History Tropers / Clemont107

* ''Pokemon Void Platinum'', a DarkerAndEdgier real-time ActionRPG sequel to ''VideoGame/PokemonPlatinum'' (akin to how ''Black 2 and White 2'' were sequels to ''Black and White'') with a completely new storyline and new player characters, new locations, Unreal Engine 5-level realistic graphics, and Mega Evolutions returning, with new Mega Evolutions for ''every single'' fully-evolved Pokemon that were introduced in Generation IV. The plot would revolve around the villainous team, Neo Team Galactic, trying to harness the power of Mega Evolutions for Sinnoh's legendaries in order to take over Sinnoh and the rest of the world, while the new player characters must try to stop them with the help of the previous player characters from the original ''Platinum''. In addition to the more cyberpunk aesthetic (the game takes place 2 years after the original ''Platinum''), the player can also ride a cool motorbike that replaces the original bicycle, and the player can also fight directly alongside their Pokemon using a nonlethal plasma stun rifle (that also deals damage to opposing Pokemon but doesn't kill them). Since Neo Team Galactic grunts would actually try to shoot the player character on sight instead of fighting them with their Pokemon first (only doing so as a last resort), the plasma stun rifle serves as a great way to incapacitate them (defeating them without actually killing them). The player character can also swim and dive to new underwater locations within the seas surrounding Sinnoh (including abyssal plains and marine trenches, of course with the help of a PoweredArmor suit to handle the immense pressures). The Battle Frontier would be replaced with a new expansive location called the Battle Complex, with over ''20'' individual battle facilities. And of course, all Pokemon in the current National Pokedex can be brought into the game with no restrictions.

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/pokemon_acid_type_chart_12_7_23.png]]

I'm also willing to trade Pokemon with anyone who needs a Pokemon that's currently not in their collection. I have HOME, Sword, Legends Arceus and Violet, so feel free to ask me for a specific Pokemon and I can trade one with you when I'm free. I don't really need anything in return (due to having completed my HOME National Pokedex and Living Dex collection), so just catch any low-level Pokemon to trade to me.

!! Mega Kleavor
** Type: Bug/Rock
** Ability: Sharpness
** Height: 6'07"
** Weight: 242.5 lbs

[[folder:Some Ideas I've Had for Video Games]]

Hello there. I am clemont107, an avid horror-film fan, and music and computer obsessed {{Geek}}. I also like listening to (and attempt to compose) trailer music, though I usually prefer sound-design thriller tracks as opposed to conventional orchestral "epic music" tracks, mostly because the former sound more intense and gritty to me.[[labelnote:Explanation]]I'm not really a fan of the growing trend of studios producing more orchestral albums than sound-design albums, and I'm certainly not a fan of sound-design albums nowadays having fewer tracks than before (often now a measly 20 tracks or less in comparison to the gargantuan 30-50 tracks in sound-design albums from a few years ago), while recent orchestral albums somehow still have ''more'' tracks than their sound-design counterparts (around 20-30). While part of this may be due to more recent placements in movie and video game trailers for orchestral tracks than sound-design ones, and studios capitalizing on this trend, I still wish for a return to a sound-design dominated music market.[[/labelnote]] (Asian-themed orchestral music, however, is an exception for me; I think the guzheng, erhu, and other Asian instruments sound very beautiful, hence my love for orchestral soundtracks with those instruments.)

* OrchestralBombing: While I am fine with the use of this trope in the actual soundtrack for a movie or video game, I'm not really a fan of its use in movie trailers or commercials. For that area, I think sound-design suspense thriller trailer music is better because it's more effective at gaining and retaining the audience's attention and is more likely to stay in their memory long after the advertisement ends.

* AuthorAvatar: Some of my fanon versions of characters fit this to an extent. For example, my versions of [[Manga/MyHeroAcademia Mina Ashido]] and [[VideoGame/PokemonSwordAndShield Marnie]] both love horror films, SoBadItsGood movies, and IndustrialMetal music, which I enjoy. In addition, my fanon versions of [[VideoGame/PokemonScarletAndViolet Penny]] and [[WesternAnimation/GravityFalls Pacifica Northwest]] love animals and nature, and overall fit the NatureLover archetype. However, it's somewhat [[ZigZaggingTrope zig-zagged]] in that they also have differing opinions from me when it comes to certain things. For example, Mina likes nudibranch sea slugs, especially aeolid nudibranch sea slugs, while I'm scared of aeolid nudibranch sea slugs due to their stinging, tentacle-like cerata on their backs. ''(*Shudders*)'' In addition, Pacifica is a huge {{Fangirl}} for Creator/JuliaRoberts and RomanticComedy movies in general, while I ''despise'' them.

** A {{Downplayed}} example with orchestral music; I do like orchestral soundtracks being featured in the film, video game or television series themselves, but I don't usually like the presence of orchestral trailer music in trailers or commercials, due to lacking the intensity of sound-design trailer music that I really like. An exception to this is if the orchestral trailer music in question happens to contain Asian instruments such as the guzheng and erhu, as I find these instruments very beautiful and pleasant to listen to. I do wish there was more orchestral trailer music using Asian instruments.

* BreakTheCutie: Essentially happens to me when I least expect it.