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Disambiguated trope per Wick Cleaning Projects
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%%* MrViceGuy: {{Envy}} for Skule Bårdsson, and for Nikolas as well.
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%%* MrViceGuy: {{Envy}} [[DrivenByEnvy Envy]] for Skule Bårdsson, and for Nikolas as well.
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''The Pretenders'' (''Kongsemnerne'') is the last of four {{period piece}}s written by Creator/{HenrikIbsen. The play is based on the ''Saga of Håkon Håkonsson'' (Håkon IV of Norway), and set in the 13th century, a turbulent time of Norwegian history. The plot concerns the young Håkon and his claims to the Norwegian throne, and his rivals to the same position, hence the name. The main antagonist is Skule, earl from the start, then duke (the first Norwegian to hold that title), and in the end self-proclaimed king, a fact that makes another round of civil war break out. The play ends with Skule's death, and the final rival to the throne gone.
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''The Pretenders'' (''Kongsemnerne'') is the last of four {{period piece}}s written by Creator/{HenrikIbsen.Creator/HenrikIbsen. The play is based on the ''Saga of Håkon Håkonsson'' (Håkon IV of Norway), and set in the 13th century, a turbulent time of Norwegian history. The plot concerns the young Håkon and his claims to the Norwegian throne, and his rivals to the same position, hence the name. The main antagonist is Skule, earl from the start, then duke (the first Norwegian to hold that title), and in the end self-proclaimed king, a fact that makes another round of civil war break out. The play ends with Skule's death, and the final rival to the throne gone.
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Fixing many problems with alphabetisation, indentation, formatting, Word Cruft, and grammar, and commenting out ZCEs.
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'''The Pretenders''' (''Kongsemnerne'') is the last of four {{period piece}}s written by Creator/{{Henrik Ibsen}}. The play is based on the ''Saga of Håkon Håkonsson'' (Håkon IV of Norway), and set in the 13th century, a turbulent time of Norwegian history. The plot concerns the young Håkon and his claims to the Norwegian throne, and his rivals to the same position, hence the name. The main antagonist is Skule, earl from the start, then duke (the first Norwegian carryin that title), and in the end self-proclaimed king, a fact that makes another round of civil war break out. The play ends with Skule`s death, and the final rival to the throne gone.
'''This play carry examples of the following tropes''':
'''This play carry examples of the following tropes''':
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%%
%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain how these tropes apply. A character name is not context. HOW does the trope apply to that character?
%%
%%
''The Pretenders'' (''Kongsemnerne'') is the last of four {{period piece}}s written by
'''This
----
!!This play
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* ArtisticLicenceHistory: mostly averted. But why is the bishop of Oslo attending, and seemingly overseeing a ritual in the main church of Bergen? Only for the {{rule of cool}}, one presumes.
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* ArtisticLicenceHistory: mostly Mostly averted. But why is the bishop of Oslo attending, and seemingly overseeing overseeing, a ritual in the main church of Bergen? Only for the {{rule of cool}}, RuleOfCool, one presumes.
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* BornLucky: Håkon seems to have luck, and fate, on his side. Heavily lampshaded by Skule.
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* CivilWar: well, yeah. The ending of the [[http://en.wikipedia.org/wiki/Civil_war_era_in_Norway Norwegian ones]].
* ChewToy: Skule. But he tries, he really does.
* ChewToy: Skule. But he tries, he really does.
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* TheChosenOne: Discussed, as Håkon seemingly is, and Skule wishes to be.
* CompressedAdaptation: Avoided. The play spans several years, from the {{trial by fire}} undergone by Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly.
** In {{real life}}, Håkon was 14 years of age when he was elected. This part seems compressed for practical reasons, and because of {{dawson casting}}. In fact, Håkon seems to age fairly little in the 23 years the play is meant to span (he would be abt 37 years old in 1240).
* DeadpanSnarker: Jatgeir, the bard in service of Skule. Also Nikolas and several others.
* EvilMinion: After Nikolas died, he quickly got a job offer from the devil. His assignment was apparently to keep Norway under surveillance, and ''[[FridgeHorror he is still around!]]''
* TheFinalTemptation: Nikolas offers the kingdom to Skule and his son for the life of Håkon`s child. In that bargain, he also throwns in Skule`s soul, and the soul of Peter. As Peter recently violated the holy shrine of Saint Olav, this is unbearable to Skule, and the temptation fails.
** After this, Nikolas turns to his audience, that would be us, and saying: "OK, I failed this time, but beware, every time you (Norwegians) show signs of pettyness, I am here. And as I have power over you, [[ParanoiaFuel I will ''never'' leave!]]"
** RealitySubtext: This was the last play Henrik Ibsen wrote before turning his back to Norway completely and set up abode in Italy for many years. The last speech of Nikolas can arguably be seen as Ibsen`s personal {{The reason you suck speech}}, before leaving.
* TheFourthWallWillNotProtectYou: The last speech of Nikolas. Surely the only time Ibsen used this trope (and possibly one {{older than radio}}).
* GoodIsNotNice: Håkon serves as a benign ruler, for sure, who actually wish to reconcile the parties after years of bloody strife - as long as none of said parties threaten his position. The lesser pretenders (Jon Kuvlung, Sigurd Ribbung), are rooted out one by one, and when Skule proclaims himself king, Håkon goes seriously batshit. The battling is on for three years.
* CompressedAdaptation: Avoided. The play spans several years, from the {{trial by fire}} undergone by Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly.
** In {{real life}}, Håkon was 14 years of age when he was elected. This part seems compressed for practical reasons, and because of {{dawson casting}}. In fact, Håkon seems to age fairly little in the 23 years the play is meant to span (he would be abt 37 years old in 1240).
* DeadpanSnarker: Jatgeir, the bard in service of Skule. Also Nikolas and several others.
* EvilMinion: After Nikolas died, he quickly got a job offer from the devil. His assignment was apparently to keep Norway under surveillance, and ''[[FridgeHorror he is still around!]]''
* TheFinalTemptation: Nikolas offers the kingdom to Skule and his son for the life of Håkon`s child. In that bargain, he also throwns in Skule`s soul, and the soul of Peter. As Peter recently violated the holy shrine of Saint Olav, this is unbearable to Skule, and the temptation fails.
** After this, Nikolas turns to his audience, that would be us, and saying: "OK, I failed this time, but beware, every time you (Norwegians) show signs of pettyness, I am here. And as I have power over you, [[ParanoiaFuel I will ''never'' leave!]]"
** RealitySubtext: This was the last play Henrik Ibsen wrote before turning his back to Norway completely and set up abode in Italy for many years. The last speech of Nikolas can arguably be seen as Ibsen`s personal {{The reason you suck speech}}, before leaving.
* TheFourthWallWillNotProtectYou: The last speech of Nikolas. Surely the only time Ibsen used this trope (and possibly one {{older than radio}}).
* GoodIsNotNice: Håkon serves as a benign ruler, for sure, who actually wish to reconcile the parties after years of bloody strife - as long as none of said parties threaten his position. The lesser pretenders (Jon Kuvlung, Sigurd Ribbung), are rooted out one by one, and when Skule proclaims himself king, Håkon goes seriously batshit. The battling is on for three years.
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%%* TheChosenOne: Discussed, as Håkon seemingly is, and Skule wishes to be.
* CivilWar: The ending of the [[http://en.wikipedia.org/wiki/Civil_war_era_in_Norway Norwegian ones]].
* CompressedAdaptation: Avoided. The play spans several years, from the
*
%%* DeadpanSnarker: Jatgeir, the bard in service of Skule. Also Nikolas and several others.
* EvilMinion: After Nikolas
*
** Nikolas offers the kingdom to Skule and his son for the life of
** After this, Nikolas turns to his audience, that would be us, and
** RealitySubtext:
*
%%* TheFourthWallWillNotProtectYou: The last speech of
* GoodIsNotNice: Håkon serves as a benign
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* HeroAntagonist: Skule comes across as this. In spite of his resentments towards Håkon, he is a likable and well meaning man, with moral standards. He even accepts the marriage of his daughter Margrethe and Håkon. But he is constantly pushed into it by Nikolas the Bishop.
* HistoricalDomainCharacter: In ''spades''. A possible exception for Peter Skulason, though.
* HistoricalVillainUpgrade: Nikolas the bishop. In {{real life}}, he was not that evil.
* HistoricalDomainCharacter: In ''spades''. A possible exception for Peter Skulason, though.
* HistoricalVillainUpgrade: Nikolas the bishop. In {{real life}}, he was not that evil.
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* HeroAntagonist: Skule comes across as this.Skule. In spite of his resentments towards Håkon, he is a likable and well meaning man, with moral standards. He even accepts the marriage of his daughter Margrethe and Håkon. But he is constantly pushed into it by Nikolas the Bishop.
* %%* HistoricalDomainCharacter: In ''spades''. A possible exception for Peter Skulason, though.
* %%* HistoricalVillainUpgrade: Nikolas the bishop. In {{real life}}, real life, he was not that evil.
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* MrViceGuy: {{Envy}} for Skule Bårdsson, and for Nikolas as well.
* PeriodPiece: Yep.
* TheResenter: Nikolas to a T. "My mind was set on killing men and embrace women, but I managed neither".
* SinisterMinister: Nikolas, of course.
* TakeThat: or rather ''Take that, Norway'', in the last speech of Nikolas Arnesson. Nikolas also states that he finally learned proper latin, because hell is already filled with clergymen.
** The first, but not the last time Ibsen pulled this one.
* ThenLetMeBeEvil: Nikolas decided to solve his life this way. Skule considers it.
* TookALevelInJerkass: Bishop Nikolas, being promoted to an {{evil minion}} in the last act, with Norway as his special assignment.
* TheUnreveal: Nikolas claims to have certain letters concerning the fosterage of Håkon, putting his rightful heritage in doubt. Skule, claiming the kingdom for himself, would like to get his hands on them, but Nikolas tricks him to burn them, not knowing what they were. To add insult to injury, Nikolas tells him afterwards.
** The entire plot verges on {{Hitlers Time Travel Exemption Act}}. Håkon became the greatest king of Norwegian history, and ''nobody'' can change that fact.
* TrialByFire: Håkon`s claim to the throne is strengthened by this. His mother Inga takes it on at the start of the play.
* PeriodPiece: Yep.
* TheResenter: Nikolas to a T. "My mind was set on killing men and embrace women, but I managed neither".
* SinisterMinister: Nikolas, of course.
* TakeThat: or rather ''Take that, Norway'', in the last speech of Nikolas Arnesson. Nikolas also states that he finally learned proper latin, because hell is already filled with clergymen.
** The first, but not the last time Ibsen pulled this one.
* ThenLetMeBeEvil: Nikolas decided to solve his life this way. Skule considers it.
* TookALevelInJerkass: Bishop Nikolas, being promoted to an {{evil minion}} in the last act, with Norway as his special assignment.
* TheUnreveal: Nikolas claims to have certain letters concerning the fosterage of Håkon, putting his rightful heritage in doubt. Skule, claiming the kingdom for himself, would like to get his hands on them, but Nikolas tricks him to burn them, not knowing what they were. To add insult to injury, Nikolas tells him afterwards.
** The entire plot verges on {{Hitlers Time Travel Exemption Act}}. Håkon became the greatest king of Norwegian history, and ''nobody'' can change that fact.
* TrialByFire: Håkon`s claim to the throne is strengthened by this. His mother Inga takes it on at the start of the play.
to:
* TheResenter:
* TakeThat:
** The first, but not the last time Ibsen pulled this one.
*
%%* ThenLetMeBeEvil: Nikolas decided to solve his life this way. Skule considers it.
* TookALevelInJerkass: Bishop Nikolas, being promoted to an
*
* TheUnreveal:
** Nikolas claims to have certain letters concerning the fosterage of Håkon, putting his rightful heritage in doubt. Skule, claiming the kingdom for himself, would like to get his hands on them, but Nikolas tricks him to burn them, not knowing what they were. To add insult to injury, Nikolas tells him afterwards.
** The entire plot verges on
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Dewicked trope
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* LoadsAndLoadsOfCharacters: Being a historical play, the list is quite long. Almost the longest cast list in the writings of Ibsen (Only surpassed by {{Emperor and Galilean}}).
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Useful Notes/ pages are not tropes
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* AllTheLittleGermanies: Or Norways in this case. Håkon`s vision is to mould the Norwegian areas into one people, putting an end to the constant bickering between the different parts. Skule envies him for this.
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trope cut
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* LuckyBastard: Håkon is a straight example, being the bastard son of the late king Håkon Sverreson, and {{born lucky}} to boot.
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Changed line(s) 1,2 (click to see context) from:
'''The Pretenders''' (''Kongsemnerne'') is the last of four {{period piece}}s written by {{Henrik Ibsen}}. The play is based on the ''Saga of Håkon Håkonsson'' (Håkon IV of Norway), and set in the 13th century, a turbulent time of Norwegian history. The plot concerns the young Håkon and his claims to the Norwegian throne, and his rivals to the same position, hence the name. The main antagonist is Skule, earl from the start, then duke (the first Norwegian carryin that title), and in the end self-proclaimed king, a fact that makes another round of civil war break out. The play ends with Skule`s death, and the final rival to the throne gone.
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'''The Pretenders''' (''Kongsemnerne'') is the last of four {{period piece}}s written by {{Henrik Creator/{{Henrik Ibsen}}. The play is based on the ''Saga of Håkon Håkonsson'' (Håkon IV of Norway), and set in the 13th century, a turbulent time of Norwegian history. The plot concerns the young Håkon and his claims to the Norwegian throne, and his rivals to the same position, hence the name. The main antagonist is Skule, earl from the start, then duke (the first Norwegian carryin that title), and in the end self-proclaimed king, a fact that makes another round of civil war break out. The play ends with Skule`s death, and the final rival to the throne gone.
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* TrialByFire: Håkon`s claim to the throne is strengthened by this. His mother Inga takes it on at the start of the play.
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* TrialByFire: Håkon`s claim to the throne is strengthened by this. His mother Inga takes it on at the start of the play.
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** RealitySubtext: This was the last play Henrik Ibsen wrote before turning his back to Norway completely and set up abode in Italy for many years. The last speech of Nikolas can arguably be seen as Ibsen`s personal {{The reason you suck speech}}, before leaving.
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** The entire plot verges on {{Hitlers Time Travel Exemption Act}}. Håkon became the greatest king of Norwegian history, and ''nobody'' can change that fact.
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** The entire plot verges on {{Hitlers Time Travel Exemption Act}}. Håkon became the greatest king of Norwegian history, and ''nobody'' can change that fact.
* {{Woobie}}: Margrethe, Håkon`s spouse, queen of Norway and daughter of Skule. She has a long {{heroic BSOD}}, knowing that Håkon really loved another and married her for alliance, carrying his eldest son, and then living with a widening rift between her husband and her father.
* {{Woobie}}: Margrethe, Håkon`s spouse, queen of Norway and daughter of Skule. She has a long {{heroic BSOD}}, knowing that Håkon really loved another and married her for alliance, carrying his eldest son, and then living with a widening rift between her husband and her father.
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* MrViceGuy: {{Envy}} for Skule Bårdsson, and for Nikolas as well.
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* TrialByFire: Håkon`s claim to the throne is strengthened by this. His mother Inga takes it on at the start of the play.
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* GoThroughMe: Håkon has to go through Skule to claim full control of Norway. Lampshaded at the very end of the play, when Skule is dead and Håkon complains that his body lies in his direct path. The answer: "If the king wishes to claim his full dominion, he has to go over the dead body of Skule Bårdsson". And Håkon does.
to:
* GoThroughMe: Håkon has to go through Skule to claim full control of Norway. Lampshaded at the very end of the play, when Skule is dead and Håkon complains that his the body lies of Skule is in his direct path. The answer: "If the king wishes to claim his full dominion, he has to go over the dead body of Skule Bårdsson". And Håkon does.
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None
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* CompressedAdaptation: Avoided. The play spans several years, from the "iron testing" of Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly.
to:
* CompressedAdaptation: Avoided. The play spans several years, from the "iron testing" of {{trial by fire}} undergone by Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly.
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* GoThroughMe: Håkon has to go through Skule to claim full control of Norway. Lampshaded at the very end of the play, when Skule is dead and Håkon complains that his body lies in his direct path. The answer: "If the king wishes to claim his full dominion, he has to go over the dead body of Skule Bårdsson". And Håkon does.
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None
* GoodIsNotNice: Håkon serves as a benign ruler, for sure, who actually wish to reconcile the parties after years of bloody strife - as long as none of said parties threaten his position. The lesser pretenders (Jon Kuvlung, Sigurd Ribbung), are rooted out one by one, and when Skule proclaims himself king, Håkon goes seriously batshit. The battling is on for three years.
* TheResenter: Nikolas to a T. "My mind was set on killing men and embrace women, but I managed neither".
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* ThenLetMeBeEvil: Nikolas decided to solve his life this way. Skule considers it.
* TheResenter: Nikolas to a T. "My mind was set on killing men and embrace women, but I managed neither".
* TheResenter: Nikolas to a T. "My mind was set on killing men and embrace women, but I managed neither".
to:
* ThenLetMeBeEvil: Nikolas decided to solve his life this way. Skule considers it. \n
*TheResenter: Nikolas TookALevelInJerkass: Bishop Nikolas, being promoted to a T. "My mind was set on killing men and embrace women, but I managed neither".an {{evil minion}} in the last act, with Norway as his special assignment.
*
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* TookALevelInJerkass: Bishop Nikolas, being promoted to an {{evil minion}} in the last act, with Norway as his special assignment.
to:
* TookALevelInJerkass: Bishop Nikolas, being promoted to an {{evil minion}} in the last act, with {{Woobie}}: Margrethe, Håkon`s spouse, queen of Norway as and daughter of Skule. She has a long {{heroic BSOD}}, knowing that Håkon really loved another and married her for alliance, carrying his special assignment.eldest son, and then living with a widening rift between her husband and her father.
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* BornLucky: Håkon seems to have luck, and fate, on his side. Heavily lampshaded by Skule.
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* LuckyBastard: Håkon is a straight example, being the bastard son of the late king Håkon Sverreson, and {{born lucky}} to boot.
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Changed line(s) 5 (click to see context) from:
* AllTheLittleGermanies: Or Norways in this case. Håkon`s vision is to mould the Norwegian areas into one people, putting an end to the constant bickering between the different parts. Skule envies him for this.
to:
* AllTheLittleGermanies: Or Norways in this case. Håkon`s vision is to mould the Norwegian areas into one people, putting an end to the constant bickering between the different parts. Skule envies him for this. this.
* AmbitionIsEvil: Played straight, and is the moral problem of Skule. Håkon, on the other hand, seems quite unambitious, in spite of his inherited position.
* AmbitionIsEvil: Played straight, and is the moral problem of Skule. Håkon, on the other hand, seems quite unambitious, in spite of his inherited position.
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* HeroAntagonist: Skule comes across as this. In spite of his resentments towards Håkon, he is a likable and well meaning man, with moral standards. He even accepts the marriage of his daughter Margrethe and Håkon. But he is constantly pushed into it by Nikolas the Bishop.
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Added DiffLines:
* DeadpanSnarker: Jatgeir, the bard in service of Skule. Also Nikolas and several others.
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Changed line(s) 14 (click to see context) from:
* CompressedAdaptation: Avoided. The play spans several years, from the "iron testing" of Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly. In {{real life}}, Håkon was 14 years of age when he was elected. This part seems compressed for practical reasons, and because of {{dawson casting}}. In fact, Håkon seems to age fairly little in the 23 years the play is meant to span (he would be abt 37 yers old in 1240).
to:
* CompressedAdaptation: Avoided. The play spans several years, from the "iron testing" of Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly.
** In {{real life}}, Håkon was 14 years of age when he was elected. This part seems compressed for practical reasons, and because of {{dawson casting}}. In fact, Håkon seems to age fairly little in the 23 years the play is meant to span (he would be abt 37yers years old in 1240).
** In {{real life}}, Håkon was 14 years of age when he was elected. This part seems compressed for practical reasons, and because of {{dawson casting}}. In fact, Håkon seems to age fairly little in the 23 years the play is meant to span (he would be abt 37
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None
Changed line(s) 14 (click to see context) from:
* CompressedAdaptation: Avoided. The play spans several years, from the "iron testing" of Håkon`s mother, over the battles in Oslo to the death of Skule Bårdsson in 1240. The locations also shift rather quickly.
to:
* CompressedAdaptation: Avoided. The play spans several years, from the "iron testing" of Håkon`s mother, and the election of Håkon in 1217, over the battles in Oslo Oslo, to the death of Skule Bårdsson in 1240. The locations also shift rather quickly. In {{real life}}, Håkon was 14 years of age when he was elected. This part seems compressed for practical reasons, and because of {{dawson casting}}. In fact, Håkon seems to age fairly little in the 23 years the play is meant to span (he would be abt 37 yers old in 1240).
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None
Added DiffLines:
* CivilWar: well, yeah. The ending of the [[http://en.wikipedia.org/wiki/Civil_war_era_in_Norway Norwegian ones]].
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None
Changed line(s) 17 (click to see context) from:
* TheFourthWallWillNotProtectYou: The last speech of Nikolas. Surely the only time Ibsen used this trope (and possibly one {{older than radio}}.
to:
* TheFourthWallWillNotProtectYou: The last speech of Nikolas. Surely the only time Ibsen used this trope (and possibly one {{older than radio}}.radio}}).