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* NamesTheSame:
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* NamesTheSame:CreatorDrivenSuccessor: Bowie himself considered this album one to ''Music/ScaryMonstersAndSuperCreeps'', being a similar blend of hard rock and art rock with lyrical themes of sociopolitical protest. Additionally, while ''Scary Monsters'' is typically classified as a PostPunk record, ''Tin Machine'' falls in-line with post-punk's daughter genre, AlternativeRock.
* RefittedForSequel: A cover of "If There is Something" by Music/RoxyMusic was recorded during the sessions for this album, but wasn't released until 1991, when it was included on ''Tin Machine II''.
* SimilarlyNamedWorks:
* RefittedForSequel: A cover of "If There is Something" by Music/RoxyMusic was recorded during the sessions for this album, but wasn't released until 1991, when it was included on ''Tin Machine II''.
* SimilarlyNamedWorks:
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* RefittedForSequel: A cover of "If There is Something" by Music/RoxyMusic was recorded during the sessions for this album, but wasn't released until 1991, when it was included on ''Tin Machine II''.
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* AcclaimedFlop: The album was a hit with critics, but a huge commercial underperformance compared to Bowie's [[Music/LetsDance previous]] [[Music/{{Tonight}} three]] [[Music/NeverLetMeDown albums]], which lead to heightened apprehension towards Tin Machine from Creator/{{EMI}} that culminated in Bowie leaving the label in 1990.
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* AcclaimedFlop: The album was a hit with critics, got some positive reviews, but a huge commercial underperformance compared to Bowie's [[Music/LetsDance previous]] [[Music/{{Tonight}} three]] [[Music/NeverLetMeDown albums]], which lead to heightened apprehension towards Tin Machine from Creator/{{EMI}} that culminated in Bowie leaving the label in 1990.
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* AcclaimedFlop: The album was a hit with critics, but a huge commercial underperformance compared to Bowie's [[Music/LetsDance previous]] [[Music/{{Tonight}} three]] [[Music/NeverLetMeDown albums]], which lead to heightened apprehension towards Tin Machine from EMI that culminated in Bowie leaving the label in 1990.
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* AcclaimedFlop: The album was a hit with critics, but a huge commercial underperformance compared to Bowie's [[Music/LetsDance previous]] [[Music/{{Tonight}} three]] [[Music/NeverLetMeDown albums]], which lead to heightened apprehension towards Tin Machine from EMI Creator/{{EMI}} that culminated in Bowie leaving the label in 1990.
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* AcclaimedFlop: The album was a hit with critics, but a huge commercial underperformance compared to Bowie's [[Music/LetsDance previous]] [[Music/{{Tonight}} three]] [[Music/NeverLetMeDown albums]], which lead to heightened apprehension towards Tin Machine from EMI that culminated in Bowie leaving the label in 1990.
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* NamesTheSame: Despite sharing a title and release year, the "Run" on this album and the [[Music/{{Technique}} "Run"]] by Music/NewOrder are unrelated.
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* NamesTheSame: NamesTheSame:
** Despite sharing a title and release year, the "Run" on this album and the [[Music/{{Technique}} "Run"]] by Music/NewOrder areunrelated.unrelated.
** "Bus Stop" is an original song with no relation to Music/TheHollies' 1965 hit of the same name.
** Despite sharing a title and release year, the "Run" on this album and the [[Music/{{Technique}} "Run"]] by Music/NewOrder are
** "Bus Stop" is an original song with no relation to Music/TheHollies' 1965 hit of the same name.
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* WritingByTheSeatOfYourPants: The album's songs were written primarily through improvisation. This extends to the lyrics as well: Music/DavidBowie was discouraged from altering any of his lyrics, instead being instructed to sing them exactly as how he first wrote them. So heavily did the band emphasize improvisation that ''Tin Machine'' consists entirely of demo recordings, as stated by Gabrels.
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* WritingByTheSeatOfYourPants: The album's songs were written primarily through improvisation. This extends to the lyrics as well: Music/DavidBowie was discouraged from altering any of his lyrics, instead being instructed to sing them exactly as how he first wrote them. So heavily did the band emphasize improvisation that ''Tin Machine'' consists entirely of demo recordings, as stated by Gabrels.Gabrels.
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* NamesTheSame: Despite sharing a title and release year, the "Run" on this album and the [[Music/{{Technique}} "Run"]] by Music/NewOrder are unrelated.
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* RefittedForSequel: A cover of "If There is Something" by Music/RoxyMusic was recorded during the sessions for this album, but wasn't released until 1991, when it was included on ''Tin Machine II''.
* WhatCouldHaveBeen: Tin Machine recorded around 35 songs in the six weeks that the album sessions spanned, but only 14 were included on ''Tin Machine'' (12 on the LP and cassette releases); guitarist Reeves Gabriels claimed in a 2017 interview that they could've made ''Tin Machine'' a double album if they had wanted to.
* WritingByTheSeatOfYourPants: The album's songs were written primarily through improvisation. This extends to the lyrics as well: Music/DavidBowie was discouraged from altering any of his lyrics, instead being instructed to sing them exactly as how he first wrote them. So heavily did the band emphasize improvisation that ''Tin Machine'' consists entirely of demo recordings, as stated by Gabrels.
* WhatCouldHaveBeen: Tin Machine recorded around 35 songs in the six weeks that the album sessions spanned, but only 14 were included on ''Tin Machine'' (12 on the LP and cassette releases); guitarist Reeves Gabriels claimed in a 2017 interview that they could've made ''Tin Machine'' a double album if they had wanted to.
* WritingByTheSeatOfYourPants: The album's songs were written primarily through improvisation. This extends to the lyrics as well: Music/DavidBowie was discouraged from altering any of his lyrics, instead being instructed to sing them exactly as how he first wrote them. So heavily did the band emphasize improvisation that ''Tin Machine'' consists entirely of demo recordings, as stated by Gabrels.