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Changed line(s) 9 (click to see context) from:
* [[spoiler:The truth about Emma and Elios's relationship is a terrifying thing. Emma spent over a decade stalking him, idealizing him as her forever smiling crown prince ready to save her on a white horse without really knowing who the real Elios is and yet felt she was entitled to have him. She didn't take him having a girlfriend well at all and even tried to severely injure her because they wouldn't break up. When she finally got a chance to be alone with Elios, she guilted him into spending time with her and confessed to him her feelings only to be rejected kindly because he still loved Farah. But then Emma made things worse by insulting and blaming Farah which upset Elios who told Emma to never speak to him again. It finally culminated in her stabbing Elios one night and eventually taking him on as a SplitPersonality...]]
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* [[spoiler:The truth about Emma and Elios's relationship is a terrifying thing. Emma spent over a decade stalking him, idealizing him as her forever smiling crown prince ready to save her on a white horse without really knowing who the real Elios is and yet felt she was entitled to have him. She didn't take him having a girlfriend well at all and even tried to severely injure her because they wouldn't break up. When she finally got a chance to be alone with Elios, she guilted him into spending time with her and confessed to him her feelings only to be rejected kindly because he still loved Farah. But then Emma made things worse by insulting and blaming Farah which upset Elios who told Emma to never speak to him again. It finally culminated in her stabbing Elios one night and eventually taking him on as a SplitPersonality...SplitPersonality. The entire thing is ''not'' romanticized at all and we see just how much of Emma's psyche unravels when her ideals are shattered.]]
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Changed line(s) 8 (click to see context) from:
* The flashback to Emma's childhood, as well as being absolutely heartbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.
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* The flashback to Emma's childhood, as well as being absolutely heartbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.realistically.
* [[spoiler:The truth about Emma and Elios's relationship is a terrifying thing. Emma spent over a decade stalking him, idealizing him as her forever smiling crown prince ready to save her on a white horse without really knowing who the real Elios is and yet felt she was entitled to have him. She didn't take him having a girlfriend well at all and even tried to severely injure her because they wouldn't break up. When she finally got a chance to be alone with Elios, she guilted him into spending time with her and confessed to him her feelings only to be rejected kindly because he still loved Farah. But then Emma made things worse by insulting and blaming Farah which upset Elios who told Emma to never speak to him again. It finally culminated in her stabbing Elios one night and eventually taking him on as a SplitPersonality...]]
* [[spoiler:The truth about Emma and Elios's relationship is a terrifying thing. Emma spent over a decade stalking him, idealizing him as her forever smiling crown prince ready to save her on a white horse without really knowing who the real Elios is and yet felt she was entitled to have him. She didn't take him having a girlfriend well at all and even tried to severely injure her because they wouldn't break up. When she finally got a chance to be alone with Elios, she guilted him into spending time with her and confessed to him her feelings only to be rejected kindly because he still loved Farah. But then Emma made things worse by insulting and blaming Farah which upset Elios who told Emma to never speak to him again. It finally culminated in her stabbing Elios one night and eventually taking him on as a SplitPersonality...]]
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Changed line(s) 8,9 (click to see context) from:
* The flashback to Emma's childhood, as well as being absolutely heartbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini. Definitely makes you think twice about trusting ''anyone'' trying to be nice to you.]]
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini. Definitely makes you think twice about trusting ''anyone'' trying to be nice to you.]]
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* The flashback to Emma's childhood, as well as being absolutely heartbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini. Definitely makes you think twice about trusting ''anyone'' trying to be nice to you.]]realistically.
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini. Definitely makes you think twice about trusting ''anyone'' trying to be nice to you.]]
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Changed line(s) 9 (click to see context) from:
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini.]]
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* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini. Definitely makes you think twice about trusting ''anyone'' trying to be nice to you.]]
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Changed line(s) 8 (click to see context) from:
* The flashback to Emma's childhood, as well as being absolutely hearbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.
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* The flashback to Emma's childhood, as well as being absolutely hearbreaking, heartbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.realistically.
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini.]]
* [[spoiler:Sophie being the one who was responsible for harassing both Emma and Hanamika as well as pushing Emma off the cliff and into the river. She seems kind and submissive but in reality she's a BitchInSheepsClothing who gets insanely jealous of attractive girls stealing attention away from boys even if the attention is unwanted, especially boys that she like. Despite the AttemptedSuicide set up that was placed on her and falling into a coma, she winds up making a full recovery and getting away with what she did, effectively becoming a KarmaHoudini.]]
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Changed line(s) 7 (click to see context) from:
* Episodes 68 and 69’s climactic reveal. [[spoiler: Emma was behind most, if not all the events in the present, Elios has been DeadAllAlong for a year, and she developed a SplitPersonality from it, which is just as horrified to learn the truth from Yohan and Elios (the imaginary one).]]
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* Episodes 68 and 69’s climactic reveal. [[spoiler: Emma was behind most, if not all the events in the present, Elios has been DeadAllAlong for a year, and she developed a SplitPersonality from it, which is just as horrified to learn the truth from Yohan and Elios (the imaginary one).]]]]
* The flashback to Emma's childhood, as well as being absolutely hearbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.
* The flashback to Emma's childhood, as well as being absolutely hearbreaking, has shades of this. Emma's abuse is portrayed ''very'' realistically.
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Changed line(s) 7 (click to see context) from:
** Episodes 68 and 69’s climactic reveal. [[spoiler: Emma was behind most, if not all the events in the present, Elios has been DeadAllAlong for a year, and she developed a SplitPersonality from it, which is just as horrified to learn the truth from Yohan and the Elios in her head.]]
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Changed line(s) 6 (click to see context) from:
** Oh, to make it worse, ''he's staring straight ahead'', as if at the viewer.
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** Oh, to make it worse, ''he's staring straight ahead'', as if at the viewer.viewer.
** Episodes 68 and 69’s climactic reveal. [[spoiler: Emma was behind most, if not all the events in the present, Elios has been DeadAllAlong for a year, and she developed a SplitPersonality from it, which is just as horrified to learn the truth from Yohan and the Elios in her head.]]
** Episodes 68 and 69’s climactic reveal. [[spoiler: Emma was behind most, if not all the events in the present, Elios has been DeadAllAlong for a year, and she developed a SplitPersonality from it, which is just as horrified to learn the truth from Yohan and the Elios in her head.]]
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** Emma's face when she sees that Elios is there with her. She doesn't look happy, as she normally would when seeing him. She looks ''scared''.
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** Emma's face when she sees that Elios is there with her. She doesn't look happy, as she normally would when seeing him. She looks ''scared''.''scared''.
* Elios' short NightmareFace in Episode 63 when Emma realizes that [[spoiler: he tried to kill Sophie]]. It's the first time she has an inkling of what she's dealing with. Even for the audience, who knows ''exactly'' what she's dealing with, it's pretty scary.
** Oh, to make it worse, ''he's staring straight ahead'', as if at the viewer.
* Elios' short NightmareFace in Episode 63 when Emma realizes that [[spoiler: he tried to kill Sophie]]. It's the first time she has an inkling of what she's dealing with. Even for the audience, who knows ''exactly'' what she's dealing with, it's pretty scary.
** Oh, to make it worse, ''he's staring straight ahead'', as if at the viewer.
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Changed line(s) 1 (click to see context) from:
* The story being about a yandere boyfriend willing to kill whomever comes close to his girlfriend is bound to have these kinds of moments
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* The story being about a yandere boyfriend willing to kill whomever comes close to his girlfriend is bound to have these kinds of momentsmoments.
* Episode 61's ending. Elios has been stalking Emma for some unknown period throughout Season 2. Who knows how much he's seen? Enough to attempt murder on Sophie, but who knows how much else?
** Worse still, the immediate action preceding Yohan and Hana discovering his latest murder attempt is Yohan admitting he's in love with Emma. Did Elios hear ''that?'' Based on his personality, he wouldn't take that sort of thing well at all.
** Emma's face when she sees that Elios is there with her. She doesn't look happy, as she normally would when seeing him. She looks ''scared''.
* Episode 61's ending. Elios has been stalking Emma for some unknown period throughout Season 2. Who knows how much he's seen? Enough to attempt murder on Sophie, but who knows how much else?
** Worse still, the immediate action preceding Yohan and Hana discovering his latest murder attempt is Yohan admitting he's in love with Emma. Did Elios hear ''that?'' Based on his personality, he wouldn't take that sort of thing well at all.
** Emma's face when she sees that Elios is there with her. She doesn't look happy, as she normally would when seeing him. She looks ''scared''.
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Added DiffLines:
*The story being about a yandere boyfriend willing to kill whomever comes close to his girlfriend is bound to have these kinds of moments
