Follow TV Tropes

Following

History Theatre / GiulioCesareInEgitto

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ArousedByTheirVoice: Cleopatra sings a song to Caesar to ensure her seduction works, and it does – he is completely entranced by her voice as much as by her looks.


Added DiffLines:

* ReplacementGoldfish: Curius considers trying his luck with "Lidia" since Cornelia has rejected him again.

Added: 1128

Changed: 351

Is there an issue? Send a MessageReason:
None


* BaldOfEvil: Ptolemy often has one. In the ENO opera film, he is also surrounded by identical bald minions.



* CreepyCrossdresser: In his first appearance in David [=McVicar=]’s production, Ptolemy is dressed exactly like Cleopatra, who is onstage at the moment as well and whom [[{{Squick}} he proceeds to grope]].



* SensitiveGuyAndManlyMan: A villainous example with the boyish-voiced Ptolemy, who loves to rhapsodize about the beauty of his concubines (or ''potential'' concubines) and [[BreadEggsMilkSquick about how he’ll torture and kill his enemies]], and the BadassBaritone Achillas whose arias have much less elaborate lyrics and who prefers brutal force over poisonous cunning.



* VillainLoveSong: Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many productions have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.

to:

* VillainLoveSong: VillainLoveSong:
**
Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many productions have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.cause.
** Ptolemy has ''Belle dée'' (''Beautiful goddesses''), addressed to his entire harem.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* FauxAffablyEvil: Ptolemy can maintain a polite and courteous facade, if not for very long.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BigDamnHeroes: Sextus bursts in dramatically to save Cornelia, twice – first to stop her from killing herself, then to rescue her from Ptolemy.


Added DiffLines:

* ReasonBeforeHonor: As Ptolemy steadily refuses fighting honorably, Sextus ends up killing him when he’s defenseless in his harem.

Added: 184

Changed: 125

Is there an issue? Send a MessageReason:
None


* OneHundredPercentAdorationRating: Caesar is universally beloved in Egypt (Ptolemy and initially Achillas being the only exceptions), so that everyone squees at the news that Egypt will now be subject to Rome.

to:

* OneHundredPercentAdorationRating: Caesar is universally beloved in Egypt (Ptolemy and initially Achillas being the only known exceptions), so that everyone squees at the news that Egypt will now be subject to Rome.



* ContraltoOfDanger: Inverted – Cornelia, a contralto, is the more timid of the female leads, and Cleopatra, a soprano, is the tougher one.

to:

* ContraltoOfDanger: ContraltoOfDanger:
**
Inverted with the female characters – Cornelia, a contralto, is the more timid of the female leads, them, and Cleopatra, a soprano, is the tougher one.one.
** Played straight if Caesar is sung by a woman.
Is there an issue? Send a MessageReason:
None


* LoveDodecahedron: Hardly a surprise in baroque opera, it includes almost everyone. So: Caesar and Cleopatra fall in love with each other, Cornelia was HappilyMarried to Pompey, is loved by Curius and pursued by Achillas and Ptolemy. Curius also nearly makes a move at Cleopatra (in her Lidia disguise), and some adaptations include the real-life-based IncestSubtext between Cleopatra and Ptolemy.

to:

* LoveDodecahedron: Hardly a surprise in baroque opera, it includes almost everyone. So: Caesar and Cleopatra fall in love with each other, Cornelia was HappilyMarried to Pompey, is loved by Curius and pursued by Achillas and Ptolemy. Curius also nearly makes a move at Cleopatra (in her Lidia disguise), and some adaptations include the real-life-based real life-based IncestSubtext between Cleopatra and Ptolemy.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* OneHundredPercentAdorationRating: Caesar is universally beloved in Egypt (Ptolemy and initially Achillas being the only exceptions), so that everyone squees at the news that Egypt will now be subject to Rome.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DishonoredDead:
** Pompey’s severed head is brought to Caesar as a welcoming gift. Caesar is mortified.
** After Achillas dies, Sextus commands to throw "the worthless corpse" into the sea. [[DueToTheDead Averted]] in the ENO production, where that line is cut and Caesar respectfully closes Achillas’s eyes.


Added DiffLines:

* LoveDodecahedron: Hardly a surprise in baroque opera, it includes almost everyone. So: Caesar and Cleopatra fall in love with each other, Cornelia was HappilyMarried to Pompey, is loved by Curius and pursued by Achillas and Ptolemy. Curius also nearly makes a move at Cleopatra (in her Lidia disguise), and some adaptations include the real-life-based IncestSubtext between Cleopatra and Ptolemy.

Added: 168

Changed: 21

Is there an issue? Send a MessageReason:
None


!! The opera contains examples of:

to:

!! The opera contains and its productions contain examples of:


Added DiffLines:

* DarkerAndEdgier: A downplayed example with the ENO opera film starring Janet Baker and Valerie Masterson, which is made in a more serious tone than most productions.
Is there an issue? Send a MessageReason:
None


Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring with the commander’s sigil and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.

to:

Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring with the commander’s sigil and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride tide of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.
Is there an issue? Send a MessageReason:
None


* DoggedNiceGuy: Curius, perhaps the only unambiguously nice guy in the whole story, gets repeatedly rejected by Cornelia. In an earlier opera by Sartorio, made to the same libretto, she does accept him in the end, but Handel’s version lacks that part.

to:

* DoggedNiceGuy: Curius, perhaps the only unambiguously nice guy in the whole story, gets repeatedly rejected by Cornelia. In an earlier opera by Sartorio, made to an earlier version of the same libretto, she does accept him in the end, but Handel’s Händel/Haym‘s version lacks that part.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ParentsInDistress: Sextus has to save his mother (or ParentalSubstitute stepmother, if the adaptation sticks to the historical fact) from Ptolemy.

Added: 127

Removed: 117

Is there an issue? Send a MessageReason:
None


** Cornelia’s ''Priva son d’ogni conforto'', after she sees [[AndIMustScream her husband’s head]] brought to Caesar.


Added DiffLines:

* GriefSong: Cornelia’s ''Priva son d’ogni conforto'', after she sees [[AndIMustScream her husband’s head]] brought to Caesar.

Added: 117

Changed: 29

Is there an issue? Send a MessageReason:
None


** Cornelia’s ''Priva son d’ogni conforto'', after she sees [[AndIMustScream her husband’s head]] brought to Caesar.



** Caesar’s ''Aure, dei, per pietá'' – at roughly the same point of the timeline, when Caesar has barely survived leaping into the sea, his troops are scattered, and he doesn’t know what has happened to Cleopatra.

to:

** Caesar’s ''Aure, dei, per pietá'' – at roughly the same point of the timeline, when Caesar has barely survived leaping into the sea, his troops are scattered, and he doesn’t know what has happened to Cleopatra.
Is there an issue? Send a MessageReason:
None


** Caesar’s ''Aure, dei, per pietá'' – at roughly the same point of the timeline, when Caesar has barely survived leaping into the sea, his troops are scattered, and he doesn’t know what has become of Cleopatra.

to:

** Caesar’s ''Aure, dei, per pietá'' – at roughly the same point of the timeline, when Caesar has barely survived leaping into the sea, his troops are scattered, and he doesn’t know what has become of happened to Cleopatra.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BSODSong:
** Cleopatra’s ''Piangeró la sorte mia'' is the most famous one. She sings it when she is captured by Ptolemy with no hope of escaping and believes Caesar to be killed.
** Caesar’s ''Aure, dei, per pietá'' – at roughly the same point of the timeline, when Caesar has barely survived leaping into the sea, his troops are scattered, and he doesn’t know what has become of Cleopatra.
Is there an issue? Send a MessageReason:
None


* ImDyingPleaseTakeMyMacguffin: Achillas to Nirenus and Sextus (it’s ambiguous whether he recognizes either of them at any point) when he gives him the ring.

to:

* ImDyingPleaseTakeMyMacguffin: Achillas to Nirenus and Sextus (it’s ambiguous whether he recognizes either of them at any point) when he gives him them the ring.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* SiblingRivalry: Cleopatra and Ptolemy’s war for the throne of Egypt.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ContraltoOfDanger: Inverted – Cornelia, a contralto, is the more timid of the female leads, and Cleopatra, a soprano, is the tougher one.
Is there an issue? Send a MessageReason:
None


Meanwhile, Ptolemy’s sister Cleopatra believes the throne should be hers since she’s the eldest, so she decides to get Caesar to help her with her rebellion. Disguised as a lady-in-waiting, she arrives at his camp and says [[ExactWords she is a highborn woman and Ptolemy has stolen what’s her birthright]]. Caesar is immediately smitten and promises to help her. After a while, Cleopatra realizes she has fallen in love with him as well.

to:

Meanwhile, Ptolemy’s sister Cleopatra believes the throne should be hers since she’s the eldest, so she decides to get Caesar to help her with her rebellion. Disguised as a lady-in-waiting, lady-in-waiting names Lidia, she arrives at his camp and says [[ExactWords she is a highborn woman and Ptolemy has stolen what’s her birthright]]. Caesar is immediately smitten and promises to help her. After a while, Cleopatra realizes she has fallen in love with him as well.


Added DiffLines:

* BeautifulDreamer: Invoked by Cleopatra, when she pretends to be asleep so that Caesar would openly confess his feelings for her. It works.
Is there an issue? Send a MessageReason:
None


''Giulio Cesare in Egitto'', often shortened to ''Giulio Cesare'' (''Julius Caesar in Egypt'') is a 1725 opera by Music/GeorgeFredericHandel, considered to be one of his best works and one of the best-known Baroque operas overall nowadays. The libretto by Nicola Haym is extremely loosely based on the relationship of UsefulNotes/CleopatraVII and UsefulNotes/JuliusCaesar, and the civil conflict in Egypt in which they were involved.

to:

''Giulio Cesare in Egitto'', often shortened to ''Giulio Cesare'' (''Julius Caesar in Egypt'') Egypt''), is a 1725 opera by Music/GeorgeFredericHandel, considered to be one of his best works and one of the best-known Baroque operas overall nowadays. The libretto by Nicola Haym is extremely loosely based on the relationship of UsefulNotes/CleopatraVII and UsefulNotes/JuliusCaesar, and the civil conflict in Egypt in which they were involved.

Added: 220

Changed: 1

Is there an issue? Send a MessageReason:
None


Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring which is a sign of a commander’s status and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.

to:

Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring which is a sign of a with the commander’s status sigil and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.



* VillainLoveSong: Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many productions have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.

to:

* VillainLoveSong: Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many productions have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.cause.
* TheVillainSucksSong: Caesar’s ''Empio, diró, tu sei'' – the first verse is directed at Achillas, the second at Ptolemy (though in some productions, like the ENO’s version with Janet Baker, it’s entirely about Ptolemy).
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ComfortingTheWidow: Curius tries it with Cornelia mere minutes after Pompey’s head is brought in. Achillas and Ptolemy aren’t too far behind him.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* GoodStepmother: Cornelia for Sextus – in the stagings that stick to the fact that Sextus was Pompey’s son by one of his previous wives. It’s either that or they are RelatedInTheAdaptation and made mother and son.

Added: 79

Changed: 164

Is there an issue? Send a MessageReason:
None


* CrosscastRole: The majority of the parts were written for castrato voices, and now every role except Achillas and Curius (both of them basses) can be sung by women.

to:

* CrosscastRole: The majority of the parts were written for castrato voices, and now every role except Achillas and Curius (both of them basses) can be sung by women. Sometimes, Sextus and Nirenus can even get their gender changed to make the casting and costuming easier – since them being female makes zero difference to the plot.



* ImDyingPleaseTakeMyMacguffin: Achillas to Nirenus and Sextus (it’s ambigiuous whether he recognizes either of them at any point) when he gives him the ring.

to:

* ImDyingPleaseTakeMyMacguffin: Achillas to Nirenus and Sextus (it’s ambigiuous ambiguous whether he recognizes either of them at any point) when he gives him the ring.ring.
* KingIncognito: Cleopatra gets disguised as a servant and calls herself Lidia.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LoveRedeems: Achillas’s love for Cornelia is what triggers his HeelFaceTurn.
Is there an issue? Send a MessageReason:
None


* RedemptionEqualsDeath: Achillas is killed trying to overthrow Ptolemy (or, in some productions, by Ptolemy himself).

to:

* RedemptionEqualsDeath: Achillas is killed trying to overthrow Ptolemy (or, in some productions, by Ptolemy himself).himself before he even gets a chance to try).

Added: 335

Changed: 130

Is there an issue? Send a MessageReason:
None


* LoveAtFirstSight: Again, very common in baroque opera.

to:

* TheHeroSucksSong: Ptolemy’s ''L’empio, sleale, indegno'', where he explains in detail what he thinks of Caesar.
* ImDyingPleaseTakeMyMacguffin: Achillas to Nirenus and Sextus (it’s ambigiuous whether he recognizes either of them at any point) when he gives him the ring.
* LoveAtFirstSight: Again, very pretty common in baroque opera.



* RedemptionEqualsDeath: Achillas is killed trying to overthrow Ptolemy (or, in some productions, by Ptolemy himself).



* VillainLoveSong: Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many adaptations have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.

to:

* VillainLoveSong: Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many adaptations productions have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.
Is there an issue? Send a MessageReason:
None


Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring which is a sign of a commander’s status and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.

to:

Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring which is a sign of a commander’s status and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

''Giulio Cesare in Egitto'', often shortened to ''Giulio Cesare'' (''Julius Caesar in Egypt'') is a 1725 opera by Music/GeorgeFredericHandel, considered to be one of his best works and one of the best-known Baroque operas overall nowadays. The libretto by Nicola Haym is extremely loosely based on the relationship of UsefulNotes/CleopatraVII and UsefulNotes/JuliusCaesar, and the civil conflict in Egypt in which they were involved.

Julius Caesar arrives in Egypt and decides to make peace with Pompey, only for Ptolemy’s henchman Achillas to arrive with Pompey’s head. Caesar is disgusted and promises to make the pharaoh pay. Pompey’s widow and son, Cornelia and Sextus, swear vengeance as well.

Meanwhile, Ptolemy’s sister Cleopatra believes the throne should be hers since she’s the eldest, so she decides to get Caesar to help her with her rebellion. Disguised as a lady-in-waiting, she arrives at his camp and says [[ExactWords she is a highborn woman and Ptolemy has stolen what’s her birthright]]. Caesar is immediately smitten and promises to help her. After a while, Cleopatra realizes she has fallen in love with him as well.

Cornelia and Sextus, attempting to get their revenge, are captured by Ptolemy instead, and Cornelia finds both Ptolemy and Achillas vying for her favors. But Ptolemy makes the mistake of promising Cornelia’s hand to his general and then going back on his word in the most humiliating manner possible, so Achillas switches to Cleopatra’s side. When Caesar and Cleopatra’s army is defeated, the mortally wounded Achillas gives Sextus the ring which is a sign of a commander’s status and tells him where the relief troops are hiding. Caesar, whom everyone thought dead, emerges alive and well, and the ride of the battle turns. Sextus is finally able to kill Pompey, and Caesar crowns Cleopatra as Queen of Egypt.

!! The opera contains examples of:
* ArtisticLicenseHistory: A norm for opera, especially in the Baroque period.
** The fact that Cleopatra and her brother were married is never referenced, and neither is Caesar’s own marriage.
** At the time of the plot, the RealLife Sextus Pompey was busy rebelling against Caesar, not making friends with him as he does in the opera. He also, most probably, had nothing to do with the death of Ptolemy.
** Achillas dies earlier than his historical counterpart, and in an entirely different way.
* BackForTheFinale: The entire cast, including the dead Ptolemy and Achillas, gathers for the final chorus.
* BecomingTheMask: Cleopatra initially seduces Caesar to make him her ally, but ends up really falling in love with him.
* CreepyHighPitchedVoice: Ptolemy is usually sung by a countertenor (the part was originally written for alto castrato).
* CrosscastRole: The majority of the parts were written for castrato voices, and now every role except Achillas and Curius (both of them basses) can be sung by women.
* DoggedNiceGuy: Curius, perhaps the only unambiguously nice guy in the whole story, gets repeatedly rejected by Cornelia. In an earlier opera by Sartorio, made to the same libretto, she does accept him in the end, but Handel’s version lacks that part.
* DudeMagnet: Surprisingly for an opera about Cleopatra, it’s not her but Cornelia, who has three suitors.
* LoveAtFirstSight: Again, very common in baroque opera.
** Achillas for Cornelia.
** Caesar for Cleopatra.
* MistreatmentInducedBetrayal: As Achillas puts it, "who doesn’t have honor deserves no loyalty".
* PoliticallyIncorrectHero: Cornelia’s first reason for rejecting Achillas is not that he is Ptolemy’s cruel henchman, or that he tries to threaten her into acceptance, or that he brought her husband’s head to Caesar, or anything of that sort, but:
-->"I, a ''Roman'', wife to a vile ''Egyptian''?!"
* RevengeBeforeReason: Cornelia and Sextus just walk into the palace and try to attack Ptolemy with absolutely no backup except for NonActionGuy Nirenus. Needless to say, it doesn’t end well for them.
* ReverseMole: Nirenus is Cleopatra’s man in the palace and quietly sabotages Ptolemy’s plots (for example, freeing Sextus).
* VillainLoveSong: Achillas has two – ''Tu sei il cor di questo core'' (''You are the heart of this heart'') and the frequently cut ''Se a me non sei crudele'' (''If you aren’t cruel to me''). Many adaptations have him sing them with genuine tenderness, but the fact that he organized the murder of Cornelia’s husband and imprisoned her son does ''not'' help his cause.

Top