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* SequelDisplacement: Even amongst the tabletop games, ''2020'' is still remain popular, while rarely anyone have touched the original ''2013'' release. Not helping that the ''2013'' edition was out of print while ''2020'' is still in production after over three decades.
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* CompleteMonster: [[AxCrazy Adam Smasher]] was a thuggish murderer and rapist who willingly chose to throw away his humanity for a chance at power. A mighty cyborg, Adam is a dark [[LivingLegend legend]] who is known for the massive amount of people he has murdered. [[PsychoForHire Serving corporations for the carnage it affords him]], Adam Smasher savors the deaths of as many innocent bystanders as possible. Having been the one to kill [[Characters/Cyberpunk2077JohnnySilverhand Johnny Silverhand]], Adam Smasher returns in [[VideoGame/Cyberpunk2077 the Arasaka Corporation wars]] to again kill as many as possible.
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* CompleteMonster: [[AxCrazy Adam Smasher]] was originally a thuggish murderer and rapist who willingly chose to throw away his humanity for a chance at power. A mighty cyborg, Adam is a dark [[LivingLegend legend]] who is known for the massive amount of people he has murdered. [[PsychoForHire Serving corporations for the carnage it affords him]], Adam Smasher savors the deaths of as many innocent bystanders as possible. Having been the one to kill [[Characters/Cyberpunk2077JohnnySilverhand Johnny Silverhand]], Adam Smasher returns in [[VideoGame/Cyberpunk2077 the Arasaka Corporation wars]] to again kill as many as possible.
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* CompleteMonster: [[AxCrazy Adam Smasher]] was a thuggish murderer and rapist who willingly chose to throw away his humanity for a chance at power. A mighty cyborg, Adam is a dark [[LivingLegend legend]] who is known for the massive amount of people he has murdered. [[PsychoForHire Serving corporations for the carnage it affords him]], Adam Smasher [[{{Sadist}} savors the deaths of as many innocent bystanders as possible]]. Having been the one to kill Johnny Silverhand, Adam Smasher returns in [[VideoGame/Cyberpunk2077 the Arasaka Corporation wars]] to again kill as many as possible.
to:
* CompleteMonster: [[AxCrazy Adam Smasher]] was a thuggish murderer and rapist who willingly chose to throw away his humanity for a chance at power. A mighty cyborg, Adam is a dark [[LivingLegend legend]] who is known for the massive amount of people he has murdered. [[PsychoForHire Serving corporations for the carnage it affords him]], Adam Smasher [[{{Sadist}} savors the deaths of as many innocent bystanders as possible]]. possible. Having been the one to kill [[Characters/Cyberpunk2077JohnnySilverhand Johnny Silverhand, Silverhand]], Adam Smasher returns in [[VideoGame/Cyberpunk2077 the Arasaka Corporation wars]] to again kill as many as possible.
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* SeinfeldIsUnfunny: Mostly due to AdaptationDisplacement, there were some people who have claimed the video game adaptation ''VideoGame/Cyberpunk2077'''s aesthetics felt too generic. The tabletop game it's based on was the codifier for many of the genre's tropes, so it’s somewhat unsurprising that many of its tropes feel very familiar. This has resulted in a game where many of the ShoutOut references are referencing something that was inspired by, or was itself a reference to the original ''Cyberpunk'' tabletop game setting.
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* HarsherInHindsight: [[http://puu.sh/FURJb.jpg The description of Nomads' views on pre-Collapse America]] in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[Administrivia/RuleofCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] but the fact that coming up on the real 2020 these comments seem like standard social media comments rather than fiction means this blurb holds even more relevance than it did in the setting.
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* HarsherInHindsight: [[http://puu.sh/FURJb.jpg The description of Nomads' views on pre-Collapse America]] in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[Administrivia/RuleofCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] altogether, but the fact that coming up on the real 2020 these comments seem like standard social media comments rather than fiction means this blurb holds even more relevance than it did in the setting.
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Fanon has become canon
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the release video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the fourth edition, ''Cyberpunk Red'', picking up where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the release video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the fourth edition, ''Cyberpunk Red'', picking up where ''2020'' left off, off as a bridge into the events ''2077'', ''V3'' appears to be on the verge of becoming is now CanonDiscontinuity.
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the fourth edition, ''Cyberpunk Red'', picking up where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming release video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the fourth edition, ''Cyberpunk Red'', picking up where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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Approved by the thread
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* CompleteMonster: [[AxCrazy Adam Smasher]] was a thuggish murderer and rapist who willingly chose to throw away his humanity for a chance at power. A mighty cyborg, Adam is a dark [[LivingLegend legend]] who is known for the massive amount of people he has murdered. [[PsychoForHire Serving corporations for the carnage it affords him]], Adam Smasher [[{{Sadist}} savors the deaths of as many innocent bystanders as possible]]. Having been the one to kill Johnny Silverhand, Adam Smasher returns in [[VideoGame/Cyberpunk2077 the Arasaka Corporation wars]] to again kill as many as possible.
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** In the game's background lore, the United States effectively ceased to be following a coup in which a group of prominent members of the American Government, military and intelligence community, later dubbed the "Gang of Four", dragged the United States into a costly war in Central America, in something of a parallel to the Soviet invasion of Afghanistan, which eventually caused such massive social and economic upheaval that several states seceded from the Union. Meanwhile, the Soviet Union remains solvent and a major world power. Years after this was written, the Soviet Union would effectively end in 1991 following [[https://en.wikipedia.org/wiki/1991_Soviet_coup_d%27%C3%A9tat_attempt an attempted coup d'état]] by several high-ranking members of the Soviet Communist Party, which left the United States as the sole global superpower. The eight men responsible for the coup would later be dubbed the [[https://en.wikipedia.org/wiki/State_Committee_on_the_State_of_Emergency "Gang of Eight"]] in the American press.
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the fourth edition, ''Cyberpunk Red'', picking where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the fourth edition, ''Cyberpunk Red'', picking up where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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* MarySuetopia: New Zealand is the closest to it in the setting especially in contrast with Australia, with corporations --and guns under control, enviromental laws, and a welfare state.
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* HilariousInHindsight: The historical Gang of Four that caused the degradation of the American Union in the early 1990's was led by the Vice President. As the original story was penned in the 1980's, it was easy to imagine an EvilChancellor setting out to plunder the nation's riches. With the benefit of hindsight, it's kind of hard to imagine the nation being undone by a guy whose most memorable act in office was [[UsefulNotes/DanQuayle misspelling the word "potato."]]
* MarySuetopia: New Zealand is the closest to it in the setting especially in contrast with Australia, with corporations --and guns under control,enviromental environmental laws, and a welfare state.
* MarySuetopia: New Zealand is the closest to it in the setting especially in contrast with Australia, with corporations --and guns under control,
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be fourth edition, ''Cyberpunk Red'', picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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!!Tropes applying to the tabletop game:
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Linked the full passage as image.
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* HarsherInHindsight: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[Administrivia/RuleofCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] but the fact that coming up on the real 2020 these comments seem like standard social media comments rather than fiction means this blurb holds even more relevance than it did in the setting.
to:
* HarsherInHindsight: [[http://puu.sh/FURJb.jpg The description of Nomads' views on pre-Collapse America America]] in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[Administrivia/RuleofCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] but the fact that coming up on the real 2020 these comments seem like standard social media comments rather than fiction means this blurb holds even more relevance than it did in the setting.
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* HarsherInHindsight: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[RuleOfCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] but the fact is that coming up on the real 2020 this blurb holds even more relevance than it did in the setting.
to:
* HarsherInHindsight: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[RuleOfCautiousEditingJudgment [[Administrivia/RuleofCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] but the fact is that coming up on the real 2020 these comments seem like standard social media comments rather than fiction means this blurb holds even more relevance than it did in the setting.
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None
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* HarsherInHindsight: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[RuleOfCautiousEditingJudgement Whether or not these concerns are valid is a different matter altogether,]] but the fact is that coming up on the real 2020 this blurb holds even more relevance than it did in the setting.
to:
* HarsherInHindsight: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook comes off as eerily prescient in the new '10s, both of the concerns expressed and of the sharp rise in people who hold said concerns. [[RuleOfCautiousEditingJudgement [[RuleOfCautiousEditingJudgment Whether or not these concerns are valid is a different matter altogether,]] but the fact is that coming up on the real 2020 this blurb holds even more relevance than it did in the setting.
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This "Unfortunate Implications" log falls solidly under "Rule of Cautious Editing Judgement". Please try to be more moderate when writing for a wiki page.
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* UnfortunateImplications: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook did ''not'' age well. What read in context in the early 90s as a bitter analysis of society's decay from the perspective of people struggling just to survive in the aftermath reads today like the kind of right-wing screed against marginalized groups one might find on social media. The fact that several far-right internet personalities have started deliberately misrepresenting this as the literal cause of the Collapse in the game's universe since it's recent pop-cultural rediscovery certainly hasn't helped matters.
--> '''Neo Tribes; Page 7, Diversity and Unity''': It is now accepted among historical scholars that in the decades before the Collapse, America suffered from the sickness of racism and “cultural identity.” Everyone wanted to be seen as special. Every group had to be “equal” to or preferably better than its neighbors, and fought to protect its “special” rights. If anyone had something that someone else wanted, they were painted as racist, sexist, elitist, or worse. This divisive “me first” attitude eventually tore the fabric of American culture apart and caused it to self-destruct in a fireball of competing ideologies, none of which truly recognized each other’s validity. Diversity led inexorably to anarchy.
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-->
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Block quote moved from main page.
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--> '''Neo Tribes; Page 7, Diversity and Unity''': It is now accepted among historical scholars that in the decades before the Collapse, America suffered from the sickness of racism and “cultural identity.” Everyone wanted to be seen as special. Every group had to be “equal” to or preferably better than its neighbors, and fought to protect its “special” rights. If anyone had something that someone else wanted, they were painted as racist, sexist, elitist, or worse. This divisive “me first” attitude eventually tore the fabric of American culture apart and caused it to self-destruct in a fireball of competing ideologies, none of which truly recognized each other’s validity. Diversity led inexorably to anarchy.
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, R. Talsorian Creator/RTalsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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* UnfortunateImplications: The description of Nomads' views on pre-Collapse America in the ''Neo-Tribes'' sourcebook did ''not'' age well. What read in context in the early 90s as a bitter analysis of society's decay from the perspective of people struggling just to survive in the aftermath reads today like the kind of right-wing screed against marginalized groups one might find on social media. The fact that several far-right internet personalities have started deliberately misrepresenting this as the literal cause of the Collapse in the game's universe since it's recent pop-cultural rediscovery certainly hasn't helped matters.
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None
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.CanonDiscontinuity.
----
----
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to post-apocalyptic transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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None
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''{{Cyberpunk ''VideoGame/{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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None
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk").
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk"). With the recent announcement that the upcoming video game adaptation, ''{{Cyberpunk 2077}}'', as well as the accompanying setting updates for the tabletop game, will be picking up from where ''2020'' left off, ''V3'' appears to be on the verge of becoming CanonDiscontinuity.
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None
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk").
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk").
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None
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is derisively referred to by fans of previous editions as "Barbiepunk").
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (for this reason, V3 is often derisively referred to by fans of previous editions as "Barbiepunk").
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* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (to this day, V3 is derisively referred to by fans of previous editions as "Barbiepunk" for this reason).
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (to (for this day, reason, V3 is derisively referred to by fans of previous editions as "Barbiepunk" for this reason)."Barbiepunk").
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Changed line(s) 1 (click to see context) from:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus shifted away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (to this day, V3 is derisively referred to by fans of previous editions as "Barbiepunk" for this reason).
to:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus shifted turned away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (to this day, V3 is derisively referred to by fans of previous editions as "Barbiepunk" for this reason).
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Added DiffLines:
* FanonDiscontinuity: The fandom's overall reaction to the game's third edition, also known as V3, which shifted the game more towards PostCyberPunk with a focus shifted away from gritty future noir to transhumanism. Additionally, due to financial difficulties, R. Talsorian was unable to afford to commission new art, and ended up resorting to Photoshopped images of costumed action figures customized by Mike Pondsmith's wife, which did ''not'' go over well with the fanbase (to this day, V3 is derisively referred to by fans of previous editions as "Barbiepunk" for this reason).
