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A Franchise about teenagers and their talking dog solving supernatural crimes is nothing without it's devastating tragedies they face.
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* ''TearJerker/{{Velma}}''

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Moment page is for moment from the work.


** ''TearJerker/StraightOuttaNowhereScoobyDooMeetsCourageTheCowardlyDog''



* The gang's break up in the 2002 film, particularly Shaggy and Scooby. Fred, Velma and Daphne argue and decide to quit the gang, and all Shaggy can do is to quietly protest, to no avail. And then Scooby asks "Do I quit?", with Shaggy responding "No Scoob, Friends don't quit."

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* The gang's break up in the 2002 film, particularly film.
**
Shaggy and Scooby. Fred, Velma and Daphne argue and decide to quit the gang, and all Shaggy can do is to quietly protest, to no avail. And then Scooby asks "Do I quit?", with Shaggy responding "No Scoob, Friends don't quit."



* [[http://www.patrickawa.net/2007/10/old-bad-dogs.html?showComment=1612468964997) An old concept art]] shows Scrappy's transformation going differently: instead of willingly creating an elaborate ritual to become a monster, there's no daemon ritus in sight. Just a very non-malicious looking Scrappy looking genuinely shocked as his body begins to mutate.
** And it is a VERY PainfulTransformation...and he's wearing his collar and visibly choking as his neck begins to grow in size...
** And it's not the brown, plain collar in the final version-it's the one that he had from the cartoons, matching Scooby. The implications that he was still close to Scooby when this happened and was still forced by an evil being to attack his friends and loved ones is equal parts tragic and horrifying.
** Adding to the implication that this was a hostile entity is the fact that Scrappy’s tiny body doesn’t grow cartoonishly to accommodate the unnaturally rapid growth, no, his eyes pop out of their sockets. His ribcage pierces through his chest. And then, only then, does the thing that once was Scrappy begin to grin maliciously as the demon takes control, so poor Scrappy had to spend his last moments as himself in agony.

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