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Changed line(s) 68 (click to see context) from:
* It's depressing to realize what Muntz threw away. He was still a very young man, at the peak of his prime, famous, idolized and presumably extremely rich. He missed out on what could have been a life of incredible success, comfort and renown if he would have just let the bird scandal go. Instead he literally spent the rest of his life alone on a fool's errand, trying to fulfill a quest that nobody remembered or cared about in present day.
to:
* It's depressing to realize what Muntz threw away. He was still a very young man, at the peak of his prime, famous, idolized and presumably extremely rich. He missed out on what could have been a life of incredible success, comfort and renown if he would have just let the bird scandal go. Instead he literally spent the rest of his life alone on a fool's errand, trying to fulfill a quest that nobody remembered or cared about in present day. ** Even worse is looking at it from Muntz's perspective. He most likely thought the expedition would take a few months, maybe a little over a year at the longest, and he would be vindicated. Instead, the bird turned out to be so elusive that it took him his whole life to find it, and the failure to do so gradually wore away at his sanity.
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Changed line(s) 25 (click to see context) from:
** Not helping matters is that from the looks of things, he's the only one there...or he stayed long after everyone else left.
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** Not helping matters is that from the looks of things, he's the only one there... or he stayed long after everyone else left.
Changed line(s) 28,29 (click to see context) from:
-->'''Russell''': Cross your heart?
-->'''Carl''': *pauses* ... Cross my heart.
-->'''Carl''': *pauses* ... Cross my heart.
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Changed line(s) 37,41 (click to see context) from:
-->'''Carl''': Phyllis? You call your own mother by her first name?
-->'''Russell''': [[WhamLine Phyllis isn't my mom.]]
-->'''Carl''': ''(the realization hits him)'' ... Oh.
** This could be interpreted as two things: Russel's parents are simply divorced and Russel can only reach the secretary, or he's in the sole care of his stepmother, Phyllis.
** It's actually worse if you consider the fact that Russel only ever mentions things he and his father used to do together or whatever empty promises he's recently made. This combined with how uncomfortable Russel is even mentioning his stepmother seems to indicate that [[WickedStepmother Phyllis doesn't like Russel]], and that, either at her behest or not, Russel's father has abandoned him emotionally in favor of his new family. And Russel, at least until the end of the movie, [[ThePollyanna still believed that his dad would show him how to set up a tent and come to his badge ceremony]].
-->'''Russell''': [[WhamLine Phyllis isn't my mom.]]
-->'''Carl''': ''(the realization hits him)'' ... Oh.
** This could be interpreted as two things: Russel's parents are simply divorced and Russel can only reach the secretary, or he's in the sole care of his stepmother, Phyllis.
** It's actually worse if you consider the fact that Russel only ever mentions things he and his father used to do together or whatever empty promises he's recently made. This combined with how uncomfortable Russel is even mentioning his stepmother seems to indicate that [[WickedStepmother Phyllis doesn't like Russel]], and that, either at her behest or not, Russel's father has abandoned him emotionally in favor of his new family. And Russel, at least until the end of the movie, [[ThePollyanna still believed that his dad would show him how to set up a tent and come to his badge ceremony]].
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** This could be interpreted as two things:
** It's actually worse if you consider the fact that
Changed line(s) 46 (click to see context) from:
-->'''Ellie''': [[ItHasBeenAnHonor Thanks for the adventure]] - now go have a new one! Love, Ellie
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Changed line(s) 57,59 (click to see context) from:
--> '''Dug''': Can I stay?
--> '''Carl''': Of course you can, you're my dog, aren't you? And I'm your master!
--> '''Dug''': You are my master?! Oh boy, oh boy!
--> '''Carl''': Of course you can, you're my dog, aren't you? And I'm your master!
--> '''Dug''': You are my master?! Oh boy, oh boy!
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--> '''Dug''': '''Dug:''' Can I stay?
-->'''Carl''': '''Carl:''' Of course you can, you're my dog, aren't you? And I'm your master!
-->'''Dug''': '''Dug:''' You are my master?! Oh boy, oh boy!
-->
-->
Changed line(s) 67 (click to see context) from:
* During the scene where Alpha, Beta, and Gamma catch up to Carl, Dug, and Russell, the guilty look on Dug's face when Beta and Gamma attack and trap Carl and Russell. and then the moment where Carl and Russell realize Dug inadvertently betrayed them and Dug looks even more guilty.
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* During the scene where Alpha, Beta, and Gamma catch up to Carl, Dug, and Russell, the guilty look on Dug's face when Beta and Gamma attack and trap Carl and Russell. Russell, and then the moment where Carl and Russell realize Dug inadvertently betrayed them and Dug looks even more guilty.
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Changed line(s) 15 (click to see context) from:
* The brief but ''heartrending'' scene during the opening montage after Carl and Ellie were planning a family- the closest any Disney film has ever gotten to openly portraying a miscarriage (or portraying how heartbreaking it can be when a woman learns that she's unable to have children).
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* The brief but ''heartrending'' scene during the opening montage after Carl and Ellie were planning a family- family - the closest any Disney film has ever gotten to openly portraying a miscarriage (or portraying how heartbreaking it can be when a woman learns that she's unable to have children).
Changed line(s) 18,19 (click to see context) from:
** What makes this even sadder is that, much like [[WesternAnimation/AnExtremelyGoofyMovie Goofy's Empty Nest Syndrome]] and [[WesternAnimation/ReturnToNeverland Jane's dad leaving for the war]], Ellie's miscarriage and/or infertility isn't even played for laughs. It is potrayed in a very normal and very realistic way.
** The fact that Carl and Ellie joyfully prepare a nursery for their baby is a mixture of this and FridgeHorror. They likely wouldn't have started getting a room ready for the baby until they were sure that Ellie was pregnant. As such, the loss must have come towards the middle of her pregnancy, meaning that the two anticipated their child for four or five months...only to suddenly lose the baby, and, just to twist the knife further, get the news that they could never try again.
** The fact that Carl and Ellie joyfully prepare a nursery for their baby is a mixture of this and FridgeHorror. They likely wouldn't have started getting a room ready for the baby until they were sure that Ellie was pregnant. As such, the loss must have come towards the middle of her pregnancy, meaning that the two anticipated their child for four or five months...only to suddenly lose the baby, and, just to twist the knife further, get the news that they could never try again.
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** What makes this even sadder is that, much like [[WesternAnimation/AnExtremelyGoofyMovie Goofy's Empty Nest Syndrome]] and [[WesternAnimation/ReturnToNeverland Jane's dad leaving for the war]], Ellie's miscarriage and/or infertility isn't even played for laughs. It is potrayed portrayed in a very normal and very realistic way.
** The fact that Carl and Ellie joyfully prepare a nursery for their baby is a mixture of this and FridgeHorror. They likely wouldn't have started getting a room ready for the baby until they were sure that Ellie was pregnant. As such, the loss must have come towards the middle of her pregnancy, meaning that the two anticipated their child for four or five months... only to suddenly lose the baby, and, just to twist the knife further, get the news that they could never try again.
** The fact that Carl and Ellie joyfully prepare a nursery for their baby is a mixture of this and FridgeHorror. They likely wouldn't have started getting a room ready for the baby until they were sure that Ellie was pregnant. As such, the loss must have come towards the middle of her pregnancy, meaning that the two anticipated their child for four or five months... only to suddenly lose the baby, and, just to twist the knife further, get the news that they could never try again.
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Changed line(s) 9 (click to see context) from:
* The ''intro.'' The lives of two people very much in love, from their youth til they are parted by death -- complete with the shared dream they were never able to complete. The creators were worried that the old man's reasons for going on his fantastic voyage would appear to be suicidal -- "he just wants to join his wife".
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* The ''intro.'' The lives of two people very much in love, from their youth til 'til they are parted by death -- complete with the shared dream they were never able to complete. The creators were worried that the old man's reasons for going on his fantastic voyage would appear to be suicidal -- "he just wants to join his wife".
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Changed line(s) 31 (click to see context) from:
* Right after Carl hits Steve over the head to make the worker let go of his mailbox, he looks outside and sees the CorruptCorporateExecutive standing there and putting his hand over the gatepost like saying "mine". Carl's "MyGodWhatHaveIDone" reaction is quite understandable, considering that he was immediately sued for assault, lost the case, and said executive used the opportunity to order him to be sent to a retirement home.
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* Right after Carl hits Steve over the head to make the worker let go of his mailbox, he looks outside and sees the CorruptCorporateExecutive standing there and putting his hand over the gatepost like saying "mine". Carl's "MyGodWhatHaveIDone" reaction is quite understandable, considering that he was immediately sued for assault, lost the case, and said executive used the opportunity to order him to be sent to a retirement home. The worst part is, he didn't even mean to hurt him let alone draw blood, he was just trying to get the guy away from his mailbox.
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Up To Eleven is a defunct trope
Changed line(s) 7 (click to see context) from:
''Creator/{{Pixar}}'' already had a reputation for being good at getting viewers to cry, but even then, ''WesternAnimation/{{Up}}'' is considered [[UpToEleven one of its most tear-jerking films ever produced.]]
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''Creator/{{Pixar}}'' already had a reputation for being good at getting viewers to cry, but even then, ''WesternAnimation/{{Up}}'' is considered [[UpToEleven one of its most tear-jerking films ever produced.]]
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Changed line(s) 7 (click to see context) from:
''Creator/{{Pixar}}'' already had a reputation for being good at getting viewers to cry, but even then, ''WesternAnimation/{{Up}}'' is considered [[UpToEleven one of its most tear-jerking movies ever.]]
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''Creator/{{Pixar}}'' already had a reputation for being good at getting viewers to cry, but even then, ''WesternAnimation/{{Up}}'' is considered [[UpToEleven one of its most tear-jerking movies ever.films ever produced.]]
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Changed line(s) 7 (click to see context) from:
''Creator/{{Pixar}}'' already had a reputation for being good at getting viewers to cry, but even then, ''WesternAnimation/{{Up}}'' is considered [[UpToEleven one of its most tear-jerking movies yet.]]
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''Creator/{{Pixar}}'' already had a reputation for being good at getting viewers to cry, but even then, ''WesternAnimation/{{Up}}'' is considered [[UpToEleven one of its most tear-jerking movies yet.ever.]]
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Changed line(s) 43,45 (click to see context) from:
* Somewhere halfway between SugarWiki/{{Heartwarming Moment|s}} and Epic Tearjerker. The scene at the end, where it shows the house on the cliff... It's mighty powerful.
** The house seemed so insignificant when he first gets it there, but when it lands there by chance, it was as big as it was in the picture that Ellie had made as a child. This might even be a metaphor for Carl's heart, as it seemed to grow since the first time the house landed.
*** What about the music that plays during this scene?
** The house seemed so insignificant when he first gets it there, but when it lands there by chance, it was as big as it was in the picture that Ellie had made as a child. This might even be a metaphor for Carl's heart, as it seemed to grow since the first time the house landed.
*** What about the music that plays during this scene?
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* Somewhere halfway between SugarWiki/{{Heartwarming Moment|s}} Once Carl has finally made it to Paradise Falls:
** He cleans up his living room andEpic Tearjerker. The scene at the end, where it shows the house on the cliff... It's mighty powerful.
** The house seemed so insignificant when he first gets it there, but when it lands there by chance, it was as big as it wassits in the picture his armchair, only to quickly realise that Ellie had made as a child. This might even be a metaphor is not there to share this moment with. Especially after he picks up her Adventure Book once again, and gets to the "Stuff I'm Going To Do" page.
** He then notices that there is something on the next page, and turns past it forCarl's heart, as it seemed to grow since the first time the house landed.
*** What about the musictime. The next few pages are full of pictures of times she spent with Carl, revealing that plays during this scene?Ellie's Adventure wasn't at Paradise Falls. It was the life she spent with Carl.
** Finally, the last page contains [[LastWords a final message]] for Carl:
-->'''Ellie''': [[ItHasBeenAnHonor Thanks for the adventure]] - now go have a new one! Love, Ellie
** He cleans up his living room and
** The house seemed so insignificant when he first gets it there, but when it lands there by chance, it was as big as it was
** He then notices that there is something on the next page, and turns past it for
*** What about the music
** Finally, the last page contains [[LastWords a final message]] for Carl:
-->'''Ellie''': [[ItHasBeenAnHonor Thanks for the adventure]] - now go have a new one! Love, Ellie
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* Somewhere halfway between SugarWiki/{{Heartwarming Moment|s}} and Epic Tearjerker. The scene at the end, where it shows the house on the cliff... It's mighty powerful.
** The house seemed so insignificant when he first gets it there, but when it lands there by chance, it was as big as it was in the picture that Ellie had made as a child. This might even be a metaphor for Carl's heart, as it seemed to grow since the first time the house landed.
*** What about the music that plays during this scene?
** The house seemed so insignificant when he first gets it there, but when it lands there by chance, it was as big as it was in the picture that Ellie had made as a child. This might even be a metaphor for Carl's heart, as it seemed to grow since the first time the house landed.
*** What about the music that plays during this scene?
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Changed line(s) 19 (click to see context) from:
** What makes this even sadder is that, much like [[WesternAnimation/AnExtremelyGoofyMovie Goofy's Empty Nest Syndrome]] and [[WesternAnimation/ReturnToNeverland Jane's dad leaving for the war]], it isn't even played for laughs. It is potrayed in a very normal and very realistic way.
to:
** What makes this even sadder is that, much like [[WesternAnimation/AnExtremelyGoofyMovie Goofy's Empty Nest Syndrome]] and [[WesternAnimation/ReturnToNeverland Jane's dad leaving for the war]], it Ellie's miscarriage and/or infertility isn't even played for laughs. It is potrayed in a very normal and very realistic way.
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** What makes this even sadder is that, much like [[WesternAnimation/AnExtremelyGoofyMovie Goofy's Empty Nest Syndrome]] and [[WesternAnimation/ReturnToNeverland Jane's dad leaving for the war]], it isn't even played for laughs. It is potrayed in a very normal and very realistic way.
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Completely irrelevant
Deleted line(s) 14 (click to see context) :
*** It's not even the only [[Film/StarTrek2009 critically-acclaimed, Oscar-winning 2009 film with a tearjerking ten-minute-long opener]] that he scored, either...
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Deleted line(s) 28 (click to see context) :
** This scene really shows just how far CGI has come since it first hit the scene nearly two decades earlier. Look at the image of Carl at her funeral - you can ''see'' the anguish lining his face.
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Deleted line(s) 16 (click to see context) :
*** It could even happen to you.
Deleted line(s) 70 (click to see context) :
* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021 just two days before the ''Dug Days'' series (which he'll reprise his role for Carl one last time) would premiere on Disney Plus.
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Changed line(s) 70 (click to see context) from:
* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021 just two days before the ''Dug Days'' series (which he'll reprise his role for Carl one last time) would premeire on Disney Plus.
to:
* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021 just two days before the ''Dug Days'' series (which he'll reprise his role for Carl one last time) would premeire premiere on Disney Plus.
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Changed line(s) 70 (click to see context) from:
* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021 just two days before the ''Dug Days'' series (which he'll reprise his role for Carl one las time) would premeire on Disney Plus.
to:
* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021 just two days before the ''Dug Days'' series (which he'll reprise his role for Carl one las last time) would premeire on Disney Plus.
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Changed line(s) 41 (click to see context) from:
-->'''Russell''': Phyllis isn't my mom.
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-->'''Russell''': [[WhamLine Phyllis isn't my mom.]]
Changed line(s) 70 (click to see context) from:
* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021.
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* In a meta example, Edward Asner (Carl's voice actor) passed away on August 29, 2021.2021 just two days before the ''Dug Days'' series (which he'll reprise his role for Carl one las time) would premeire on Disney Plus.
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Correct
Changed line(s) 70 (click to see context) from:
* In a meta example, Edward Asner (Carl's voice actor) passed away on October 29th, 2021.
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* In a meta example, Edward Asner (Carl's voice actor) passed away on October 29th, August 29, 2021.
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* In a meta example, Edward Asner (Carl's voice actor) passed away on October 29th, 2021.
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!!Movie
to:
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'''''This page contains unmarked spoilers. Administrivia/YouHaveBeenWarned!'''''
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!!Movie
Changed line(s) 5,6 (click to see context) from:
!!Movie
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Changed line(s) 67 (click to see context) from:
* It's depressing to realize what Muntz threw away. He was still a very young man, at the peak of his prime, famous, idolized and presumably extremely rich. He missed out on what could have been a life of incredible success, comfort and renown if he would have just let the bird scandal go. Instead he literally spent the rest of his life alone on a fool's errand, trying to fulfill a quest that nobody remembered or cared about in present day.
to:
* It's depressing to realize what Muntz threw away. He was still a very young man, at the peak of his prime, famous, idolized and presumably extremely rich. He missed out on what could have been a life of incredible success, comfort and renown if he would have just let the bird scandal go. Instead he literally spent the rest of his life alone on a fool's errand, trying to fulfill a quest that nobody remembered or cared about in present day.day.
----
----
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Changed line(s) 31 (click to see context) from:
* Right after Carl hits Steve over the head to make the worker let go of his mailbox, he looks outside and sees the CorruptCorporateExecutive standing there and putting his hand over the mailbox like saying "mine". Carl's "MyGodWhatHaveIDone" reaction is quite understandable, considering that he was immediately sued for assault, lost the case, and said executive used the opportunity to order him to be sent to a retirement home.
to:
* Right after Carl hits Steve over the head to make the worker let go of his mailbox, he looks outside and sees the CorruptCorporateExecutive standing there and putting his hand over the mailbox gatepost like saying "mine". Carl's "MyGodWhatHaveIDone" reaction is quite understandable, considering that he was immediately sued for assault, lost the case, and said executive used the opportunity to order him to be sent to a retirement home.
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Added DiffLines:
*** What about the music that plays during this scene?
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Changed line(s) 32 (click to see context) from:
* In the middle of the film, it looks like everything's gonna go along well... Muntz appears. He captures Kevin, who calls desperately to her babies after being injured, and making it just a few steps towards them before collapsing. He then throws down his lantern to ''burn down Carl's house''. Now tell me... how would you feel if someone tries to burn down the house you and your deceased wife have lived in for practically your whole life? "I DIDN'T ASK FOR ANY OF THIS!", indeed.
to:
* In the middle of the film, it looks like everything's gonna go along well... Muntz appears. He captures Kevin, who calls desperately to her babies after being injured, and making it just a few steps towards them before collapsing. He then throws down his lantern to ''burn down Carl's house''. Now tell me... how would you feel if someone, especially someone you've idolized since childhood, tries to burn down the house you and your deceased wife have lived in for practically your whole life? "I DIDN'T ASK FOR ANY OF THIS!", indeed.
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Added DiffLines:
** The fact that Carl and Ellie joyfully prepare a nursery for their baby is a mixture of this and FridgeHorror. They likely wouldn't have started getting a room ready for the baby until they were sure that Ellie was pregnant. As such, the loss must have come towards the middle of her pregnancy, meaning that the two anticipated their child for four or five months...only to suddenly lose the baby, and, just to twist the knife further, get the news that they could never try again.
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Added DiffLines:
** The brief moment after the trip to the doctor's office where Ellie sits alone in the front yard. Her shoulders are back, her head is tilted upward with the wind gently blowing on her hair, and her eyes are closed, as if she's either silently praying or crying. It's about the only time until she dies that she's depicted as sitting still or not speaking, indicating just how much the loss of her baby and/or infertility has shaken her to the core. And all Carl can do is stand and wordlessly watch his wife grieve.
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Changed line(s) 64 (click to see context) from:
* It's depressing to realize what Muntz threw away. He was still a very young man, at the peak of his prime, famous, idolized and presumably extremely rich. He missed out on what could have been a life of incredible success, comfort and renown if he would have just the bird scandal go. Instead he literally spent the rest of his life alone on a fool's errand, trying to fulfill a quest that nobody remembered or cared about in present day.
to:
* It's depressing to realize what Muntz threw away. He was still a very young man, at the peak of his prime, famous, idolized and presumably extremely rich. He missed out on what could have been a life of incredible success, comfort and renown if he would have just let the bird scandal go. Instead he literally spent the rest of his life alone on a fool's errand, trying to fulfill a quest that nobody remembered or cared about in present day.
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Carl was going to be sent to a rest home, not an asylum.
Changed line(s) 29 (click to see context) from:
* Right after Carl hits Steve over the head to make the worker let go of his mailbox, he looks outside and sees the CorruptCorporateExecutive standing there and putting his hand over the mailbox like saying "mine". Carl's "MyGodWhatHaveIDone" reaction is quite understandable, considering that he was immediately sued for assault, lost the case, and said executive used the opportunity to order him to be sent to the asylum.
to:
* Right after Carl hits Steve over the head to make the worker let go of his mailbox, he looks outside and sees the CorruptCorporateExecutive standing there and putting his hand over the mailbox like saying "mine". Carl's "MyGodWhatHaveIDone" reaction is quite understandable, considering that he was immediately sued for assault, lost the case, and said executive used the opportunity to order him to be sent to the asylum.a retirement home.