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* SignatureSong: "57", their most well known song among fans, and a concert staple.

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* SignatureSong: "57", their most well known song among fans, and a concert staple.staple, though it's since been supplanted by "Mountains".
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* TrueArtIsIncomprehensible: Their first three albums, which feature bizarre lyrics, angular riffs, frequent time signature changes and liberal use of UncommonTime.

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* TrueArtIsIncomprehensible: Their first three albums, which feature [[WordSaladLyrics bizarre lyrics, lyrics]], angular riffs, frequent time signature changes and liberal use of UncommonTime.
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"57" is more well-known and is played much more frequently.


* SignatureSong: "Justboy", their most well known song among fans, and a concert staple.

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* SignatureSong: "Justboy", "57", their most well known song among fans, and a concert staple.
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* TrueArtIsIncomprehensible: Their first three albums which feature bizarre lyrics, angular riffs, frequent time signature changes and liberal use of UncommonTime.

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* TrueArtIsIncomprehensible: Their first three albums albums, which feature bizarre lyrics, angular riffs, frequent time signature changes and liberal use of UncommonTime.
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* TearJerker: "Machines"

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* TearJerker: "Machines""Machines"
* TrueArtIsIncomprehensible: Their first three albums which feature bizarre lyrics, angular riffs, frequent time signature changes and liberal use of UncommonTime.
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* EpicRiff: "Saturday Superhouse", "The Captain".

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* EpicRiff: "Saturday Superhouse", "The Captain".Captain", "Sounds Like Balloons".
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* NightmareFuel: "Tradition Feed"

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* NightmareFuel: "Tradition Feed"Feed". It's worse in the context of the album, as it's a hidden track preceded by [[NothingIsScarier 18 minutes of silence]].
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* EpicRiff: "Saturday Superhouse", "The Captain".
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Not a trope


* TearJerker: "Machines"
* JustForFun/XMeetsY: Their earlier work could be described as "Nirvana meets Rush", while their post-''Infinity Land'' output is more "Foo Fighters meets Rush".

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* TearJerker: "Machines"
* JustForFun/XMeetsY: Their earlier work could be described as "Nirvana meets Rush", while their post-''Infinity Land'' output is more "Foo Fighters meets Rush".
"Machines"
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* EarWorm: "Bubbles"

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* EarWorm: "Bubbles""Bubbles." Also, "The Captain."
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* XMeetsY: Their earlier work could be described as "Nirvana meets Rush", while their post-''Infinity Land'' output is more "Foo Fighters meets Rush".

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* XMeetsY: JustForFun/XMeetsY: Their earlier work could be described as "Nirvana meets Rush", while their post-''Infinity Land'' output is more "Foo Fighters meets Rush".
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* PainfulRhyme: Quite a few, with the worst offender being the opening lines of "Feverish".

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* PainfulRhyme: Quite a few, Happens occasionally, with the worst offender being the opening lines of "Feverish".
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* PainfulRhyme: The opening lines of "Feverish".

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* PainfulRhyme: The Quite a few, with the worst offender being the opening lines of "Feverish".
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** Then there's the first verse of "Flammable", [[RhymingWithItself which rhymes "miracle" with "miracle"]].

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** Then there's the first verse of "Flammable", [[RhymingWithItself which rhymes "miracle" with "miracle"]]."miracle"]], and the chorus of "Biblical", which attempts to rhyme "immeasurable" with "central".
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** Then there's the first verse of "Flammable", [[RhymingWithItself which rhymes "miracle" with "miracle"]].
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* PainfulRhyme: The opening likes of "Feverish".

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* PainfulRhyme: The opening likes lines of "Feverish".
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* PainfulRhyme: The opening likes of "Feverish".
-->''Are we getting close? Come feel my fever\\
You've a right to know, I'm the one that feeds ya''
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* TearJerker: "Machines"

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* TearJerker: "Machines""Machines"
* XMeetsY: Their earlier work could be described as "Nirvana meets Rush", while their post-''Infinity Land'' output is more "Foo Fighters meets Rush".
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* TastesLikeDiabetes: "Re-Arrange" can come across as overly sentimental.

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* TastesLikeDiabetes: "Re-Arrange" can come across as overly sentimental. It doesn't help that Simon maintains soft, high-pitched vocals throughout the entire song.
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* TastesLikeDiabetes: "Re-Arrange" can come across as overly sentimental.
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* BrokenBase: Every album from ''Puzzle'' onwards has had a much poppier edge, and brought the band to a wider audience and attention in the mainstream, leading to cries of Sell Out! and [[ItsPopularNowItSucks it's popular, now it sucks]] (masquerading as TheyChangedItNowItSucks in most cases) from older fans who aren't happy with their new fans who only listen to their later material.

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* BrokenBase: Every album from ''Puzzle'' onwards has had a much poppier edge, and brought the band to a wider audience and attention in the mainstream, leading to cries of Sell Out! and [[ItsPopularNowItSucks it's popular, now it sucks]] (masquerading as TheyChangedItNowItSucks in most cases) from older fans who aren't happy with their new fans who only listen to their later material. This intensified after the release of their seventh album, ''Ellipsis'', which was hailed as a success by some but criticised as bland by others.
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* BrokenBase: Their latest two albums have a much poppier edge to the others, and brought the band to a wider audience and attention in the mainstream, leading to cries of Sell Out! and [[ItsPopularNowItSucks it's popular, now it sucks]] (masquerading as TheyChangedItNowItSucks in most cases) from older fans who aren't happy with their new fans who only listen to their later material.

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* BrokenBase: Their latest two albums have Every album from ''Puzzle'' onwards has had a much poppier edge to the others, edge, and brought the band to a wider audience and attention in the mainstream, leading to cries of Sell Out! and [[ItsPopularNowItSucks it's popular, now it sucks]] (masquerading as TheyChangedItNowItSucks in most cases) from older fans who aren't happy with their new fans who only listen to their later material.
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* {{Bishōnen}}: Simon Neil, especially in the video for 57.

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* {{Bishōnen}}: {{Bishonen}}: Simon Neil, especially in the video for 57.
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* Bishōnen: Simon Neil, especially in the video for 57.

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* Bishōnen: {{Bishōnen}}: Simon Neil, especially in the video for 57.
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* Bishonen: Simon Neil, especially in the video for 57.

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* Bishonen: Bishōnen: Simon Neil, especially in the video for 57.
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* Bishonen: Simon Neil, especially in the video for 57.
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* IAmNotShazam: Since Biffy Clyro sounds like a name, it would be easy to think that it's one person named that rather than a trio.

Changed: 155

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Fan Dumb & Hate Dumb are now part of Flame Bait. Only in-universe examples are allowed.


* BrokenBase: Their latest two albums have a much poppier edge to the others, and brought the band to a wider audience and attention in the mainstream, leading to cries of Sell Out! and [[ItsPopularNowItSucks it's popular, now it sucks]] (masquerading as TheyChangedItNowItSucks in most cases) from older fans who aren't happy with their new fans who only listen to their later material. Bordering on FanDumb at times as older fans look for any excuse to deride later material, and anyone who hasn't listened to the band since their inception.

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* BrokenBase: Their latest two albums have a much poppier edge to the others, and brought the band to a wider audience and attention in the mainstream, leading to cries of Sell Out! and [[ItsPopularNowItSucks it's popular, now it sucks]] (masquerading as TheyChangedItNowItSucks in most cases) from older fans who aren't happy with their new fans who only listen to their later material. Bordering on FanDumb at times as older fans look for any excuse to deride later material, and anyone who hasn't listened to the band since their inception.
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* NightmareFuel: "Tradition Feed"
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Added DiffLines:

* SignatureSong: "Justboy", their most well known song among fans, and a concert staple.

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