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Deleted line(s) 4,6 (click to see context) :
->''"This was all just a bit...like when Bugs Bunny (bleeps) with the opera singer for twenty minutes."''
-->-- '''Rick Sanchez''', ''WesternAnimation/RickAndMorty''
-->-- '''Rick Sanchez''', ''WesternAnimation/RickAndMorty''
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Changed line(s) 11,12 (click to see context) from:
That night, at Jone's performance, Bugs doles out some characteristically hilarious abuse, first by striking the performance bowl with a mallet, causing Jones to shake all over the stage and fall into a tuba, then by disguising himself as a bobby socker and requesting an autograph... with a stick of dynamite. Then, for his finale, he enters the orchestra pit disguised as famed opera conductor Leopold Stokowski, takes over the orchestra and forces Jones to hold [[IncrediblyLongNote an ungoldly long C]] that literally brings the house down.
to:
That night, at Jone's Jones's performance, Bugs doles out some characteristically hilarious abuse, first by striking the performance bowl with a mallet, causing Jones to shake all over the stage and fall into a tuba, then by disguising himself as a bobby socker bobby-socker and requesting an autograph... with a stick of dynamite. Then, for his finale, he enters the orchestra pit disguised as famed opera conductor Leopold Stokowski, takes over the orchestra and forces Jones to hold [[IncrediblyLongNote an ungoldly ungodly long C]] that literally brings the house down.
Changed line(s) 25 (click to see context) from:
* DisproportionateRetribution: While Jones' frustration at Bugs for disturbing his rehearsal is understandable, [[HairTriggerTemper Jones responds with increasing violence every time Bugs obliviously interrupts his rehearsal]]. After these get particularly vindictive, Bugs himself takes very elaborate measures to ruin Jones' performance.
to:
* DisproportionateRetribution: While Jones' Jones's frustration at Bugs for disturbing his rehearsal is understandable, [[HairTriggerTemper Jones responds with increasing violence every time Bugs obliviously interrupts his rehearsal]]. After these get particularly vindictive, Bugs himself takes very elaborate measures to ruin Jones' Jones's performance.
Changed line(s) 28 (click to see context) from:
* GoofyPrintUnderwear: As Giovanni Jones’ clothing [[ClothingDamage falls apart]] during his IncrediblyLongNote, his pants fall down to reveal his blue underwear adorned with red flowers.
to:
* GoofyPrintUnderwear: As Giovanni Jones’ Jones’s clothing [[ClothingDamage falls apart]] during his IncrediblyLongNote, his pants fall down to reveal his blue underwear adorned with red flowers.
Changed line(s) 40 (click to see context) from:
* NoCelebritiesWereHarmed: Bugs's ridiculous composer disguise is a parody of RealLife composer Leopold Stokowski, who that was also the orchestra conductor in ''WesternAnimation/{{Fantasia}}''.
to:
* NoCelebritiesWereHarmed: Bugs's ridiculous composer disguise is a parody of RealLife composer Leopold Stokowski, who that was also the orchestra conductor in ''WesternAnimation/{{Fantasia}}''.
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Changed line(s) 4 (click to see context) from:
->''"This was all just a bit...like when Bugs Bunny (''bleeps'') with the opera singer for twenty minutes."''
to:
->''"This was all just a bit...like when Bugs Bunny (''bleeps'') (bleeps) with the opera singer for twenty minutes."''
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Changed line(s) 4 (click to see context) from:
->''"This was all just a bit...like when Bugs Bunny fucks with the opera singer for twenty minutes."''
to:
->''"This was all just a bit...like when Bugs Bunny fucks (''bleeps'') with the opera singer for twenty minutes."''
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Asshole Victim applies if and only if the disgrace is unrelated to the victim's act.
Deleted line(s) 18 (click to see context) :
* AssholeVictim: Rather than simply asking Bugs if he could be quiet, Giovanni Jones opts instead to beat him up and destroy his instruments three separate times, making him completely unsympathetic to the audience when Bugs decides to retaliate.
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Changed line(s) 17 (click to see context) from:
* OneHundredPercentAdorationRating: Leopold Stokowski is this for the entire band performing at the concernt.
to:
* OneHundredPercentAdorationRating: Leopold Stokowski is this for the entire band performing at the concernt.concert.
* AssholeVictim: Rather than simply asking Bugs if he could be quiet, Giovanni Jones opts instead to beat him up and destroy his instruments three separate times, making him completely unsympathetic to the audience when Bugs decides to retaliate.
* AssholeVictim: Rather than simply asking Bugs if he could be quiet, Giovanni Jones opts instead to beat him up and destroy his instruments three separate times, making him completely unsympathetic to the audience when Bugs decides to retaliate.
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Changed line(s) 17 (click to see context) from:
to:
* OneHundredPercentAdorationRating: Leopold Stokowski is this for the entire band performing at the concernt.
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Fantasia came out in 1940, not 1949.
Changed line(s) 40 (click to see context) from:
* NoCelebritiesWereHarmed: Bugs's ridiculous composer disguise is a parody of RealLife composer Leopold Stokowski, who that same year was also the orchestra conductor in ''WesternAnimation/{{Fantasia}}''.
to:
* NoCelebritiesWereHarmed: Bugs's ridiculous composer disguise is a parody of RealLife composer Leopold Stokowski, who that same year was also the orchestra conductor in ''WesternAnimation/{{Fantasia}}''.
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Changed line(s) 9,10 (click to see context) from:
Bugs is hanging out one day playing the banjo and singing "A Rainy Night in Rio," when his singing bothers Giovanni Jones, a pompous opera singer who is rehearsing his part in ''Theatre/TheBarberOfSeville''. When he finds himself absentmindedly singing along to whatever Bugs is playing, Jones storms outside to put an end to the disturbance. Beginning with destroying the rabbit's banjo, he gets even angrier as Bugs graduates to a harp and then a Sousaphone. When Jones finally ties him to a tree by his ears and pulls back, causing the rabbit's noggin to bang into the branch, Bugs decides [[ThisMeansWar it's on]].
to:
Bugs is hanging out one day playing the banjo and singing "A Rainy Night in Rio," when his singing bothers Giovanni Jones, a pompous opera singer who is rehearsing his part in ''Theatre/TheBarberOfSeville''. When he finds himself absentmindedly singing along to whatever Bugs is playing, Jones storms outside to put an end to the disturbance. Beginning with destroying the rabbit's banjo, banjo ("Music hater," the rabbit incorrectly guesses), he gets even angrier as Bugs graduates to a harp ("Also a rabbit hater," Bugs observes. "Oh, well.") and then a Sousaphone. When Jones finally ties him to a tree by his ears and pulls back, causing the rabbit's noggin to bang into the branch, Bugs decides [[ThisMeansWar it's on]].
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Changed line(s) 7,8 (click to see context) from:
''Long-Haired Hare'' is a 1949 WesternAnimation/LooneyTunes cartoon starring WesternAnimation/BugsBunny and directed by Creator/ChuckJones.
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Changed line(s) 16,17 (click to see context) from:
!!Tropes:
to:
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Changed line(s) 46 (click to see context) from:
* RuleOfThree: Guess how many times Jones attacks Bugs before [[ThisMeansWar the counterattack begins]].
to:
* RuleOfThree: RuleOfThree:
** Guess how many times Jones attacks Bugs before [[ThisMeansWar the counterattackbegins]].begins]].
** Bugs himself invokes this with his retaliations.
** Guess how many times Jones attacks Bugs before [[ThisMeansWar the counterattack
** Bugs himself invokes this with his retaliations.
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Changed line(s) 27 (click to see context) from:
* {[Fangirl}}: Bugs disguises himself as a teenybopper asking Jones for an autograph. Giovanni gladly starts to sign the autograph book, unaware that he's signing with a stick of dynamite.
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* {[Fangirl}}: {{Fangirl}}: Bugs disguises himself as a teenybopper asking Jones for an autograph. Giovanni gladly starts to sign the autograph book, unaware that he's signing with a stick of dynamite.
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* ExplosiveStupidity: Jones experiences this when he tries to sign an autograph, unaware that he was using a stick of dynamite.
* {[Fangirl}}: Bugs disguises himself as a teenybopper asking Jones for an autograph. Giovanni gladly starts to sign the autograph book, unaware that he's signing with a stick of dynamite.
* {[Fangirl}}: Bugs disguises himself as a teenybopper asking Jones for an autograph. Giovanni gladly starts to sign the autograph book, unaware that he's signing with a stick of dynamite.
Changed line(s) 30 (click to see context) from:
* HeliumSpeech: Bugs gives Jones alum to get this effect (it's in the "Figaro" rendition).
to:
* HeliumSpeech: Bugs gives Jones alum to get this effect (it's in the "Figaro" rendition).rendition) while also causing [[ShrunkenHead his head to shrink]].
Changed line(s) 33 (click to see context) from:
** OverlyLongGag: The note is so long that Bugs leaves the podium (with his glove still holding the note) to go get earplugs...by mail.
to:
** OverlyLongGag: The note is so long that Bugs leaves the podium (with his glove still holding the note) to go get earplugs...earmuffs...by mail.
Changed line(s) 40 (click to see context) from:
* PaperThinDisguise: Everyone thinks Bugs is Leopold Stokowski even though he's only wearing a tuxedo jacket and a wig.
to:
* PaperThinDisguise: PaperThinDisguise:
** When Bugs disguises as a teenybopper, Jones doesn't see anything off, even as Bugs asks for an autograph.
** Everyone thinks Bugs is Leopold Stokowski even though he's only wearing a tuxedo jacket and a wig.
** When Bugs disguises as a teenybopper, Jones doesn't see anything off, even as Bugs asks for an autograph.
** Everyone thinks Bugs is Leopold Stokowski even though he's only wearing a tuxedo jacket and a wig.
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Added DiffLines:
Added DiffLines:
* NoCelebritiesWereHarmed: Bugs's ridiculous composer disguise is a parody of RealLife composer Leopold Stokowski, who that same year was also the orchestra conductor in ''WesternAnimation/{{Fantasia}}''.
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Changed line(s) 49 (click to see context) from:
* WagTheDirector: A minor InUniverse example. When Jones first steps out onto the stage and assumes the RecitationHandclasp, he lifts one finger to the conductor to indicate his readiness.
to:
* WagTheDirector: A minor InUniverse example. When Jones first steps out onto the stage and assumes the RecitationHandclasp, he lifts one finger to the conductor to indicate his readiness.readiness.
----
----
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* HavingAGayOldTime: "Long hairs" used to be a slang term for conductors, due to the tendency for them to grow their hair longer than average, hence the cartoon's title despite Bugs not having long hair (save his Leopold wig).
Deleted line(s) 36 (click to see context) :
* NeverTrustATitle: Averted. While Bugs doesn't actually have long hair in the short, "long hairs" used to be a slang term for conductors, due to the tendency for them to grow their hair longer than average.
Changed line(s) 43 (click to see context) from:
** The opening "Rainy Night in Rio" number is a reference to the long-forgotten film "The Time, The Place And The Girl.", which was where the song originated.
to:
** The opening "Rainy Night in Rio" number is a reference to the long-forgotten film "The Time, The Place And The Girl.", Girl," which was where the song originated.
Changed line(s) 48,49 (click to see context) from:
* TheVoiceless: We never actually hear Jones talk, only sing. But we hear him scream through the tuba that he got stuck in.
** He also [[SubvertedTrope remarks "Leopold!" when Bugs shows up in his disguise]], although his voice is partially drowned out by the rest of the orchestra.
** He also [[SubvertedTrope remarks "Leopold!" when Bugs shows up in his disguise]], although his voice is partially drowned out by the rest of the orchestra.
to:
* TheVoiceless: We never actually hear Jones talk, only sing. But we hear him scream through speaks a couple of times in the short, but both times his voice is obscured, first when he's stuck inside the tuba that and later when he got stuck in.
** He also [[SubvertedTrope remarkswhispers "Leopold!" when Bugs shows up in his disguise]], although his voice is partially drowned out by to himself with the rest of the orchestra.
** He also [[SubvertedTrope remarks
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Changed line(s) 11,12 (click to see context) from:
That night, at Jone's performance, Bugs doles out some characteristically hilarious abuse, first by striking the performance bowl with a mallet, causing Jones to shake all over the stage and fall into a tuba, then by disguising himself as a bobby socker and requesting an autograph... with a stick of dynamite. Then, for his finale, he enters the orchestra pit disguised as famed opera conductor Leopold Stokowski, takes over the orchestra and forces Jones to hold [[AbsurdlyLongNote an ungoldly long note]] that literally brings the house down.
to:
That night, at Jone's performance, Bugs doles out some characteristically hilarious abuse, first by striking the performance bowl with a mallet, causing Jones to shake all over the stage and fall into a tuba, then by disguising himself as a bobby socker and requesting an autograph... with a stick of dynamite. Then, for his finale, he enters the orchestra pit disguised as famed opera conductor Leopold Stokowski, takes over the orchestra and forces Jones to hold [[AbsurdlyLongNote [[IncrediblyLongNote an ungoldly long note]] C]] that literally brings the house down.
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Changed line(s) 11,12 (click to see context) from:
That night, at Jone's performance, Bugs doles out some characteristically hilarious abuse, first by striking the performance bowl with a mallet, causing Jones to shake all over the stage and fall into a tuba, then by disguising himself as a bobby socker and requesting an autograph... with a stick of dynamite. Then, for his finale, he enters the orchestra pit disguised as famed opera conductor Leopold Stokowski, takes over the orchestra and forces Jones to hold [[OverlyLongNote an ungoldly long note]] that literally brings the house down.
to:
That night, at Jone's performance, Bugs doles out some characteristically hilarious abuse, first by striking the performance bowl with a mallet, causing Jones to shake all over the stage and fall into a tuba, then by disguising himself as a bobby socker and requesting an autograph... with a stick of dynamite. Then, for his finale, he enters the orchestra pit disguised as famed opera conductor Leopold Stokowski, takes over the orchestra and forces Jones to hold [[OverlyLongNote [[AbsurdlyLongNote an ungoldly long note]] that literally brings the house down.
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Changed line(s) 11,12 (click to see context) from:
Bugs's "Leopold" guise was a parody of a RealLife opera conductor of the day, Leopold Stokowski. Stokowski is also parodied in another Bugs Bunny cartoon, "WesternAnimation/SlickHare".[[note]]Stokowski can be seen as the conductor in ''WesternAnimation/{{Fantasia}}''.[[/note]]
to:
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* GoofyPrintUnderwear: As Giovanni Jones’ clothing [[ClothingDamage falls apart]] during his IncrediblyLongNote, his pants fall down to reveal his blue underwear adorned with red flowers.
Deleted line(s) 26 (click to see context) :
* GoofyPrintUnderwear: As Giovanni Jones’ clothing [[ClothingDamage falls apart]] during his IncrediblyLongNote, his pants fall down to reveal his blue underwear adorned with red flowers.
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Added DiffLines:
* GoofyPrintUnderwear: As Giovanni Jones’ clothing [[ClothingDamage falls apart]] during his IncrediblyLongNote, his pants fall down to reveal his blue underwear adorned with red flowers.
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Changed line(s) 45 (click to see context) from:
* ThisMeansWar: Not only does Bugs utter this phrase word-for-word, but it's also clearly indicated by his DeathGlare.
to:
* ThisMeansWar: Not only does Bugs utter this phrase near word-for-word, but it's also clearly indicated by his DeathGlare.
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Cleanup. Moving the natter-ish stuff to YMMV.
Changed line(s) 24,26 (click to see context) from:
* DisproportionateRetribution: While Jones' frustration at Bugs for disturbing his rehearsal is understandable, [[HairTriggerTemper Jones responds with increasing violence every time Bugs obliviously interrupts his rehearsal]]. After these get particularly vindictive, Bugs himself takes very elaborate measures to ruin Jones' performance. Then again, politely asking Bugs to stop playing during the rehearsals is hardly [[RuleOfFunny funny or entertaining]].
** It also would likely have made the cartoon even shorter, since Bugs would probably have agreed to stop playing or decided to move elsewhere if he'd been asked.
** This gets even worse if you look in the background of Giovanni's living room, and see that his ''patio door is wide open'' for some reason. Not only is Giovanni's violence uncalled for, he didn't even have to confront Bugs at all, he could simply have closed the door.
** It also would likely have made the cartoon even shorter, since Bugs would probably have agreed to stop playing or decided to move elsewhere if he'd been asked.
** This gets even worse if you look in the background of Giovanni's living room, and see that his ''patio door is wide open'' for some reason. Not only is Giovanni's violence uncalled for, he didn't even have to confront Bugs at all, he could simply have closed the door.
to:
* DisproportionateRetribution: While Jones' frustration at Bugs for disturbing his rehearsal is understandable, [[HairTriggerTemper Jones responds with increasing violence every time Bugs obliviously interrupts his rehearsal]]. After these get particularly vindictive, Bugs himself takes very elaborate measures to ruin Jones' performance. Then again, politely asking Bugs to stop playing during the rehearsals is hardly [[RuleOfFunny funny or entertaining]].\n** It also would likely have made the cartoon even shorter, since Bugs would probably have agreed to stop playing or decided to move elsewhere if he'd been asked.\n** This gets even worse if you look in the background of Giovanni's living room, and see that his ''patio door is wide open'' for some reason. Not only is Giovanni's violence uncalled for, he didn't even have to confront Bugs at all, he could simply have closed the door.
Changed line(s) 37 (click to see context) from:
* NonIndicativeName: Averted. While Bugs doesn't actually have long hair in the short, "long hairs" used to be a slang term for conductors, due to the tendency for them to grow their hair longer than average.
to:
* NonIndicativeName: NeverTrustATitle: Averted. While Bugs doesn't actually have long hair in the short, "long hairs" used to be a slang term for conductors, due to the tendency for them to grow their hair longer than average.
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Changed line(s) 28 (click to see context) from:
* HairTriggerTemper: Giovanni Jones displays severe anger management issues, since his immediately resorted to violence each time Bugs interrupted him.
to:
* HairTriggerTemper: Giovanni Jones displays severe anger management issues, since his he immediately resorted to violence each time Bugs interrupted him.
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Changed line(s) 21 (click to see context) from:
* ClothingDamage: Giovanni's opera tuxedo increasingly falls apart when Leopold Bugs makes him hold a high note for a long time, symbolizing the strain it's putting on him.
to:
* ClothingDamage: Giovanni's opera tuxedo increasingly falls apart when Leopold Bugs makes him hold a high note for a long time, symbolizing the strain it's putting on him. The collapse of the Hollywood Bowl rips it completely to shreds.
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Changed line(s) 28 (click to see context) from:
* HairTriggerTemper: Giovanni Jones displays severe anger management issues, since his immediately resorted to violence each time Bugs interruptEd him.
to:
* HairTriggerTemper: Giovanni Jones displays severe anger management issues, since his immediately resorted to violence each time Bugs interruptEd interrupted him.
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Added DiffLines:
* HairTriggerTemper: Giovanni Jones displays severe anger management issues, since his immediately resorted to violence each time Bugs interruptEd him.
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Wrong cartoon (that gag's from Rabbit of Seville)
Deleted line(s) 27 (click to see context) :
* FunnyBackgroundEvent: A poster outside the theatre promotes [[Creator/ChuckJones Carlo Jones]], Eduardo Selzer (Eddie Selzer), a couple others -- all of which were fancy versions of names of Termite Terrace animators/producers/directors.
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Changed line(s) 43 (click to see context) from:
* ShoutOut: The opening "Rainy Night in Rio" number is a reference to the long-forgotten film "The Time, The Place And The Girl.", which was where the song originated.
to:
* ShoutOut: ShoutOut:
** The opening "Rainy Night in Rio" number is a reference to the long-forgotten film "The Time, The Place And The Girl.", which was where the songoriginated.originated.
** In the scene where Bugs disguises himself as an autograph-seeking teenybopper (an obvious disguise, of course), he says "Frankie and Perry just aren't it," referring to Music/FrankSinatra and Music/PerryComo, two of pop music's biggest stars of the late 1940s.
** The opening "Rainy Night in Rio" number is a reference to the long-forgotten film "The Time, The Place And The Girl.", which was where the song
** In the scene where Bugs disguises himself as an autograph-seeking teenybopper (an obvious disguise, of course), he says "Frankie and Perry just aren't it," referring to Music/FrankSinatra and Music/PerryComo, two of pop music's biggest stars of the late 1940s.
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Changed line(s) 26 (click to see context) from:
** This gets even worse if you look in the background of Giovanni's living room, and see that his ''patio door is wide open''. Not only is Giovanni's violence uncalled for, he didn't even have to confront Bugs at all, he could simply have closed the door.
to:
** This gets even worse if you look in the background of Giovanni's living room, and see that his ''patio door is wide open''.open'' for some reason. Not only is Giovanni's violence uncalled for, he didn't even have to confront Bugs at all, he could simply have closed the door.