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Split trope
Changed line(s) 127 (click to see context) from:
** "[[Film/{{Saw}} Hello, Rei. Do you want to play a game?]]", with this reference even being lampshaded.
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** "[[Film/{{Saw}} "[[Franchise/{{Saw}} Hello, Rei. Do you want to play a game?]]", with this reference even being lampshaded.
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Turning Everyone Dies Ending into a wiki word
Changed line(s) 62 (click to see context) from:
** Everyone Dies Ending: Shunsuke must be the only survivor. [[spoiler:He commits suicide.]]
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** Everyone Dies Ending: EveryoneDiesEnding: Shunsuke must be the only survivor. [[spoiler:He commits suicide.]]
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Changed line(s) 62 (click to see context) from:
** [[KillEmAll Everyone Dies Ending]]: Shunsuke must be the only survivor. [[spoiler:He commits suicide.]]
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** [[KillEmAll Everyone Dies Ending]]: Ending: Shunsuke must be the only survivor. [[spoiler:He commits suicide.]]
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Added DiffLines:
* {{Gayngst}}: A major theme in Yuuichi's backstory involves him struggling with his romantic orientation. A collection of notes presumably written by him in the hotel mentions the writer having a crush on another boy (who he then ''[[ImAHumanitarian ate]]'').
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* HomoeroticSubtext When Shunsuke confronts him as to why he thinks his plan is at all decent an idea, Yuuichi laments that maybe in another world, Yuuichi would be a [[DamselInDistress trapped princess]], and Shunsuke could be [[TheHero the prince that saves him]]. In Japan, these comparisons, when made between two characters of the same gender, tend to be symbolic of a romantic interest.
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Added DiffLines:
* IdiosyncraticMenuLabels: As evident with the page image that depicts that installment's StartScreen.
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Changed line(s) 112 (click to see context) from:
** [[MoodWhiplash Ni-Chome Mama End]]: Replaces the Everyone Dies Ending, but the condition of Shunsuke being the only survivor stands. [[spoiler:Before Shunsuke commits suicide, the Archangel Takumiel intervenes and helps him escape, promising to give him success in the nightlife later on. Years later, it's revealed that Shunsuke now owns and runs a bar. And has apparently become a DragQueen, since he's referred to as Shunsuke Mama.]]
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** [[MoodWhiplash Ni-Chome Mama End]]: Replaces the Everyone Dies Ending, but the condition of Shunsuke being the only survivor stands. [[spoiler:Before Shunsuke commits suicide, the Archangel Takumiel intervenes and helps him escape, promising to give him success in the nightlife later on. Years later, it's revealed that Shunsuke now owns and runs a bar. And has apparently become a DragQueen, since he's referred to as Shunsuke Mama.bar in Ni-chome [[note]]An area in Tokyo that houses the most numerous gay bars in the world[[/note]].]]
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Changed line(s) 91 (click to see context) from:
** Obtaining the Killer Ending in ''Re:Kinder'' has a post-message by Mami, who talks about being a stand-in for the author, and explaining how to obtain each ending. She even mentions the altered Everyon Dies Ending being different from ''Kinder'', unless you are 'some English-speaking foreigner' and you don't know what she's talking about. And she even lampshades that she and Takumi cannot be saved.
to:
** Obtaining the Killer Ending in ''Re:Kinder'' has a post-message by Mami, who talks about being a stand-in for the author, and explaining how to obtain each ending. She even mentions the altered Everyon Everyone Dies Ending being different from ''Kinder'', unless you are 'some English-speaking foreigner' and you don't know what she's talking about. And she even lampshades that she and Takumi cannot be saved.
Changed line(s) 107 (click to see context) from:
* MoneyForNothing Inverted. ''Re:Kinder'' starts the player off with ¥520, change that Shunsuke has from his bus ride. That's all the money the player will ever get, and it can only be used to get certain items from a vending machine.
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* MoneyForNothing MoneyForNothing: Inverted. ''Re:Kinder'' starts the player off with ¥520, change that Shunsuke has from his bus ride. That's all the money the player will ever get, and it can only be used to get certain items from a vending machine.
Changed line(s) 110 (click to see context) from:
* MultipleEndings
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* MultipleEndingsMultipleEndings:
Changed line(s) 122,124 (click to see context) from:
** At one point, Shunsuke quotes a rather infamous line from [[Franchise/StarWars Anakin Skywalker]] in Film/AttackOfTheClones:
->I... don’t like sand. It’s coarse and rough and irritating, and it gets everywhere.
** "[[Film/{{Saw}} Hello, Rei. Do you want to play a game?]]", with this reference even lampshaded.
->I... don’t like sand. It’s coarse and rough and irritating, and it gets everywhere.
** "[[Film/{{Saw}} Hello, Rei. Do you want to play a game?]]", with this reference even lampshaded.
to:
** At one point, Shunsuke quotes a rather infamous line from [[Franchise/StarWars Anakin Skywalker]] in Film/AttackOfTheClones:
->I...''Film/AttackOfTheClones'':
->I… don’t like sand. It’s coarse and rough and irritating, and it gets everywhere.
** "[[Film/{{Saw}} Hello, Rei. Do you want to play a game?]]", with this reference even being lampshaded.
->I...
->I… don’t like sand. It’s coarse and rough and irritating, and it gets everywhere.
** "[[Film/{{Saw}} Hello, Rei. Do you want to play a game?]]", with this reference even being lampshaded.
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Changed line(s) 39 (click to see context) from:
* DreamWorld: [[spoiler:The storybook world is Yuuichi's. The events of the game may or may not be a dream world.]]
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* DreamWorld: DreamLand: [[spoiler:The storybook world is Yuuichi's. The events of the game may or may not be a dream world.]]