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* TroubledProduction: The album only saw problems emerge when it was time to record in LA, as Music/KeithRichards did not like Music/MickJagger's plan to invite outside producers such as Music/TheDustBrothers, whose work on Music/{{Beck}}'s ''Odelay'' had impressed Jagger, and looping expert Danny Saber. Richards hated electronic music and refused to work with either of them. He even threw Saber out of the studio when he found out he was overdubbing guitars. As for The Dust Brothers, they ultimately only worked on three tracks. Most of the album was instead produced by Don Was, who had produced ''Voodoo Lounge''. Midway through production, Was had to keep Jagger and Richards in separate rooms and studios. Richards and his engineer friend had to steal tapes to make sure a track was finished. Charlie Watts only got through the conflict by bonding with famous session percussionist and former [[Music/JohnLennon Plastic Ono Band]] member Jim Keltner, with whom he would make a solo record later. Watts ultimately flew out of Los Angeles as soon as he was not needed anymore. By the end of the sessions, none of the Stones were speaking to one another. It was their last album for eight years.
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* TroubledProduction: The album only saw problems emerge when it was time to record in LA, as Music/KeithRichards did not like Music/MickJagger's plan to invite outside producers such as Music/TheDustBrothers, whose work on Music/{{Beck}}'s Music/{{Beck|Musician}}'s ''Odelay'' had impressed Jagger, and looping expert Danny Saber. Richards hated electronic music and refused to work with either of them. He even threw Saber out of the studio when he found out he was overdubbing guitars. As for The Dust Brothers, they ultimately only worked on three tracks. Most of the album was instead produced by Don Was, who had produced ''Voodoo Lounge''. Midway through production, Was had to keep Jagger and Richards in separate rooms and studios. Richards and his engineer friend had to steal tapes to make sure a track was finished. Charlie Watts only got through the conflict by bonding with famous session percussionist and former [[Music/JohnLennon Plastic Ono Band]] member Jim Keltner, with whom he would make a solo record later. Watts ultimately flew out of Los Angeles as soon as he was not needed anymore. By the end of the sessions, none of the Stones were speaking to one another. It was their last album for eight years.
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unclear why wicks and proper nouns were removed from this example
Changed line(s) 1 (click to see context) from:
* TroubledProduction: Mick Jagger wanted to bring in outside producers instead of just relying on Don Was. Keith Richards was less than willing to do bring in "loop gurus", going as far as expelling Danny Saber from the studio once he found him overdubbing guitars. Was made sure to work with Richards and Jagger in separate rooms, Richards brought another producer for the tracks he sang (with Jagger boycotting those sessions), and Charlie Watts, who tried to relieve tension getting closer to the percussionist (they would even record an album together), left LA as soon as he wasn't needed anymore.
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* TroubledProduction: Mick Jagger wanted The album only saw problems emerge when it was time to bring record in LA, as Music/KeithRichards did not like Music/MickJagger's plan to invite outside producers instead of just relying such as Music/TheDustBrothers, whose work on Don Was. Keith Music/{{Beck}}'s ''Odelay'' had impressed Jagger, and looping expert Danny Saber. Richards was less than willing hated electronic music and refused to do bring in "loop gurus", going as far as expelling Danny work with either of them. He even threw Saber from out of the studio once when he found him out he was overdubbing guitars. As for The Dust Brothers, they ultimately only worked on three tracks. Most of the album was instead produced by Don Was, who had produced ''Voodoo Lounge''. Midway through production, Was made sure had to work with keep Jagger and Richards in separate rooms and studios. Richards and Jagger in separate rooms, Richards brought another producer for the tracks he sang (with Jagger boycotting those sessions), and his engineer friend had to steal tapes to make sure a track was finished. Charlie Watts, who tried to relieve tension getting closer to Watts only got through the conflict by bonding with famous session percussionist (they and former [[Music/JohnLennon Plastic Ono Band]] member Jim Keltner, with whom he would even make a solo record an album together), left LA later. Watts ultimately flew out of Los Angeles as soon as he wasn't was not needed anymore.anymore. By the end of the sessions, none of the Stones were speaking to one another. It was their last album for eight years.
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Changed line(s) 1 (click to see context) from:
* TroubledProduction: The album only saw problems emerge when it was time to record in LA, as Music/KeithRichards did not like Music/MickJagger's plan to invite outside producers such as Music/TheDustBrothers, whose work on Music/{{Beck}}'s ''Odelay'' had impressed Jagger, and looping expert Danny Saber. Richards hated electronic music and refused to work with either of them. He even threw Saber out of the studio when he found out he was overdubbing guitars. As for The Dust Brothers, they ultimately only worked on three tracks. Most of the album was instead produced by Don Was, who had produced ''Voodoo Lounge''. Midway through production, Was had to keep Jagger and Richards in separate rooms and studios. Richards and his engineer friend had to steal tapes to make sure a track was finished. Charlie Watts only got through the conflict by bonding with famous session percussionist and former [[Music/JohnLennon Plastic Ono Band]] member Jim Keltner, with whom he would make a solo record later. Watts ultimately flew out of Los Angeles as soon as he was not needed anymore. By the end of the sessions, none of the Stones were speaking to one another. It was their last album for eight years.
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* TroubledProduction: The album only saw problems emerge when it was time Mick Jagger wanted to record bring in LA, as Music/KeithRichards did not like Music/MickJagger's plan to invite outside producers such as Music/TheDustBrothers, whose work instead of just relying on Music/{{Beck}}'s ''Odelay'' had impressed Jagger, and looping expert Danny Saber. Don Was. Keith Richards hated electronic music and refused was less than willing to work with either of them. He even threw do bring in "loop gurus", going as far as expelling Danny Saber out of from the studio when once he found out he was him overdubbing guitars. As for The Dust Brothers, they ultimately only worked on three tracks. Most of the album was instead produced by Don Was, who had produced ''Voodoo Lounge''. Midway through production, Was had made sure to keep Jagger and Richards in separate rooms and studios. work with Richards and his engineer friend had to steal tapes to make sure a track was finished. Jagger in separate rooms, Richards brought another producer for the tracks he sang (with Jagger boycotting those sessions), and Charlie Watts only got through Watts, who tried to relieve tension getting closer to the conflict by bonding with famous session percussionist and former [[Music/JohnLennon Plastic Ono Band]] member Jim Keltner, with whom he (they would make a solo even record later. Watts ultimately flew out of Los Angeles an album together), left LA as soon as he was not wasn't needed anymore. By the end of the sessions, none of the Stones were speaking to one another. It was their last album for eight years.anymore.
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* TroubledProduction: The album only saw problems emerge when it was time to record in LA, as Music/KeithRichards did not like Music/MickJagger's plan to invite outside producers such as Music/TheDustBrothers, whose work on Music/{{Beck}}'s ''Odelay'' had impressed Jagger, and looping expert Danny Saber. Richards hated electronic music and refused to work with either of them. He even threw Saber out of the studio when he found out he was overdubbing guitars. As for The Dust Brothers, they ultimately only worked on three tracks. Most of the album was instead produced by Don Was, who had produced ''Voodoo Lounge''. Midway through production, Was had to keep Jagger and Richards in separate rooms and studios. Richards and his engineer friend had to steal tapes to make sure a track was finished. Charlie Watts only got through the conflict by bonding with famous session percussionist and former [[Music/JohnLennon Plastic Ono Band]] member Jim Keltner, with whom he would make a solo record later. Watts ultimately flew out of Los Angeles as soon as he was not needed anymore. By the end of the sessions, none of the Stones were speaking to one another. It was their last album for eight years.
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