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* ChannelHop: Talk Talk shifted over to the Creator/{{Polydor|Records}}-owned Verve Records for this album, having previously been released from Creator/{{EMI}} as the result of a contractual dispute that led to a legal battle against the label, which the band won. Because the band wasn't planning to keep trucking on for much longer by this point, they worked out a deal for just two albums with Polydor-- frontman Mark Hollis provided the second in the form of his sole 1998 solo album, released directly through Polydor themselves; the album was originally intended to be released under attribution to Talk Talk before being rebranded as a Hollis solo album.
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* ChannelHop: Talk Talk shifted over to the Creator/{{Polydor|Records}}-owned Verve Records for this album, having previously been released from Creator/{{EMI}} as the result of a contractual dispute that led to a legal battle against the label, which the band won. Because the band wasn't planning to keep trucking on for much longer by this point, they worked out a deal for just two albums with Polydor-- frontman Mark Hollis provided the second in the form of [[Music/MarkHollisAlbum his sole 1998 solo album, album]], released directly through Polydor themselves; the album was originally intended to be released under attribution to Talk Talk before being rebranded as a Hollis solo album.
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* ReferencedBy: The drum track from "New Grass" was sampled in Music/{{UNKLE}} and [[Music/{{Radiohead}} Thom Yorke]]'s 1998 collaboration "Rabbit in Your Headlights".
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* TropeMaker: This album, as well as Talk Talk's previous effort, ''Music/SpritOfEden'', is often cited as one for PostRock.
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* TropeMaker: This album, as well as Talk Talk's previous effort, ''Music/SpritOfEden'', ''Music/SpiritOfEden'', is often cited as one for PostRock.
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* TropeMaker: This album, as well as Talk Talk's previous effort, ''Sprit of Eden'', is often cited as one for PostRock.
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* TropeMaker: This album, as well as Talk Talk's previous effort, ''Sprit of Eden'', ''Music/SpritOfEden'', is often cited as one for PostRock.
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* TropeMaker: This album, as well as Talk Talk's previous effort, ''Sprit of Eden'', is often cited as one for PostRock.
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* ThrowItIn: "Ascension Day" was nearly 12 minutes long, but the recording suddenly stopped at the 6-minute mark. Due to the improvisational nature of the album, the take was kept.
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* ThrowItIn: "Ascension Day" was nearly 12 minutes long, but the recording suddenly stopped at the 6-minute mark. Due to the improvisational nature of the album, the take was kept.kept.
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Changed line(s) 1 (click to see context) from:
* ChannelHop: Talk Talk shifted over to Creator/PolydorRecords for this album, having previously been released from Creator/{{EMI}} as the result of a contractual dispute that led to a legal battle against the label, which the band won. Because the band wasn't planning to keep trucking on for much longer by this point, they worked out a deal for just two albums with Polydor-- frontman Mark Hollis provided the second in the form of his sole 1998 solo album, which at one point was intended to be released under attribution to Talk Talk.
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* ChannelHop: Talk Talk shifted over to Creator/PolydorRecords the Creator/{{Polydor|Records}}-owned Verve Records for this album, having previously been released from Creator/{{EMI}} as the result of a contractual dispute that led to a legal battle against the label, which the band won. Because the band wasn't planning to keep trucking on for much longer by this point, they worked out a deal for just two albums with Polydor-- frontman Mark Hollis provided the second in the form of his sole 1998 solo album, which at one point released directly through Polydor themselves; the album was originally intended to be released under attribution to Talk Talk.Talk before being rebranded as a Hollis solo album.
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Added DiffLines:
* ChannelHop: Talk Talk shifted over to Creator/PolydorRecords for this album, having previously been released from Creator/{{EMI}} as the result of a contractual dispute that led to a legal battle against the label, which the band won. Because the band wasn't planning to keep trucking on for much longer by this point, they worked out a deal for just two albums with Polydor-- frontman Mark Hollis provided the second in the form of his sole 1998 solo album, which at one point was intended to be released under attribution to Talk Talk.
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Added DiffLines:
* ThrowItIn: "Ascension Day" was nearly 12 minutes long, but the recording suddenly stopped at the 6-minute mark. Due to the improvisational nature of the album, the take was kept.
