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** The Inner Circle. A group of flawed but ultimately good-hearted people who form a [[TrueCompanions loyal and tightknit]] [[FamilyOfChoice found family]], helping each other heal from trauma while ruling benevolently over the Night Court? Or a [[DysfunctionJunction dysfunctional]] and emotionally-stunted group who are unhealthily co-dependent and insular, blindly obey Rhysand even when it comes to his more questionable decisions, and regularly justify or excuse their less-savory actions as being the result of trauma or 'for the greater good' while [[MoralMyopia condemning similar behavior in outsiders]]? Do they lie somewhere in the middle?
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** Amren became this following ''A Court of Wings and Ruin'', and especially after ''A Court of Silver Flames''. Amren was popular amongst readers for her enigmatic nature and "take-no-shit" attitude, so some readers were happy that she [[spoiler:came back to life after sacrificing herself]] at the end of ''Wings and Ruin''. However, other readers weren't so keen, arguing that her [[spoiler:dying in this way was a fitting bittersweet end to her arc and her survival came off as an AssPull]]. The way her character is handled in subsequent books also resulted in even some readers who liked her wishing she'd [[spoiler:stayed dead]]; she's been criticized for being far less interesting after turning into [[spoiler:a standard High Fae]], and doing little but making patronizing or nasty comments, especially towards a PTSD-stricken Nesta.
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** Mor being revealed as bisexual with a preference for women opens ''several'' cans of worms. Some readers like that the series has a prominent and heroic bisexual character (who isn't defined solely by her sexuality, either). However, other readers felt the way it was handled is a bit clumsy, if not outright problematic: Mor had previously only been depicted having relationships with men and is merely mentioned as having had a female lover many years ago, which made her bisexuality seem like a tacked-on InformedAttribute to some. Some readers also took issue with the fact that Mor says she mostly sleeps around with men to get [[DoggedNiceGuy Azriel to take a hint]] then looking downright ''miserable'' after the fact (which led to some debate amongst fans as to whether she was really bisexual or actually a lesbian, opening up yet ''more'' cans of worms). Then there's the scene where Mor comes out to Feyre. There are some who find the scene to be well-done and adding great insight to Mor's character. For others it's dampened by Feyre's previous behavior, as until then Feyre was basically [[ShipperOnDeck rooting for Mor/Azriel]] to the point where Rhys flat out tells Feyre that it's none of her business; some readers find it a little hard not to see it as Feyre ''forcing'' Mor to come out because Feyre's ship wasn't happening.

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** Mor being revealed as bisexual with a preference for women opens ''several'' cans of worms. Some readers like that the series has a prominent and heroic bisexual character (who isn't defined solely by her sexuality, either). However, other readers felt the way it was handled is a bit clumsy, if not outright problematic: Mor had previously only been depicted having relationships with men and is merely mentioned as having had a female lover many years ago, which made her bisexuality seem like a tacked-on InformedAttribute to some. Some readers also took issue with the fact that Mor says she mostly sleeps around with men to get [[DoggedNiceGuy Azriel to take a hint]] then looking looks downright ''miserable'' after the fact (which led to some debate amongst fans as to whether she was really bisexual or actually a lesbian, opening up yet ''more'' cans of worms).worms); some readers also feel it plays into the stereotype that bisexual people are always promiscuous. Then there's the scene where Mor comes out to Feyre. There are some who find the scene to be well-done and adding great insight to Mor's character. For others it's dampened by Feyre's previous behavior, as until then Feyre was basically [[ShipperOnDeck rooting for Mor/Azriel]] to the point where Rhys flat out tells Feyre that it's none of her business; some readers find it a little hard not to see it as Feyre ''forcing'' Mor to come out because Feyre's ship wasn't happening.
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** Mor, especially after ''A Court of Silver Flames''. Some like her for being an unashamed {{hard drinking party girl}} who overcame a past of abuse and trauma, and provides a positive example of female friendship via her bond with Feyre. Others find her to be one of the most boring members of Inner Circle who rarely displays any of the exceptional power she's claimed to have, or do anything of significance at all. Some also found Mor to be insensitive for the way she handled Azriel's unrequited crush on her, arguing she had centuries to let him know she wasn't interested; others would argue that was on Azriel for not taking a hint. Her treatment of Nesta in ACOSF especially landed in her in hot water with several readers, who felt Mor came off as disproportionately hostile and downright cruel to her. Finally, Mor's bisexuality has resulted in ''many'' debates among fans over how well it's handled (see BrokenBase for details).


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* StrangledByTheRedString: The series has this in-universe with the mating bond, mostly for men. Once a man meets the person destined to be his mate (usually a woman), he is instantly infatuated with her even if they've never so much as seen each other before, and he becomes intensely protective and jealous over her. It's not so bad with [[spoiler:Feyre]] and [[spoiler:Rhysand]] given they at least get to spend several weeks getting to know each other before getting together (and it's indicated [[spoiler:Rhys]] had previously gained admiration and affection for [[spoiler:Feyre]] during [[spoiler: her three month-long imprisonment Under the Mountain]]), but Cassian and Lucien both quickly become obsessed with Nesta and Elain, respectively, despite these women either ignoring them or treating them with hostility and coldness. It takes a few more years for Nesta to warm up to Cassian (who is [[DoggedNiceGuy still carrying a torch]] after all this time), while Elain seems [[ScrewDestiny more interested in Azriel than Lucien]].

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** The sex scenes, which increase in both frequency and worded detail with every installment. Some readers find the scenes well-written and don't think they detract from the overall story. Others find the scenes intrusive and the writing laughable. The sexual content has also generated controversy given that the books tend to be marketed towards teenagers. Some readers are critical of the fact such explicit content appears in Young Adult novels, while others feel that teens aren't intended to be the target audience and think it's the marketers' fault for misrepresenting the books.



** The sex scenes, which increase in both frequency and worded detail with every installment. Some readers find the scenes well-written and don't think they detract from the overall story. Others find the scenes intrusive and the writing laughable. The sexual content has also generated controversy given that the books tend to be marketed towards teenagers. Some readers are critical of the fact such explicit content appears in Young Adult novels, while others feel that teens aren't intended to be the target audience and think it's the marketers' fault for misrepresenting the books. 
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** The sex scenes, which increase in both frequency and worded detail with every installment. Some readers find the scenes well-written and don't think they detract from the overall story. Others find the scenes intrusive and the writing laughable. The sexual content has also generated controversy given that the books tend to be marketed towards teenagers. Some readers are critical of the fact such explicit content appears in Young Adult novels, while others feel that teens aren't intended to be the target audience and think it's the marketers' fault for misrepresenting the books. 

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** The phrase "I let out a breath I didn't know I'd been holding" or slight variations thereof crops up repeatedly. Some readers find it annoyingly repetitive and improbable, with a few joking it makes it seem Feyre has respiratory problems. It doesn't help that the line is considered overrused to the point of cliche in fiction, ''especially'' in YA fiction.

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** The phrase "I let out a breath I didn't know I'd been holding" or slight variations thereof crops up repeatedly. Some readers find it annoyingly repetitive and improbable, with a few joking it makes it seem Feyre has respiratory problems. It doesn't help that the line is considered overrused overused to the point of cliche in fiction, ''especially'' in YA fiction.


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* OneTrueThreesome: There are several fans who believe Lucien, Vassa, and [[spoiler:Jurian]] are all romantically involved with each other; at the very least, canonically they've become close friends, bonding over their shared experiences with trauma and exile, and they've moved in together.
* PortmanteauCoupleName: Several have cropped up amongst fans:
** Feylin for Feyre/Tamlin [[spoiler:although virtually no one ships them anymore]].
** Feysand for Feyre/Rhysand.
** Nessian for Nesta/Cassian.
** Elriel for Elain/Azriel.
** Elucien for Elain/Lucien.
** Gwynriel for Gwyn/Azriel.


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* ShipMates: Those that ship Lucien and Elain together often get along with Azriel/Gwyn shippers, as it clears up the love triangle in a way that leaves everyone happy with their love life.

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** In ''A Court of Mist and Fury'', Rhysand is revealed to be NotEvilJustMisunderstood: he's actually a benevolent and compassionate High Lord who puts on a show of being a hedonistic tyrant to keep the Night Court safe from Amarantha and other enemies. However, there are increasing numbers of readers who interpret his more villainous portrayal in ''A Court of Thorns and Roses'' as not being ''entirely'' an act after all, pointing out that he primarily rules through fear (and clearly thinks this is a good way of doing things, calling Tamlin weak for not doing the same), condones physical and psychological torture for a 'good' cause, enjoys manipulating and tormenting others if he can get away with it, and has few compunctions around deceiving and violating the boundaries of even his closest loved ones. Interestingly, we largely see Rhysand's 'redemption' through the eyes of Feyre's first-person POV, which coincides with her [[spoiler:falling in love with him and recovering from trauma with his help]]; many readers have noted that Rhysand comes off far less favorably when described from Nesta's third-person POV. It could be argued both POVs are biased in their own way (Feyre idealizes Rhys [[spoiler:out of love for him]], while Nesta and Rhys share a mutual dislike for the other).

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** In ''A Court of Mist and Fury'', Rhysand is revealed to be NotEvilJustMisunderstood: he's actually a benevolent and compassionate High Lord who puts on a show of being a hedonistic tyrant to keep the Night Court safe from Amarantha and other enemies. However, there are increasing numbers of readers who interpret his more villainous portrayal in ''A Court of Thorns and Roses'' as not being ''entirely'' an act after all, pointing out that he primarily rules through fear (and clearly thinks this is a good way of doing things, calling Tamlin weak for not doing the same), condones physical and psychological torture for a 'good' cause, enjoys manipulating and tormenting others if he can get away with it, and has few compunctions around deceiving and violating the boundaries of even his closest loved ones. Interestingly, we largely see Rhysand's 'redemption' through the eyes of Feyre's first-person POV, which coincides with her [[spoiler:falling in love with him and recovering from trauma with his help]]; many readers have noted that Rhysand comes off far less favorably when described from Nesta's third-person POV. It could be argued both POVs [=POVs=] are biased in their own way (Feyre idealizes Rhys [[spoiler:out of love for him]], while Nesta and Rhys share a mutual dislike for the other).other).
** Tamlin's involvement in [[spoiler:the murder of Rhysand's mother and sister]] is left rather ambiguous. It's stated that he told his father and brothers where they would be and he was present during [[spoiler:the murders]], but it's never stated or implied that he actually took part or what he was doing at all during this. Given that Tamlin and Rhys genuinely were friends prior to this and that Tamlin [[spoiler:burnt the wings of Rhys' family that his father took as trophies]] and never talks about it, it's indicated he took no pleasure in what happened. Adding in the fact that Tamlin's father and brothers are said to have been extremely cruel and felt threatened by him, it doesn't seem implausible Tamlin could've been forced or coerced into complying. One should also consider that Tamlin and his family believed Rhysand himself would be present; did Tamlin believe that Rhys would be capable of defending himself against his father and brothers, only for this to go awry when he didn't show up? Adding to the ambiguity is that we've never heard Tamlin's perspective on the incident, only Rhysand's, and he himself states he doesn't fully understand Tamlin's motives.



* UnintentionallySympathetic: Tamlin as the series goes on. The series never had an issue of calling Tamlin out on his worst character aspects and for his actions in ''A Court of Mist and Fury''. However as time goes on [[spoiler:''Rhysand's'']] flaws are becoming far more apparent, even to the point where he makes similar actions... but Feyre/the narration/Maas will jump through hoops to excuse [[spoiler:Rhys]] despite being guilty of the same thing ''and worse''. Instead of making Tamlin out as merely a controlling abuser, he's starting to come across as more and more of a highly traumatized tragic figure given absolutely no chance to properly cope. Even readers who don't much like Tamlin felt some pity for him in ''Frost and Starlight'', as he appears to be deeply depressed and possibly suicidal, and thought Rhysand was out of order for mocking and ranting at him.

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* UnintentionallySympathetic: Tamlin as the series goes on. The series never had an issue of with calling Tamlin out on his worst character aspects and for his actions in ''A Court of Mist and Fury''. However as time goes on [[spoiler:''Rhysand's'']] flaws are becoming far more apparent, even to the point where he makes similar actions... but Feyre/the narration/Maas will jump through hoops to excuse [[spoiler:Rhys]] despite being guilty of the same thing ''and worse''. Instead of making Tamlin out as merely a controlling abuser, an abusive {{jerkass}}, he's starting to come across as more and more of as a highly traumatized tragic figure given absolutely no chance to properly cope. Even readers who don't much like Tamlin felt some pity for him in ''Frost and Starlight'', as he appears to be deeply depressed and possibly suicidal, ''suicidal'', and thought Rhysand was out of order for mocking and ranting at him.
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* EscapistCharacter: Feyre. She goes from an impoverished, unappreciated and relatively ordinary girl to the love interest of not one, but ''two'' extremely attractive and powerful faerie lords, is turned into a Fae herself with all kinds of rare abilities, helps save the world from Hybern and [[spoiler: becomes High Lady of the Night Court, living in peace and comfort for the rest of her life in a beautiful city surrounded by all her friends and family]].

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** After A Court of Silver Flames, many readers are starting to jump ship with [[spoiler: Rhysand/Feyre. Rhysand's actions are scarily similar to Tamlin's in A Court of Mist and Fury of locking Feyre up without her consent and making decisions regarding her well-being without consulting with her. Rhysand has shown numerous times he has characteristics of a groomer and abusive boyfriend. He flaunts her before his male peers and makes disgusting comments about their sex life but grows irrationally angry if she dares to speak to another man, he pretends she's on equal footing with him politically to keep her placated yet he's the one calling the shots, he withholds info from her because he thinks she's not strong enough to handle the truth when said info is about keeping her alive, locks her up because he thinks it's for her best interest.]] The author goes through leaps trying to prove their the superior ship but it's getting harder and harder not to acknowledge it's becoming the most destructive and toxic relationship. Many readers that went through abusive relationships are starting to acknowledge [[spoiler:Rhysand]] is better at gaslighting and controlling his lover than [[spoiler:Tamlin]] ever was.

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** After A ''A Court of Silver Flames, Flames'', many readers are starting to jump ship with [[spoiler: Rhysand/Feyre. Rhysand's actions are scarily similar to Tamlin's in A ''A Court of Mist and Fury of locking Fury'' (locking Feyre up without her consent and making decisions regarding her well-being without consulting with her.her). Rhysand has shown numerous times he has characteristics of a groomer and abusive boyfriend. He flaunts her Feyre before his male peers and makes disgusting comments about their sex life but grows irrationally angry if she dares to speak to another man, he pretends she's on equal footing with him politically to keep her placated yet he's the one calling the shots, he withholds info from her because he thinks she's not strong enough to handle the truth when said info is about keeping her alive, and locks her up because he thinks it's for her best interest.]] The author goes through leaps trying to prove their they're the superior ship but for some it's getting harder and harder not to acknowledge it's becoming the most see their relationship as destructive and toxic relationship. toxic. Many readers that went through abusive relationships are starting to acknowledge feel that [[spoiler:Rhysand]] is better at gaslighting and controlling his lover than [[spoiler:Tamlin]] ever was.


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** In ''A Court of Mist and Fury'', Rhysand is revealed to be NotEvilJustMisunderstood: he's actually a benevolent and compassionate High Lord who puts on a show of being a hedonistic tyrant to keep the Night Court safe from Amarantha and other enemies. However, there are increasing numbers of readers who interpret his more villainous portrayal in ''A Court of Thorns and Roses'' as not being ''entirely'' an act after all, pointing out that he primarily rules through fear (and clearly thinks this is a good way of doing things, calling Tamlin weak for not doing the same), condones physical and psychological torture for a 'good' cause, enjoys manipulating and tormenting others if he can get away with it, and has few compunctions around deceiving and violating the boundaries of even his closest loved ones. Interestingly, we largely see Rhysand's 'redemption' through the eyes of Feyre's first-person POV, which coincides with her [[spoiler:falling in love with him and recovering from trauma with his help]]; many readers have noted that Rhysand comes off far less favorably when described from Nesta's third-person POV. It could be argued both POVs are biased in their own way (Feyre idealizes Rhys [[spoiler:out of love for him]], while Nesta and Rhys share a mutual dislike for the other).
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* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's self-centered and increasingly problematic actions]] make him out as far more problematic, controlling, and borderline abusive than Tamlin ever was. The crux for many readers is that Tamlin's worst acts have been thoroughly called out and resulted in him hitting rock bottom, making him come off as more of a tragic figure, whereas [[spoiler:Rhysand's]] similarly problematic behavior tends to be excused or glossed over.

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* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's [[spoiler:Rhysand]]'s self-centered and increasingly problematic actions]] actions make him out as far more problematic, controlling, controlling and borderline abusive than Tamlin ever was. The crux for many readers is that Tamlin's worst acts have been thoroughly called out and resulted in him hitting rock bottom, making him come off as more of a tragic figure, whereas [[spoiler:Rhysand's]] similarly problematic behavior tends to be excused or glossed over.
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Bastard Boyfriend is where abusive behavior is glamourized in the story, which doesn't apply to Tamlin


* UnintentionallySympathetic: Tamlin as the series goes on. The series never had an issue of calling Tamlin out on his worst character aspects and for his actions in ''A Court of Mist and Fury''. However as time goes on [[spoiler:''Rhysand's'']] flaws are becoming far more apparent, even to the point where he makes similar actions... but Feyre/the narration/Mass will jump through hoops to excuse [[spoiler:Rhys]] despite being guilty of the same thing ''and worse''. Instead of making Tamlin out as some BastardBoyfriend, he's starting to come across as more and more of a highly traumatized tragic figure given absolutely no chance to properly cope.

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* UnintentionallySympathetic: Tamlin as the series goes on. The series never had an issue of calling Tamlin out on his worst character aspects and for his actions in ''A Court of Mist and Fury''. However as time goes on [[spoiler:''Rhysand's'']] flaws are becoming far more apparent, even to the point where he makes similar actions... but Feyre/the narration/Mass narration/Maas will jump through hoops to excuse [[spoiler:Rhys]] despite being guilty of the same thing ''and worse''. Instead of making Tamlin out as some BastardBoyfriend, merely a controlling abuser, he's starting to come across as more and more of a highly traumatized tragic figure given absolutely no chance to properly cope.cope. Even readers who don't much like Tamlin felt some pity for him in ''Frost and Starlight'', as he appears to be deeply depressed and possibly suicidal, and thought Rhysand was out of order for mocking and ranting at him.
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** At one point [[spoiler:Feyre]] and [[spoiler:Rhysand]] seriously consider having sex in a library that also serves as a refuge for vulnerable women, including many who are survivors of sexual violence. Several readers have commented that they found this not only unsexy but wildly inappropriate.

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** At one point [[spoiler:Feyre]] and [[spoiler:Rhysand]] seriously consider having sex in a library that also serves as a refuge for vulnerable women, including many who are survivors of sexual violence. Several readers have commented that they found this not only unsexy but wildly highly inappropriate.
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** At one point [[spoiler:Feyre]] and [[spoiler:Rhysand]] seriously consider having sex in a library that also serves as a refuge for vulnerable women, including many who are survivors of sexual violence. Several readers have commented that they found this not only unsexy but wildly inappropriate.
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** Rhysand is increasingly viewed this way, especially after ''A Court of Silver Flames''. A lot of this is down to the fact he often does rather morally questionable things in the name of the 'greater good', but all his actions are constantly glossed over or justified in some way, and he's often presented as right. Some readers find he's not much different from Tamlin in terms of allying with a villain from desperation and doing unsavory things to protect Feyre (the worst of which includes drugging and sexually harassing her [[note]]his reasoning for doing so is arguably rather flimsy seeing as Tamlin is ''already'' pissed at Amarantha and he later admits part of it was just to get back at Tamlin for their personal conflict[[/note]] and hiding the fact [[spoiler:her pregnancy could kill her and her unborn child]]). However, Tamlin gets constantly vilified by the narrative for this behavior, while Rhys [[ProtagonistCenteredMorality does not]]. Some readers have also noted that while Rhysand is devoted to protecting those he sees as family and the citizens in Velaris, he doesn't seem to care all that much about anyone else, even other places in the Night Court such as the Hewn City, and he's still willing to deceive and manipulate those he loves for his own gain.

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* StrawmanHasAPoint: Nesta in ''A Court of Silver Flames'' is presented as being in the wrong and called out by everyone for [[spoiler:revealing to Feyre how risky her pregnancy will be for both herself and her unborn child]]. While Nesta was acting partly from spite and anger, Feyre had every right to know about this considering it concerns ''her'' health and body.

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* StrawmanHasAPoint: StrawmanHasAPoint:
** Tamlin ''is'' overly-protective and controlling towards Feyre in ''A Court of Mist and Fury'', but his reaction when he learns she's at the Night Court for the long-term doesn't seem as irrational or malicious as the narrative tries to present it. As far as ''he'' knows, the woman he loves (and saw tortured and [[BackFromTheDead killed]] in front of him) has been taken to the Night Court against her will by a man who presents himself as cruel and violent, has a personal grudge against Tamlin, can control minds, and had Feyre drugged, dressed like a stripper and performing lap dances for him, coerced her into making a bargain with him to save her life, and forced a kiss on her. Feyre's eventual letter informing Tamlin she went of her own free will doesn't help, because as far as Tamlin knows she can't write fluently so it could be a forgery (and she could still theoretically have been forced or mind-controlled into writing it). Tamlin's reaction is extreme, yet it doesn't seem implausible that from his perspective he was [[WellIntentionedExtremist genuinely trying to save Feyre]]. Rhysand himself points out that from a lot of people's perspective, he's the bad guy who stole Feyre away from everything she loved.
**
Nesta in ''A Court of Silver Flames'' is presented as being in the wrong and called out by everyone for [[spoiler:revealing to Feyre how risky her pregnancy will be for both herself and her unborn child]]. While Nesta was acting partly from spite and anger, Feyre had every right to know about this considering it concerns ''her'' health and body.
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** Mor being revealed as bisexual with a preference for women opens ''several'' cans of worms. Some readers like that the series has a prominent and heroic bisexual character (who isn't defined solely by her sexuality, either). However, other readers felt the way it was handled is a bit clumsy, if not outright problematic: Mor had previously only been depicted having relationships with men and is merely mentioned as having had a female lover many years ago, which made her bisexuality seem like a tacked-on InformedAttribute to some. Some readers also took issue with the fact that Mor says she mostly sleeps around with men to get [[DoggedNiceGuy Azriel to take a hint]] (which led to some debate amongst fans as to whether she was really bisexual or actually a lesbian, opening up yet ''more'' cans of worms). Then there's the scene where Mor comes out to Feyre. There are some who find the scene to be well-done and adding great insight to Mor's character. For others it's dampened by Feyre's previous behavior, as until then Feyre was basically [[ShipperOnDeck rooting for Mor/Azriel]] to the point where Rhys flat out tells Feyre that it's none of her business; some readers find it a little hard not to see it as Feyre ''forcing'' Mor to come out because Feyre's ship wasn't happening.

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** Mor being revealed as bisexual with a preference for women opens ''several'' cans of worms. Some readers like that the series has a prominent and heroic bisexual character (who isn't defined solely by her sexuality, either). However, other readers felt the way it was handled is a bit clumsy, if not outright problematic: Mor had previously only been depicted having relationships with men and is merely mentioned as having had a female lover many years ago, which made her bisexuality seem like a tacked-on InformedAttribute to some. Some readers also took issue with the fact that Mor says she mostly sleeps around with men to get [[DoggedNiceGuy Azriel to take a hint]] then looking downright ''miserable'' after the fact (which led to some debate amongst fans as to whether she was really bisexual or actually a lesbian, opening up yet ''more'' cans of worms). Then there's the scene where Mor comes out to Feyre. There are some who find the scene to be well-done and adding great insight to Mor's character. For others it's dampened by Feyre's previous behavior, as until then Feyre was basically [[ShipperOnDeck rooting for Mor/Azriel]] to the point where Rhys flat out tells Feyre that it's none of her business; some readers find it a little hard not to see it as Feyre ''forcing'' Mor to come out because Feyre's ship wasn't happening.
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* UnintentionallySympathetic: Tamlin as the series goes on. The series never had an issue of calling Tamlin out on his worst character aspects and for his actions in ''A Court of Mist and Fury''. However as time goes on [[spoiler:''Rhysand's'']] flaws are becoming far more apparent, even to the point where he makes similar actions... but Feyre/the narration/Mass will jump through hoops to excuse [[spoiler:Rhys]] despite being guilty of the same thing ''and worse''. Instead of making Tamlin out as some BastardBoyfriend, he's starting to come across as more and more of a highly traumatized tragic figure given absolutely no chance to properly cope.

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* UnintentionallyUnsympathetic: Feyre's family in the first book (they become more nuanced later on, especially Nesta). They get little characterization beyond the fact they're selfish jerks who treat Feyre like crap [[UngratefulBastard even though she's the one keeping them alive]] and they barely [[AHouseDivided tolerate]] [[DysfunctionalFamily each other]]. Feyre herself has a low opinion of them, frequently criticizing them even as she emphasizes her devotion to them. Even Feyre's dead mother - to whom she made a deathbed promise to look after the family - is described as being cold and vain. None of them save for Feyre do anything to alleviate their dire situation (unless nagged) even though its been nearly a decade since they lost their fortune and they're all adults. It makes it difficult to sympathize with the family's struggles and some readers even find it weakens Feyre's driving motivation of protecting them, considering her relationship with each of them ranges from indifferent to actively hostile.

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* UnintentionallyUnsympathetic: UnintentionallyUnsympathetic:
**
Feyre's family in the first book (they become more nuanced later on, especially Nesta). They get little characterization beyond the fact they're selfish jerks who treat Feyre like crap [[UngratefulBastard even though she's the one keeping them alive]] and they barely [[AHouseDivided tolerate]] [[DysfunctionalFamily each other]]. Feyre herself has a low opinion of them, frequently criticizing them even as she emphasizes her devotion to them. Even Feyre's dead mother - to whom she made a deathbed promise to look after the family - is described as being cold and vain. None of them save for Feyre do anything to alleviate their dire situation (unless nagged) even though its been nearly a decade since they lost their fortune and they're all adults. It makes it difficult to sympathize with the family's struggles and some readers even find it weakens Feyre's driving motivation of protecting them, considering her relationship with each of them ranges from indifferent to actively hostile.
** For several readers, Feyre slips into this regarding the Spring Court debacle in the third book. While her being royally pissed at Tamlin for what he did to her and her family is understandable, she ends up intentionally destabilizing and causing [[spoiler:''a civil war'' within Tamlin's court that potentially leaves thousands of people dead or displaced]], all to [[RevengeBeforeReason get revenge on Tamlin]]. And it ends up [[NiceJobBreakingItHero working in the villain's favor]] to boot, as the Spring Court is the last line of defence between Prythian and the human realm. Feyre does get called out on it a bit, but otherwise experiences [[KarmaHoudini no negative repercussions]] and [[AngstWhatAngst doesn't even seem to care about it all that much]], saying that Tamlin had it coming with little thought given to the many innocent people who wound up as [[MisplacedRetribution collateral damage]] (not to mention she drags an unwitting Lucien - her supposed friend - into her plot, putting him in a dangerous position with Tamlin). The situation can make Feyre come across less as being righteously angry, more extremely petty and self-absorbed.
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** Feyre becoming [[spoiler: the first High Lady in Prythian's history]] (putting her on equal footing with [[spoiler:Rhysand]] as opposed to merely being his consort) provides plenty of interesting potential storylines, such as Feyre actively helping her people rebuild after the war (especially as knows what it's like to lose your home, live in poverty, and deal with trauma), working towards making Prythian less sexist, improving faerie/human relations and/or learning exactly how to be a good [[spoiler:queen]] who can support [[spoiler:Rhysand]] as best she can (seeing as she's barely out of her teens and knew jack all about Prythian cultures until a few years ago; not to mention many people in [[NoWomansLand Prythian]] are likely to chafe at a woman having such power). Unfortunately, after the war is over Feyre isn't shown being very politically active, with her storylines instead focusing mostly on her living a charmed life with [[spoiler:Rhysand]]. In ''A Court of Silver Flames'' the only significant thing she does is [[spoiler:get pregnant]], which some readers found frustrating because [[spoiler:she'd never previously expressed a desire to have kids so soon, plus seeing as she and Rhysand are immortal they could have kids any time]]. Readers don't have an issue with [[spoiler:her getting pregnant]] in and of itself, but they find it disappointing that for all the significance given to [[spoiler:Feyre becoming a High Lady and her conflict with Tamlin over her being treated as a glorified trophy wife/broodmare with no influence]], little is actually done with this.

to:

** Feyre becoming [[spoiler: the first High Lady in Prythian's history]] (putting her on equal footing with [[spoiler:Rhysand]] as opposed to merely being his consort) provides plenty of interesting potential storylines, such as Feyre actively helping her people rebuild after the war (especially as she knows what it's like to lose your home, live in poverty, and deal with trauma), working towards making Prythian less sexist, improving faerie/human faerie-human relations and/or learning exactly how to be a good [[spoiler:queen]] who can support [[spoiler:Rhysand]] as best she can (seeing as she's barely out of her teens and knew jack all about Prythian cultures until a few years ago; not to mention many people in [[NoWomansLand Prythian]] are likely to chafe at a woman having such power). Unfortunately, after the war is over Feyre isn't shown being very politically active, with her storylines instead focusing mostly on her living a charmed life with [[spoiler:Rhysand]]. In ''A Court of Silver Flames'' the only significant thing she does is [[spoiler:get pregnant]], which some readers found frustrating because [[spoiler:she'd never previously expressed a desire to have kids so soon, plus seeing as she and Rhysand are immortal they could have kids any time]]. Readers don't have an issue with [[spoiler:her getting pregnant]] in and of itself, but they find it disappointing that for all the significance given to [[spoiler:Feyre becoming a High Lady and her conflict with Tamlin over her being treated as a glorified trophy wife/broodmare with no influence]], little is actually done with this.
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* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's self-centered and increasingly problematic actions]] make him out as far more problematic, controlling, and borderline abusive than Tamlin ever was. The main sticking point for many readers is that Tamlin's worst acts have been thoroughly called out and resulted in him hitting rock bottom, making him come off as more of a tragic figure, whereas [[spoiler:Rhysand's]] similarly problematic behavior tends to be excused or glossed over.

to:

* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's self-centered and increasingly problematic actions]] make him out as far more problematic, controlling, and borderline abusive than Tamlin ever was. The main sticking point crux for many readers is that Tamlin's worst acts have been thoroughly called out and resulted in him hitting rock bottom, making him come off as more of a tragic figure, whereas [[spoiler:Rhysand's]] similarly problematic behavior tends to be excused or glossed over.
Is there an issue? Send a MessageReason:
None


* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's self-centered and increasingly problematic actions]] make him out as far more problematic, controlling, and borderline abusive than Tamlin ever was.

to:

* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's self-centered and increasingly problematic actions]] make him out as far more problematic, controlling, and borderline abusive than Tamlin ever was. The main sticking point for many readers is that Tamlin's worst acts have been thoroughly called out and resulted in him hitting rock bottom, making him come off as more of a tragic figure, whereas [[spoiler:Rhysand's]] similarly problematic behavior tends to be excused or glossed over.



* WhatDoYouMeanItsNotForKids: The series is described as "young adult" fantasy and is often found in the teen section in bookstores and libraries. However, the sexual content is a ''lot'' more [[ExplicitContent explicit]] than the average young adult novel, to the point that some printings come with {{content warning}}s advising reader discrection on the cover. From ''A Court of Silver Flames'' onwards the series is now marketed more as "New Adult" fiction (typically aimed at readers aged 18-30 rather than younger teens) for this reason.

to:

* WhatDoYouMeanItsNotForKids: The series is described as "young adult" fantasy and is often found in the teen section in bookstores and libraries. However, the sexual content is a ''lot'' more [[ExplicitContent explicit]] than the average young adult novel, to the point that some printings come with {{content warning}}s advising reader discrection on the cover. From ''A Court of Silver Flames'' onwards the series is now marketed more as "New Adult" fiction (typically aimed at readers aged 18-30 18-25 rather than younger teens) for this reason.
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* RescuedFromTheScrappyHeap: Not quite "rescued" per se, but after ''A Court of Silver Flames'' some ''are'' beginning to see Tamlin as the lesser of two evils since [[spoiler:Rhysand's self-centered and increasingly problematic actions]] make him out as far more problematic, controlling, and borderline abusive than Tamlin ever was.
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None


** Rhysand has been presented in-universe and out as championing women's rights and equality, but some have questioned whether Rhysand's treatment of women is ''really'' that progressive. He has banned Illyrians from clipping women's wings and demands the women be allowed to train as warriors, but he doesn't appear to do much to actively encourage or enforce this (Cassian is the one training the women, with Rhysand occasionally turning up at camps to dish out threats to men who complain too loudly). He gives Mor shelter and an important position in his court, yet allows her blatantly abusive and sexist father to control an entire city (presumably making the lives of many women there a misery) rather than remove him or curb his power. He emphasizes that Feyre should be able to make her own choices, though he sometimes manipulates or forces her into doing things, or keeps her from knowing important information that directly affects her, if it suits him. He grants Feyre [[spoiler:the title of High Lady and insists she is his equal]], but considering [[spoiler:her lack of involvement in politics it can come off as merely ceremonial]], and her position and livelihood hinges entirely on her being [[spoiler:his [[NeverASelfMadeWoman wife]]]. Outside of the Night Court, he also publically presents himself as a hedonist who treats women as sex objects - including forcing Feyre into skimpy outfits, drugging her and getting her to perform lap dances for him. While he is [[CruelToBeKind trying to protect Feyre]] by 'claiming' her for himself, it doesn't change the fact his treatment of her here borders on or crosses into sexual harassment/assault. Some readers find that Rhysand is only "feminist" when it's convenient for him and that while he comparatively treats women better than a lot of [[NoWomansLand Prythian]]'s inhabitants, [[DamnedByFaintPraise this isn't exactly saying much]].

to:

** Rhysand has been presented in-universe and out as championing women's rights and equality, but some have questioned whether Rhysand's treatment of women is ''really'' that progressive. He has banned Illyrians from clipping women's wings and demands the women be allowed to train as warriors, but he doesn't appear to do much to actively encourage or enforce this (Cassian is the one training the women, with Rhysand occasionally turning up at camps to dish out threats to men who complain too loudly). He gives Mor shelter and an important position in his court, yet allows her blatantly abusive and sexist father to control an entire city (presumably making the lives of many women there a misery) rather than remove him or curb his power. He emphasizes that Feyre should be able to make her own choices, though he sometimes manipulates or forces her into doing things, or keeps her from knowing important information that directly affects her, if it suits him. He grants Feyre [[spoiler:the title of High Lady and insists she is his equal]], but considering [[spoiler:her lack of involvement in politics it can come off as merely ceremonial]], and her position and livelihood hinges entirely on her being [[spoiler:his [[NeverASelfMadeWoman wife]]].wife]]]]. Outside of the Night Court, he also publically presents himself as a hedonist who treats women as sex objects - including forcing Feyre into skimpy outfits, drugging her and getting her to perform lap dances for him. While he is [[CruelToBeKind trying to protect Feyre]] by 'claiming' her for himself, it doesn't change the fact his treatment of her here borders on or crosses into sexual harassment/assault. Some readers find that Rhysand is only "feminist" when it's convenient for him and that while he comparatively treats women better than a lot of [[NoWomansLand Prythian]]'s inhabitants, [[DamnedByFaintPraise this isn't exactly saying much]].
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* AlternativeCharacterInterpretation:
** Tamlin is subject to this quite a lot. Was he always just a cruel, self-absorbed manchild who is capable of putting on a charming and friendly act to reel Feyre in, before revealing his true colors when she doesn't comply with what he wants? Or is he a deeply flawed but well-meaning person who is struggling (relatively alone) with decades' worth of trauma and feels compelled to go to extreme measures to protect Feyre, with the horror of seeing her tortured and killed in front of him sending him over the edge?
** Rhysand has been presented in-universe and out as championing women's rights and equality, but some have questioned whether Rhysand's treatment of women is ''really'' that progressive. He has banned Illyrians from clipping women's wings and demands the women be allowed to train as warriors, but he doesn't appear to do much to actively encourage or enforce this (Cassian is the one training the women, with Rhysand occasionally turning up at camps to dish out threats to men who complain too loudly). He gives Mor shelter and an important position in his court, yet allows her blatantly abusive and sexist father to control an entire city (presumably making the lives of many women there a misery) rather than remove him or curb his power. He emphasizes that Feyre should be able to make her own choices, though he sometimes manipulates or forces her into doing things, or keeps her from knowing important information that directly affects her, if it suits him. He grants Feyre [[spoiler:the title of High Lady and insists she is his equal]], but considering [[spoiler:her lack of involvement in politics it can come off as merely ceremonial]], and her position and livelihood hinges entirely on her being [[spoiler:his [[NeverASelfMadeWoman wife]]]. Outside of the Night Court, he also publically presents himself as a hedonist who treats women as sex objects - including forcing Feyre into skimpy outfits, drugging her and getting her to perform lap dances for him. While he is [[CruelToBeKind trying to protect Feyre]] by 'claiming' her for himself, it doesn't change the fact his treatment of her here borders on or crosses into sexual harassment/assault. Some readers find that Rhysand is only "feminist" when it's convenient for him and that while he comparatively treats women better than a lot of [[NoWomansLand Prythian]]'s inhabitants, [[DamnedByFaintPraise this isn't exactly saying much]].
Is there an issue? Send a MessageReason:
None


** Feyre becoming [[spoiler: the first High Lady in Prythian's history]] (putting her on equal footing with [[spoiler:Rhysand]] as opposed to merely being his consort) provides plenty of interesting potential storylines, such as Feyre actively helping her people rebuild after the war (especially as knows what it's like to lose your home, live in poverty, and deal with trauma), working towards making Prythian less sexist, improving faerie/human relations and/or learning exactly how to be a good [[spoiler:queen]] who can support [[spoiler:Rhysand]] as best she can (seeing as she's barely out of her teens and knew jack all about Prythian cultures until a few years ago; not to mention many people in [[NoWomansLand Prythian]] are likely to chafe at a woman having such power). Unfortunately, after the war is over Feyre isn't shown being very politically active, with her storylines instead focusing mostly on her living a charmed life with [[spoiler:Rhysand]]. In ''A Court of Silver Flames'' the only significant thing she does is [[spoiler:get pregnant]], which some readers found frustrating because [[spoiler:she'd never previously expressed a desire to have kids so soon, plus seeing as she and Rhysand are immortal they could have kids any time]]. Readers don't have an issue with [[spoiler:her getting pregnant]] in and of itself, but they find it disappointing that for all the significance given to [[spoiler:Feyre becoming a High Lady and her conflict with Tamlin over her being treated as a glorified housewife with no influence]], little is actually done with this.

to:

** Feyre becoming [[spoiler: the first High Lady in Prythian's history]] (putting her on equal footing with [[spoiler:Rhysand]] as opposed to merely being his consort) provides plenty of interesting potential storylines, such as Feyre actively helping her people rebuild after the war (especially as knows what it's like to lose your home, live in poverty, and deal with trauma), working towards making Prythian less sexist, improving faerie/human relations and/or learning exactly how to be a good [[spoiler:queen]] who can support [[spoiler:Rhysand]] as best she can (seeing as she's barely out of her teens and knew jack all about Prythian cultures until a few years ago; not to mention many people in [[NoWomansLand Prythian]] are likely to chafe at a woman having such power). Unfortunately, after the war is over Feyre isn't shown being very politically active, with her storylines instead focusing mostly on her living a charmed life with [[spoiler:Rhysand]]. In ''A Court of Silver Flames'' the only significant thing she does is [[spoiler:get pregnant]], which some readers found frustrating because [[spoiler:she'd never previously expressed a desire to have kids so soon, plus seeing as she and Rhysand are immortal they could have kids any time]]. Readers don't have an issue with [[spoiler:her getting pregnant]] in and of itself, but they find it disappointing that for all the significance given to [[spoiler:Feyre becoming a High Lady and her conflict with Tamlin over her being treated as a glorified housewife trophy wife/broodmare with no influence]], little is actually done with this.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Feyre becoming [[spoiler: the first High Lady in Prythian's history]] (putting her on equal footing with [[spoiler:Rhysand]] as opposed to merely being his consort) provides plenty of interesting potential storylines, such as Feyre actively helping her people rebuild after the war (especially as knows what it's like to lose your home, live in poverty, and deal with trauma), working towards making Prythian less sexist, improving faerie/human relations and/or learning exactly how to be a good [[spoiler:queen]] who can support [[spoiler:Rhysand]] as best she can (seeing as she's barely out of her teens and knew jack all about Prythian cultures until a few years ago; not to mention many people in [[NoWomansLand Prythian]] are likely to chafe at a woman having such power). Unfortunately, after the war is over Feyre isn't shown being very politically active, with her storylines instead focusing mostly on her living a charmed life with [[spoiler:Rhysand]]. In ''A Court of Silver Flames'' the only significant thing she does is [[spoiler:get pregnant]], which some readers found frustrating because [[spoiler:she'd never previously expressed a desire to have kids so soon, plus seeing as she and Rhysand are immortal they could have kids any time]]. Readers don't have an issue with [[spoiler:her getting pregnant]] in and of itself, but they find it disappointing that for all the significance given to [[spoiler:Feyre becoming a High Lady and her conflict with Tamlin over her being treated as a glorified housewife with no influence]], little is actually done with this.
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** A few readers have admitted they would've preferred that Rhysand stayed a morally ambiguous WildCard as he's depicted in the first book, feeling he became less interesting after the story pulls the [[spoiler:'GoodAllAlong' and 'NotEvilJustMisunderstood']] cards part way through in the second book, and spends the rest of the series putting him on a pedestal.
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* LikeYouWouldReallyDoIt: Few readers really believed that Maas would actually permanently kill off [[spoiler:Rhysand]] in the climax of ''Wings and Ruin'', given he's now the secondary protagonist and main romantic lead, he's likely one of Maas' favorite characters and it's not the first time a deceased main character has been brought {{back from the dead}}. Sure enough, he's resurrected by the other High Lords soon after the same way they resurrected Feyre in ''Thorns and Roses''. This actually annoyed some readers, because it was so obvious that Maas wouldn't go through with it that they felt it came off as a cheap attempt at drama.
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* ShippingBedDeath: For some Feyre/[[spoiler: Rhysand]] shippers, their actual relationship became tedious to read about after they got together, especially by ''A Court of Frost and Starlight''. The main criticisms brought up is that the story tends to shift the focus to their relationship even though there's other, more important things going on like the war with Hybern, and their relationship itself is mostly devoid of conflict and dramatic tension after the second book, consisting largely of them hooking up and constantly reiterating how much they love each other. Some readers also didn't appreciate the way [[spoiler: Tamlin]] got derailed as a love interest to make way for [[spoiler: Rhysand]].

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* ShippingBedDeath: For some Feyre/[[spoiler: Rhysand]] shippers, their actual relationship became tedious to read about after they got together, especially by ''A Court of Frost and Starlight''. The main criticisms brought up is that the story tends to shift the focus to their relationship even though there's other, more important things going on like the war with Hybern, and their relationship itself is mostly devoid of conflict and dramatic tension after the second book, consisting largely of them [[CoitusEnsues hooking up up]] and constantly reiterating how much they love each other. Some readers also didn't appreciate the way [[spoiler: Tamlin]] got derailed as a love interest to make way for [[spoiler: Rhysand]]. This only worsened after the fifth book, due to many readers increasingly finding [[spoiler:Rhysand]]'s behavior problematic, while Feyre/the narrative constantly excuses it, making their dynamic come off as toxic.

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