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[[WMG:When a Haibane becomes ready for their Day of Flight, they receive a psychic message explaining everything and giving them a good reason to depart without warning.]]
I mean really, you'd think that people would at least say goodbye first. Surely there's a strange spiritual reason why that would be a bad idea, and haibane become aware of this reasoning when it's their turn to go.

[[WMG:The restrictions on Haibane are only there to promote spiritual growth]]
There's a quasi-Buddhist sense that possessions will only hold you back, so they enforce a kind of livable poverty. You can only earn scrip, not real cash, so there's no way to get rich. If you can't get rich in the first place, you're less likely to be tempted by money. Likewise with the rule about using second-hand clothing.
Tabs MOD

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Supported in that Chisa died by falling from a building and the train girl [[CaptainObvious died by jumping in front of a train]]. Then the crow may be Wired!Lain or simply Chisa's doubts about dying (supported in that she tells the crow not to stop her falling).

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Supported in that Chisa died by falling from a building and the train girl [[CaptainObvious died by jumping in front of a train]].train. Then the crow may be Wired!Lain or simply Chisa's doubts about dying (supported in that she tells the crow not to stop her falling).
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[[WMG:The city of Glie changes depending on what is viewed as Utopian in the outside world.]]
That would explain why the place has abandoned factories and ruins of ancient looking temples. Both of those are relics from a time when large temple complexes and technological marvels were viewed as the height of civilisation.
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Instead, the city of Glie is a place that gives those who died tragically due to their own mistakes and flaws a chance at redemption. By being put into a friendly and caring environment, something they often lacked when they were alive, the Haibane are given the chance to grow as a person and overcome the flaw that ultimately led to their downfall. If they succeed, then on the day of their flight they are returned to the outside world a few days before their demise with their development still intact. If they fail, then they remain dead in the outside world and spend the remainder of their natural life as members of the Haibane Renmei.

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Instead, the city of Glie is a place that gives those who died tragically due to their own flaws and mistakes and flaws a chance at redemption. By being put into a friendly and caring environment, something they often lacked when they were alive, the Haibane are given the chance to grow as a person and overcome the flaw that ultimately led to their downfall. If they succeed, then on the day of their flight they are returned to the outside world a few days before their demise with their development still intact. If they fail, then they remain dead in the outside world and spend the remainder of their natural life as members of the Haibane Renmei.
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[[WMG:The Haibane ARE dead but NOT in purgatory.]]
Instead, the city of Glie is a place that gives those who died tragically due to their own mistakes and flaws a chance at redemption. By being put into a friendly and caring environment, something they often lacked when they were alive, the Haibane are given the chance to grow as a person and overcome the flaw that ultimately led to their downfall. If they succeed, then on the day of their flight they are returned to the outside world a few days before their demise with their development still intact. If they fail, then they remain dead in the outside world and spend the remainder of their natural life as members of the Haibane Renmei.

The strange rules regarding ownership and money exist to ensure the Haibane do fair work and are dependent on the kindness of others for their material possessions. Becoming Sin Bound serves as a warning that a Haibane is falling back on the flaw or behavior that she/he needs to overcome.
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[[WMG: Glie is the same place as [[HardBoiledWonderlandAndTheEndOfTheWorld The End of The World]]]]

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[[WMG: Glie is the same place as [[HardBoiledWonderlandAndTheEndOfTheWorld [[Literature/HardBoiledWonderlandAndTheEndOfTheWorld The End of The World]]]]
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[[WMG:Reki is [[FobbiesAreBorange Paula]].]]

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[[WMG:Reki is [[FobbiesAreBorange [[Fanfic/FobbiesAreBorange Paula]].]]
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[[WMG:The Haibane's dreams reflect how they died]]
* As gruesome and dark as this one sounds, it might explain why they have the dreams they do, and goes on the theory that Reki committed suicide and thus this is why her cocoon dream shows her standing on a train track. Which means that Nemu was likely given euthanasia (put to sleep), Hikari might have suffered from a fatal accident involving electricity (she dreams of sparkling light), Kana drowned in a river (floating like a fish), Kuu might have been asphyxiated (thus why she dreams of air), Reki's is self-explanatory and Rakka may have fallen fatally from somewhere high above. The Young Feathers: Hana (exposure to a poisonous plant like deadly nightshade), Shorta (sickness from eating too many sweets?) Again, just speculation, but if Reki's dream showed how she died, wouldn't it make sense for the other Haibane's to do the same?
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[[WMG:Alternatively, Rakka was Sheeta from Miyazaki's CastleInTheSky.]]
As well as Sheeta's apparent affinity for falling, the two are similar physically (especially at the end of CastleInTheSky, when Sheeta's hair is randomly shortened) and in personality. The crow in Rakka's dream and at the bottom of the well is actually Pazu. Furthermore, the glowing flecks that Rakka is harvesting inside the wall of Glie look like they could contain or be made of Volucite, a further implication that the stories' universes are connected.

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[[WMG:Alternatively, Rakka was Sheeta from Miyazaki's CastleInTheSky.''Anime/CastleInTheSky''.]]
As well as Sheeta's apparent affinity for falling, the two are similar physically (especially at the end of CastleInTheSky, ''Anime/CastleInTheSky'', when Sheeta's hair is randomly shortened) and in personality. The crow in Rakka's dream and at the bottom of the well is actually Pazu. Furthermore, the glowing flecks that Rakka is harvesting inside the wall of Glie look like they could contain or be made of Volucite, a further implication that the stories' universes are connected.
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* Reki's problems are created by her being from the lineage of the [[Literature/{{Dune}} Atreides]] family. The railroad she sees is the Golden Path of the [[Literature/GodEmperorOfDune God-Emperor]]. Rakka is also an Atreides.

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* Reki's problems are created by her being from the lineage of the [[Literature/{{Dune}} [[Franchise/{{Dune}} Atreides]] family. The railroad she sees is the Golden Path of the [[Literature/GodEmperorOfDune God-Emperor]]. Rakka is also an Atreides.
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[[WMG: The show is in continuity with the {{Dune}} series.]]The city of Glie is all that remains of a once civilized world. The series takes place centuries after the eradication of all life on Arrakis, and possibly on Arrakis itself.

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[[WMG: The show is in continuity with the {{Dune}} Franchise/{{Dune}} series.]]The city of Glie is all that remains of a once civilized world. The series takes place centuries after the eradication of all life on Arrakis, and possibly on Arrakis itself.



* Reki's problems are created by her being from the lineage of the [[Literature/{{Dune}} Atreides]] family. The railroad she sees is the Golden Path of the God-Emperor. Rakka is also an Atreides.

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* Reki's problems are created by her being from the lineage of the [[Literature/{{Dune}} Atreides]] family. The railroad she sees is the Golden Path of the God-Emperor.[[Literature/GodEmperorOfDune God-Emperor]]. Rakka is also an Atreides.
Willbyr MOD

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[[WMG:The Haibane never died in the first place.]] They're people who, for one reason or another, retreated from society in the world and disappeared as a result. Main/{{Hikikomori}}, like the eventual fate of ''Main/SerialExperimentsLain'' and ''Anime/WelcomeToTheNHK'', which Yoshitoshi [=ABe=] provided the scenario and design for in the former case and the original cover artwork int he latter. Their cocoon dreams are metaphors for the behavior the Haibane was in before disappearing -- Rakka rejected the help of someone trying to bring her back into society hurting the person in the process, Reki had many people who would have helped her get back into society that she never paid attention to and was unwilling to ask for help, Nemu slept her life away. Their time in Old Home is designed to force them into society: they must work with people, don't remember the part of the past that caused them to leave society in the first place. Sin-bound Renmei are just those who don't go into society fully with the other Renmei or townsfolk.

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[[WMG:The Haibane never died in the first place.]] They're people who, for one reason or another, retreated from society in the world and disappeared as a result. Main/{{Hikikomori}}, like the eventual fate of ''Main/SerialExperimentsLain'' ''Anime/SerialExperimentsLain'' and ''Anime/WelcomeToTheNHK'', which Yoshitoshi [=ABe=] provided the scenario and design for in the former case and the original cover artwork int he latter. Their cocoon dreams are metaphors for the behavior the Haibane was in before disappearing -- Rakka rejected the help of someone trying to bring her back into society hurting the person in the process, Reki had many people who would have helped her get back into society that she never paid attention to and was unwilling to ask for help, Nemu slept her life away. Their time in Old Home is designed to force them into society: they must work with people, don't remember the part of the past that caused them to leave society in the first place. Sin-bound Renmei are just those who don't go into society fully with the other Renmei or townsfolk.



[[WMG:Rakka was [[SerialExperimentsLain Lain]]]]

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[[WMG:Rakka was [[SerialExperimentsLain [[Anime/SerialExperimentsLain Lain]]]]



[[WMG:Or, Rakka was [[SerialExperimentsLain Chisa]] and Reki was [[SerialExperimentsLain that train girl (HOLES!)]]]]

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[[WMG:Or, Rakka was [[SerialExperimentsLain [[Anime/SerialExperimentsLain Chisa]] and Reki was [[SerialExperimentsLain [[Anime/SerialExperimentsLain that train girl (HOLES!)]]]]
Willbyr MOD

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[[AC:Main/HaibaneRenmei]]
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[[WMG:The Haibane never died in the first place.]] They're people who, for one reason or another, retreated from society in the world and disappeared as a result. Main/{{Hikikomori}}, like the eventual fate of ''Main/SerialExperimentsLain'' and ''Main/WelcomeToTheNHK'', which Yoshitoshi [=ABe=] provided the scenario and design for in the former case and the original cover artwork int he latter. Their cocoon dreams are metaphors for the behavior the Haibane was in before disappearing -- Rakka rejected the help of someone trying to bring her back into society hurting the person in the process, Reki had many people who would have helped her get back into society that she never paid attention to and was unwilling to ask for help, Nemu slept her life away. Their time in Old Home is designed to force them into society: they must work with people, don't remember the part of the past that caused them to leave society in the first place. Sin-bound Renmei are just those who don't go into society fully with the other Renmei or townsfolk.

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[[WMG:The Haibane never died in the first place.]] They're people who, for one reason or another, retreated from society in the world and disappeared as a result. Main/{{Hikikomori}}, like the eventual fate of ''Main/SerialExperimentsLain'' and ''Main/WelcomeToTheNHK'', ''Anime/WelcomeToTheNHK'', which Yoshitoshi [=ABe=] provided the scenario and design for in the former case and the original cover artwork int he latter. Their cocoon dreams are metaphors for the behavior the Haibane was in before disappearing -- Rakka rejected the help of someone trying to bring her back into society hurting the person in the process, Reki had many people who would have helped her get back into society that she never paid attention to and was unwilling to ask for help, Nemu slept her life away. Their time in Old Home is designed to force them into society: they must work with people, don't remember the part of the past that caused them to leave society in the first place. Sin-bound Renmei are just those who don't go into society fully with the other Renmei or townsfolk.
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* {{Jossed}}. ABe has stated that only the sin-bound Haibane have committed suicide.
** No. ABe has [[ShrugOfGod refused to answer many questions about the series]] because he wants viewers to come to their own conclusions. This is exactly the kind of thing he wouldn't say about it.
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[[WMG:The Haibane Renmei were previously Haibane who didn't manage to reach their Day of Flight]]
* The people who are currently Haibane Renmei, were once Haibane, but didn't attain redemption in time, so when their day of flight came, they just lost their wings and halos and are now working to help other Haibane attain redemption, and not end up as them. When the old man is speaking to Rakka at one point, he says that "Haibane who do not get their day of flight in time lose their halos and wings, and live separate from both humans and Haibane, until they eventually die." as he is saying that, the mark on his hood and the fake wooden wings he wears are shown, implying that he, at the very least, was previously a Haibane who failed to achieve his Day of Flight. Also Haibane Renmei do live in a place far removed from both humans and haibane, and are separate from both.
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** Nice theory but she was still pregnant in the eleventh episode and gave birth some time before the twelfth. Kuu's flight happened long before then and the next Haibane's Day of Flight was still yet to happen.

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