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** [[https://www.youtube.com/watch?v=StfzZd5Tk3M "As Above, So Below"]] shows that Cryoshell still has it and is a dream come true for collaborator Essenger, who sings alongside Lore to create a powerful tribute to the toys that made the band in the first place.
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Trope cut per TRS
.
.Deleted line(s) 12 (click to see context) :
* FaceOfTheBand: Lore.
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Per TRS, this is YMMV
, this is YMMVAdded DiffLines:
* RefrainFromAssuming: "Closer to the Truth" isn't called "Take Me Home", although that phrase appears more often than the title. In fact, "Take Me Home" was actually originally intended to be the title of the song, justifying this trope.
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Added line(s) 4 (click to see context) :
*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to SugarWiki/AwesomeMusic. The [[https://www.youtube.com/watch?v=IRm7yPssIwQ orchestrated version of "Creeping In My Soul"]] is amazing, too, proving Christine's definitely still got it.
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*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to SugarWiki/AwesomeMusic. The [[https://www.youtube.com/watch?v=IRm7yPssIwQ orchestrated version of "Creeping In My Soul"]] is amazing, too, proving Christine's definitely still got it.
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Changed line(s) 1 (click to see context) from:
* SugarWiki/AwesomeMusic: All of the promo songs.
to:
* SugarWiki/AwesomeMusic: SugarWiki/AwesomeMusic:
** All of the promosongs.songs. "Gravity Hurts" in particular, combining drifting, floating instrumentals and hard rock ballad with Brinck's triumphant runs to make something that embodies joy, freedom, and purpose.
** All of the promo
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*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to SugarWiki/AwesomeMusic
*** The [[https://www.youtube.com/watch?v=IRm7yPssIwQ orchestrated version of "Creeping In My Soul"]] is amazing, too, proving Christine's definitely still got it.
*** The [[https://www.youtube.com/watch?v=IRm7yPssIwQ orchestrated version of "Creeping In My Soul"]] is amazing, too, proving Christine's definitely still got it.
to:
*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to SugarWiki/AwesomeMusic
***SugarWiki/AwesomeMusic. The [[https://www.youtube.com/watch?v=IRm7yPssIwQ orchestrated version of "Creeping In My Soul"]] is amazing, too, proving Christine's definitely still got it.
***
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* {{Narm}}: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth".
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*** The [[https://www.youtube.com/watch?v=IRm7yPssIwQ orchestrated version of "Creeping In My Soul"]] is amazing, too, proving Christine's definitely still got it.
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*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to CrowningMusicOfAwesome
to:
*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to CrowningMusicOfAwesomeSugarWiki/AwesomeMusic
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* AwesomeMusic: All of the promo songs.
to:
* AwesomeMusic: SugarWiki/AwesomeMusic: All of the promo songs.
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gravity hurts
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*** The 2018 version of "Gravity Hurts", which finally includes Lore on vocals and ''an entire orchestra as backing'' takes this all the way to CrowningMusicOfAwesome
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Changed line(s) 16,17 (click to see context) from:
* SongAssociation: Intentionally so for the ''BIONICLE'' promos. The songs soon became linked not to the sets, but the story as a whole. Were they not written specifically for the toyline, they could almost be [[FilkSong filk]].
* SuspiciouslySimilarSong: "Creeping in my Soul" to Music/{{Evanescence}}'s "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
* SuspiciouslySimilarSong: "Creeping in my Soul" to Music/{{Evanescence}}'s "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
to:
* SongAssociation: Intentionally so for the ''BIONICLE'' promos. The songs soon became linked not to the sets, but the story as a whole. Were they not written specifically for the toyline, they could almost be [[FilkSong filk]]. \n "Trigger" came out after their work for BIONICLE, but pretty specifically describes Takua/Takanuva's character arc.
* SuspiciouslySimilarSong: "Creeping in my Soul" to Music/{{Evanescence}}'s "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
* SuspiciouslySimilarSong: "Creeping in my Soul" to Music/{{Evanescence}}'s "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
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None
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* AwesomeMusic: ALL the promo songs.
to:
* AwesomeMusic: ALL All of the promo songs.
Changed line(s) 4,6 (click to see context) from:
* BrokenBase: Album vs. promos. Some prefer the original versions, others think the darker, more Gothic sound of the album was more appropriate for the band as a whole.
** "Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover or a desecration of a classic?
** Which of the THREE singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is Tine's more poppy, dubstep edge the new era of Cryoshell?
** "Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover or a desecration of a classic?
** Which of the THREE singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is Tine's more poppy, dubstep edge the new era of Cryoshell?
to:
* BrokenBase: Album vs. promos. Some prefer the original versions, others think the darker, more Gothic darker sound of the album was more appropriate for the band as a whole.
** "Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover ora desecration of a classic?
nowhere near as good as the original?
** Which of theTHREE three singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is does Tine's more poppy, dubstep edge style take the new era of Cryoshell? cake?
** "Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover or
** Which of the
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* FirstandForemost: People refuse to accept Tine Midtgaard's "Gravity Hurts" as the main version, despite ''that one'' getting the single release. To this day, more [=AMVs=] are made of Brinck's original.
* FlameBait: DO NOT compare them to Evanescence. EVER!
* HarsherinHindsight: "Bye Bye Babylon", the last of the promo songs for ''BIONICLE'' was released a mere month before the line was cancelled. The song, about surrendering old possessions and the fall of empires, is eerily fitting for the line's conclusion.
* {{Narm}}: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth" qualify.
* FlameBait: DO NOT compare them to Evanescence. EVER!
* HarsherinHindsight: "Bye Bye Babylon", the last of the promo songs for ''BIONICLE'' was released a mere month before the line was cancelled. The song, about surrendering old possessions and the fall of empires, is eerily fitting for the line's conclusion.
* {{Narm}}: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth" qualify.
to:
* FirstandForemost: FirstAndForemost: People refuse to accept Tine Midtgaard's "Gravity Hurts" as the main version, despite ''that one'' getting the single release. To this day, more [=AMVs=] are made of Brinck's original. \n
*FlameBait: DO NOT compare them to Evanescence. EVER!
* HarsherinHindsight:HarsherInHindsight: "Bye Bye Babylon", the last of the promo songs for ''BIONICLE'' was released a mere month before the line was cancelled. The song, about surrendering old possessions and the fall of empires, is eerily fitting for the line's conclusion.
* {{Narm}}: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to theTruth" qualify.Truth".
*
* HarsherinHindsight:
* {{Narm}}: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the
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* SongAssociation: Intentionally so for the ''BIONICLE'' promos. The songs soon became linked not to the sets but the story as a whole. Were they not written specifically for the toyline, they could almost be [[FilkSong filk]].
* SuspiciouslySimilarSong: "Creeping in my Soul" to Evanescence's "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
* WhatdoyouMeanitsNotforKids: Though the songs in the promos might be OKAY for kids, the album tracks have songs about sex, paranoia, and other disturbing imagery.
** The word "Hell" even had to be edited out of a commercial because of this.
* XMeetsY: Music/{{Evanescence}} with a bit of Music/{{LacunaCoil}}.
* SuspiciouslySimilarSong: "Creeping in my Soul" to Evanescence's "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
* WhatdoyouMeanitsNotforKids: Though the songs in the promos might be OKAY for kids, the album tracks have songs about sex, paranoia, and other disturbing imagery.
** The word "Hell" even had to be edited out of a commercial because of this.
* XMeetsY: Music/{{Evanescence}} with a bit of Music/{{LacunaCoil}}.
to:
* SongAssociation: Intentionally so for the ''BIONICLE'' promos. The songs soon became linked not to the sets sets, but the story as a whole. Were they not written specifically for the toyline, they could almost be [[FilkSong filk]].
* SuspiciouslySimilarSong: "Creeping in my Soul" toEvanescence's Music/{{Evanescence}}'s "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
*WhatdoyouMeanitsNotforKids: WhatDoYouMeanItsNotForKids: Though the songs in the promos might be OKAY okay for kids, the album tracks have songs about sex, paranoia, and other disturbing imagery.
**imagery. The word "Hell" even had to be edited out of a commercial because of this.
* XMeetsY: Music/{{Evanescence}} with a bit of Music/{{LacunaCoil}}.this.
* SuspiciouslySimilarSong: "Creeping in my Soul" to
*
**
* XMeetsY: Music/{{Evanescence}} with a bit of Music/{{LacunaCoil}}.
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* SongAssociation: Intentionally so for the ''BIONICLE'' promos.
to:
* SongAssociation: Intentionally so for the ''BIONICLE'' promos. The songs soon became linked not to the sets but the story as a whole. Were they not written specifically for the toyline, they could almost be [[FilkSong filk]].
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Added DiffLines:
* SongAssociation: Intentionally so for the ''BIONICLE'' promos.
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None
Changed line(s) 10 (click to see context) from:
* FirstandForemost: People refuse to accept Tine Midtgaard's "Gravity Hurts" as the main version, despite ''that one'' getting the single release. To this day, more AMVs are made of Brinck's original.
to:
* FirstandForemost: People refuse to accept Tine Midtgaard's "Gravity Hurts" as the main version, despite ''that one'' getting the single release. To this day, more AMVs [=AMVs=] are made of Brinck's original.
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None
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* EpicRiff: "Gravity Hurts", "Face Me", and "Bye Bye Babylon" for starters.
to:
* EpicRiff: "Gravity Hurts", "Face Me", and "Bye Bye Babylon" for starters. starters.
* FirstandForemost: People refuse to accept Tine Midtgaard's "Gravity Hurts" as the main version, despite ''that one'' getting the single release. To this day, more AMVs are made of Brinck's original.
* FirstandForemost: People refuse to accept Tine Midtgaard's "Gravity Hurts" as the main version, despite ''that one'' getting the single release. To this day, more AMVs are made of Brinck's original.
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None
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* EpicRiff: "Gravity Hurts".
to:
* EpicRiff: "Gravity Hurts".Hurts", "Face Me", and "Bye Bye Babylon" for starters.
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Changed line(s) 12 (click to see context) from:
* Narm: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth" qualify.
to:
* Narm: {{Narm}}: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth" qualify.
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None
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* AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one. The [[https://www.youtube.com/watch?v=CmQzLkaJQZ0 remake]] seems to be closer to their style, though.
to:
* AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one. The [[https://www.youtube.com/watch?v=CmQzLkaJQZ0 remake]] seems to be closer to their style, though.
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* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock.
to:
* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock. The [[https://www.youtube.com/watch?v=CmQzLkaJQZ0 remake]] seems to be closer to their style, though.
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None
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* SuspiciouslySimilarSong: "Creeping in my Soul" to Evanescence's "Bring me to Life". Comparisons were drawn almost instantly, leading to a remix which is distinct enough.
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None
Changed line(s) 5,8 (click to see context) from:
** "Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover or a desecration of a classic?
** Which of the THREE singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is Tine's more poppy, dubstep edge the new era of Cryoshell?
* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock.
** "Breakout", made by Tine Midtgaard, sounds very techno with a wub-wub in the background, as opposed to their standard alt-metal style.
** Which of the THREE singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is Tine's more poppy, dubstep edge the new era of Cryoshell?
* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock.
** "Breakout", made by Tine Midtgaard, sounds very techno with a wub-wub in the background, as opposed to their standard alt-metal style.
to:
* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock.
**"Breakout", made by Tine Midtgaard, sounds very techno with a wub-wub in the background, as opposed to their standard alt-metal style.
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None
Changed line(s) 3 (click to see context) from:
* AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one.
to:
* AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one. The [[https://www.youtube.com/watch?v=CmQzLkaJQZ0 remake]] seems to be closer to their style, though.
* BrokenBase: Album vs. promos. Some prefer the original versions, others think the darker, more Gothic sound of the album was more appropriate for the band as a whole.
**"Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover or a desecration of a classic?
**Which of the THREE singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is Tine's more poppy, dubstep edge the new era of Cryoshell?
* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock.
**"Breakout", made by Tine Midtgaard, sounds very techno with a wub-wub in the background, as opposed to their standard alt-metal style.
* BrokenBase: Album vs. promos. Some prefer the original versions, others think the darker, more Gothic sound of the album was more appropriate for the band as a whole.
**"Gravity Hurts" as done by Tine Midtgaard. Is it a worthy cover or a desecration of a classic?
**Which of the THREE singers was best for the band? Was Brinck's arena-ballad sound okay? Is Lore still the go-to girl? Or is Tine's more poppy, dubstep edge the new era of Cryoshell?
* BlackSheepHit: "Gravity Hurts". Even forgiving EarlyInstallmentWeirdness, this song still stands out from the rest of their songs for being an upbeat ballad with a male singer and less metal than standard hard rock.
**"Breakout", made by Tine Midtgaard, sounds very techno with a wub-wub in the background, as opposed to their standard alt-metal style.
Added DiffLines:
* HarsherinHindsight: "Bye Bye Babylon", the last of the promo songs for ''BIONICLE'' was released a mere month before the line was cancelled. The song, about surrendering old possessions and the fall of empires, is eerily fitting for the line's conclusion.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one.
to:
* AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one. one.
* EpicRiff: "Gravity Hurts".
* EpicRiff: "Gravity Hurts".
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Added DiffLines:
*AwesomeMusic: ALL the promo songs.
**"Trigger", "Feed", and "Murky" are also good non-promo songs.
*AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one.
*FlameBait: DO NOT compare them to Evanescence. EVER!
*Narm: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth" qualify.
*SignatureSong: "Gravity Hurts" for many fans.
**"Creeping in my Soul" for the full lineup.
*WhatdoyouMeanitsNotforKids: Though the songs in the promos might be OKAY for kids, the album tracks have songs about sex, paranoia, and other disturbing imagery.
**The word "Hell" even had to be edited out of a commercial because of this.
*XMeetsY: Music/{{Evanescence}} with a bit of Music/{{LacunaCoil}}.
**"Trigger", "Feed", and "Murky" are also good non-promo songs.
*AwardBaitSong: Though not technically movie-based, "Gravity Hurts" has all the elements of one.
*FlameBait: DO NOT compare them to Evanescence. EVER!
*Narm: The scream of "Gravity Hurts" or the constant repetition of ''"take me home.."'' in "Closer to the Truth" qualify.
*SignatureSong: "Gravity Hurts" for many fans.
**"Creeping in my Soul" for the full lineup.
*WhatdoyouMeanitsNotforKids: Though the songs in the promos might be OKAY for kids, the album tracks have songs about sex, paranoia, and other disturbing imagery.
**The word "Hell" even had to be edited out of a commercial because of this.
*XMeetsY: Music/{{Evanescence}} with a bit of Music/{{LacunaCoil}}.
