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Changed line(s) 73 (click to see context) from:
* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[{{Hunk}} admittedly less boyish]], he makes up for this part by being {{Adorkable}} in his courtship of Eleonore. He is also very idealistic and impulsive, like a boy.
to:
* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[{{Hunk}} admittedly less boyish]], he makes up for this part by being {{Adorkable}} dorky in his courtship of Eleonore. He is also very idealistic and impulsive, like a boy.
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Deleted line(s) 24 (click to see context) :
* {{Adorkable}}: Joseph being so entranced by Eleonore's Juliet monologue that he forgets his line and stumbles when he resumes speaking.
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Changed line(s) 25,34 (click to see context) from:
%%* ArcWords:
%%** "Dream big."
%%** "Doomed! We're doomed!"/"Saved! We're saved!"
%%** "Emanuel and Eleonore." Morphs into "Johann and Eleonore," then finally "Eleonore and Emanuel" in the finale.
%%* BluntYes:
%%-->'''Barbara:''' But before I explain, you have to promise not to explode or throw something at me.\\
%%'''Eleonore:''' ''[laughing]'' I wouldn't! Have I ever done something like that?\\
%%'''Barbara:''' Yes.
%%* BSODSong: "Letzte Vorhang" (Final Curtain), Emanuel's MyGodWhatHaveIDone moment.
%%* TheCasanova: Oh, Emanuel. He {{Lampshades}} this by referring to himself as Don Juan at one point, and the official program calls him Casanova.
%%** "Dream big."
%%** "Doomed! We're doomed!"/"Saved! We're saved!"
%%** "Emanuel and Eleonore." Morphs into "Johann and Eleonore," then finally "Eleonore and Emanuel" in the finale.
%%* BluntYes:
%%-->'''Barbara:''' But before I explain, you have to promise not to explode or throw something at me.\\
%%'''Eleonore:''' ''[laughing]'' I wouldn't! Have I ever done something like that?\\
%%'''Barbara:''' Yes.
%%* BSODSong: "Letzte Vorhang" (Final Curtain), Emanuel's MyGodWhatHaveIDone moment.
%%* TheCasanova: Oh, Emanuel. He {{Lampshades}} this by referring to himself as Don Juan at one point, and the official program calls him Casanova.
to:
%%** "Doomed! We're doomed!"/"Saved! We're saved!"
%%**
** "Emanuel and Eleonore." Morphs into "Johann and Eleonore," then finally "Eleonore and Emanuel" in the finale.
* BluntYes:
%%*
* TheCasanova: Oh, Emanuel. He {{Lampshades}} this by referring to himself as Don Juan at one point, and the official program calls him Casanova. The little instrumental piece “Emanuels Affäre” has him waltzing with multiple paramours.
Changed line(s) 36,37 (click to see context) from:
%%* DeadpanSnarker: Both Emanuel and Eleonore.
%%* DeathSong: "Johanns Ende - Requiem".
%%* DeathSong: "Johanns Ende - Requiem".
to:
%%*
* DeathSong: "Johanns Ende - Requiem". Johann [[spoiler:dies with Eleonore by his side.]]
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%%* MelancholyMusicalNumber: "Letzte Vorhang", "Johanns Ende", and "Wegzusehen" are all tearjerkers.
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Changed line(s) 75 (click to see context) from:
%%* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[{{Hunk}} admittedly less boyish]], he makes up for this part by being {{Adorkable}} in his courtship of Eleonore.
to:
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Changed line(s) 75 (click to see context) from:
* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[{{Hunk}} admittedly less boyish]], he makes up for this part by being {{Adorkable}} in his courtship of Eleonore.
to:
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Changed line(s) 25,34 (click to see context) from:
* ArcWords:
** "Dream big."
** "Doomed! We're doomed!"/"Saved! We're saved!"
** "Emanuel and Eleonore." Morphs into "Johann and Eleonore," then finally "Eleonore and Emanuel" in the finale.
* BluntYes:
-->'''Barbara:''' But before I explain, you have to promise not to explode or throw something at me.\\
'''Eleonore:''' ''[laughing]'' I wouldn't! Have I ever done something like that?\\
'''Barbara:''' Yes.
* BSODSong: "Letzte Vorhang" (Final Curtain), Emanuel's MyGodWhatHaveIDone moment.
* TheCasanova: Oh, Emanuel. He {{Lampshades}} this by referring to himself as Don Juan at one point, and the official program calls him Casanova.
** "Dream big."
** "Doomed! We're doomed!"/"Saved! We're saved!"
** "Emanuel and Eleonore." Morphs into "Johann and Eleonore," then finally "Eleonore and Emanuel" in the finale.
* BluntYes:
-->'''Barbara:''' But before I explain, you have to promise not to explode or throw something at me.\\
'''Eleonore:''' ''[laughing]'' I wouldn't! Have I ever done something like that?\\
'''Barbara:''' Yes.
* BSODSong: "Letzte Vorhang" (Final Curtain), Emanuel's MyGodWhatHaveIDone moment.
* TheCasanova: Oh, Emanuel. He {{Lampshades}} this by referring to himself as Don Juan at one point, and the official program calls him Casanova.
to:
Changed line(s) 36,37 (click to see context) from:
* DeadpanSnarker: Both Emanuel and Eleonore.
* DeathSong: "Johanns Ende - Requiem".
* DeathSong: "Johanns Ende - Requiem".
to:
Changed line(s) 44 (click to see context) from:
* HistoricalDomainCharacter: As befitting a historical musical, everyone in this show existed.
to:
* HistoricalDomainCharacter: As befitting a historical musical, everyone in this show existed.existed in real life.
Changed line(s) 48 (click to see context) from:
** The most charitable explanation for Maria Anna's cluelessness. Why on earth would someone think that telling someone they should be happy that you're stealing their husband is a normal thing to do?
to:
** The most charitable explanation for Maria Anna's cluelessness. Why on earth Earth would someone think that telling someone they should be happy that you're stealing their husband is a normal thing to do?
Changed line(s) 53 (click to see context) from:
* MelancholyMusicalNumber: "Letzte Vorhang", "Johanns Ende", and "Wegzusehen" are all tearjerkers.
to:
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Changed line(s) 75 (click to see context) from:
* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[Hunk admittedly less boyish]], he makes up for this part by being {{Adorkable}} in his courtship of Eleonore.
to:
* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[Hunk [[{{Hunk}} admittedly less boyish]], he makes up for this part by being {{Adorkable}} in his courtship of Eleonore.
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* TenorBoy: The romantic leads, Emanuel and Johann. Though Emanuel is [[Hunk admittedly less boyish]], he makes up for this part by being {{Adorkable}} in his courtship of Eleonore.
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Changed line(s) 43 (click to see context) from:
* HeyLetsPutOnAShow: "Geld und Gluck" (Spend and Hope) is Emanuel and Eleonore trying to persuade an investor to fund ''The Magic Flute''.
to:
* HeyLetsPutOnAShow: "Geld und Gluck" Glück" (Spend and Hope) is Emanuel and Eleonore trying to persuade an investor to fund ''The Magic Flute''.
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Changed line(s) 47 (click to see context) from:
* InnocentlyInsensitive: The most charitable explanation for Maria Anna's cluelessness. Why on earth would someone think that telling someone they should be happy that you're stealing their husband is a normal thing to do?
to:
* InnocentlyInsensitive: InnocentlyInsensitive:
** The most charitable explanation for Maria Anna's cluelessness. Why on earth would someone think that telling someone they should be happy that you're stealing their husband is a normal thing todo?do?
** Emanuel, ''yes'', your wife knows about your cheating. ''No'', that does not mean she's okay with it and is also seeing other people!
** The most charitable explanation for Maria Anna's cluelessness. Why on earth would someone think that telling someone they should be happy that you're stealing their husband is a normal thing to
** Emanuel, ''yes'', your wife knows about your cheating. ''No'', that does not mean she's okay with it and is also seeing other people!
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** Wolfgang and Constanze parted because Mozart is MarriedToTheJob. Emanuel and Eleonore parted because Eleonore could not put up with Emanuel's constant cheating.
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* SpiritualAntithesis: ''Schikaneder'' and ''Theatre/{{Mozart}}'' are {{Foil}}s to each other.
** German musical written by an American composer vs. German musical written by a German composer.
** Mark Seibert plays a straight-laced, controlling Prince-Archbishop who believes that music is meant for the elite in ''Mozart'', and a laid-back, [[TheCasanova charming]] theatre impresario whose credo is to make art that entertain and inform the masses in ''Schikaneder''.
** ''Mozart'' ends on a BittersweetEnding with the composer's death and a celebration of his immortality via art. ''Schikaneder'' ends on a HappilyEverAfter with ''The Magic Flute'' being a rousing success, Emanuel having undergone CharacterDevelopment, and Eleonore being credited as an equal creative force.
** ''Mozart'' takes a DarkerAndEdgier route to the mythos, whereas ''Schikaneder'' is LighterAndSofter.
** German musical written by an American composer vs. German musical written by a German composer.
** Mark Seibert plays a straight-laced, controlling Prince-Archbishop who believes that music is meant for the elite in ''Mozart'', and a laid-back, [[TheCasanova charming]] theatre impresario whose credo is to make art that entertain and inform the masses in ''Schikaneder''.
** ''Mozart'' ends on a BittersweetEnding with the composer's death and a celebration of his immortality via art. ''Schikaneder'' ends on a HappilyEverAfter with ''The Magic Flute'' being a rousing success, Emanuel having undergone CharacterDevelopment, and Eleonore being credited as an equal creative force.
** ''Mozart'' takes a DarkerAndEdgier route to the mythos, whereas ''Schikaneder'' is LighterAndSofter.
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Deleted line(s) 42 (click to see context) :
* EsotericHappyEnding: The show ends on a triumphant note, with the Schikaneders getting back together, and ''The Magic Flute'' was a rousing success that gave the world "the greatest work ever written by Wolfgang Amadè Mozart". In real life, however... Mozart died only shortly after the premiere. Emanuel continued to cheat on Eleonore (resulting in at least one illegitimate son, Franz). His career went downhill again, and he died in poverty in 1812. Eleonore passed away three years after her husband, in the Theater an der Wien itself - Emanuel's brainchild, and where ''The Magic Flute'' premiered.
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* EsotericHappyEnding: The show ends on a triumphant note, with the Schikaneders getting back together, and ''The Magic Flute'' was a rousing success that gave the world "the greatest work ever written by Wolfgang Amadè Mozart". In real life, however... Mozart died only shortly after the premiere. Emanuel continued to cheat on Eleonore (resulting in at least one illegitimate son, Franz). His career went downhill again, and he died in poverty in 1812. Eleonore passed away three years after her husband, in the Theater an der Wien itself - Emanuel's brainchild, and where ''The Magic Flute'' premiered.
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* TheSidekickSong: "Ich? Warum?" (Me? But Why?) is Eleonore and Emanuel's sidekicks Barbara, Benedikt, and Josepha trying to push the responsibility of stopping the Schikaneders' feud onto each other, singing about how they're ''not'' suited for the task.
to:
* TheSidekickSong: SidekickSong: "Ich? Warum?" (Me? But Why?) is Eleonore and Emanuel's sidekicks Barbara, Benedikt, and Josepha trying to push the responsibility of stopping the Schikaneders' feud onto each other, singing about how they're ''not'' suited for the task.
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Changed line(s) 34 (click to see context) from:
* TheCasanova: Oh, Emanuel. He Lampshades this by referring to himself as Don Juan at one point, and the official program calls him Casanova.
to:
* TheCasanova: Oh, Emanuel. He Lampshades {{Lampshades}} this by referring to himself as Don Juan at one point, and the official program calls him Casanova.
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* BSODSong: "Letzte Vorhang" (Final Curtain), Emanuel's MyGodWhatHaveIDone moment.
* DeathSong: "Johanns Ende - Requiem".
* HeyLetsPutOnAShow: "Geld und Gluck" (Spend and Hope) is Emanuel and Eleonore trying to persuade an investor to fund ''The Magic Flute''.
* IAmGreatSong: "So viele Fische im Meer", Emanuel bragging about how Eleonore's departure will not affect him.
Deleted line(s) 46 (click to see context) :
* MononymousBiopicTitle: The show is about the Schikaneders and their turbulent love story behind the scenes of ''Theatre/TheMagicFlute''.
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* MelancholyMusicalNumber: "Letzte Vorhang", "Johanns Ende", and "Wegzusehen" are all tearjerkers.
* MononymousBiopicTitle: The show is about the Schikaneders and their turbulent love story behind the scenes of ''Theatre/TheMagicFlute''.
* MononymousBiopicTitle: The show is about the Schikaneders and their turbulent love story behind the scenes of ''Theatre/TheMagicFlute''.
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* QuarrelingSong: "Rein geschäftlich" starts with Emanuel and Eleonore at each other's throats and using all sorts of unsavory epithets for each other.
* SettingOffSong: "Quartett" sees everyone ready for a new life, with Maria Anna, Johann, and Eleonore actually leaving physically.
* TheSidekickSong: "Ich? Warum?" (Me? But Why?) is Eleonore and Emanuel's sidekicks Barbara, Benedikt, and Josepha trying to push the responsibility of stopping the Schikaneders' feud onto each other, singing about how they're ''not'' suited for the task.
* SettingOffSong: "Quartett" sees everyone ready for a new life, with Maria Anna, Johann, and Eleonore actually leaving physically.
* TheSidekickSong: "Ich? Warum?" (Me? But Why?) is Eleonore and Emanuel's sidekicks Barbara, Benedikt, and Josepha trying to push the responsibility of stopping the Schikaneders' feud onto each other, singing about how they're ''not'' suited for the task.
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* VillainSong: "Das, was ich will" (That's What I Want) sees Marinelli gloating at the Schikaneders for their inability to stage a successful production.
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The musical had its world premiere at the Raimund Theater in Vienna on September 30, 2016, and closed on June 21, 2017. A cast recording was released on December 5, 2016, featuring the original cast members: Mark Seibert as Emanuel Schikaneder, Milica Jovanovic as Eleonore Schikaneder, Franziska Schuster as Barbara Gerl, Katie Hall as Maria Anna Miller, Florian Peters as Johann Friedel, and the ensemble.
to:
The musical had its world premiere at the Raimund Theater in Vienna on September 30, 2016, and closed on June 21, 2017. A cast recording was released on December 5, 2016, featuring the original cast members: Mark Seibert as Emanuel Schikaneder, Milica Jovanovic as Eleonore Schikaneder, Franziska Schuster as Barbara Gerl, Katie Hall as Maria Anna Miller, Florian Peters as Johann Friedel, and the ensemble.
ensemble. An English-language production is reportedly in the works.
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** "Emanuel and Eleonore." Morphs into "Johann and Eleonore," then finally "Eleonore and Emanuel" in the finale.
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* MeaningfulRename: Joseph changes his name to Emanuel upon his marriage to Eleonore, because "Emanuel and Eleonore" harmonizes better.
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* OneSteveLimit: Emanuel was actually born Johann Joseph Schickeneder [sic], but he's addressed as Joseph initially. Johann Friedel pops up later in the plot.
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Changed line(s) 55 (click to see context) from:
* TeethClenchedTeamwork: The Schikaneders' reunion starts out like this initially, until they find a mutual enemy in Marinelli, and change their focus to working on The Magic Flute instead.
to:
* TeethClenchedTeamwork: The Schikaneders' reunion starts out like this initially, in a case of WorkingWithTheEx, until they find a mutual enemy in Marinelli, and change their focus to working on The Magic Flute instead.
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Changed line(s) 44 (click to see context) from:
* LeaningOnTheFourthWall: The adoring crowd that mob the stage door every night for Emanuel and Eleonore mirror the same crowd outside of the door of the Raimund Theater, where ''Schikaneder'' is held. [[note]]The crowd clears out once the leading pair have left. This is partially because the lead actors tend to come out late, after all of the orchestra and ensemble, partially because a large number of fans are [[JustHereForGodzilla waiting for whoever is playing Emanuel. In most cases, it's Mark Seibert.[[/note]]
to:
* LeaningOnTheFourthWall: The adoring crowd that mob the stage door every night for Emanuel and Eleonore mirror the same crowd outside of the door of the Raimund Theater, where ''Schikaneder'' is held. [[note]]The crowd clears out once the leading pair have left. This is partially because the lead actors tend to come out late, after all of the orchestra and ensemble, partially because a large number of fans are [[JustHereForGodzilla waiting for whoever is playing Emanuel. ]] In most cases, it's Mark Seibert.[[/note]]
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Added DiffLines:
* LeaningOnTheFourthWall: The adoring crowd that mob the stage door every night for Emanuel and Eleonore mirror the same crowd outside of the door of the Raimund Theater, where ''Schikaneder'' is held. [[note]]The crowd clears out once the leading pair have left. This is partially because the lead actors tend to come out late, after all of the orchestra and ensemble, partially because a large number of fans are [[JustHereForGodzilla waiting for whoever is playing Emanuel. In most cases, it's Mark Seibert.[[/note]]
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Changed line(s) 33 (click to see context) from:
* CreatorCouple: The Schikaneders.
to:
* CreatorCouple: The Schikaneders.Schikaneders, InUniverse as "the brightest dream couple" of German/Austrian theatre.
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Michael Kunze and Sylvester Levay's Creator/StephenSchwartz's second German-language musical, following ''Theatre/TheHunchbackOfNotreDame''. It covers the relationship between Emanuel and Eleonore Schikaneder -- the librettist for the Mozart musical ''Theatre/TheMagicFlute'' and his wife.
to:
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Changed line(s) 4,5 (click to see context) from:
Creator/StephenSchwartz's second German-language musical, following ''Theatre/TheHunchbackOfNotreDame''. It covers the relationship between Emanuel and Eleonore Schikaneder -- the librettist for the Mozart musical ''Theatre/TheMagicFlute'' and his wife.
to:
Michael Kunze and Sylvester Levay's Creator/StephenSchwartz's second German-language musical, following ''Theatre/TheHunchbackOfNotreDame''. It covers the relationship between Emanuel and Eleonore Schikaneder -- the librettist for the Mozart musical ''Theatre/TheMagicFlute'' and his wife.
Changed line(s) 32 (click to see context) from:
* TheCasanova: Oh, Emanuel. He Lampshades this by referring to himself as Don Juan at one point.
to:
* TheCasanova: Oh, Emanuel. He Lampshades this by referring to himself as Don Juan at one point.point, and the official program calls him Casanova.
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Changed line(s) 14,17 (click to see context) from:
Out of the blue, Moser announces that he is retiring, and has ceded the troupe over to a Farinelli, who offered him six thousand guldens. Joseph boldly makes an offer of eight thousand, and it's taken up by Moser. The problem? He doesn't have that kind of money, his parents being indentured servants. After overhearing Moser explain to Eleonore that he decides to retire because he was devastated by his wife's death, Joseph takes up the courage to propose to Eleonore, who accepts, and encourages him to raise the money so he can fulfill his dream of owning a permanent theatre. At their wedding, the groom announces that he will change his name to something that harmonizes better with his bride's name: Emanuel. Together, they effectively become the first couple of Austrian theatre, with adoring crowds at the stage door every night.
However, trouble arrives. A timid writer, Johann Friedel, comes to the troupe in order to collaborate with the great Herr Schikaneder, but ends up staying on as an actor because of his developing infatuation for Frau Schikaneder. Eleonore, meanwhile, finds out that her husband is far from an ideal one: he is routinely unfaithful to her, but brushes it off as being mere entertainment. The last straw is when Maria Anna Müller, Emanuel's newest fling, excitedly (or, perhaps, brazenly) announces to her that she is carrying Emanuel's child, and so Emanuel will marry her. Devastated, Eleonore seeks solace with Johann, and convinces him to run away with her to open a permanent theatre -- effectively stealing Emanuel's dream. Maria Anna breaks the news of her pregnancy and Eleonore's elopement to Emanuel, who firmly tells her that he will provide for her child, but he simply ''cannot'' marry her. Realizing that Eleonore was right, Maria Anna quits the troupe and moves away for a new beginning.
However, trouble arrives. A timid writer, Johann Friedel, comes to the troupe in order to collaborate with the great Herr Schikaneder, but ends up staying on as an actor because of his developing infatuation for Frau Schikaneder. Eleonore, meanwhile, finds out that her husband is far from an ideal one: he is routinely unfaithful to her, but brushes it off as being mere entertainment. The last straw is when Maria Anna Müller, Emanuel's newest fling, excitedly (or, perhaps, brazenly) announces to her that she is carrying Emanuel's child, and so Emanuel will marry her. Devastated, Eleonore seeks solace with Johann, and convinces him to run away with her to open a permanent theatre -- effectively stealing Emanuel's dream. Maria Anna breaks the news of her pregnancy and Eleonore's elopement to Emanuel, who firmly tells her that he will provide for her child, but he simply ''cannot'' marry her. Realizing that Eleonore was right, Maria Anna quits the troupe and moves away for a new beginning.
to:
Out of the blue, Moser announces that he is retiring, and has ceded the troupe over to a Farinelli, Marinelli, who offered him six thousand guldens. Joseph boldly makes an offer of eight thousand, and it's taken up by Moser. The problem? He doesn't have that kind of money, his parents being indentured servants. After overhearing Moser explain to Eleonore that he decides to retire because he was devastated by his wife's death, Joseph takes up the courage to propose to Eleonore, who accepts, and encourages him to raise the money so he can fulfill his dream of owning a permanent theatre. At their wedding, the groom announces that he will change his name to something that harmonizes better with his bride's name: Emanuel. Together, they effectively become the first couple of Austrian theatre, with adoring crowds at the stage door every night.
However, trouble arrives. A timid writer, Johann Friedel, comes to the troupe in order to collaborate with the great Herr Schikaneder, but ends up staying on as an actor because of his developing infatuation for Frau Schikaneder. Eleonore, meanwhile, finds out that her husband is far from an ideal one: he is routinely unfaithful to her, but brushes it off as being mere entertainment. The last straw is when Maria AnnaMüller, Miller, Emanuel's newest fling, excitedly (or, perhaps, brazenly) announces to her that she is carrying Emanuel's child, and so Emanuel will marry her. Devastated, Eleonore seeks solace with Johann, and convinces him to run away with her to open a permanent theatre -- effectively stealing Emanuel's dream. Maria Anna breaks the news of her pregnancy and Eleonore's elopement to Emanuel, who firmly tells her that he will provide for her child, but he simply ''cannot'' marry her. Realizing that Eleonore was right, Maria Anna quits the troupe and moves away for a new beginning.
However, trouble arrives. A timid writer, Johann Friedel, comes to the troupe in order to collaborate with the great Herr Schikaneder, but ends up staying on as an actor because of his developing infatuation for Frau Schikaneder. Eleonore, meanwhile, finds out that her husband is far from an ideal one: he is routinely unfaithful to her, but brushes it off as being mere entertainment. The last straw is when Maria Anna
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The musical had its world premiere at the Raimund Theater in Vienna on September 30, 2016, and closed on June 21, 2017. A cast recording was released on December 5, 2016, featuring the original cast members: Mark Seibert as Emanuel Schikaneder, Milica Jovanovic as Eleonore Schikaneder, Franziska Schuster as Barbara Gerl, Katie Hall as Maria Anna Müller, Florian Peters as Johann Friedel, and the ensemble.
to:
The musical had its world premiere at the Raimund Theater in Vienna on September 30, 2016, and closed on June 21, 2017. A cast recording was released on December 5, 2016, featuring the original cast members: Mark Seibert as Emanuel Schikaneder, Milica Jovanovic as Eleonore Schikaneder, Franziska Schuster as Barbara Gerl, Katie Hall as Maria Anna Müller, Miller, Florian Peters as Johann Friedel, and the ensemble.
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Added DiffLines:
* TeethClenchedTeamwork: The Schikaneders' reunion starts out like this initially, until they find a mutual enemy in Marinelli, and change their focus to working on The Magic Flute instead.
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Changed line(s) 25 (click to see context) from:
* ArcWords: "Dream big."
to:
* ArcWords: ArcWords:
** "Dream big." "
** "Doomed! We're doomed!"/"Saved! We're saved!"
** "Dream big.
** "Doomed! We're doomed!"/"Saved! We're saved!"
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Changed line(s) 30 (click to see context) from:
* TheCasanova: Oh, Emanuel.
to:
* TheCasanova: Oh, Emanuel. He Lampshades this by referring to himself as Don Juan at one point.