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* The "festival explanation musical" was rewritten to be Ernesto's last performance in life. However, the number always felt forced, as it was in essence Mexican characters giving [[WeAllLiveInAmerica a very Gringo explanation]] of a Mexican holiday [[AsYouKnow to an in-universe Mexican audience]]. Furthermore, the performance was still more [[TheFifties 1950s]] American than Mexican, and it failed to help test audiences understand the tradition anyway (but they found it funny). So everything bar Ernesto's introduction was cut.
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* The "festival explanation musical" was rewritten to be Ernesto's last performance in life. However, the number always felt forced, as it was in essence Mexican characters giving [[WeAllLiveInAmerica [[CreatorsCultureCarryover a very Gringo explanation]] of a Mexican holiday [[AsYouKnow to an in-universe Mexican audience]]. Furthermore, the performance was still more [[TheFifties 1950s]] American than Mexican, and it failed to help test audiences understand the tradition anyway (but they found it funny). So everything bar Ernesto's introduction was cut.
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[[caption-width-right:350:Early concept art from the draft where Miguel (then named "Marco" in the early drafts) realizing his heritage after the recent death of his mother.]]
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[[caption-width-right:350:Early concept art ConceptArt from the draft where Miguel (then named "Marco" in the early drafts) realizing his heritage after the recent death of his mother.]]
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* Elena's WeaponOfChoice was a wooden spoon that she carried in her {{apron|Matron}} everywhere, but was changed to a sandal at the suggestion of Lalo Alcaraz.
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* Elena's WeaponOfChoice weapon was a wooden spoon that she carried in her {{apron|Matron}} everywhere, but was changed to a sandal at the suggestion of Lalo Alcaraz.
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* The "Art of Coco" book includes concept art for several skeleton conquistadors including UsefulNotes/HernanCortez, as well as UsefulNotes/Malinche, his Nahua mistress/translator/advisor during the [[UsefulNotes/SpanishConquestOfTheAztecEmpire Spanish Conquest]]. They were presumably not included to avoid controversy.
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* The "Art of Coco" book includes concept art for several skeleton conquistadors including UsefulNotes/HernanCortez, as well as UsefulNotes/Malinche, UsefulNotes/LaMalinche, his Nahua mistress/translator/advisor during the [[UsefulNotes/SpanishConquestOfTheAztecEmpire Spanish Conquest]]. They were presumably not included to avoid controversy.
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* Though the movie is technically Pixar’s first musical still, it was going to be a full-on, break-into-song musical before it got demoted to a {{Music Stor|ies}}y. The scenes from the original version, including a musical number that opened the film and explained the ''Día de Muertos'', can be found on Blu-ray, Digital and 4K Ultra HD releases. This partly came about upon the filmmakers realizing the contradictory nature of giving Abuelita Elena a musical number about why the family doesn't allow music.
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* Though the movie is technically Pixar’s Pixar's first musical still, it was going to be a full-on, break-into-song musical before it got demoted to a {{Music Stor|ies}}y. The scenes from the original version, including a musical number that opened the film and explained the ''Día de Muertos'', can be found on Blu-ray, Digital and 4K Ultra HD releases. This partly came about upon the filmmakers realizing the contradictory nature of giving Abuelita Elena a musical number about why the family doesn't allow music.
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* The "Art of Coco" book includes concept art for several skeleton conquistadors including Hernán Cortés, as well as his Nahua mistress/translator/advisor during the Spanish Conquest, La Malinche. They were presumably not included to avoid controversy.
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* The "Art of Coco" book includes concept art for several skeleton conquistadors including Hernán Cortés, UsefulNotes/HernanCortez, as well as UsefulNotes/Malinche, his Nahua mistress/translator/advisor during the [[UsefulNotes/SpanishConquestOfTheAztecEmpire Spanish Conquest, La Malinche.Conquest]]. They were presumably not included to avoid controversy.
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* Originally, all the skeletal characters had realistically empty eye sockets that would stretch to express emotions. This idea was scrapped for two reasons: The designers wanted to stay true to how skeletons look in real life, and the original result put them squarely in the UncannyValley.
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* Originally, all the skeletal characters had realistically empty eye sockets that would stretch to express emotions. This idea was scrapped for two reasons: The designers wanted to stay true to how skeletons look in real life, and the original result put them squarely in the UncannyValley.UnintentionalUncannyValley.
Changed line(s) 38 (click to see context) from:
* Originally, all the skeletal characters had realistically empty eye sockets that would stretch to express emotions. This idea was scrapped for two reasons: The designers wanted to stay true to how skeletons look in real life, and the original result put them squarely in the UncanneyValley.
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* Originally, all the skeletal characters had realistically empty eye sockets that would stretch to express emotions. This idea was scrapped for two reasons: The designers wanted to stay true to how skeletons look in real life, and the original result put them squarely in the UncanneyValley.UncannyValley.
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* Originally, all the skeletal characters had realistically empty eye sockets that would stretch to express emotions. This idea was scrapped for two reasons: The designers wanted to stay true to how skeletons look in real life, and the original result put them squarely in the UncanneyValley.
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* The soundtrack includes a cover of "La Bikina" by Karol Sevilla that doesn't appear in the film. It is the story of proud and beautiful woman hiding her sadness for having been abandoned by her lover.
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* The soundtrack includes a cover of "La Bikina" by Karol Sevilla that doesn't appear in the film. It is the story of proud and beautiful woman hiding her sadness for having been abandoned by her lover.lover.
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[[caption-width-right:350:Early concept art from the draft where Miguel (then named "Marco" in the early drafts) was discovering his heritage during a trip to Mexico after the recent death of his mother.]]
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[[caption-width-right:350:Early concept art from the draft where Miguel (then named "Marco" in the early drafts) was discovering realizing his heritage during a trip to Mexico after the recent death of his mother.]]
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[[caption-width-right:350:Early concept art from the draft where Miguel (a Mexican-American child named ''Marco'' in the early drafts) was discovering his heritage during a trip to Mexico after the recent death of his mother.]]
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[[caption-width-right:350:Early concept art from the draft where Miguel (a Mexican-American child (then named ''Marco'' "Marco" in the early drafts) was discovering his heritage during a trip to Mexico after the recent death of his mother.]]
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[[caption-width-right:350:This is concept art from the draft of the film where the main character was Mexican-American child discovering his heritage during a trip to Mexico after the recent death of his mother..]]
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[[caption-width-right:350:This is concept art from the Mexican-American child draft of the film.]]
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[[caption-width-right:350:This is concept art from the draft of the film where the main character was Mexican-American child draft of discovering his heritage during a trip to Mexico after the film.recent death of his mother..]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/coco_concept_art.jpg]]
[[caption-width-right:350:This is concept art from the Mexican-American child draft of the film.]]
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** At another point, Miguel just needed to cross the same bridge before the holiday ended. There was a marigold sunglass that the Dead followed like a clock on New Year's Eve, and [[RaceAgainstTheClock when the last petal fell]], the bridge would be closed by police and start {{collapsing|Lair}}. Of course, Miguel was going to run across when the time was up and the bridge collapsed around him. Ernesto would chase and try to stop him, but he would dissolve into nothingness with the bridge. The song that sounds when Miguel runs from the cemetery to Coco in the movie was composed for this sequence.
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** At another point, Miguel just needed to cross the same bridge before the holiday ended. There was a marigold sunglass that the Dead followed like a clock on New Year's Eve, and [[RaceAgainstTheClock when the last petal fell]], the bridge would be closed by police and start {{collapsing|Lair}}. Of course, Miguel was going to run across when the time was up and the bridge collapsed around him. Ernesto would chase and try to stop him, but he would dissolve into nothingness with the bridge. The song score that sounds plays when Miguel runs from the cemetery to Coco in the movie was composed for this sequence.
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