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** Creator/RichardEGrant regretted having worked on this film, given its TroubledProduction. He even dedicated a chapter about the nightmare that was making the movie in his book ''With Nails''. When Creator/MarkKermode met Grant, he told him that he was one of the few people who liked the film. Grant's response? "It was a stinking pile of steaming hot donkey droppings and you are an idiot".

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** Creator/RichardEGrant regretted having worked on this film, given its TroubledProduction. He even dedicated a chapter about the nightmare that was making the movie in his book ''With Nails''. When Creator/MarkKermode met Grant, he told him that he was one of the few people who liked the film. Grant's response? "It "[[YourApprovalFillsMeWithShame It was a stinking pile of steaming hot donkey droppings and you are an idiot".idiot]]".
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* TheOtherMarty: Creator/IsabellaRossellini was originally cast as Anna Baragli. When the movie was delayed because of scheduling issues, the part was re-cast with Maruschka Detmers. She had to leave after a few days of shooting due to back problems. Creator/AndieMacDowell replaced her.

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* TheOtherMarty: Creator/IsabellaRossellini was originally cast as Anna Baragli. When the movie was delayed because of scheduling issues, the part was re-cast with Maruschka Detmers.Creator/MaruschkaDetmers. She had to leave after a few days of shooting due to back problems. Creator/AndieMacDowell replaced her.
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** The delays in getting the screenplay together forced original female lead Creator/IsabellaRossellini to drop out -- Willis would instead later work with her on ''Film/DeathBecomesHer'' -- and filming began with French actress Maruschka Detmers in the role of Anna. After only a few days of filming, Detmers dropped out, allegedly due to a back problem.[[note]](Some sources indicate that Detmers quit after openly insulting Willis and decrying the screenplay's quality on-set, though this is contradicted by other sources, which claim that Willis got Detmers a role in ''The Mambo Kings'' out of sympathy for her being forced to drop out of ''Hudson Hawk'')[[/note]] Creator/AndieMacDowell in turn replaced Detmers -- Willis reportedly wanted Creator/FamkeJanssen, but was overruled -- at such short notice that she didn't have time to learn how to do a convincing Italian accent, leading to Anna conspicuously having a Southern American accent despite her Italian name.

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** The delays in getting the screenplay together forced original female lead Creator/IsabellaRossellini to drop out -- Willis would instead later work with her on ''Film/DeathBecomesHer'' -- and filming began with French Dutch actress Maruschka Detmers Creator/MaruschkaDetmers in the role of Anna. After only a few days of filming, Detmers dropped out, allegedly due to a back problem.[[note]](Some sources indicate that Detmers quit after openly insulting Willis and decrying the screenplay's quality on-set, though this is contradicted by other sources, which claim that Willis got Detmers a role in ''The Mambo Kings'' ''Film/TheMamboKings'' out of sympathy for her being forced to drop out of ''Hudson Hawk'')[[/note]] Creator/AndieMacDowell in turn replaced Detmers -- Willis reportedly wanted Creator/FamkeJanssen, but was overruled -- at such short notice that she didn't have time to learn how to do a convincing Italian accent, leading to Anna conspicuously having a Southern American accent despite her Italian name.
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* DuelingDubs: The film was dubbed into Japanese three times. In addition to the home media version produced by Tohokushinsha Film, there are two television dubs: one produced by Glovision for Creator/FujiTelevision and another one produced by KSS for Creator/NipponTelevision.

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* DuelingDubs: The film was dubbed into Japanese three times. In addition to the home media version produced by Tohokushinsha Film, there are two television dubs: one produced by Glovision for Creator/FujiTelevision and another one produced by KSS for Creator/NipponTelevision. Creator/KoseiTomita, Tommy's voice actor for the home media release, reprised his role for Fuji TV's dub, while Creator/KiyoshiKobayashi and Creator/KazueKomiya, who respectively voiced Kaplan and Minerva for the home media release, reprised their roles for Nippon TV's dub.

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* MultipleLanguagesSameVoiceActor: Enrico Lo Verso plays the apprentice in the original English release and the Italian dub.

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* DuelingDubs: The film was dubbed into Japanese three times. In addition to the home media version produced by Tohokushinsha Film, there are two television dubs: one produced by Glovision for Creator/FujiTelevision and another one produced by KSS for Creator/NipponTelevision.
* MultipleLanguagesSameVoiceActor: Enrico Lo Verso plays the apprentice in the original English release and reprises his role for the Italian dub.
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* MultipleLanguagesSameVoiceActor: Enrico Lo Verso plays the apprentice in the original English release and the Italian dub.

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* CreatorBacklash: Creator/RichardEGrant really, really disliked working on the film. He even dedicated a chapter about the nightmare that was making the movie in his book ''With Nails''.
* OldShame:
** Creator/RichardEGrant regretted having worked on this film, given its TroubledProduction. When Creator/MarkKermode met Grant, he told him that he was one of the few people who liked the film. Grant's response? "It was a stinking pile of steaming hot donkey droppings and you are an idiot".

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* CreatorBacklash: Creator/RichardEGrant really, really disliked working on the film. He even dedicated a chapter about the nightmare that was making the movie in his book ''With Nails''.
* OldShame:
CreatorBacklash:
** Creator/RichardEGrant regretted having worked on this film, given its TroubledProduction. He even dedicated a chapter about the nightmare that was making the movie in his book ''With Nails''. When Creator/MarkKermode met Grant, he told him that he was one of the few people who liked the film. Grant's response? "It was a stinking pile of steaming hot donkey droppings and you are an idiot".
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* AluminumChristmasTrees: Every cappuccino machine seen in the movie -- a three foot tall bronze R2-D2 looking contraption. These days, most espresso machines are more bread-box sized affairs in a console orientation. The ones used in the film are of the vintage Bezzera/Pavone type.
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Critical Research Failure is a disambiguation page


* ShownTheirWork: While the core economic principle of the plot is riddled with holes (in a [[CriticalResearchFailure post-Bretton Woods]] world), the Mayflowers plan to unlease their machine right before "in 1992, the European superpowers are coming together to form one business superpower." This refers directly to the 1992 Maastrict Treaty, which formed the modern day {{UsefulNotes/European Union}}.

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* ShownTheirWork: While the core economic principle of the plot is riddled with holes (in a [[CriticalResearchFailure post-Bretton Woods]] Woods world), the Mayflowers plan to unlease their machine right before "in 1992, the European superpowers are coming together to form one business superpower." This refers directly to the 1992 Maastrict Treaty, which formed the modern day {{UsefulNotes/European Union}}.
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* SparedByTheCut: Tommy was supposed to die in the film, but Creator/DannyAiello requested that he survive. He got his wish in that the movie still shows his DisneyVillianDeath - but then he reappears just fine, with an explanation of how he survived. A cut line from the movie pokes fun at how unlikely this is.

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* SparedByTheCut: Tommy was supposed to die in the film, but Creator/DannyAiello requested that he survive. He got his wish in that the movie still shows his DisneyVillianDeath DisneyVillainDeath - but then he reappears just fine, with an explanation of how he survived. A cut line from the movie pokes fun at how unlikely this is.



** An example of Willis' flippant approach to production came when Silver wanted Richard E. Grant to play the film's villain, but Lehmann wanted to GenderLift the villain and have her played by Creator/SandraBernhard (after initial choice Creator/AudreyHepburn declined due to health problems, which in retrospect were likely early symptoms of the cancer that would eventually kill her in 1993). Willis decided to TakeAThirdOption and cast Grant ''and'' Bernhard as husband and wife, leading to yet more rewrites; though this did have one unexpected upside in that Grant and Bernhard ended up getting on very well, did a lot to keep the on-set atmosphere up during the troublesome shoot, and remain friends to this day.

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** An example of Willis' flippant approach to production came when Silver wanted Richard E. Grant to play the film's villain, but Lehmann wanted to GenderLift the villain and have her played by Creator/SandraBernhard (after initial choice Creator/AudreyHepburn declined due to health problems, which in retrospect were likely early symptoms of the cancer that would eventually kill her in 1993). Willis decided to TakeAThirdOption and cast Grant ''and'' Bernhard as husband and wife, leading to yet more rewrites; rewrites. This did though this did have one unexpected upside in that Grant and Bernhard ended up getting on very well, and together they did a lot to keep the on-set atmosphere up during the troublesome shoot, shoot and remain friends to this day.
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* SparedByTheCut: Tommy was supposed to die in the film, but Creator/DannyAiello requested that he survive.

to:

* SparedByTheCut: Tommy was supposed to die in the film, but Creator/DannyAiello requested that he survive. He got his wish in that the movie still shows his DisneyVillianDeath - but then he reappears just fine, with an explanation of how he survived. A cut line from the movie pokes fun at how unlikely this is.



** An example of Willis' flippant approach to production came when Silver wanted Grant to play the film's villain, but Lehmann wanted to GenderLift the villain and have her played by Creator/SandraBernhard (after initial choice Creator/AudreyHepburn declined due to health problems, which in retrospect were likely early symptoms of the cancer that would eventually kill her in 1993). Willis decided to TakeAThirdOption and cast Grant ''and'' Bernhard as husband and wife, leading to yet more rewrites; though this did have one unexpected upside in that Grant and Bernhard ended up getting on very well, did a lot to keep the on-set atmosphere up during the troublesome shoot, and remain friends to this day.

to:

** An example of Willis' flippant approach to production came when Silver wanted Richard E. Grant to play the film's villain, but Lehmann wanted to GenderLift the villain and have her played by Creator/SandraBernhard (after initial choice Creator/AudreyHepburn declined due to health problems, which in retrospect were likely early symptoms of the cancer that would eventually kill her in 1993). Willis decided to TakeAThirdOption and cast Grant ''and'' Bernhard as husband and wife, leading to yet more rewrites; though this did have one unexpected upside in that Grant and Bernhard ended up getting on very well, did a lot to keep the on-set atmosphere up during the troublesome shoot, and remain friends to this day.
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* ShownTheirWork: While the core economic principle of the plot is riddled with holes (in a [[CriticalResearchFailure post-Bretton Woods]] world), the Mayflowers plan to unlease their machine right before "in 1992, the European superpowers are coming together to form one business superpower." This refers directly to the 1992 Maastrict Treaty, which formed the modern day {{UsefulNotes/European Union}}.
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Isn't that unintentional period piece?


* SeinfeldIsUnfunny: Hudson's obsession with cappuccinos and his difficulty in getting them, as well as Tommy mocking him for them, rings a lot differently in a post-Starbucks world where you can get a cappuccino on any corner. At the time, they were uncommon outside of pretentious joints, and would have been seen as an obscure or pretentious interest.
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Added DiffLines:

* AluminumChristmasTrees: Every cappuccino machine seen in the movie -- a three foot tall bronze R2-D2 looking contraption. These days, most espresso machines are more bread-box sized affairs in a console orientation. The ones used in the film are of the vintage Bezzera/Pavone type.


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* SeinfeldIsUnfunny: Hudson's obsession with cappuccinos and his difficulty in getting them, as well as Tommy mocking him for them, rings a lot differently in a post-Starbucks world where you can get a cappuccino on any corner. At the time, they were uncommon outside of pretentious joints, and would have been seen as an obscure or pretentious interest.
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Added DiffLines:

** The film had been a long-time passion project for Creator/BruceWillis and music executive Robert Kraft, with Willis finally had enough clout to get it produced -- with [[ProtectionFromEditors full creative control]] and the final say over casting and the choice of writer and director to boot -- after his success with ''Film/DieHard'' and [[Film/DieHard2 its sequel]]. Despite producer Joel Silver's preference for making it a straightforward action film, Willis insisted on staying true to its original concept as a send-up of action and heist films.
** After ''Die Hard'' director Creator/JohnMcTiernan turned the project down (he would later have his own similarly disastrous production of an action film spoof with ''Film/LastActionHero''), Willis ended up hiring the ''Film/{{Heathers}}'' creative team of director Michael Lehmann and writer Daniel Waters. Waters ended up quitting the project at a relatively early stage after repeatedly coming into conflict with Willis, but ended up retaining co-writer credit on the finished film. In the meantime, a revolving door of writers tried to turn Willis' ideas into something workable; usually Willis would hire one writer to deliver on his DenserAndWackier vision, only for Silver to hire someone else who would rewrite it into something more conventional. Eventually, Steven E. de Souza, the co-writer of the first two ''Die Hard'' films and the one screenwriter whom both Willis and Silver approved of (and who would share writing credit with Waters on the finished product), was hired to get the final screenplay together.
** An example of Willis' flippant approach to production came when Silver wanted Grant to play the film's villain, but Lehmann wanted to GenderLift the villain and have her played by Creator/SandraBernhard (after initial choice Creator/AudreyHepburn declined due to health problems, which in retrospect were likely early symptoms of the cancer that would eventually kill her in 1993). Willis decided to TakeAThirdOption and cast Grant ''and'' Bernhard as husband and wife, leading to yet more rewrites; though this did have one unexpected upside in that Grant and Bernhard ended up getting on very well, did a lot to keep the on-set atmosphere up during the troublesome shoot, and remain friends to this day.
** The delays in getting the screenplay together forced original female lead Creator/IsabellaRossellini to drop out -- Willis would instead later work with her on ''Film/DeathBecomesHer'' -- and filming began with French actress Maruschka Detmers in the role of Anna. After only a few days of filming, Detmers dropped out, allegedly due to a back problem.[[note]](Some sources indicate that Detmers quit after openly insulting Willis and decrying the screenplay's quality on-set, though this is contradicted by other sources, which claim that Willis got Detmers a role in ''The Mambo Kings'' out of sympathy for her being forced to drop out of ''Hudson Hawk'')[[/note]] Creator/AndieMacDowell in turn replaced Detmers -- Willis reportedly wanted Creator/FamkeJanssen, but was overruled -- at such short notice that she didn't have time to learn how to do a convincing Italian accent, leading to Anna conspicuously having a Southern American accent despite her Italian name.
** During filming, Willis kept constantly changing the screenplay and demanding new scenes be filmed on the fly, effectively leaving Lehmann as director in name only. Silver initially indulged Willis, but following complaints from Lehmann that the storyline was rapidly losing any form of coherency, was forced to fly de Souza out to the studios in Italy for emergency rewrites.
** Between the need for rewrites and the Italian crew reportedly not wanting to work after 5PM, the originally-planned 60-day shoot ended up ballooning to ''105'' days, causing the budget to skyrocket, reportedly as high as $70 million. The cinematographer, Jost Vacano quit and refused to be credited on the finished product, leading to Dante Spinotti taking over for the remainder of filming and getting sole credit. The only saving grace was that there was very little in the way of HostilityOnTheSet (at least, not involving Willis), other than [=MacDowell=] taking offence to a joke that Bernhard cracked about her appearance early in filming, and even then Grant was able to step in and smooth things out before things got too heated.
** Journalists didn't shy away from reporting on the chaotic production, and Willis in turn made things worse by publicly insulting said journalists. This ensured a tidal wave of negative publicity (including comparisons to then-recent vanity projects such as ''Film/HarlemNights'' and ''Film/StarTrekVTheFinalFrontier'') and unfavorable reviews when it was eventually released.
** The film ended up losing out to ''Film/{{Backdraft}}'' in its opening weekend, and then sank like a stone, turning it into a major BoxOfficeBomb with just over $17 million grossed domestically. Somehow, the immensely troubled production on top of the critical and commercial failure of the end result didn't sink the relationship between Silver and Willis, who apparently agreed between themselves to blame Lehmann for the film's failure and moved onto ''Film/TheLastBoyScout''... which ''did'' end up killing their relationship after a similarly troubled production.

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