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-->'''Todd:''' Sorry. I-I do keep an actual record player down here for uh, for when I need that sound.

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-->'''Todd:''' [retrieves and slips a vinyl record back into its case] Sorry. I-I do keep an actual record player down here for uh, for when I need that sound.sound.
** By his 2021 "Astronaut in the Ocean" review, Todd simply puts the record back into its slipcase while not even stopping to acknowledge it.
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** As of the year-end list of 2019, Music/LilDicky is also this, even more so.

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** As of the year-end list of 2019, Todd declares Music/LilDicky is also this, even more so.to be one for him.

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* SitcomArchNemesis: Todd's relationship with Music/Maroon5, who have managed to appear on every one of his Top Ten Worst Hit Songs lists for years on end.

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* SitcomArchNemesis: Todd's SitcomArchNemesis:
** As of the year-end list of 2019, Music/LilDicky is also this, even more so.
--->'''Todd:''' 2019 was the first year in a long time I felt like I really had a nemesis. I mean, I can name plenty of people whose music I consistently dislike, but people like Chris Brown, Adam Levine, I don't wanna cover them. I just want them to go away. But Lil Dicky? I will happily watch every day for the rest of my life. I ''love'' hating this mugging hack. I will follow Lil Dicky's every move to the ends of the earth.
** This is also his
relationship with Music/Maroon5, who have managed to appear on every one of his Top Ten Worst Hit Songs lists for years on end.
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* SitcomArchNemesis: Todd's relationship with Music/Maroon5, who have managed to appear on every one of his Top Ten Worst Hit Songs lists for years on end.
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** Similar to "Turn Up the Music," his review of Tekashi 6ix9ine and Nicki Minaj's Trollz is more about mapping out Tekashi's career than the actual song.
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** He threatens to do this in his "I'm the One"/"Wild Thoughts" episode, saying that he's used to hearing songs sampled from his childhood, but Santana's "Maria Maria" is too recent, and if they start sampling songs from his adulthood, he'll just quit without saying a word. This is illustrated with a shot of his chair and piano set with a "GONE FOREVER" sign taped to the wall.
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** For his #1 song of 2021, Todd speaks at length about how he is often surprised by the existence of many of the above example as buildup to his reveal that his top pick was The Anxiety's "Meet Me At Our Spot". After all, the lead singer is Willow Smith, who was previously best known for "Whip My Hair".
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** In his review of "Fifteen" by Taylor Swift, he tells a very sad story about how when he was fifteen, his girlfriend started acting strangely, before breaking up with him at the school dance. Then he reveals that [[spoiler:it didn't happen to him, it happened to Zach from ''Series/SavedByTheBell'']]. Subverted later on, as he mentions in the Blip intro to the review that [[spoiler:most of what he described ''did'' happen to him]].

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** In his review of "Fifteen" by Taylor Swift, he tells a very sad story about how when he was fifteen, his girlfriend started acting strangely, before breaking up with him at the school dance. Then he reveals that [[spoiler:it it didn't happen to him, it happened to Zach from ''Series/SavedByTheBell'']]. Subverted ''Series/SavedByTheBell''. Todd uses it to make a point about how "Fifteen" doesn't work as a song, because instead of having the listener feel bad for Taylor, it's instead a song about Taylor telling the listener to feel bad for someone else, which deadens the emotional impact.[[spoiler:Subverted later on, as he mentions in the Blip intro to the review that [[spoiler:most most of what he described ''did'' happen to him]].
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** The "Fancy Like" review opens with Todd discussing why he listened to so much more country music in 2020 than in years past, to the point that a country song ("More Than My Hometown" by Music/MorganWallen) was his year-end favorite. Then, only weeks later, Wallen was caught on-camera using the N-word, which opened the floodgates on discussions pertaining to racism in country. Naturally, Todd does not take this well, and launches into a tirade against Wallen for his actions.

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** Subverted when reviewing Rihanna's S&M. He's aware the song is bad, but he still likes it... and notices this is basically sadomasochistic in itself!

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** Subverted when reviewing Rihanna's S&M."S&M". He's aware the song is bad, but he still likes it... and notices this is basically sadomasochistic in itself!



* {{Squick}}:[[invoked]]His reaction to will.i.am comparing himself to a sperm bank in "Imma Be".

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* {{Squick}}:[[invoked]]His {{Squick}}:
** [[invoked]]His
reaction to will.i.am comparing himself to a sperm bank in "Imma Be".Be".
** Also his reaction to the line "she wanna dip me like them fries in her Frosty" from Walker Hayes' "Fancy Like". He points out that he was originally disgusted the first time he saw someone dip French fries in a Frosty at Wendy's, but admits that now that he's heard Walker use the concept as a DoubleEntendre, he no longer wishes to try it at all.
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** During his Top 10 Songs of 2020, his recap of L'il Baby's "The Bigger Picture" escalated to the point that viewers speculated that his scream of anguish was unscripted.

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** During his Top 10 Songs of 2020, his recap of L'il Lil Baby's "The Bigger Picture" escalated to the point that viewers speculated that his scream of anguish was unscripted.

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** The Trainwreckords for Music/LizPhair's ''Funstyle'' has one line ("You're being a penis- colada, that is") that along with silence, has Todd tapping out.

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** The Trainwreckords for Music/LizPhair's ''Funstyle'' has one line ("You're being a penis- peñis-- colada, that is") that along with silence, has Todd tapping out.out.
** Todd can't form the words to react to Gregg Alexander's early solo career in his OHW episode on "You Get What You Give", since the music and performance was equal parts bizarre and shockingly tasteless.
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** The Trainwreckords for Music/LizPhair's ''Funstyle'' has one line ("You're being a penis- colada, that is") that along with silence, has Todd tapping out.
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* ReviewIronicEcho: He uses one to summarize his feelings about Music/{{Metallica}}'s "Some Kind of Monster".
-->"It sure is some kind of monster -- some bloated, fat, stupid monster plodding across the landscape."
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* RepurposedPopSong: His review of "Thunder" by ''Music/ImagineDragons'' and "Feel It" by ''Portugal. The Man'' delves into the issue of these bands selling their music for commercials. Todd had no problem with them doing it, because if it means affording to pay the bills in this day and age, more power to them. What he finds fault with, is that both of these bands are UsefulNotes/IndieRock bands, and totally flips the {{Hipster}} archetype on its side when he wonders if all this new music from unknown bands are intentionally being created for commercial purposes in the first place.

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* RepurposedPopSong: His review of "Thunder" by ''Music/ImagineDragons'' and "Feel It" by ''Portugal. The Man'' ''Music/PortugalTheMan'' delves into the issue of these bands selling their music for commercials. Todd had no problem with them doing it, because if it means affording to pay the bills in this day and age, more power to them. What he finds fault with, is that both of these bands are UsefulNotes/IndieRock bands, and totally flips the {{Hipster}} archetype on its side when he wonders if all this new music from unknown bands are intentionally being created for commercial purposes in the first place.

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* RageBreakingPoint: Happens in "Sexy and I Know It", after several minutes of Deep Lyrical Analysis. After going into depth about why he doesn't like the song -- comparing it to "I'm Too Sexy" by Right Said Fred, and how that song pulled off the same thing that "Sexy and I Know It" couldn't -- Todd drops all of the analysis and says that "[[ShapedLikeItself it sucks because it sucks]]".

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* RageBreakingPoint: RageBreakingPoint:
**
Happens in "Sexy and I Know It", after several minutes of Deep Lyrical Analysis. After going into depth about why he doesn't like the song -- comparing it to "I'm Too Sexy" by Right Said Fred, and how that song pulled off the same thing that "Sexy and I Know It" couldn't -- Todd drops all of the analysis and says that "[[ShapedLikeItself it sucks because it sucks]]".sucks]]".
** During his Top 10 Songs of 2020, his recap of L'il Baby's "The Bigger Picture" escalated to the point that viewers speculated that his scream of anguish was unscripted.
-->'''Todd:''' Every fuckin' thing that happened these last few years, including this last week where I was supposed to be trying to make this god damn video, but I kept ''getting distracted by more horrible fucking news! THIS SHIT FUCKIN' SUCKS, '''AND IT'S GOTTA FUCKIN' STOP!!!'''''
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** When reviewing early 90s rock bands on [=OHW=], Todd tends to find that the band's musical style was seen as the wave of the future, before cutting to Music/{{Nirvana}}'s [[Music/{{Nevermind}} "Smells Like Teens Spirit"]] to show how the overnight success of {{Grunge}} and alternative rock put a kibosh on that. Todd finds that trend so often that he'll {{lampshade|Hanging}} any subverted example, such as the [=OHW=] of "Pepper", noting that Music/ButtholeSurfers actually were ''helped'' by Nirvana's success because they were one of Kurt Cobain's favorite bands.

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** When reviewing early 90s rock bands on [=OHW=], Todd tends to find that the band's musical style was seen as the wave of the future, before cutting to Music/{{Nirvana}}'s [[Music/{{Nevermind}} "Smells Like Teens Teen Spirit"]] to show how the overnight success of {{Grunge}} and alternative rock put a kibosh on that. Todd finds that trend so often that he'll {{lampshade|Hanging}} any subverted example, such as the [=OHW=] of "Pepper", noting that Music/ButtholeSurfers actually were ''helped'' by Nirvana's success because they were one of Kurt Cobain's favorite bands.
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* ShipSinking: After ''WebVideo/ToBoldlyFlee'' ended with Obscurus Lupa agreeing to go on a date with Todd, his review of "Want U Back" shows just how disasterous that went, as the two of them quickly realized they had nothing in common with each other. After this, Todd [[RunningGagged never brought up his crush on Lupa ever again]].
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* SpringtimeForHitler: In Todd's One Hit Wonderland of "Timothy" by The Buoys, songwriter Rupert Holmes (of "Escape: The Pina Colada Song" fame) explained his thought process for writing a song about [[ImAHumanitarian trapped miners who resorted to cannibalism to survive]]. He wanted to write a song that would intentionally be controversial and get banned from the airwaves. Radio stations eventually began pulling the song after they [[IsntItIronic realized the lyrics]]. Todd points out that teenagers were edgelords just as much back then as they are today, so they started to call up other radio stations to start playing it, and eventually the song rose to #4 on the charts while the entire music industry had to collectively acknowledge it, including radio stations trying to claim that the titular Timothy in the lyrics was actually a donkey, not a human. It wasn't his intention for the song to become a hit, but he certainly wasn't disappointed by the results.
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* RenaissanceMan: Dieter Maier from Music/{{Yello}} is this - he's a singer, concept artist, millionaire industrialist, professional gambler and member of the Swiss golf team - and because of that, on their One Hit Wonderland episode, Todd is utterly fascinated by him. PlayedForLaughs, of course - at one point, Todd jokes that he half-expects to find out Maier runs an eccentric chocolate factory (a rib on the band's Swiss background) - and [[[JokeAndReceive cut to an interview]] where Maier discusses ''doing just that.'' Todd is floored.

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* RenaissanceMan: Dieter Maier from Music/{{Yello}} is this - he's a singer, concept artist, millionaire industrialist, professional gambler and member of the Swiss golf team - and because of that, on their One Hit Wonderland episode, Todd is utterly fascinated by him. PlayedForLaughs, of course - at one point, Todd jokes that he half-expects to find out Maier runs an eccentric chocolate factory (a rib on the band's Swiss background) - and [[[JokeAndReceive [[JokeAndReceive cut to an interview]] where Maier discusses ''doing just that.'' Todd is floored.



** Todd didn't have much time for PostMalone before 2018, but has come to appreciate some of his work, especially "Circles".

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** Todd didn't have much time for PostMalone Music/PostMalone before 2018, but has come to appreciate some of his work, especially "Circles".

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* RunningGagged: Retires the "As far as you know" gag in the "This is America" review.
->"''I'm not black. In case that wasn't excruciatingly obvious from everything I've ever thought and said, no, I'm not black. I'm a shitload of other things, but no, black isn't one of them.''"

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* RunningGagged: Retires RenaissanceMan: Dieter Maier from Music/{{Yello}} is this - he's a singer, concept artist, millionaire industrialist, professional gambler and member of the "As far as you know" gag in the "This Swiss golf team - and because of that, on their One Hit Wonderland episode, Todd is America" review.
->"''I'm not black. In case
utterly fascinated by him. PlayedForLaughs, of course - at one point, Todd jokes that wasn't excruciatingly obvious from everything I've ever thought he half-expects to find out Maier runs an eccentric chocolate factory (a rib on the band's Swiss background) - and said, no, I'm not black. I'm a shitload of [[[JokeAndReceive cut to an interview]] where Maier discusses ''doing just that.'' Todd is floored.
-->'''Todd:''' Maier invested his "Oh Yeah" royalties in various
other things, but no, black isn't one of them.''"businesses, so he can only do music in between his ''billion'' other activities, such as: directing music videos, various tech projects, designing watches, his restaurant, the aforementioned chocolate factory... I also assume he's an international art thief, ninja warrior...


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* RunningGagged: Retires the "As far as you know" gag in the "This is America" review.
-->'''Todd:''' I'm not black. In case that wasn't excruciatingly obvious from everything I've ever thought and said, no, I'm not black. I'm a shitload of other things, but no, black isn't one of them.
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** While reviewing "death bed (coffee for your head)", Todd compares Powfu to "a thirteen-year-old Jason Mraz... so, you know, like Music/JasonMraz."
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** Speaking of Closer, him responding to songs opening with a greeting.
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** Speaking of Closer, him responding to songs opening with a greeting.

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Six Student Clique is being cut.


* SixStudentClique: Name drops the TropeCodifier, Series/SavedByTheBell, in his ''Film/FromJustinToKelly'' review.
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* RecycledInSpace: In the Worst Pop Songs of 2012 list, he calls [[TeenIdol Hunter Hayes]] "country Music/JustinBieber".

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* RecycledInSpace: In the Worst Pop Songs of 2012 list, he calls [[TeenIdol Hunter Hayes]] Music/HunterHayes "country Music/JustinBieber".
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** His Trainwreckords episode on ''Two the Hard Way'' by [[Music/TheAllmanBrothersBand Gregg Allman]] and Music/{{Cher}}, which was not a career-killer for either performer, but was a ''relationship'' killer for Allman and Cher as a couple.
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** Todd didn't have much time for PostMalone before 2018, but has come to appreciate some of his work, especially "Circles".

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** Some of his credits music is a pun on the artist. Train: "Stop That Train"; Robin Thicke: "Thick as a Brick"; Ed Sheeran: the ''Series/MrEd'' theme; Magic!: "Magic"; The Weeknd: "Lonely Weekends"; Alessia Cara: "Cara Mia"; Marshmello: "A Marshmallow World"; Halsey: "Uncle Albert/Admiral Halsey".

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** Some of his credits music is a pun on the artist. Train: [[Music/BobMarley "Stop That Train"; Train"]]; Robin Thicke: [[Music/JethroTull "Thick as a Brick"; Brick"]]; Ed Sheeran: the ''Series/MrEd'' theme; Magic!: "Magic"; The Weeknd: "Lonely Weekends"; Alessia Cara: "Cara Mia"; Marshmello: [[Music/DeanMartin "A Marshmallow World"; World"]]; Halsey: [[Music/PaulMcCartney "Uncle Albert/Admiral Halsey".Halsey"]].
* TheStinger: Employed in the end of his review for "Thinking Out Loud" by Music/EdSheeran, where after the names of his Patrons are shown, the video cuts to footage of Todd playing "Wonderwall" by Oasis on his piano (until he realizes [[IsThisThingStillOn that he left his camera on]]).
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** His "Rhythm of the Night" review notes the uncanny similarity between the chorus melody of "Save Me" by Say When (which served as the basis for the video's eponymous song) and that of "Stand Back" by Music/StevieNicks.

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