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Changed line(s) 31 (click to see context) from:
IKnowYoureWatchingMe: When Finch walks by three pay phones and each of them ring as he passes, he stares questioningly at the nearest security camera. Cut to the Machine's POV, looking directly at Finch.
to:
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IKnowYoureWatchingMe: When Finch walks by three pay phones and each of them ring as he passes, he stares questioningly at the nearest security camera. Cut to the Machine's POV, looking directly at Finch.
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* EarpieceConversation: At one point, Donnelly and Finch are using the same earpiece to talk Carter through John's interrogation.
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Changed line(s) 15 (click to see context) from:
* ContinuityNod: Elias tells Reese that he won't rat him out to the Feds, first because John saved his life once, and second, if he does, Harold will stop coming over to play chess with him.
to:
* ContinuityNod: Elias ContinuityNod:
**Elias tells Reese that he won't rat him out to the Feds, first because John saved his life once, and second, if he does, Harold will stop coming over to play chess withhim.him.
**During the interrogations, Reese mentions that he took a trip to Mexico last May. The previous season, he did go there to get the US Marshal Jennings locked up for drug-related charges (even better, that episode aired in May 2012).
**Elias tells Reese that he won't rat him out to the Feds, first because John saved his life once, and second, if he does, Harold will stop coming over to play chess with
**During the interrogations, Reese mentions that he took a trip to Mexico last May. The previous season, he did go there to get the US Marshal Jennings locked up for drug-related charges (even better, that episode aired in May 2012).
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* ShownTheirWork: The interrogation scenes are extremely realistic, thanks to technical consultant Tony Camerino, [[WriteWhatYouKnow an Army veteran and trained interrogator]].
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*BaitAndSwitch: The intro implies that the episode about Fusco saving the supermodel when really its just the side plot.
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*SelfParody: The standard "save the victim" plot of the show is [[NoodleIncident never explained]] and looks weird because the one doing the saving isn't the hero.
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Changed line(s) 3 (click to see context) from:
-> ''"It’s funny, how the choices you make change who you become. Take one path or the other ... All these years later, I still wonder... if I had re-upped when the towers came down... who would I be now?"''
to:
-> ''"It’s funny, how the choices you make change who you become. Take one path or the other ... All ''
-> ''All these years later, I still wonder... if I had re-upped when the towers came down... who would I be now?"''
-> ''All these years later, I still wonder... if I had re-upped when the towers came down... who would I be now?"''
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Changed line(s) 32 (click to see context) from:
* SexualExtortion: Stanton's interest in Reese has shades of this. Reverse of the trope, she's the one who instigates it and he's one who is uninterested -- until she threatens him at gunpoint.
to:
* SexualExtortion: Stanton's interest in Reese has shades of this. Reverse of the trope, she's the one who instigates it and he's one who is uninterested -- [[AnOfferYouCantRefuse until she threatens him at gunpoint.gunpoint]].
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Changed line(s) 14 (click to see context) from:
* DontCelebrateJustYet: Reese is released from prison. But....
to:
* DontCelebrateJustYet: Reese is released from prison. But....prison, but....
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** ...and then there's whatever gambit [[spoiler: Cara Stanton]] is playing on top of all that!
to:
** ...and then there's whatever gambit [[spoiler: Cara Kara Stanton]] is playing on top of all that!
Changed line(s) 32 (click to see context) from:
* SexualExtortion: Stanton's interest in Reese has shades of this. Reverse of the trope, she's the one who instigates it and he's one who is uninterested -- until she threatens him with a gun.
to:
* SexualExtortion: Stanton's interest in Reese has shades of this. Reverse of the trope, she's the one who instigates it and he's one who is uninterested -- until she threatens him with a gun.at gunpoint.
Changed line(s) 34 (click to see context) from:
* ThirdActStupidity: [[spoiler:What made John think it was a good idea to meet Carter in public the night he was released from prison?]]
to:
* ThirdActStupidity: [[spoiler:What [[spoiler:After successfully fooling the FBI with some help from Carter, what made John think it was a good idea to go meet Carter her in public the night he was released from prison?]]
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* WhamEpisode
to:
* WhamEpisode
WhamEpisode: To put it mildly.
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-> ''"It’s funny, how the choices you make change who you become. Take one path or the other ... All these years later, I still wonder... if I had re-upped when the towers came down... who would I be now?"''
-->-- ''Reese''
-->-- ''Reese''
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Changed line(s) 30 (click to see context) from:
* SlapSlapKiss / RomanceEnsues: [[spoiler:Reese and Stanton in the flashback. [[BigDamnKiss WHOA!]] ]]
to:
* SexualExtortion: Stanton's interest in Reese has shades of this. Reverse of the trope, she's the one who instigates it and he's one who is uninterested -- until she threatens him with a gun.
* SlapSlapKiss / RomanceEnsues: [[spoiler:Reese and Stanton in the flashback. [[BigDamnKiss WHOA!]] ]]
* SlapSlapKiss / RomanceEnsues: [[spoiler:Reese and Stanton in the flashback.
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I really need to learn how the \"shift\" key works!
Changed line(s) 15 (click to see context) from:
** Carter is [[spoiler: trying to interrogate Reese aggressively enough that Donnelly doesn't suspect anything]], but without [[spoiler; eliciting an answer that blows Reese's cover]]--and simultaneously trying to [[spoiler: frame one of the mercenaries as "the Man in the Suit."]]
to:
** Carter is [[spoiler: trying to interrogate Reese aggressively enough that Donnelly doesn't suspect anything]], but without [[spoiler; [[spoiler: eliciting an answer that blows Reese's cover]]--and simultaneously trying to [[spoiler: frame one of the mercenaries as "the Man in the Suit."]]
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Changed line(s) 15 (click to see context) from:
** Carter is [[spoiler: trying to interrogate Reese aggressively enough that Donnelly doesn't suspect anything]], but without [[spoiler; eliciting an answer that blows Reese's cover]]--and simultaneously trying to [[spoiler; frame one of the mercenaries as "the Man in the Suit."]]
to:
** Carter is [[spoiler: trying to interrogate Reese aggressively enough that Donnelly doesn't suspect anything]], but without [[spoiler; eliciting an answer that blows Reese's cover]]--and simultaneously trying to [[spoiler; [[spoiler: frame one of the mercenaries as "the Man in the Suit."]]
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** Pennsylvania Two just wants to [[spoiler: KillEmAll]].
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Changed line(s) 17 (click to see context) from:
** Finch is listening in and [[spoiler adding supporting documentation for Reese's cover ''on the fly'' so that if Donnelly runs a search to confirm what Reese is saying, he won't find any gaps in the tale.]]
to:
** Finch is listening in and [[spoiler [[spoiler: adding supporting documentation for Reese's cover ''on the fly'' so that if Donnelly runs a search to confirm what Reese is saying, he won't find any gaps in the tale.]]
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** Donnelly is trying to [[spoiler: identify which prisoner is the "Man in the Suit,"]] ''and'' simultaneously [[spoiler: determine if Carter is the "mole" in his investigation]], by [[spoiler: having Carter aggressively interrogating Reese and the others]].
** Carter is [[spoiler: trying to interrogate Reese aggressively enough that Donnelly doesn't suspect anything]], but without [[spoiler; eliciting an answer that blows Reese's cover]]--and simultaneously trying to [[spoiler; frame one of the mercenaries as "the Man in the Suit."]]
** Reese is trying to maintain his cover identity long enough to get out.
** Finch is listening in and [[spoiler adding supporting documentation for Reese's cover ''on the fly'' so that if Donnelly runs a search to confirm what Reese is saying, he won't find any gaps in the tale.]]
** ...and then there's whatever gambit [[spoiler: Cara Stanton]] is playing on top of all that!
** Carter is [[spoiler: trying to interrogate Reese aggressively enough that Donnelly doesn't suspect anything]], but without [[spoiler; eliciting an answer that blows Reese's cover]]--and simultaneously trying to [[spoiler; frame one of the mercenaries as "the Man in the Suit."]]
** Reese is trying to maintain his cover identity long enough to get out.
** Finch is listening in and [[spoiler adding supporting documentation for Reese's cover ''on the fly'' so that if Donnelly runs a search to confirm what Reese is saying, he won't find any gaps in the tale.]]
** ...and then there's whatever gambit [[spoiler: Cara Stanton]] is playing on top of all that!
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* OhCrap: Finch's reaction to the Machine's latest Number.
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Continuity Nod
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* ContinuityNod: Elias tells Reese that he won't rat him out to the Feds, first because John saved his life once, and second, if he does, Harold will stop coming over to play chess with him.
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* ClimacticMusic: "Eminence Front" by The Who.
* PrisonEpisode
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to:
* WhamEpisode
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Changed line(s) 4,5 (click to see context) from:
Carter continues to play both sides of the fence to assist Finch in helping Reese conceal his identity from the FBI, while Reese crosses paths with several old foes and is finally confronted with a figure from his past that he probably wishes would have stayed there. Meanwhile, Fusco is doing.... actually, we don't even know what was going on but it involved a supermodel, an Armenian gang, and the best unnecessary plot line ''ever.''
to:
With Donnelly demanding her assistance, Carter continues to play playing both sides of the fence to assist Finch in helping help Reese conceal his identity from avoid being identified by the FBI, while and Reese crosses paths with several old foes and is before finally being confronted with a figure from his past that he probably wishes would have stayed there. there. Meanwhile, Finch works on engineering an escape plan, and Fusco is doing....doing... actually, we don't even know what was going on but it involved a supermodel, an Armenian gang, and the best unnecessary plot line ''ever.''
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Changed line(s) 17 (click to see context) from:
* MeaningfulEcho: In a flashback to 2007, Kara Stanton tells the reluctant Reese that he needs to learn to love his work as an assassin. Later in 2009, she finally gets fed up with his continued attempts to distance himself and threatens him at gunpoint to choose who he's going to be; the boy scout or the killer. He responds by disarming her, shoving her against the wall, and with his hand to her throat informs her in no uncertain terms that ''he loves his work.''
to:
* MeaningfulEcho: In a flashback to 2007, Kara Stanton tells the reluctant Reese that he needs to learn to love his work as an assassin. Later in a flashback to 2009, she finally gets fed up with his continued attempts to distance himself and threatens him at gunpoint to choose who he's going to be; the boy scout or the killer. He responds by disarming her, shoving her against the wall, and with his hand to her throat informs her in no uncertain terms that ''he loves his work.''
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Changed line(s) 19 (click to see context) from:
* SlapSlapKiss: [[spoiler:Reese and Stanton in the flashback. [[BigDamnKiss WHOA!]] ]]
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* SlapSlapKiss: SlapSlapKiss / RomanceEnsues: [[spoiler:Reese and Stanton in the flashback. [[BigDamnKiss WHOA!]] ]]
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* BookEnds: Donnelly's hunt for the Man in the Suit begins and ends when someone crashes into his car while he's transporting a prisoner. Poor guy can't catch a break.
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* MeaningfulEcho: In a flashback to 2007, Kara Stanton tells the reluctant Reese that he needs to learn to love his work as an assassin. Later in 2009, she finally gets fed up with his continued attempts to distance himself and threatens him at gunpoint to choose who he's going to be; the boy scout or the killer. He responds by disarming her, shoving her against the wall, and with his hand to her throat informs her in no uncertain terms that ''he loves his work.''
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* GetIntoJailFree: How the NSA assassin decides to get access to the Man in the Suit.
to:
* GetIntoJailFree: How the NSA assassin Hersh (Pennsylvania Two's chief thug) decides to get access to the Man in the Suit.
Changed line(s) 16 (click to see context) from:
* RoguesGalleryShowcase: Reese has to deal with Donnelly, Elias, Hersh (Pennsylvania Two's chief thug) ''and'' the Aryans from [[Recap/PersonOfInterestS02E01 "The Contingency"]]. Stanton is in the episode too, but as a flashback character. [[spoiler:Until she's not.]]
to:
* RoguesGalleryShowcase: Reese has to deal with Donnelly, Elias, Hersh (Pennsylvania Two's chief thug) ''and'' the Aryans from [[Recap/PersonOfInterestS02E01 "The Contingency"]]. Stanton is in the episode too, but as a flashback character. [[spoiler:Until she's not.]]
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* [[BatmanGrabsAGun Batman Grabs a Grenade Launcher]]: Finch, at the end of the second act, though it quickly becomes unnecessary.
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Changed line(s) 4,5 (click to see context) from:
Carter continues to play both sides of the fence to assist Finch in helping Reese conceal his identity from the FBI, while Reese crosses paths with several old foes and is finally confronted with a figure from his past that he probably wishes would have stayed there. Meanwhile, Fusco is doing.... we actually don't even know what, but it involved a supermodel, an Armenian gang, and the best unnecessary plot line ever.
to:
Carter continues to play both sides of the fence to assist Finch in helping Reese conceal his identity from the FBI, while Reese crosses paths with several old foes and is finally confronted with a figure from his past that he probably wishes would have stayed there. Meanwhile, Fusco is doing.... actually, we actually don't even know what, what was going on but it involved a supermodel, an Armenian gang, and the best unnecessary plot line ever.
''ever.''
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* DontCelebrateJustYet: Reese is released from prison. But....
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* TheGreatestStoryNeverTold: Fusco and supermodel Karolína Kurková. The end.
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* GetIntoJailFree: How the NSA assassin decides to get access to the Man in the Suit.
* TheGreatestStoryNeverTold:Fusco and Fusco, supermodel Karolína Kurková.Kurková, and an Armenian gang. The end.
** This entire plot doubles as an [[OffscreenMomentOfAwesome Offscreen moment of awesome]].
* TheGreatestStoryNeverTold:
** This entire plot doubles as an [[OffscreenMomentOfAwesome Offscreen moment of awesome]].
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* SlapSlapKiss: [[spoiler:Reese and Stanton in the flashback. [[BigDamnKiss WHOA!]] ]]
* ThirdActStupidity: [[spoiler:What made John think it was a good idea to meet Carter in public the night he was released from prison?]]
* ThirdActStupidity: [[spoiler:What made John think it was a good idea to meet Carter in public the night he was released from prison?]]
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!! Prisoner's Dilemma
to:
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* GambitPileUp: ''Everyone'' is trying to pull off a gambit, and Carter tends to be in the middle of all of them.
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* InspectorJavert: This episode really rams home how obsessive Donnelly has become, even though he believes he's doing it for the right reasons.
* [[spoiler:KilledOffForReal]]: [[spoiler:Donnelly]].
* RoguesGalleryShowcase: Reese has to deal with Donnelly, Elias, Hersh (Pennsylvania Two's chief thug) ''and'' the Aryans from [[Recap/PersonOfInterestS02E01 "The Contingency"]]. Stanton is in the episode too, but as a flashback character. [[spoiler:Until she's not.]]
* VillainousRescue: Elias saving Reese from the Aryans (and, unbeknownst to anyone, Hersh).
** [[spoiler:Stanton saves Reese and Carter from Donnelly by [[MoralEventHorizon murdering him]].]]
* [[spoiler:KilledOffForReal]]: [[spoiler:Donnelly]].
* RoguesGalleryShowcase: Reese has to deal with Donnelly, Elias, Hersh (Pennsylvania Two's chief thug) ''and'' the Aryans from [[Recap/PersonOfInterestS02E01 "The Contingency"]]. Stanton is in the episode too, but as a flashback character. [[spoiler:Until she's not.]]
* VillainousRescue: Elias saving Reese from the Aryans (and, unbeknownst to anyone, Hersh).
** [[spoiler:Stanton saves Reese and Carter from Donnelly by [[MoralEventHorizon murdering him]].]]
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'''Season 2, Episode 12''':
!! Prisoner's Dilemma
Carter continues to play both sides of the fence to assist Finch in helping Reese conceal his identity from the FBI, while Reese crosses paths with several old foes and is finally confronted with a figure from his past that he probably wishes would have stayed there. Meanwhile, Fusco is doing.... we actually don't even know what, but it involved a supermodel, an Armenian gang, and the best unnecessary plot line ever.
-----
!!Tropes present in this episode include:
*TheGreatestStoryNeverTold: Fusco and supermodel Karolína Kurková. The end.
<<|Recap/PersonOfInterest|>>
!! Prisoner's Dilemma
Carter continues to play both sides of the fence to assist Finch in helping Reese conceal his identity from the FBI, while Reese crosses paths with several old foes and is finally confronted with a figure from his past that he probably wishes would have stayed there. Meanwhile, Fusco is doing.... we actually don't even know what, but it involved a supermodel, an Armenian gang, and the best unnecessary plot line ever.
-----
!!Tropes present in this episode include:
*TheGreatestStoryNeverTold: Fusco and supermodel Karolína Kurková. The end.
<<|Recap/PersonOfInterest|>>