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** The script for ''Theatre/MButterfly'' opens with an {{Epigraph}} quoting the first two lines of "China Girl", tying in with the play's examination of how the West exoticizes Asian women.
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* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, thanks to the close involvement of Music/DavidBowie (well known for inserting his own style into his production work) and many of his session collaborators. Consequently, it's viewed more as the prequel to Bowie's Berlin Trilogy than a proper Iggy Pop record.

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* BlackSheepHit: The album as a whole is considered this for Iggy Pop.Music/IggyPop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, thanks to the close involvement of Music/DavidBowie (well known for inserting his own style into his production work) and many of his session collaborators. Consequently, it's viewed more as the prequel to Bowie's Berlin Trilogy than a proper Iggy Pop record.
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* CreatorsOddball: Compared to the ProtoPunk of Music/TheStooges and the art punk of Pop's later solo work, ''The Idiot'' sticks out with its doomy {{industrial}} style, the end result of producer Music/DavidBowie using it as a way to lay the groundwork for his own album ''Music/{{Low|DavidBowieAlbum}}''.

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* CreatorsOddball: Compared to the ProtoPunk {{protopunk}} of Music/TheStooges and the art punk of Pop's later solo work, ''The Idiot'' sticks out with its doomy {{industrial}} style, the end result of producer Music/DavidBowie using it as a way to lay the groundwork for his own album ''Music/{{Low|DavidBowieAlbum}}''.
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* CreatorsOddball: Compared to the ProtoPunk of Music/TheStooges and the art punk of Pop's later solo work, ''The Idiot'' sticks out with its doomy {{industrial}} style, the end result of producer Music/DavidBowie using it as a way to lay the groundwork for his own album ''Music/{{Low|DavidBowieAlbum}}''.

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** Both Music/PeterMurphy and Music/{{REM}} covered "Funtime" in the late 80's.

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** Both Music/PeterMurphy and Music/{{REM}} covered "Funtime" in the late 80's.'80s.


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* WorkingTitle: "China Girl" was originally put together under the title "Borderline".
* WritingByTheSeatOfYourPants: Pop improvised most of the lyrics to "China Girl" as the song was being recorded.
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** Music/TheHumanLeague recorded a cover of "Nightclubbing" conjoined with a cover of "Rock and Roll Part 1" by Music/GaryGlitter, included on their ''Holiday '80'' EP and CD reissues of ''Music/{{Travelogue}}''.
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** Dum Dum Girls have said their name was inspired both by "Dum Dum Boys" off of this album and the Vaselines song and album ''Dum Dum''.

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* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared to his later solo albums. This is mainly because the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements of his own musical style, ''The Idiot'' being no exception. As a result, it sounds more of a piece with Bowie's albums of the time - particularly ''Music/StationToStation'', ''Music/LowDavidBowieAlbum'' and ''[[Music/{{Heroes}} "Heroes"]]'' - than it does with most of Pop's other solo work. This may come as no surprise, since it was made in between the former two and features performances from not just Bowie but also his guitarist Carlos Alomar, drummer Dennis Davis, and bassist George Murray.
** Bowie's cover of "China Girl" (from ''Music/LetsDance'') more specifically gave Pop financial security for the first time in his life. It's generally accepted that this was precisely why Bowie covered it. Of course, it's something of a self-cover, since Bowie cowrote and produced the song in the first place.

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* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared thanks to his later solo albums. This is mainly because the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements close involvement of Music/DavidBowie (well known for inserting his own musical style, ''The Idiot'' being no exception. As a result, it sounds style into his production work) and many of his session collaborators. Consequently, it's viewed more of a piece with as the prequel to Bowie's albums of the time - particularly ''Music/StationToStation'', ''Music/LowDavidBowieAlbum'' and ''[[Music/{{Heroes}} "Heroes"]]'' - Berlin Trilogy than it does with most of Pop's other solo work. This may come as no surprise, since it was made in between the former two and features performances from not just Bowie but also his guitarist Carlos Alomar, drummer Dennis Davis, and bassist George Murray.
** Bowie's cover of "China Girl" (from ''Music/LetsDance'') more specifically gave
a proper Iggy Pop financial security for the first time in his life. It's generally accepted that this was precisely why Bowie covered it. Of course, it's something of a self-cover, since Bowie cowrote and produced the song in the first place.record.


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** Producer David Bowie would cover "China Girl" on ''Music/LetsDance''.
** Both Music/PeterMurphy and Music/{{REM}} covered "Funtime" in the late 80's.

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*ReferencedBy:
** The kick drum sound of "Nightclubbing" was sampled for the song "Closer" by Music/NineInchNails from their album ''Music/TheDownwardSpiral'' and duplicated by Music/{{Oasis}} for the song "Force of Nature" from their album ''Heathen Chemistry'' (2002). The song itself was also covered by Creator/GraceJones as the title track to her album ''Nightclubbing'' (1982).
*** "Nightclubbing" has also been used in ''Film/{{Trainspotting}}''.
** The title track of ''Music/TransEuropeExpress'' by Music/{{Kraftwerk}} provides a shout-out to Bowie and Iggy Pop while they were recording this album in UsefulNotes/{{Berlin}}.
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** Bowie's cover of "China Girl" (from ''Music/LetsDance'') more specifically gave Pop financial security for the first time in his life. It's generally accepted that this was precisely why Bowie covered it. Of course, it's something of a self-cover, since Bowie cowrote and produced the song in the first place.
Is there an issue? Send a MessageReason:
None


* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared to his later solo albums. This is mainly due to the fact that the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements of his own musical style, ''The Idiot'' being no exception.

to:

* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared to his later solo albums. This is mainly due to the fact that because the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements of his own musical style, ''The Idiot'' being no exception.
exception. As a result, it sounds more of a piece with Bowie's albums of the time - particularly ''Music/StationToStation'', ''Music/LowDavidBowieAlbum'' and ''[[Music/{{Heroes}} "Heroes"]]'' - than it does with most of Pop's other solo work. This may come as no surprise, since it was made in between the former two and features performances from not just Bowie but also his guitarist Carlos Alomar, drummer Dennis Davis, and bassist George Murray.
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This was the last album that Ian Curtis of Music/JoyDivision fame listened to before committing suicide.
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This was the last album that Ian Curtis of Music/JoyDivision fame listened to before committing suicide.
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* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared to his later solo albums. This is mainly due to the fact that the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements of his own musical style, ''The Idiot'' being no exception.

to:

* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it sold well and has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared to his later solo albums. This is mainly due to the fact that the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements of his own musical style, ''The Idiot'' being no exception.
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!! For the album:

* BlackSheepHit: The album as a whole is considered this for Iggy Pop. While it has received plenty of critical acclaim over the years, the general consensus is that it is very much ''un''representative of Pop's sound, especially compared to his later solo albums. This is mainly due to the fact that the album was produced by Music/DavidBowie, whose work as a producer typically features him adding in prominent elements of his own musical style, ''The Idiot'' being no exception.
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* WriteWhatYouKnow: Myshkin’s epilepsy, his reaction to Hans Holbein the Younger’s painting ''Christ’s Body in the Tomb'', his thoughts on Catholicism: all modeled on Dostoyevky’s own thoughts and experiences. Myshkin recounts via hearsay the thoughts of a condemned criminal awaiting execution; Dostoyevsky had himself been condemned, run through a mock execution, and only informed at the last second that his sentence had been reduced.

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*WhatCouldHaveBeen:
**In Dostoevsky's original notes, Prince Myshkin wasn't a figure of IncorruptiblePurePureness, but a proud and passionate villain who would have undergone a complete regeneration by the novel's end.
**At the time Dostoevsky finished Part One, he was still planning on a very different ending [[spoiler:in which Myshkin would redeem both Nastasya and Rogozhin]].

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