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* AlternateShowInterpretation: The 2000 Broadway staging is an interesting case. The two brothers were played by Creator/JohnCReilly and Creator/PhilipSeymourHoffman -- and every few performances they would switch roles, allowing both of them to show off their versatility. They both earned well-deserved Tony nominations for Best Actor in a Play.
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Up To Eleven is a defunct trope
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* NaiveNewcomer: Saul ''really'' doesn't understand the family dynamics between the two brothers. Some productions take this UpToEleven by having Lee "teasingly" hitting Austin with Saul remaining blissfully unaware that anything's wrong.
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* NaiveNewcomer: Saul ''really'' doesn't understand the family dynamics between the two brothers. Some productions take this UpToEleven up to eleven by having Lee "teasingly" hitting Austin with Saul remaining blissfully unaware that anything's wrong.
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Not So Different has been renamed, and it needs to be dewicked/moved
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* NotSoDifferent: A major theme of the play is that this is essentially the brothers' situation. It's even made explicit as Austin starts mimicking Lee's lines and behaviour as he gets more and more drunk.
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''True West'' is a 1980 play by Creator/SamShepard and the third (and final) part of his anthological "Family Trilogy" plays. The play has been performed numerous times, often with great success, and has been broadcast on TV twice: once fully adapted to TV in 1984, based on the 1982 revival and starring Creator/JohnMalkovich and Creator/GarySinise; and once in its stage-play form in 2002 starring Creator/BruceWillis and Chad Smith.
The story concerns two brothers: Lee, the aggressive and manipulative elder brother who has spent years alone in the desert and makes his living through petty thievery; and Austin, a struggling screenwriter who seems to have spent most of his life attempting to reign in his brother. With their mother away in Alaska (and their father having long since abandoned the family), and not having seen each other in five years, the brothers reconnect and attempt to write a script for a western together...all while having to try to avoid killing each other.
----
!!This play provides examples of:
* AbusiveParents: It may not necessarily cross the line into "abusive" (since all we know for sure is that he ran off to the desert when the brothers were children) but Austin certainly shows hints of regarding his and Lee's father as this.
* TheAlcoholic: Lee is rarely without an alcoholic beverage nearby. He can handle it much better than Austin can, though... Their father is also stated to be this too.
* AssholeVictim: [[spoiler: Lee.]]
* BerserkButton: Austin's appears to be broken promises. Lee has too many to count (see HairTriggerTemper below).
* BreakTheCutie: The play itself seems to be one long one for Austin.
* BrokenPedestal: It's very subtle but it's implied that a lot of Austin's resentment and anger towards Lee comes from Lee effectively turning into this.
* BewareTheNiceOnes: [[spoiler: "Nice" relative to his brother, at least, but when Austin snaps, he ''snaps''.]]
* TheChessmaster: Lee who spends the vast majority of the time manipulating people, especially Austin. He's surprisingly adept at it too.
* CloudCuckooLander: [[spoiler: The brothers' mother seems to be a return to normalcy...but then she starts going on about how excited she is to go to the museum with her sons and meet Picasso...]]
* ComicallyMissingThePoint: [[spoiler: As Austin is strangling Lee with a phone cord and claiming how easy it would be to kill him, their mother merely tells them there's plenty of room outside if they want to fight.]]
* CorruptCorporateExecutive: Saul has hints of being this.
* DealWithTheDevil: The metaphorical kind. [[spoiler:Lee eventually breaks Austin down enough to get him to agree to write the screenplay with no credit and Lee reaping all the profits in exchange for Lee taking Austin to live in the desert.]]
* DownerEnding: [[spoiler: The ending itself is up to interpretation but it's fairly safe to assume that at least ''one'' of the brothers isn't making it out of that house...]]
* DysfunctionalFamily: Hoo boy... We have an absentee alcoholic deadbeat dad, a CloudCuckooLander mother, one son bordering on psychotic and the other constantly on the verge of completely breaking down.
* EmpathicEnvironment: It's subtle but the heat increases throughout the play both metaphorically and literally.
* EvenBadMenLoveTheirMamas: Lee's only real loving behaviour is strictly reserved for his mother. [[spoiler: Even if he does attempt to steal her antiques and trash her home...]]
* FauxSymbolism: An in-universe example focused on ''toast'', of all things...
-->'''Lee:''' What is your deal with the toast?! You're making that toast sound like ''salvation'' or something!
-->'''Austin:''' Well...it ''is'' like salvation. Sort of.
* FoolishSiblingResponsibleSibling: Subverted. At first it seems fairly straightforward that college graduate Austin is the responsible one and thieving drifter Lee is the foolish one. [[spoiler: Then they each reveal their deep-rooted resentment at their respective roles...and then Lee starts trying to write a script while Austin starts getting drunk and stealing toasters.]]
* {{Foreshadowing}}: Lee's script idea, specifically his speech about two men chasing each other, each secretly afraid, and neither of them knowing where they're headed.
** Also, Lee tells Austin during an argument that murder is most likely to occur between brothers, brothers-in-law and cousins, "right around this time of year" while Austin claims that they're both better than that. [[spoiler: 48 hours later and Austin's strangling Lee to death and it's heavily implied that at least one of them will end up dead after the play ends.]]
* FreudianExcuse: Austin considers himself and Lee to have one of these thanks to their father.
* HairTriggerTemper: Lee. In spades. Pretty much anything can set him off, from crickets chirping to being offered toast, and Austin always ends up being the one in the firing line. This is both PlayedForLaughs and PlayedForDrama at various points throughout the play.
* HoistByHisOwnPetard: Happens to both brothers several times, to the point where most of their worst situations during the play were arguably caused by their own behaviour.
* HopeSpot: It's not much of one but the brothers seem to be actually genuinely co-operating for the first time...but then Lee starts getting cold feet about the whole thing after their mother returns home.
* InTheBlood: Lee is pretty much a GenerationXerox of his father, and [[spoiler: Austin ends up desperate to invoke this trope.]]
* KarmicDeath: [[spoiler: Depending on how you interpret the ending, this could apply to either Lee or Austin - Lee, since he'd die at the hands of his constantly-mistreated brother; and Austin since he'd just actively tried to murder his brother.]]
* LetThePastBurn: At one point, Austin starts a fire in a bucket filled with all his attempts at research for his own abandoned project.
* MoodWhiplash: It depends a lot on the actors and the direction but the tone can jump from comical to serious and vice versa within a split second.
* NaiveNewcomer: Saul ''really'' doesn't understand the family dynamics between the two brothers. Some productions take this UpToEleven by having Lee "teasingly" hitting Austin with Saul remaining blissfully unaware that anything's wrong.
* NotSoDifferent: A major theme of the play is that this is essentially the brothers' situation. It's even made explicit as Austin starts mimicking Lee's lines and behaviour as he gets more and more drunk.
* NotQuiteDead: [[spoiler: Depending on how you interpret the last few seconds, this could apply to Lee...]]
* OnlySaneMan: Almost a DeconstructedTrope. Pretty much ''everyone'' plays this role at some point throughout the play; in the end, though, none of them quite manage to hold onto it and it's heavily implied that [[spoiler: Austin's breakdown is a direct result of having had to be this all his life]].
* PercussiveTherapy: Lee's reaction whenever something doesn't work the way he wants it to, whether it be a typewriter, a phone or his brother. It only gets worse once he gets his hands on some golf clubs. Occasionally it crosses over into PercussiveMaintenance.
* TheReasonYouSuckSpeech: Lee and Austin both get to deliver one to the other.
* ReallyGetsAround: Lee - at least he implies it.
* ScrewThisImOuttaHere: Lee threatens this several times with Austin managing to talk him down. [[spoiler: Eventually, Austin decides that he wants to do this and makes a deal with Lee to accomplish it. At the end, Lee attempts it for real, backing out on his deal with Austin in the process. It doesn't go Lee's way.]]
* ShaggyDogStory: An in-universe example, Austin tells Lee the story of how their father lost his (real and false) teeth.
* SmallSecludedWorld: Invoked by the brothers' mother.
-->'''Mom:''' Are you going to live with your father?
-->'''Lee:''' This is a different desert, mom.
-->'''Mom:''' I expect you'll end up in the same desert sooner or later.
* TheSociopath: Lee.
* TeethClenchedTeamwork: The few times Austin and Lee actually do work together, it's definitely in this manner.
* TheUnseen: The brothers' father, as well as Austin's wife and children, are never seen despite being mentioned several times.
* WideEyedIdealist: Austin seems to have been this when he was younger and Lee considers him to still be one. [[spoiler: Austin doesn't agree.]]
* WoobieDestroyerOfWorlds: Austin. [[spoiler:As mentioned above, it takes a lot to get to him to snap, but when he eventually does, he ''really'' snaps. To the point where he (successfully or not depending on your view) attempts to murder his brother.]]
The story concerns two brothers: Lee, the aggressive and manipulative elder brother who has spent years alone in the desert and makes his living through petty thievery; and Austin, a struggling screenwriter who seems to have spent most of his life attempting to reign in his brother. With their mother away in Alaska (and their father having long since abandoned the family), and not having seen each other in five years, the brothers reconnect and attempt to write a script for a western together...all while having to try to avoid killing each other.
----
!!This play provides examples of:
* AbusiveParents: It may not necessarily cross the line into "abusive" (since all we know for sure is that he ran off to the desert when the brothers were children) but Austin certainly shows hints of regarding his and Lee's father as this.
* TheAlcoholic: Lee is rarely without an alcoholic beverage nearby. He can handle it much better than Austin can, though... Their father is also stated to be this too.
* AssholeVictim: [[spoiler: Lee.]]
* BerserkButton: Austin's appears to be broken promises. Lee has too many to count (see HairTriggerTemper below).
* BreakTheCutie: The play itself seems to be one long one for Austin.
* BrokenPedestal: It's very subtle but it's implied that a lot of Austin's resentment and anger towards Lee comes from Lee effectively turning into this.
* BewareTheNiceOnes: [[spoiler: "Nice" relative to his brother, at least, but when Austin snaps, he ''snaps''.]]
* TheChessmaster: Lee who spends the vast majority of the time manipulating people, especially Austin. He's surprisingly adept at it too.
* CloudCuckooLander: [[spoiler: The brothers' mother seems to be a return to normalcy...but then she starts going on about how excited she is to go to the museum with her sons and meet Picasso...]]
* ComicallyMissingThePoint: [[spoiler: As Austin is strangling Lee with a phone cord and claiming how easy it would be to kill him, their mother merely tells them there's plenty of room outside if they want to fight.]]
* CorruptCorporateExecutive: Saul has hints of being this.
* DealWithTheDevil: The metaphorical kind. [[spoiler:Lee eventually breaks Austin down enough to get him to agree to write the screenplay with no credit and Lee reaping all the profits in exchange for Lee taking Austin to live in the desert.]]
* DownerEnding: [[spoiler: The ending itself is up to interpretation but it's fairly safe to assume that at least ''one'' of the brothers isn't making it out of that house...]]
* DysfunctionalFamily: Hoo boy... We have an absentee alcoholic deadbeat dad, a CloudCuckooLander mother, one son bordering on psychotic and the other constantly on the verge of completely breaking down.
* EmpathicEnvironment: It's subtle but the heat increases throughout the play both metaphorically and literally.
* EvenBadMenLoveTheirMamas: Lee's only real loving behaviour is strictly reserved for his mother. [[spoiler: Even if he does attempt to steal her antiques and trash her home...]]
* FauxSymbolism: An in-universe example focused on ''toast'', of all things...
-->'''Lee:''' What is your deal with the toast?! You're making that toast sound like ''salvation'' or something!
-->'''Austin:''' Well...it ''is'' like salvation. Sort of.
* FoolishSiblingResponsibleSibling: Subverted. At first it seems fairly straightforward that college graduate Austin is the responsible one and thieving drifter Lee is the foolish one. [[spoiler: Then they each reveal their deep-rooted resentment at their respective roles...and then Lee starts trying to write a script while Austin starts getting drunk and stealing toasters.]]
* {{Foreshadowing}}: Lee's script idea, specifically his speech about two men chasing each other, each secretly afraid, and neither of them knowing where they're headed.
** Also, Lee tells Austin during an argument that murder is most likely to occur between brothers, brothers-in-law and cousins, "right around this time of year" while Austin claims that they're both better than that. [[spoiler: 48 hours later and Austin's strangling Lee to death and it's heavily implied that at least one of them will end up dead after the play ends.]]
* FreudianExcuse: Austin considers himself and Lee to have one of these thanks to their father.
* HairTriggerTemper: Lee. In spades. Pretty much anything can set him off, from crickets chirping to being offered toast, and Austin always ends up being the one in the firing line. This is both PlayedForLaughs and PlayedForDrama at various points throughout the play.
* HoistByHisOwnPetard: Happens to both brothers several times, to the point where most of their worst situations during the play were arguably caused by their own behaviour.
* HopeSpot: It's not much of one but the brothers seem to be actually genuinely co-operating for the first time...but then Lee starts getting cold feet about the whole thing after their mother returns home.
* InTheBlood: Lee is pretty much a GenerationXerox of his father, and [[spoiler: Austin ends up desperate to invoke this trope.]]
* KarmicDeath: [[spoiler: Depending on how you interpret the ending, this could apply to either Lee or Austin - Lee, since he'd die at the hands of his constantly-mistreated brother; and Austin since he'd just actively tried to murder his brother.]]
* LetThePastBurn: At one point, Austin starts a fire in a bucket filled with all his attempts at research for his own abandoned project.
* MoodWhiplash: It depends a lot on the actors and the direction but the tone can jump from comical to serious and vice versa within a split second.
* NaiveNewcomer: Saul ''really'' doesn't understand the family dynamics between the two brothers. Some productions take this UpToEleven by having Lee "teasingly" hitting Austin with Saul remaining blissfully unaware that anything's wrong.
* NotSoDifferent: A major theme of the play is that this is essentially the brothers' situation. It's even made explicit as Austin starts mimicking Lee's lines and behaviour as he gets more and more drunk.
* NotQuiteDead: [[spoiler: Depending on how you interpret the last few seconds, this could apply to Lee...]]
* OnlySaneMan: Almost a DeconstructedTrope. Pretty much ''everyone'' plays this role at some point throughout the play; in the end, though, none of them quite manage to hold onto it and it's heavily implied that [[spoiler: Austin's breakdown is a direct result of having had to be this all his life]].
* PercussiveTherapy: Lee's reaction whenever something doesn't work the way he wants it to, whether it be a typewriter, a phone or his brother. It only gets worse once he gets his hands on some golf clubs. Occasionally it crosses over into PercussiveMaintenance.
* TheReasonYouSuckSpeech: Lee and Austin both get to deliver one to the other.
* ReallyGetsAround: Lee - at least he implies it.
* ScrewThisImOuttaHere: Lee threatens this several times with Austin managing to talk him down. [[spoiler: Eventually, Austin decides that he wants to do this and makes a deal with Lee to accomplish it. At the end, Lee attempts it for real, backing out on his deal with Austin in the process. It doesn't go Lee's way.]]
* ShaggyDogStory: An in-universe example, Austin tells Lee the story of how their father lost his (real and false) teeth.
* SmallSecludedWorld: Invoked by the brothers' mother.
-->'''Mom:''' Are you going to live with your father?
-->'''Lee:''' This is a different desert, mom.
-->'''Mom:''' I expect you'll end up in the same desert sooner or later.
* TheSociopath: Lee.
* TeethClenchedTeamwork: The few times Austin and Lee actually do work together, it's definitely in this manner.
* TheUnseen: The brothers' father, as well as Austin's wife and children, are never seen despite being mentioned several times.
* WideEyedIdealist: Austin seems to have been this when he was younger and Lee considers him to still be one. [[spoiler: Austin doesn't agree.]]
* WoobieDestroyerOfWorlds: Austin. [[spoiler:As mentioned above, it takes a lot to get to him to snap, but when he eventually does, he ''really'' snaps. To the point where he (successfully or not depending on your view) attempts to murder his brother.]]
