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[[WMG: The house is made from the wood of the Kite Eating Tree from {{Peanuts}}]]

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[[WMG: The house is made from the wood of the Kite Eating Tree from {{Peanuts}}]]
''ComicStrip/{{Peanuts}}'']]
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[[WMG: The reason Johnny can't find any record of the film is because it was made in a parallel universe.]]
The events of the film happened in a parallel universe. Zampano's record of the film came from a parallel universe. In that same parallel universe, Johnny was killed a a baby by his mother. Bits of the parallel realities are all leaking into each other, connected by the labyrinth.
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[[WMG:There is no Johnny, no Zampano, no Navidson (Record), no House, and ''everything'' is made up and written by Pelafina.]]

''Tl;dr'': Johnny died as baby and his adult version is entirely in Pelafina's imagination, as well as Zampano (who she makes up as Johnny's father); she makes up the Navidson Record and the House to cope with her losses and illness, and as a device for Johnny's path to intersect with his fictional father's.

O.k. so bear with me.

Pelafina strangles her son Johnny to death when he's a baby and she is institutionalised in Whalestoe after that, for life. Not being able to cope with the trauma of having killed her own son, she makes up a version of reality where Johnny survived the strangling and grew up, while she still was being institutionalized for the now ''attempted'' {{Infanticide}} and her trauma of losing her husband / Johnny's father (the latter happened either way both in reality and her imaginated alternate reality).

She also imagines Johnny having a different father (seeing as she lost the real one): enter Zampano. But Johnny and Zampano don't know each other. So she makes up Zampano having written "The Navidson Record" and Johnny later editing it as a way to "flesh out" Johnny and Zampano's stories, and to let Johnny ''indirectly'' know of (though never meet) his father (without Johnny himself knowing Zampano is his father).

As for the Navidson Record itself: The House, or more accurately the Labyrinth in it, with its all-engulfing "nothingness", is her representation of her mental illness / SanitySlippage / depression. Navidson's family's (relatively) happy ending stands for people succeeding in overcoming mental illness (something she wishes for herself).

Note that in the story:
* One of Pelafina's coded messages in her letters is "My dear Zampano, who did you lose?", indicating that they knew each other well and possibly were lovers; also that Zampano has lost a loved one.
* Zampano writes about him going to have a son exactly nine months before Johnny's birthday. He knows he is going to have (later: has) a son, but because Pelafina is married to another man--her husband who later died still exists in this reality--and her pregnancy resulted from their affair, he can't be a parent to this baby. Also this means that the "Who did you lose?" applies on three levels: first he can't be a father to the baby he fathered because the baby resulted from an affair; second he loses his lover Pelafina to her mental illness and institutionalison; third, he never gets in contact with Johnny even ''after'' Pelafina's husband is dead and Pelafina locked up (probably due to Zampano not wanting to put the additional burden of realising his supposed father wasn't his real father onto Johnny, who already is having a troubled childhood)




Would be even more brilliant if Xanther actually reads ''House of Leaves'' (the book as we know it in Real Life) In Universe and gets the idea to name the cat "Redwood" from that.

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Would be even more brilliant if Xanther actually reads ''House of Leaves'' (the book as we know it in Real Life) In Universe and gets the idea to name the cat "Redwood" from that.that.
----
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[[WMG:This book is related to, stay with me, ''WiiFit'']]

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[[WMG:This book is related to, stay with me, ''WiiFit'']]
''VideoGame/WiiFit'']]
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* Nope. Its floorplan was drawn up by Lovecraft, then it was constructed by the same guy who built the house in TheDionaeaHouse on the site where Silent Hill was/will be.

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* Nope. Its floorplan was drawn up by Lovecraft, then it was constructed by the same guy who built the house in TheDionaeaHouse ''Literature/TheDionaeaHouse'' on the site where Silent Hill was/will be.

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** Johnny shows behavior like this when he gives all of Lude's dates messed up back stories, and when he tries to convince himself that he had a happy ending. Obviously, making up stories is normal for him.

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** * Johnny shows behavior like this when he gives all of Lude's dates messed up back stories, and when he tries to convince himself that he had a happy ending. Obviously, making up stories is normal for him.



* -->Little solace comes

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* -->Little solace comes



* Therefore, keeping the two theories above in mind, this Wiki is the house, which is the world, which is God, and because [[InsaneTrollLogic God is Love, and Love is blind]], TV Tropes is secretly Zampano!
** I love you.
** This explains so much.

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*
Therefore, keeping the two theories above in mind, this Wiki is the house, which is the world, which is God, and because [[InsaneTrollLogic God is Love, and Love is blind]], TV Tropes is secretly Zampano!
** * I love you.
** * This explains so much.



[[TheFourthWallWillNotProtectYou Specifically,]] [[TomatoInTheMirror yours.]]

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[[TheFourthWallWillNotProtectYou Specifically,]] [[TomatoInTheMirror yours.]]]]

[[WMG:The House of ''House of Leaves'' will show up in Literature/TheFamiliar because it co-exists in the same Universe/reality]]

In The Familiar, Realic made "Clip 4". In Real Life, Danielewski published the short ''Clip 4'', writing as the fictional "Realic" from The Familiar, and in it, Navidson from ''House of Leaves'' is mentioned: "Very Navidson-y!" is an annotation on something that indeed calls back what happened in ''House of Leaves''.

The House will be explicitly mentioned in The Familiar. Maybe even visited by characters. Cas seems the most likely candidate, as she's touring around the U.S. anyway and might as well end up in Virginia where the House is.

Or, one of Cas's Clips from the Orb is a scene from [=HoL=], showing the Navidsons in the House.

Or, the FBI investigate the House, find something that leads them to L.A., then have to work with Oz.

Or, Realic had (prior to his involvement with VEM and his death) visited and investigated the House, to write an article about it (like he had investigated "Clip 4" and written an article about that) and that article by Realic about the House will be shown.

[[WMG:The book ''House of Leaves'' as it exists in Real Life, shows up as a book in Literature/TheFamiliar]]

''Clip 4'' makes it clear that characters from The Familiar know about what happened to the Navidsons, so the House and everything that happened there exists in the reality/Universe of The Familiar. Since in [=HoL=], at the end of the story the book ''itself'' is published In Universe, the ''House of Leaves'' book we know in Real Life, also exists In Universe in The Familiar.

Someone connected to the cat (Astair, Anwar, jingjing or even Xanther herself) reads ''House of Leaves'', and realizes the spooky events in [=HoL=] are connected to the cat (see entry about the "Minotaur/cat connection"), or starts to wonder about what "VEM" is.

[[WMG:Characters from ''House of Leaves'' will show up in Literature/TheFamiliar because they co-exist in the same Universe/reality]]

Johnny Truant will be a character in The Familiar. He lives in L.A., where six of the Familiar main characters live too.

He's most likely to meet Luther. Either Johnny is still a drug addict and is buying drugs from Luther (and/or arrested by Oz), or Johnny has gotten his life back together and now owns the tattoo shop Luther visits (after all, Johnny was originally an apprentice tattoo artist in [=HoL=], and Luther loves to get tattoos).

Or Johnny needs therapy from Astair for his trauma from reading Zampanò's records and his strained relationship with his mother Pelafina.

Navidson also might show up. His family moved to L.A. and they need therapy for the traumatizing events of ''House of Leaves'', and Astair becomes their therapist. Or he might be called in to do his job as a photographer, e.g. by Shnorkh's friend who's trying to document the Armenian genocide.

[[WMG:The Minotaur is now the cat in Literature/TheFamiliar, which will be named Redwood]]

The evil creature of ''House of Leaves'' was called Redwood. In October 2017, Volume 5 of The Familiar will be published, its title is
"Redwood", AND it's announced that in this Volume, the cat will be named. Putting two and two together: the cat will be named Redwood. And it is a manifestation, reincarnation or whatever you call it, of the Minotaur.

Would be even more brilliant if Xanther actually reads ''House of Leaves'' (the book as we know it in Real Life) In Universe and gets the idea to name the cat "Redwood" from that.
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* WikiWord: Turns blue to link to another place, making each page of TVTropes effectively BiggerOnTheInside. The [[Literature/HouseOfLeaves House]]: Typed in blue in the book as the first indication that the [[Literature/HouseOfLeaves House]] is like a WikiWord, linking to another place, and BiggerOnTheInside.

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* WikiWord: Turns blue to link to another place, making each page of TVTropes Wiki/TVTropes effectively BiggerOnTheInside. The [[Literature/HouseOfLeaves House]]: Typed in blue in the book as the first indication that the [[Literature/HouseOfLeaves House]] is like a WikiWord, linking to another place, and BiggerOnTheInside.
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* Alternatively, it is in some way connected to SilentHill. "Physical manifestation of guilt", anybody?
** I think anybody who played the Catacombs level of ''SilentHill2'' before reading this book had a very distinct mental image of the Labyrinth in this story, regardless of how the book describes it, and possibly wonders if it might be a spiritual cousin of Pyramid Head the explorers hear rampaging in the distant darkness...

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* Alternatively, it is in some way connected to SilentHill.Franchise/SilentHill. "Physical manifestation of guilt", anybody?
** I think anybody who played the Catacombs level of ''SilentHill2'' ''VideoGame/SilentHill2'' before reading this book had a very distinct mental image of the Labyrinth in this story, regardless of how the book describes it, and possibly wonders if it might be a spiritual cousin of Pyramid Head the explorers hear rampaging in the distant darkness...
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...is SlenderMan.

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...is SlenderMan.[[Franchise/TheSlenderManMythos Slender Man]].



[[WMG: House of Leaves is a part of the SlenderManMythos]]

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[[WMG: House of Leaves is a part of the SlenderManMythos]]Franchise/TheSlenderManMythos]]
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''[[EldritchLocation House]] of Leaves'' is not good or evil. It is a piece of nothing wrapped comfortably in narrative. Devour it. Chew on it. Taste the empty, [[WorldHalfEmpty and let your body learn to fight it.]]

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''[[EldritchLocation House]] of Leaves'' is not good or evil. It is a piece of nothing wrapped comfortably in narrative. Devour it. Chew on it. Taste the empty, [[WorldHalfEmpty [[WorldHalfFull and let your body learn to fight it.]]
]] Or alternatively...[[WorldHalfEmpty let yourself be devoured.]] It's all up to you. Good luck.

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[[WMG: The above theory is ''almost'' correct...]]

But the ultimate consequence is wrong. The book is not an infection, but an unstable vaccine. This explains the way those who have encountered [[EldritchAbomination the House]] sometimes recover (Karen, the children) and sometimes are overwhelmed (Holloway). The same is true for the book in-universe: the band at the end clearly found [[BrownNote the book]] meaningful without being destroyed by it, while Johnny barely survived his encounter with it.

''[[EldritchLocation House]] of Leaves'' is not good or evil. It is a piece of nothing wrapped comfortably in narrative. Devour it. Chew on it. Taste the empty, [[WorldHalfEmpty and let your body learn to fight it.]]

----
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* A [[GeniusLoci house]] that constantly changed form depending on someone else's subjective appearance would probably drive Rand completely bonkers, considering her obsession with the "objective." No wonder she wanted to get rid of the thing.
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Each layer deeper into fiction we get, the less evidence remains of the Navidsons' existence. We are the fiction within the fiction within the fiction within the fiction within the Navidsons' reality.

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Each layer deeper into fiction we get, the less evidence remains of the Navidsons' existence. We are the fiction within the fiction within the fiction within the fiction within the Navidsons' reality.reality.

[[WMG: The [[EldritchLocation house]] is [[Anime/PuellaMagiMadokaMagica a witch's barrier.]]]]

[[TheFourthWallWillNotProtectYou Specifically,]] [[TomatoInTheMirror yours.]]
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You end up in [[TheChroniclesOfNarnia Narnia!]]

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You end up in [[TheChroniclesOfNarnia [[Literature/TheChroniclesOfNarnia Narnia!]]

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[[WMG: TimeCube is actually an extension of the house.]]

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[[WMG: TimeCube Time Cube is actually an extension of the house.]]
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*** ..."He(Ts'ui Pên) must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occur that the book and the maze were one and the same thing".-Creator/JorgeLuisBorges...who just happened to write a short story called "The House of Asterion" about [[spoiler: the Minotaur.]] Definitely not a coincidence.

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*** ..."He(Ts'ui Pên) must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occur that the book and the maze were one and the same thing".-Creator/JorgeLuisBorges...who just happened to write a short story called "The House of Asterion" about [[spoiler: the Minotaur.]] Minotaur]], and who went blind. Definitely not a coincidence.
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[[WMG: The Minotaur is the same entity as the Minotaur from DavidBowie's ''1.outside''.]]

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[[WMG: The Minotaur is the same entity as the Minotaur from DavidBowie's Music/DavidBowie's ''1.outside''.]]
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[[WMG:The Minotaur is [[VisualNovel/UminekoNoNakuKoroNi Beatrice.]]]]

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[[WMG:The Minotaur is [[VisualNovel/UminekoNoNakuKoroNi [[VisualNovel/UminekoWhenTheyCry Beatrice.]]]]

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** Alternatively, Pelafina made the whole thing up. The house is her own expansive yet deteriorating mind. Navidson represents her efforts to understand what is happening to her. Zampano, her effort to make sense of this attempt at understanding. All presented to Johnny, her darling child that she killed as an infant. Only Pelafina is real. ABCDEFGH''I(Pelafina)johnnyZ(ampano).''
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A house that has an endless basement? Monsters living in the walls? Obviously Johnny is JohnnyTheHomicidalManiac.

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A house that has an endless basement? Monsters living in the walls? Obviously Johnny is JohnnyTheHomicidalManiac.
ComicBook/JohnnyTheHomicidalManiac.
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** Actually, this is supported by the fact that the first Slenderblog, JustAnotherFool, had its protagonist live on Ash Tree Lane.

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** Actually, this is supported by the fact that the first Slenderblog, JustAnotherFool, ''Blog/JustAnotherFool'', had its protagonist live on Ash Tree Lane.
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* Nidhogg is also known as the infamous "carrion-remover" or corpse-eater of Helheim, the Norse land of the dead. It devours the corpses of the damned, which parallels how the "creature" consumed Holloway. This would also explain the "something" that Holloway believed the "beast" was waiting for as well as why it waited so long to strike. As a corpse-eater, Nidhogg would have no business devouring Holloway while he was alive. So it waited. Stalked him. Taunted him. Until he punched his ticket and was ready to be consumed.
** Also, Nidhogg's purpose in eating the corpses of the dead served as a janitorial duty of sorts, kind of like a maid, which one of the people who gave his two cents on the Nadvison Record described the monster of the house as.
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The last part, "who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children," is exactly like what happens to Will Navidson in his final journey into the house - he brings along a copy of a book called ''HouseOfLeaves'' and burns it as he reads it. He then gets out of the house for the last time after having completely burned the book.

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The last part, "who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children," is exactly like what happens to Will Navidson in his final journey into the house - he brings along a copy of a book called ''HouseOfLeaves'' ''Literature/HouseOfLeaves'' and burns it as he reads it. He then gets out of the house for the last time after having completely burned the book.



* WikiWord: Turns blue to link to another place, making each page of TVTropes effectively BiggerOnTheInside. The [[HouseOfLeaves House]]: Typed in blue in the book as the first indication that the [[HouseOfLeaves House]] is like a WikiWord, linking to another place, and BiggerOnTheInside.

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* WikiWord: Turns blue to link to another place, making each page of TVTropes effectively BiggerOnTheInside. The [[HouseOfLeaves [[Literature/HouseOfLeaves House]]: Typed in blue in the book as the first indication that the [[HouseOfLeaves [[Literature/HouseOfLeaves House]] is like a WikiWord, linking to another place, and BiggerOnTheInside.



[[WMG: ''Series/{{House}}'' shares a universe with ''HouseOfLeaves'', and Dr. Gregory House comes from that house.]]

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[[WMG: ''Series/{{House}}'' shares a universe with ''HouseOfLeaves'', ''Literature/HouseOfLeaves'', and Dr. Gregory House comes from that house.]]
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** Johny shows behavior like this when he gives all of Lude's dates messed up back stories, and when he tries to convince himself that he had a happy ending. Obviously, making up stories is normal for him.

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** Johny Johnny shows behavior like this when he gives all of Lude's dates messed up back stories, and when he tries to convince himself that he had a happy ending. Obviously, making up stories is normal for him.



I don't mean nothing in the traditional sense. I mean he was being attacked my absence itself. Much like Holloway and the Navidson family. The panic attacks (like the "don't look behind you" one or the one in his apartment) weren't just figments of his imagination. It was nothing assaulting him, it just manifested itself as, well, nothing. He felt it attacking him, he knew all the terrible things that could happen, and he saw it all in his mind but in reality there wasn't anything there because the attacker was "nothing."

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I don't mean nothing in the traditional sense. I mean he was being attacked my by absence itself. Much like Holloway and the Navidson family. The panic attacks (like the "don't look behind you" one or the one in his apartment) weren't just figments of his imagination. It was nothing assaulting him, it just manifested itself as, well, nothing. He felt it attacking him, he knew all the terrible things that could happen, and he saw it all in his mind but in reality there wasn't anything there because the attacker was "nothing."



This would explain the dreamlike bizarreness of the house, as well as the special attention to that particular word.

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This would explain the dreamlike bizarreness bizarre nature of the house, as well as the special attention to that particular word.



The Navidson family went to our universe using the house because they wanted to distance themselves from thier experiences in the house. They took on false names and seperated from eachother to hide from the house. Will became Zampano, Karen became Pelafina, and Chad became Johnny. Zampano raised Daisy and Pelafina raised Johnny (who both forgot about the house). To further hide from the house, Pelafina married Johnny's "father" and they both only communicated to each other through hidden messages. Unfortunately for Zampano, that wasn't enough.

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The Navidson family went to our universe using the house because they wanted to distance themselves from thier experiences in the house. They took on false names and seperated separated from eachother each other to hide from the house. Will became Zampano, Karen became Pelafina, and Chad became Johnny. Zampano raised Daisy and Pelafina raised Johnny (who both forgot about the house). To further hide from the house, Pelafina married Johnny's "father" and they both only communicated to each other through hidden messages. Unfortunately for Zampano, that wasn't enough.



[[WMG:This book is realated to, stay with me, ''WiiFit'']]

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[[WMG:This book is realated related to, stay with me, ''WiiFit'']]



* I agree with your explanation, exspecially since the house is on Ash Tree lane. (The walls are described as ash-like, in theory the labyrinth is the yggdrasil tree, ie "Ash Tree.") It should be noted that in early sources, the Yggdrasil was an Ash tree specifically.

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* I agree with your explanation, exspecially especially since the house is on Ash Tree lane. (The walls are described as ash-like, in theory the labyrinth is the yggdrasil tree, ie i.e. "Ash Tree.") It should be noted that in early sources, the Yggdrasil was an Ash tree specifically.



One of the footnotes in the book refers to the Universe pre-big bang as a place of infinite Destiny. Johnny notes that this is probably a typo, and that Zampano meant to say "Density" but look at it this way. Johnny constantly mentions things that happen in the book, only they never actually happen. The Johnny that we are following doesn't go down these paths, yet he constantly sees his own death, or sees minor things changed from what they were. Because he can see into these infinite possibilites, he starts to GoMadFromTheRevelation. Zampano could also see into these infinite "what-ifs", and the house on Ash Tree Lane was the physical manifestation of infinite possibilities becoming known. The reason Johnny can see all of these possible futures is because he, himself was never meant to exist. He was the child in the Mother's Story. In that world, he died, but in another world, he lived, and from that branch, Johnny could see into every fragment of time. Branches. Trees. Yggdrassil. In another timeline, Johnny might have become the Minotaur, or Zampano, either trying to stop himself before his mind broke under the strain of omniscience, or to give the gift of omniscience to himself through the book.

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One of the footnotes in the book refers to the Universe pre-big bang as a place of infinite Destiny. Johnny notes that this is probably a typo, and that Zampano meant to say "Density" but look at it this way. Johnny constantly mentions things that happen in the book, only they never actually happen. The Johnny that we are following doesn't go down these paths, yet he constantly sees his own death, or sees minor things changed from what they were. Because he can see into these infinite possibilites, possibilities, he starts to GoMadFromTheRevelation. Zampano could also see into these infinite "what-ifs", and the house on Ash Tree Lane was the physical manifestation of infinite possibilities becoming known. The reason Johnny can see all of these possible futures is because he, himself was never meant to exist. He was the child in the Mother's Story. In that world, he died, but in another world, he lived, and from that branch, Johnny could see into every fragment of time. Branches. Trees. Yggdrassil. In another timeline, Johnny might have become the Minotaur, or Zampano, either trying to stop himself before his mind broke under the strain of omniscience, or to give the gift of omniscience to himself through the book.



[[WMG: There is a piece of the begining of the universe stuck under the earth below the house.]]

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[[WMG: There is a piece of the begining beginning of the universe stuck under the earth below the house.]]



And/Or Johnny is a Cult of Ecstasy mage captured by Nephandi, and the entire book is his stream-of-conciousness experience inside a Nephandic caul, which is the Labyrinth, which is an Umbral sub-realm accessed through a house.

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And/Or Johnny is a Cult of Ecstasy mage captured by Nephandi, and the entire book is his stream-of-conciousness stream-of-consciousness experience inside a Nephandic caul, which is the Labyrinth, which is an Umbral sub-realm accessed through a house.



and the whole story where Johnny goes to Ashley's house is made-up. He thinks that Thumper hasn't called him back because she said her name was Ashely on the phone, Thumper laughs when he tells her about Ashley because she is her, and also his mother had the same problem with him.

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and the whole story where Johnny goes to Ashley's house is made-up. He thinks that Thumper hasn't called him back because she said her name was Ashely Ashley on the phone, Thumper laughs when he tells her about Ashley because she is her, and also his mother had the same problem with him.



Nevermind all the conections to Borges work, Zampanò is a blind old man writting a MindScrew book, using references that doesn't exist, about a fictional movie.

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Nevermind Never mind all the conections conenctions to Borges work, Zampanò is a blind old man writting writing a MindScrew book, using references that doesn't exist, about a fictional movie.



In a very literal sense, this is a book about nothing. By that, I don't mean that it's incomprehensible, but rather, that it's about the Heideggerian concept of nothingess. The House is a place where, for some reason, temporal and spatial deformities can lead a person physically into a realm outside of the Universe. That realm is less "outside", though, then it is just ''not''. The chief distinction between it and the normal world is that the normal world is alienated from it and set in opposition to it. It's enormous, vast, ever changing, and becoming lost there results in the eventual loss of self when the nothingness around you starts to close in and you become alienated from yourself. That state of not-being is the Minotaur, and is why the word is crossed out several times when it appears.

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In a very literal sense, this is a book about nothing. By that, I don't mean that it's incomprehensible, but rather, that it's about the Heideggerian concept of nothingess.nothingness. The House is a place where, for some reason, temporal and spatial deformities can lead a person physically into a realm outside of the Universe. That realm is less "outside", though, then it is just ''not''. The chief distinction between it and the normal world is that the normal world is alienated from it and set in opposition to it. It's enormous, vast, ever changing, and becoming lost there results in the eventual loss of self when the nothingness around you starts to close in and you become alienated from yourself. That state of not-being is the Minotaur, and is why the word is crossed out several times when it appears.



[[WMG: The Navidsons are real, but we are ficticious.]]
Each layer outward becomes more ficticious.

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[[WMG: The Navidsons are real, but we are ficticious.fictitious.]]
Each layer outward becomes more ficticious.
fictitious.



Around this: a semi-scholarly film review by an eccentric who gets some key points wrong, such as forgetting about teminal velocity.

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Around this: a semi-scholarly film review by an eccentric who gets some key points wrong, such as forgetting about teminal terminal velocity.



Each layer deeper into fiction we get, the less evidence remains of the Navidson's existance. We are the fiction within the fiction within the fiction within the fiction within the Navidson's reality.

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Each layer deeper into fiction we get, the less evidence remains of the Navidson's existance. Navidsons' existence. We are the fiction within the fiction within the fiction within the fiction within the Navidson's Navidsons' reality.
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* [[SarcasmMode Thanks a lot, bub.]] [[{{Gorillaz}} Some of us will never]] [[ParanoiaFuel sleep]] [[{{Gorillaz}} again...]]
* Since when did [[{{Gorillaz}} you guys]] read anything?

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* [[SarcasmMode Thanks a lot, bub.]] [[{{Gorillaz}} [[{{Music/Gorillaz}} Some of us will never]] [[ParanoiaFuel sleep]] [[{{Gorillaz}} [[{{Music/Gorillaz}} again...]]
* Since when did [[{{Gorillaz}} [[{{Music/Gorillaz}} you guys]] read anything?

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added some insight to Yggdrasil


If the house is [[WorldTree Yggdrasil]], then the creature inside it can only be Nidhogg, the giant dragon that gnaws on the roots of the tree in order to bring it, and the universe down. Thus, we should probably start writing this as Nidhogg

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If the house is [[WorldTree Yggdrasil]], then the creature inside it can only be Nidhogg, the giant dragon that gnaws on the roots of the tree in order to bring it, and the universe down. Thus, we should probably start writing this as Nidhogg
Nidhogg.
* Not to mention that in graph theory, [[http://bl.ocks.org/mbostock/061b3929ba0f3964d335 mazes are analogous to trees]]. The Yggdrasil is frequently portrayed with roots twisting like a maze.
* It also should be mentioned that one proposed theory of the term "Yggdrasil" comes from "yggr" meaning "terror". So Yggdrasil would mean "tree of terror; gallows."
** The author probably intentionally included all these interpretations without really meaning to settle on one in particular.
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adding a quote and a link



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-> "MZD: Basically, it was just an outpouring—a means of articulating this torrent of conflicting emotions I was feeling about my father. My sister met me when I finally reached Los Angeles, and we went home and looked after my father until his cancer went into remission. At that point I presented him with my story—as a gift. His response was unbelievable, full of rage—outraged, I think, by the audacity that I had written something so passionate and so focused on him. And so he applied all his years of intellectual edge and shredded me, going on to describe how useless art was, demanding why I didn’t just go get a job at the post office! Well, I probably should have expected his reaction, but I was just devastated. My first response afterwards was to attempt to eliminate myself from this equation. I was an affront to my father’s will and my father’s place in the universe, and so rather than challenge that will and that place, I would sacrifice myself. And I did exactly that; the closest thing to suicide I can think of— I tore up the manuscript of "Redwood” into hundreds of pieces, flung them into a dumpster in the alley, and spent the next few days in a kind of emotional coma... Then my sister did something that still chokes me up when I think about it: she presented me with a manila folder in which I discovered 'Redwood'—intact. She had gathered up and taped together all the pieces. This rescue of what I had impulsively destroyed allowed me to see that I could keep writing. It was like a Greek goddess coming down to breathe fire again into my lungs, saying in an awful whisper “Go now, go get Hector.” A life changing moment. I doubt I would have continued to write had she not rescued me that night." [[http://www.nomadism.org/pdf/mzdinter.pdf Transcribed interview, pg 7 - 8]]
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fixing my code


* An interview with Danielewski [[http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&cad=rja&uact=8&ved=0CDQQtwIwAw&url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DP6J0JIjVKfI&ei=6lC0VIraAsamNo2LgrAB&usg=AFQjCNG5dvpd6K_briCNV_cXojm5iG6I9w&sig2=M0edC7eHr751xhX4Jac5ug an interview with Danielewski]], he says one of the first stories he wrote was a short novella about his father called "Redwood". He said his father read it and told him to get a job as a postal worker. So probably some unresolved issues there with the author's dad--an homage, a placeholder, what have you.

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* An interview with Danielewski In [[http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&cad=rja&uact=8&ved=0CDQQtwIwAw&url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DP6J0JIjVKfI&ei=6lC0VIraAsamNo2LgrAB&usg=AFQjCNG5dvpd6K_briCNV_cXojm5iG6I9w&sig2=M0edC7eHr751xhX4Jac5ug an interview with Danielewski]], he says one of the first stories he wrote was a short novella about his father called "Redwood". He said his father read it and told him to get a job as a postal worker. So probably some unresolved issues there with the author's dad--an homage, a placeholder, what have you.
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adding some info



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* An interview with Danielewski [[http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&cad=rja&uact=8&ved=0CDQQtwIwAw&url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DP6J0JIjVKfI&ei=6lC0VIraAsamNo2LgrAB&usg=AFQjCNG5dvpd6K_briCNV_cXojm5iG6I9w&sig2=M0edC7eHr751xhX4Jac5ug an interview with Danielewski]], he says one of the first stories he wrote was a short novella about his father called "Redwood". He said his father read it and told him to get a job as a postal worker. So probably some unresolved issues there with the author's dad--an homage, a placeholder, what have you.

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