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* DisneyDeath: [[spoiler: Philo is shot in the back by Hatch near the end of the final episode, but is revealed to have survived following a TimeSkip.]]
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The first season of eight episodes premiered on August 30 2019, and a second and final season was released on February 17, 2023. Two {{Prequel}} ComicBook one-shots, ''Carnival Row: From The Dark'' and ''Carnival Row: Sparrowhawk'' were also published in August 2019 by Legendary Comics. These one-shots, along with several other stories, will be printed in a collection titled ''Tales of Carnival Row,'' scheduled for release in January 2023.

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The first season of eight episodes premiered on August 30 2019, and a second and final season was released on February 17, 2023. Two {{Prequel}} ComicBook one-shots, ''Carnival Row: From The Dark'' and ''Carnival Row: Sparrowhawk'' were also published in August 2019 by Legendary Comics. These one-shots, along with several other stories, will be were printed in a collection titled ''Tales of Carnival Row,'' scheduled for release released in January 2023.

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* BittersweetEnding: The state of the Burgue by the end of season one. [[spoiler:The Darkasher and its master are dead, but Absalom Breakspear, one of the few human advocates for human/fae coexistence, is murdered by Piety, leaving Jonah and Sophie in an alliance of questionable morality to establish a ruling dynasty over the entire city. Breakspear's death results in the ghettoization of ''all'' the Burgue's fae in Carnival Row. Imogen and Agreus flee, but Ezra is on their trail.]]

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* BittersweetEnding: BittersweetEnding:
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The state of the Burgue by the end of season one. [[spoiler:The Darkasher and its master are dead, but Absalom Breakspear, one of the few human advocates for human/fae coexistence, is murdered by Piety, leaving Jonah and Sophie in an alliance of questionable morality to establish a ruling dynasty over the entire city. Breakspear's death results in the ghettoization of ''all'' the Burgue's fae in Carnival Row. Imogen and Agreus flee, but Ezra is on their trail.]]
** At the end of season two, [[spoiler: the Sparas is dead and New Dawn's plans are thwarted, but only after many humans and fae die in the process. Carnival Row rebuilds after Hatch's attempted pogrom, and is in visibly much better shape economically and socially afterwards. Philo turns down an offer to become interim Chancellor, instead remaining a part of the Row. Imogen and Agreus remain together, though Agreus is permanently disfigured. Vignette and Tourmaline return to a rebuilding Tirnanoc, ultimately getting married.
]]
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* TamerAndChaster: Season 2, which interestingly reduces the amount of onscreen sex and nudity. Sex still happens, but viewers are given a SexyDiscretionShot, and whereas in season 1 characters were universally all GoingCommando, in season 2 they're depicted sleeping in 1800s-era undergarments, with Agreus even briefly teasing Imogen about being seen in her quite concealing knee-length bloomers and corset. Even the recap of Season 1 notably avoids showing any of the outright nudity the first season featured.
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* DidNotGetTheGirl: [[spoiler:Philo ends the series still in love with Vignette, but she marries Tourmaline]].
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* TwistingTheProphecy: The primary villain of season 1, [[spoiler:Piety Breakspear]], is obsessed with a prophecy that Chancellor Absalom Breakspear's son will be a great man; unfortunately, they've learned that Absalom had a child out of wedlock, [[spoiler:namely male lead Rycroft Philostrate]]. They kill several people over the course of the season in an effort to identify him so they can kill him in hopes the prophesied outcome will pass to Absalom's known son Jonah, [[spoiler:even though he was born to Piety by an extramarital affair with Absalom's rival Ritter Longerbane]].
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* HelplessKicking: In "[[Recap/CarnivalRowS2E5Reckoning Reckoning]]", [[spoiler:Jonah Breakspear]] kicks his legs helplessly as he's hauled off the ground and has his torso slowly devoured by the monster that's been hunting in the Burgue.
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* MasculineFeminineGayCouple: Vignette and Tourmaline dated in the past. [[spoiler:Later they rekindle their relationship and marry.]] They're a TomboyAndGirlyGirl pair.
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* BisexualLoveTriangle: Vignette was previously involved with Tourmaline, a female Faerie like her, but then married Philo. They get back together after she immigrates to the Burgue, and learns he isn't dead like she'd thought. They drift apart though [[spoiler:and at the end of the series she gets married to Tourmaline]].
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* MugglesDoItBetter: With very few exceptions, humans are able to employ early 20th century small arms, machine guns, gatling guns, cannons and ''auto-cannons'' against the Fae to devastating effect. Even the Fae's weapon of choice is the MolotovCocktail.

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* HuskyRusskie: {{Subverted}} with the Pact. While their army is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and despite the fact that they're no strangers to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland in Season 2 (namely the port of Ragusa) is sunny and mediterranean (and more reminiscent of Sevastopol in summer than Arkhangelsk in winter).

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* HuskyRusskie: {{Subverted}} with the Pact. While their army is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and despite the fact that they're no strangers to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland in Season 2 (namely the port of Ragusa) is sunny and mediterranean (and more reminiscent of Sevastopol in summer than Arkhangelsk in winter).(not unlike our world's [[https://en.wikipedia.org/wiki/Dubrovnik Ragusa]]).
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* HuskyRusskie: {{Subverted}} with the Pact. While their army is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and they're no strangers to to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland (namely the port of Ragusa) is sunny and mediterranean (more reminiscent of Sevastopol in summer than Arkhangelsk in winter).

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* HuskyRusskie: {{Subverted}} with the Pact. While their army is is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and despite the fact that they're no strangers to to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland in Season 2 (namely the port of Ragusa) is sunny and mediterranean (more (and more reminiscent of Sevastopol in summer than Arkhangelsk in winter).
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* HuskyRusskie: {{Subverted}} with the Pact. While their army is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and they're no strangers to to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland (namely the port of Ragusa) is sunny and mediterranean (more reminiscent of Sevastopol in summer than Arkangel in winter).

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* HuskyRusskie: {{Subverted}} with the Pact. While their army is is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and they're no strangers to to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland (namely the port of Ragusa) is sunny and mediterranean (more reminiscent of Sevastopol in summer than Arkangel Arkhangelsk in winter).
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* HuskyRusskie: {{Subverted}} with the Pact. While their army is brutal and frighteningly efficient at what they're doing (not to mention [[spoiler:not averse to a Communist uprising]]) and they're no strangers to to fur hats and snowy forests, they're not stereotypically brawny and the little we see of their homeland (namely the port of Ragusa) is sunny and mediterranean (more reminiscent of Sevastopol in summer than Arkangel in winter).
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** The Republic of the Burgue is clearly inspired heavily by VictorianLondon, from clothing to technology. Being a republic, it's governed by a parliament very similar to a unified version of the UK's Parliament. The Burguish flag looks similar to the Union Jack, albeit in darker colors. Season 2 offers a glimpse on their court proceedings and church services, which are at least viually reminiscent of Common Law and Anglicanism respectively (though generously ColourCodedForYourConvenience in teal). Philo even reads a "[[ScienceFiction scientific romance]]" about people going to the moon, something that grew prominent in the late 1800s with books like ''Literature/FromTheEarthToTheMoon''.

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** The Republic of the Burgue is clearly inspired heavily by VictorianLondon, from clothing to technology. Being a republic, it's governed by a parliament very similar to a unified version of the UK's Parliament. The Burguish flag looks similar to the Union Jack, albeit in darker colors. Season 2 offers a glimpse on their court proceedings and church services, which are at least viually visually reminiscent of Common Law and Anglicanism respectively (though generously ColourCodedForYourConvenience in teal). Philo even reads a "[[ScienceFiction scientific romance]]" about people going to the moon, something that grew prominent in the late 1800s with books like ''Literature/FromTheEarthToTheMoon''.
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** The Republic of the Burgue is clearly inspired heavily by VictorianLondon, from clothing to technology. Being a republic, it's governed by a parliament very similar to a unified version of the UK's Parliament. The Burguish flag looks similar to the Union Jack, albeit in darker colors. Season 2 offers a glimpse on their court proceedings and church services, which are at least viually reminiscent of Common Law and Anglicanism respectively (though generously ColourCOdedForYourConvenience in teal). Philo even reads a "[[ScienceFiction scientific romance]]" about people going to the moon, something that grew prominent in the late 1800s with books like ''Literature/FromTheEarthToTheMoon''.

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** The Republic of the Burgue is clearly inspired heavily by VictorianLondon, from clothing to technology. Being a republic, it's governed by a parliament very similar to a unified version of the UK's Parliament. The Burguish flag looks similar to the Union Jack, albeit in darker colors. Season 2 offers a glimpse on their court proceedings and church services, which are at least viually reminiscent of Common Law and Anglicanism respectively (though generously ColourCOdedForYourConvenience ColourCodedForYourConvenience in teal). Philo even reads a "[[ScienceFiction scientific romance]]" about people going to the moon, something that grew prominent in the late 1800s with books like ''Literature/FromTheEarthToTheMoon''.

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** The Republic of the Burgue is clearly inspired heavily by VictorianLondon, from clothing to technology. Being a republic, it's governed by a parliament very similar to a unified version of the UK's Parliament. The Burguish flag looks similar to the Union Jack, albeit in darker colors. Philo even reads a "[[ScienceFiction scientific romance]]" about people going to the moon, something that grew prominent in the late 1800s with books like ''Literature/FromTheEarthToTheMoon''.

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** The Republic of the Burgue is clearly inspired heavily by VictorianLondon, from clothing to technology. Being a republic, it's governed by a parliament very similar to a unified version of the UK's Parliament. The Burguish flag looks similar to the Union Jack, albeit in darker colors. Season 2 offers a glimpse on their court proceedings and church services, which are at least viually reminiscent of Common Law and Anglicanism respectively (though generously ColourCOdedForYourConvenience in teal). Philo even reads a "[[ScienceFiction scientific romance]]" about people going to the moon, something that grew prominent in the late 1800s with books like ''Literature/FromTheEarthToTheMoon''.

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* TheRevolutionWillNotBeCivilized: The Faun cultists slaughter a human bigot in a ritualistic manner, and then kill one of their kind who's a servant to impersonate him in an attempt to murder the Chancellor. All this only leads to harsh measures against all the Fae in retaliation, likely fomenting further unrest.

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* TheRevolutionWillNotBeCivilized: TheRevolutionWillNotBeCivilized:
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The Faun cultists slaughter a human bigot in a ritualistic manner, and then kill one of their kind who's a servant to impersonate him in an attempt to murder the Chancellor. All this only leads to harsh measures against all the Fae in retaliation, likely fomenting further unrest.unrest.
** The New Dawn are communist insurgents who have taken over territory in the Pact. After they capture a ship whose sailors have been [[IndenturedServitude indentured]] to work there, the officers are [[ShotAtDawn shot by firing squad]], while Agreus (the ship owner) is tormented with a [[FakeKillScare mock execution]] as he's led to believe he'll die this way too. It's implied strongly they "dispose" of a woman who's troublesome as well, and then [[{{Unperson}} pretend like she'd never existed]]. There's also no leaving once you're there, while all residents are also obliged to work or they don't eat. Most aristocrats or others deemed exploiters are indicated to be shot unless deemed capable of being reeducated.

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* {{Commune}}: The New Dawn, a communist insurgency, set this up in the territory they control. Everyone must work, but everything that's produced belongs to them all (at least, so it's said).



* EmergencyAuthority: It turns out that in a crisis the Burgish Chancellor can do things not permitted by law ordinarily to safeguard national security. Based on this, Chancellor Jonah Breakspear orders that [[spoiler:Vignette, Milworthy and Sophie be summarily guillotined]].



* InterspeciesRomance: The one between Philo (a human) and Vignette (a faerie) is the core romance of the show, albeit very much 'off' for most of the first season. [[spoiler:Philo is also the product of one himself. Imogen and Agreus also end up falling in love and running away together at the end of the season one finale.]]

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* InterspeciesRomance: InterspeciesRomance:
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The one between Philo (a human) and Vignette (a faerie) is the core romance of the show, albeit very much 'off' for most of the first season. [[spoiler:Philo is also the product of one himself. himself, so not a full example as he's half Faerie.]]
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Imogen (human) and Agreus (a Faun) also end up falling in love and running away together at the end of the season one finale.]]finale.
** Leonara, leader of the New Dawn communist insurgency in the Pact, also reveals that her lover is a human man, and supports Imogen in her being with Agreus, giving her advice on this.


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* KangarooCourt: Vignette faces a court which is obviously biased toward her when she's accused of attempted murder against a police officer. Philo realizes there's no way she'll get a fair trial and sets out to rescue her.


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* OffWithHisHead: The method of execution in the Burgue turns out to be beheading with a large mechanical guillotine. It's able to behead multiple condemned prisoners at once, as shown in the Season 2 opener.
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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the Pact even [[spoiler: goes through its own equivalent of UsefulNotes/RomanovsAndRevolutions the Russian Revolution]] (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the Pact even [[spoiler: goes through its own equivalent of UsefulNotes/RomanovsAndRevolutions [[UsefulNotes/RomanovsAndRevolutions the Russian Revolution]] (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the Pact even [[spoiler: goes through its own equivalent of UsefulNotes/https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/RomanovsAndRevolutions the Russian Revolution (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the Pact even [[spoiler: goes through its own equivalent of UsefulNotes/https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/RomanovsAndRevolutions UsefulNotes/RomanovsAndRevolutions the Russian Revolution Revolution]] (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the Pact even [[spoiler: goes through its own equivalent of UsefulNotes/RedOctober (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the Pact even [[spoiler: goes through its own equivalent of UsefulNotes/RedOctober UsefulNotes/https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/RomanovsAndRevolutions the Russian Revolution (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].
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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the pact even [[spoiler: goes through its own equivalent of UsefulNotes/RedOctober (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the pact Pact even [[spoiler: goes through its own equivalent of UsefulNotes/RedOctober (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919).

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** The Pact, the human enemy in the colonial war that the Burgue was fighting over the territory of Tirnanoc, has soldiers dressed in clothing that seem based on Tsarist Russia or perhaps the troops of 19th century Middle Eastern or Central Asian kingdoms. Which together with the architecture and snowy landscape in the mountain temple in episode 3 and the clothing style of the Fae make this conflict seem like a mix between various proxy-wars that were part of the so-called [[Literature/TheGreatGame "Great Game"]], like the Crimean War (1853-1856) and the First/Second/Third Anglo-Afghan War (1839-1919). In Season 2, the pact even [[spoiler: goes through its own equivalent of UsefulNotes/RedOctober (specifically, the [[https://en.wikipedia.org/wiki/Kronstadt_mutinies Kronstadt Mutiny]])]].
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* FantasticGhetto: The eponymous row, a part of the Burgue, is where the immigrant Fae settle. At the end of the first season, they're confined inside it by government order with armed guards patrolling the outskirts. It's quite poor and run down, with the confinement only making things worse as medical supplies are low.
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* ThirdLineSomeWaiting: Season 1 has the political plotline at the top of the Burgue, which interlocks with Philo's murder investigation and Vignette's misadventures at the bottom of it. Then there's the C-plot with Agreus Astrayon and the Spurnrose siblings, which barely interacts with the other two (Vignette is briefly a maid at the Spurnrose house, then [[spoiler:Agreus and Imogen leave town ahead of the Burgue confining all the fae to the Row]] at the end of the season]]). Season 2 plays similarly, with the Burgue politics story, the fae trying to survive the FantasticGhetto and another paranormal murder investigation, and then the C-plot with Agreus and Imogen stranded in the middle of the Pact's communist revolution.

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* ThirdLineSomeWaiting: Season 1 has the political plotline at the top of the Burgue, which interlocks with Philo's murder investigation and Vignette's misadventures at the bottom of it. Then there's the C-plot with Agreus Astrayon and the Spurnrose siblings, which barely interacts with the other two (Vignette is briefly a maid at the Spurnrose house, then [[spoiler:Agreus and Imogen leave town ahead of the Burgue confining all the fae to the Row]] at the end of the season]]).season). Season 2 plays similarly, with the Burgue politics story, the fae trying to survive the FantasticGhetto and another paranormal murder investigation, and then the C-plot with Agreus and Imogen stranded in the middle of the Pact's communist revolution.

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* BlackAndGrayMorality: From what we see of the war between the Burgue and the Pact, it seems to be this. The Burgue is a racist would-be empire who treat the Fae poorly and then abandon them when they lose the war. The Pact, however, appear to be AlwaysChaoticEvil who are first shown committing what appears to be an ethnic cleansing against the Fae, and have gone so far as to deliberately infect their soldiers with lycanthropy to give them an advantage in combat. The roleplaying game states that during the war, the Fae would loudly curse the Burgue and the Pact alike, but quietly hope that the Burgue would win.

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* BlackAndGrayMorality: BlackAndGrayMorality:
**
From what we see of the war between the Burgue and the Pact, it seems to be this. The Burgue is a racist would-be empire who treat the Fae poorly and then abandon them when they lose the war. The Pact, however, appear to be AlwaysChaoticEvil who are first shown committing what appears to be an ethnic cleansing against the Fae, and have gone so far as to deliberately infect their soldiers with lycanthropy to give them an advantage in combat. The roleplaying game states that during the war, the Fae would loudly curse the Burgue and the Pact alike, but quietly hope that the Burgue would win.


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** The New Dawn, a communist insurgency that breaks out in the Pact in season 2, is an explicitly anti-racist union of fae and lower-class Pactish humans, but has little problem summarily executing anybody above the working class and assigns people to work according to the needs of its government. They're up against, well, the same Pact who were deliberately turning their own soldiers into Marroks in season 1--which ironically prompts the Pact to come to the Burgue to buy new weapons to put down the revolt, which equally terrifies the rulers of the Burgue's apartheid state.
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* FantasyConflictCounterpart: The New Dawn revolution in the Pact in season 2 is a fairly blatant riff on the [[UsefulNotes/RedOctober Russian Revolution]]. The Pact, roughly representing the Whites as the status quo, goes to the Burgue (Western capitalist states) for help against the New Dawn (Reds/Bolsheviks), an explicitly anti-racist union of fae and lower-class Pactish humans that instead exalts the virtues of work and assigns people to work according to the needs of the state--and summarily executes all of Agreus's ship's officers purely for being of the upper classes.


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* ThirdLineSomeWaiting: Season 1 has the political plotline at the top of the Burgue, which interlocks with Philo's murder investigation and Vignette's misadventures at the bottom of it. Then there's the C-plot with Agreus Astrayon and the Spurnrose siblings, which barely interacts with the other two (Vignette is briefly a maid at the Spurnrose house, then [[spoiler:Agreus and Imogen leave town ahead of the Burgue confining all the fae to the Row]] at the end of the season]]). Season 2 plays similarly, with the Burgue politics story, the fae trying to survive the FantasticGhetto and another paranormal murder investigation, and then the C-plot with Agreus and Imogen stranded in the middle of the Pact's communist revolution.

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