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* NamesTheSame: A 1960's WesternAnimation/BugsBunny short would also share the name of "Dumb Patrol", which was also the name of an early Bosko short.
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* SimilarlyNamedWorks: The final WesternAnimation/YosemiteSam short would also share the name of "Dumb Patrol", which was also the name of an early Bosko short.
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** Years later, [[http://www.intanibase.com/gac/looneytunes/boskostuff.aspx Hugh Harmon created a coloring book, which seems to depict Bosko as a monkey.]]
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* ShrugOfGod: In an interview, co-creator Rudy Ising (and animator Mel Shaw) expressed uncertainty about Bosko's species, but they both denied that he was meant to be a blackface character.
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* ShrugOfGod: In an interview, co-creator Rudy Ising (and animator Mel Shaw) expressed uncertainty about Bosko's species, but they both denied that he the original Bosko was meant to be a blackface character.
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* ShrugOfGod: In an interview, co-creator Rudy Ising (and animator Mel Shaw) expressed uncertainty about Bosko's species, but they both denied that he was meant to be a blackface character.
->''"We never knew what he [Bosko] was. A lot of people who saw the films thought Bosko was a little colored boy, but we never thought of him that way. He was just a character with a Southern voice. When Rochelle Hudson did the dialogue for Honey, she used a Southern voice, too. She and Maxwell did wear blackface makeup, but that was part of our recording process. We shot them in live action at the same time we recorded the dialogue, then we studied the footage on a Moviola. Each animator also had a mirror in which he studied his own mouth movements. By the time we learned how to read the voice tracks, we had made charts of lip motions."''
->''"We never knew what he [Bosko] was. A lot of people who saw the films thought Bosko was a little colored boy, but we never thought of him that way. He was just a character with a Southern voice. When Rochelle Hudson did the dialogue for Honey, she used a Southern voice, too. She and Maxwell did wear blackface makeup, but that was part of our recording process. We shot them in live action at the same time we recorded the dialogue, then we studied the footage on a Moviola. Each animator also had a mirror in which he studied his own mouth movements. By the time we learned how to read the voice tracks, we had made charts of lip motions."''
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* NamesTheSame: A 1960's WesternAnimation/BugsBunny short would also share the name of "Dumb Patrol", which was also the name of an early Bosko short.
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* CreatorBacklash: Friz Freleng, who animated on the Bosko cartoons before becoming the main director of Looney Tunes, said years later that he didn't think much of the cartoons in hindsight, feeling that Bosko had no personality and that Harman-Ising were more concerned with polishing their art instead of making interesting characters. And apparently, none of the original animators liked working on the Buddy cartoons.
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* CreatorBacklash: Friz Freleng, Creator/FrizFreleng, who animated on the Bosko cartoons before becoming the main director of Looney Tunes, said years later that he didn't think much of the cartoons in hindsight, feeling that Bosko had no personality and that Harman-Ising were more concerned with polishing their art instead of making interesting characters. And apparently, none of the original animators liked working on the Buddy cartoons.
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* CreatorBacklash: Friz Freleng, who animated on the Bosko cartoons before becoming the main director of Looney Tunes, said years later that he didn't think much of the cartoons in hindsight, feeling that Bosko had no personality and that Harman-Ising were more concerned with polishing their art instead of making interesting characters. And apparently, none of the original animators liked working on the Buddy cartoons.
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* [[ChannelHop Studio Hop]]: The bulk of the Bosko cartoons were made at Warner Bros., but Hugh Harman and Rudy Ising left the studio around 1933 for MGM, and took the rights to the character with them. The last 9 Bosko shorts were made at the MGM studio, as part of the HappyHarmonies series.
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* [[ChannelHop Studio Hop]]: ChannelHop: The bulk of the Bosko cartoons were made at Warner Bros., but Hugh Harman and Rudy Ising left the studio around 1933 for MGM, and took the rights to the character with them. The last 9 Bosko shorts were made at the MGM studio, as part of the HappyHarmonies WesternAnimation/HappyHarmonies series.
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* [[ChannelHop Studio Hop]]: The bulk of the Bosko cartoons were made at Warner Bros., but Hugh Harman and Rudy Ising left the studio around 1933 for MGM, and took the rights to the character with them. The last 9 Bosko shorts were made at the MGM studio, as part of the HappyHarmonies series.
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* [[ChannelHop Studio Hop]]: The bulk of the Bosko cartoons were made at Warner Bros., but Hugh Harman and Rudy Ising left the studio around 1933 for MGM, and took the rights to the character with them. The last 9 Bosko shorts were made at the MGM studio, as part of the HappyHarmonies series.series.
* TheOtherDarrin: Bosko was voiced by animator Max Maxwell for his first couple of shorts, then by John Murray for the remainder of Harman-Ising's tenure at Warner Bros. After they moved to MGM, Maxwell took over his voice again until he was redesigned into a human, upon which Ruby Dandridge started vocing him. In his ''Tiny Toons'' appearance, Don Messick voiced Bosko.
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* TheOtherDarrin: Bosko was voiced by animator Max Maxwell for his first couple of shorts, then by John Murray for the remainder of Harman-Ising's tenure at Warner Bros. After they moved to MGM, Maxwell took over his voice again until he was redesigned into a human, upon which Ruby Dandridge started vocing him. In his ''Tiny Toons'' appearance, Don Messick voiced Bosko.
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* [[ChannelHop Studio Hop]]: The bulk of the Bosko cartoons were made at Warner Bros., but Hugh Harman and Rudy Ising left the studio around 1933 for MGM, and took the rights to the character with them. The last 9 Bosko shorts were made at the MGM studio, as part of the HappyHarmonies series.
