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* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just [[UnreliableNarrator the narrator's BS exaggerating its size and power]], but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
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* The huge black monster of a wolf that young Leonides Leonidas kills in the opening flashback. Yes, it's just [[UnreliableNarrator the narrator's BS exaggerating its size and power]], but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
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* The [[GiantMook giant]] Immortals unleash on the Spartans. He's hulking and monstrous and comes very close to killing Leonidas.
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** The [[GiantMook giant]] Immortal who is hulking and monstrous and comes very close to killing Leonidas.
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* The Immortals themselves are pretty unsettling too, being the first of Xerxes' soldiers to actually kill several Spartans and wear expressionless silver masks that once removed, reveals orc-like monsters.
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''300'''s bloody battles and downbeat plot really drive home one truth: war may vindicate your willpower, but it is still utter hell.
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''300'''s bloody battles and downbeat patriotic plot really drive home one truth: war may vindicate your willpower, but it is still utter hell.
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[[caption-width-right:350:"Have the gods no mercy?"]]
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''300'''s bloody battles and downbeat plot really drive home one truth: war may vindicate your willpower, but it is still utter hell.
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* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just [[UnreliableNarrator the narrator's BS exaggerating its size and power]], but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
* The Ephors are not only hideous to look at, they're also [[DirtyOldMan old creeps]].
* The Tree of the Dead, which goes on the same premise as the wall.
Changed line(s) 4,6 (click to see context) from:
* The Tree of the Dead, which goes on the same premise as the wall.
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
* The mutilations and deformities among Xerxes' courtiers, a sizable number of which appear to have been inflicted upon them purely for their god-king's warped sense of ''aesthetics''.
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
* The mutilations and deformities among Xerxes' courtiers, a sizable number of which appear to have been inflicted upon them purely for their god-king's warped sense of ''aesthetics''.
to:
* The Tree of the Dead, which goes [[GiantMook giant]] Immortals unleash on the same premise as the wall.
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its sizeSpartans. He's hulking and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
monstrous and comes very close to killing Leonidas.
* The mutilations and deformities among Xerxes' courtiers, a sizable number of which appear to have been inflicted upon them purely for their god-king's warped sense of''aesthetics''.''aesthetics''.
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* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size
* The mutilations and deformities among Xerxes' courtiers, a sizable number of which appear to have been inflicted upon them purely for their god-king's warped sense of
----
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Deleted line(s) 3 (click to see context) :
* The Agoge will be seen as nightmarish to us today, what with ourselves having a more advanced psychological understanding of the long-term effects of child abuse.
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Changed line(s) 6 (click to see context) from:
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
to:
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.wolf.
* The mutilations and deformities among Xerxes' courtiers, a sizable number of which appear to have been inflicted upon them purely for their god-king's warped sense of ''aesthetics''.
* The mutilations and deformities among Xerxes' courtiers, a sizable number of which appear to have been inflicted upon them purely for their god-king's warped sense of ''aesthetics''.
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None
Changed line(s) 5 (click to see context) from:
* The Tree of the Dead, which goes on the same premise as the wall.
to:
* The Tree of the Dead, which goes on the same premise as the wall.wall.
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
* The huge black monster of a wolf that young Leonides kills in the opening flashback. Yes, it's just the narrator's BS exaggerating its size and power, but on screen it looks more like some kind of nightmare-spawned mutant ''tiger'' than an actual wolf.
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None
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/300_corpses.jpg]]
[[caption-width-right:350:"Have the gods no mercy?"]]
* The Agoge will be seen as nightmarish to us today, what with ourselves having a more advanced psychological understanding of the long-term effects of child abuse.
* The wall of dead bodies. The gross up close ups of all the corpses don't help much.
* The Tree of the Dead, which goes on the same premise as the wall.
[[caption-width-right:350:"Have the gods no mercy?"]]
* The Agoge will be seen as nightmarish to us today, what with ourselves having a more advanced psychological understanding of the long-term effects of child abuse.
* The wall of dead bodies. The gross up close ups of all the corpses don't help much.
* The Tree of the Dead, which goes on the same premise as the wall.
