmund of Gloucester, the literal bastard son of the Duke of Gloucester, executes a plan to consolidate power and play even his own family as pawns while vowing to make the gods themselves "stand up for bastards." A ruthless but deeply charismatic schemer who plays everyone for his own benefit, Edmund frames his brother for treason and convinces him to flee into exile while manipulating his father into granting him Edgar's legitimate birthright, before exposing Gloucester's sympathy for King Lear and handing him off to the Duke of Cornwall. As the Duke of Gloucester, Edmund schemes for the throne of Britain itself and seduces Lear's own ambitious daughters to further his own power. Even on his deathbed, Edmund finally finds the grace to defy his own bastardly nature and rescinds the order he had previously given to execute Lear and Cordelia--a sentiment which, tragically, is too late.

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* MagnificentBastard: Edmund of Gloucester, the [[BastardBastard literal bastard son son]] of the Duke of Gloucester, executes a plan to consolidate power and play even his own family as pawns while vowing to make the gods themselves "stand up for bastards." A ruthless but deeply charismatic schemer who plays everyone for his own benefit, Edmund frames his brother for treason and convinces him to flee into exile while manipulating his father into granting him Edgar's legitimate birthright, before exposing Gloucester's sympathy for King Lear and handing him off to the Duke of Cornwall. As the Duke of Gloucester, Edmund schemes for the throne of Britain itself and seduces Lear's own ambitious daughters to further his own power. Even on his deathbed, Edmund finally [[VillainsDyingGrace finds the grace grace]] to defy his own bastardly nature and rescinds the order he had previously given to execute Lear and Cordelia--a sentiment which, tragically, is too late.
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Narm

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** Gloucester calling Regan "naughty" brings to mind a mischievous child, not the cruel and violent woman he is referring to.
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--> "''Some good I mean to do, despite mine own nature.''"

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--> "''Some --->"''Some good I mean to do, despite mine own nature.''"
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** Oswald's FamousLastWords? "Slave, thou hast slain me". Well [[CaptainObvious yeah]].

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** Oswald's FamousLastWords? "Slave, thou hast slain me". Well [[CaptainObvious yeah]].yeah.

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* DesignatedHero: Lear for the first half of the play before Goneril and Regan drive him out during the storm. Lear throughout the beginning is an unlikable asshole who's introduced exiling his daughter and adviser, and treats the other two daughters like servants.

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* DesignatedHero: Lear for the first half of the play before Goneril and Regan drive him out during the storm. Lear throughout Throughout the beginning is he's an unlikable asshole who's introduced exiling his daughter and adviser, and treats the other two daughters like servants.



* {{Fanon}}: A lot of productions will show [[spoiler: Goneril giving Regan the poison]] in Act V, Scene I. In the original text it's merely implied to happen offstage while Scene II is going on. But as it does come out of nowhere, it's prone to {{Foreshadowing}}.

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* {{Fanon}}: {{Fanon}}:
**
A lot of productions will show [[spoiler: Goneril giving Regan the poison]] in Act V, Scene I. In the original text it's merely implied to happen offstage while Scene II is going on. But as it does come out of nowhere, it's prone to {{Foreshadowing}}.{{Foreshadowing}}.
** Some productions will also [[spoiler: kill off the Fool somehow at the end of his last scene]], to justify his disappearance and to make sense of Lear's later line [[spoiler: "my poor fool is hanged"]].

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* SpiritualLicensee: The Manga Shakespeare adaptation of King Lear is the best graphic novel adaptation of TheLeatherstockingTales you will ever see.
* TearJerker: [[TearJerker/KingLear Has its own page]].

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* SpiritualLicensee: The Manga Shakespeare adaptation of King Lear is the best graphic novel adaptation of TheLeatherstockingTales ''Literature/TheLeatherstockingTales'' you will ever see.
* TearJerker: [[TearJerker/KingLear Has its own page]].
see.
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** Some have suggested that Goneril and Regan are children from a previous marriage, while Cordelia is the daughter of TheLostLenore. A lot of productions will give the elder two the same hair colour to highlight this idea. Ian [=McKellen=] chose to wear two wedding rings when he played Lear, also claiming that he felt Cordelia's mother died in childbirth - and that she is now the same age as her mother was when she died. This adds [[IncestSubtext a new layer to his love for Cordelia]]. ''Series/ShakespeareUnwrapped'' - featuring a twenty-something as Lear - played the reunion scene between them this way.

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** Some have suggested that Lear was married and widowed twice, but loved the second wife more than the first, and that Goneril and Regan are children from a previous marriage, his first marriage while Cordelia is the daughter of TheLostLenore. A lot of productions will give the elder two the same hair colour to highlight this idea. Ian [=McKellen=] chose to wear two wedding rings when he played Lear, also claiming that he felt Cordelia's mother died in childbirth - and that she is now the same age as her mother was when she died. This adds [[IncestSubtext a new layer to his love for Cordelia]]. ''Series/ShakespeareUnwrapped'' - featuring a twenty-something as Lear - played the reunion scene between them this way.
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Rewrite approved by the thread.


* MagnificentBastard: Edmund is up there with Iago and Richard III. "Now Gods, stand up for bastards!" Particularly of the magnificent variety.

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* MagnificentBastard: Edmund is up there with Iago of Gloucester, the literal bastard son of the Duke of Gloucester, executes a plan to consolidate power and Richard III. "Now Gods, stand play even his own family as pawns while vowing to make the gods themselves "stand up for bastards!" Particularly of bastards." A ruthless but deeply charismatic schemer who plays everyone for his own benefit, Edmund frames his brother for treason and convinces him to flee into exile while manipulating his father into granting him Edgar's legitimate birthright, before exposing Gloucester's sympathy for King Lear and handing him off to the magnificent variety.Duke of Cornwall. As the Duke of Gloucester, Edmund schemes for the throne of Britain itself and seduces Lear's own ambitious daughters to further his own power. Even on his deathbed, Edmund finally finds the grace to defy his own bastardly nature and rescinds the order he had previously given to execute Lear and Cordelia--a sentiment which, tragically, is too late.

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** Some have suggested that Goneril and Regan are children from a previous marriage, while Cordelia is the daughter of TheLostLenore. A lot of productions will give the elder two the same hair colour to highlight this idea.

to:

** Some have suggested that Goneril and Regan are children from a previous marriage, while Cordelia is the daughter of TheLostLenore. A lot of productions will give the elder two the same hair colour to highlight this idea. Ian [=McKellen=] chose to wear two wedding rings when he played Lear, also claiming that he felt Cordelia's mother died in childbirth - and that she is now the same age as her mother was when she died. This adds [[IncestSubtext a new layer to his love for Cordelia]]. ''Series/ShakespeareUnwrapped'' - featuring a twenty-something as Lear - played the reunion scene between them this way.



** It's notable that Regan appears to be the more bloodthirsty of the sisters. She's the one that turns Lear out into the storm and takes part in Gloucester getting his eyes gouged out. How much of the sisters' scheming is the result of Goneril simply going along with her sociopathic younger sister - possibly realising it's better to have Regan as an ally than an enemy? Goneril's eventual [[spoiler: suicide after poisoning Regan]] suggests that she feels more remorse for what's happened than she lets on. Another of Regan's key characteristics is that she is able to bring out the evilness in others - further supporting the theory that Goneril is heavily under her influence. As for Goneril's [[spoiler: suicide - is it MyGodWhatHaveIDone or BetterToDieThanToBeKilled]]?

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** It's notable that Regan appears to be the more bloodthirsty of the sisters. She's the one that turns Lear out into the storm and takes part in Gloucester getting his eyes gouged out. How much of the sisters' scheming is the result of Goneril simply going along with her sociopathic younger sister - possibly realising it's better to have Regan as an ally than an enemy? Goneril's eventual [[spoiler: suicide after poisoning Regan]] suggests that she feels more remorse for what's happened than she lets on. Another of Regan's key characteristics is that she is able to bring out the evilness in others - further supporting the theory that Goneril is heavily under her influence. As for Goneril's [[spoiler: suicide - is it MyGodWhatHaveIDone or BetterToDieThanToBeKilled]]?BetterToDieThanBeKilled]]?


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* EvilIsCool: Regan is the favourite of the sisters precisely for this reason. In contrast to Goneril, who is more sneaky with how she goes about things, Regan is quite the badass.
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* EndingAversion: This was so strong that for centuries a slightly happier ending was written where [[spoiler: Cordelia survives and marries Edgar]].


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* {{Fanon}}: A lot of productions will show [[spoiler: Goneril giving Regan the poison]] in Act V, Scene I. In the original text it's merely implied to happen offstage while Scene II is going on. But as it does come out of nowhere, it's prone to {{Foreshadowing}}.


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** Goneril sets herself up to cross it when [[spoiler: she has an affair with Edmund and plots to have her husband killed]]. As she doesn't actually succeed in this, she definitely crosses it when [[spoiler: she poisons Regan to get rid of her competition]].


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** Goneril has a line that begins with "holla, holla". It's an old way of calling attention to things, but modern readers are left wondering why Lear's eldest daughter is talking like a SassyBlackWoman.

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* AccidentalInnuendo: As Regan plucks Gloucester's beard, he calls her a "naughty lady". He meant naughty as in rude, but to modern readers...



** It's notable that Regan appears to be the more bloodthirsty of the sisters. She's the one that turns Lear out into the storm and takes part in Gloucester getting his eyes gouged out. How much of the sisters' scheming is the result of Goneril simply going along with her sociopathic younger sister - possibly realising it's better to have Regan as an ally than an enemy? Goneril's eventual [[spoiler: suicide after poisoning Regan]] suggests that she feels more remorse for what's happened than she lets on. Another of Regan's key characteristics is that she is able to bring out the evilness in others - further supporting the theory that Goneril is heavily under her influence.

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** It's notable that Regan appears to be the more bloodthirsty of the sisters. She's the one that turns Lear out into the storm and takes part in Gloucester getting his eyes gouged out. How much of the sisters' scheming is the result of Goneril simply going along with her sociopathic younger sister - possibly realising it's better to have Regan as an ally than an enemy? Goneril's eventual [[spoiler: suicide after poisoning Regan]] suggests that she feels more remorse for what's happened than she lets on. Another of Regan's key characteristics is that she is able to bring out the evilness in others - further supporting the theory that Goneril is heavily under her influence. As for Goneril's [[spoiler: suicide - is it MyGodWhatHaveIDone or BetterToDieThanToBeKilled]]?


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* {{Narm}}:
** Albany's ShutUpHannibal to Goneril - "shut your mouth, dame" - needs a very talented actor to make it not sound hilarious.
** One of Lear's insults to his eldest daughter involves calling her a "detested kite".
** Oswald's FamousLastWords? "Slave, thou hast slain me". Well [[CaptainObvious yeah]].

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** The Duke of Burgundy in the opening scene. He refuses Cordelia's hand after Lear disinherits her - meaning she is left without a dowry. Notably he doesn't officially reject the proposal until after the King of France gives a speech about Cordelia's virtue. Perhaps he's noticed that France appears to be falling in love with the princess, and is just bowing out gracefully under the pretence of being materialistic.
** In the Ian [=McKellen=] version, Regan's actions in Act II are played in a greyer light. The common interpretation is that she and Goneril have been in cahoots from the beginning. But here when Goneril appears at Gloucester's house, Regan appears genuinely conflicted as to whose side she should take.



* JerkassWoobie: Lear is a haughty tyrant at the start of the film who banishes Cordelia for not flattering him. He endures a massive BreakTheHaughty and is reduced to hiding out on the moors in the middle of a storm. It's hard not to feel sorry for him when [[spoiler: he reappears holding Cordelia's dead body]].

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* JerkassWoobie: JerkassWoobie:
**
Lear is a haughty tyrant at the start of the film who banishes Cordelia for not flattering him. He endures a massive BreakTheHaughty and is reduced to hiding out on the moors in the middle of a storm. It's hard not to feel sorry for him when [[spoiler: he reappears holding Cordelia's dead body]].body]].
** Regan by the final act. In spite of being an AxCrazy bitch who becomes the first character to murder someone, she has to deal with a lot. [[spoiler: Her husband - whom she's implied to love honestly - gets killed in front of her. Another man courts her, but he's just using her and is also seducing her sister. Said sister - who up until then had been Regan's ally - poisons her. Notably in her affair with Edmund, Regan is also the sister who ''isn't'' cheating]].
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** Some have suggested that Goneril and Regan are children from a previous marriage, while Cordelia is the daughter of TheLostLenore. A lot of productions will give the elder two the same hair colour to highlight this idea.


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* HoYay: A considerable amount between Lear and Kent. Kent is so loyal and devoted to Lear that he disguises himself as a servant to help him once he's been banished - and even braves the storm at his side. [[spoiler: As Lear dies, Kent too implies he may kill himself later so they can be TogetherInDeath]].
* InferredHolocaust: The kingdom by the end is left in the hands of [[spoiler: Edgar and Albany, neither of whom are the most authoritative characters]]. One wonders how things will turn out.

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