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* EpicRocking: Quite a few songs. Perhaps the best examples are "Proverbs of Hell, Plates 7-10" and "A Memorable Fancy, Plates 17-20" from the Blake album, "Stone Angels" from ''Wars of the Roses'', and about half of ''Messe I.X-VI.X''.

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* EpicRocking: Quite a few songs. Perhaps the best examples are "Proverbs of Hell, Plates 7-10" and "A Memorable Fancy, Plates 17-20" from the Blake album, "Stone Angels" from ''Wars of the Roses'', and about half of ''Messe I.X-VI.X''. ''Terrestrials'' consists of this too, although not so much the rocking part.
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* EpicRocking: Quite a few songs. Perhaps the best examples are "Proverbs of Hell, Plates 7-10" and "A Memorable Fancy, Plates 17-20" from the Blake album, "Stone Angels" from ''Wars of the Roses'', and about half of ''Messe I.X-VI.X''.
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* PrecisionFStrike: In "For the Love of God" and "Norwegian Gothic".
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* ''Terrestrials'' (collaboration with Music/SunnO; [[{{Ambient}} Dark Ambient]], Drone)

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* ''Terrestrials'' (collaboration with Music/SunnO; [[Music/SunnO Sunn O)))]]; [[{{Ambient}} Dark Ambient]], Drone)
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* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five [=CDs=] or four [=LPs=] and a cassette along with the requisite {{Feelies}}, which were different this time around (also, unlike ''The Trilogie'', this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.

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* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs [=LPs=] and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five [=CDs=] or four [=LPs=] and a cassette along with the requisite {{Feelies}}, which were different this time around (also, unlike ''The Trilogie'', this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.
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* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five [=CDs=] or four [=LPs=] and a cassette along with a bunch of {{Feelies}} (unlike the previous edition, this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.

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* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five [=CDs=] or four [=LPs=] and a cassette along with a bunch of {{Feelies}} (unlike the previous edition, requisite {{Feelies}}, which were different this time around (also, unlike ''The Trilogie'', this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.



** The remaster of ''Nattens'' on ''Trolsk Sortmetall'' averts this. Unfortunately, the version of ''Bergtatt'' on the same release is louder than the original.

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** The remaster of ''Nattens'' on ''Trolsk Sortmetall'' averts this.this; it's over six decibels quieter and comes in at [=DR7=] instead of [=DR3=]. Unfortunately, the version of ''Bergtatt'' on the same release is louder than the original.
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* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five CDs or four LPs and a cassette along with a bunch of {{Feelies}} (unlike the previous edition, this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.

to:

* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five CDs [=CDs=] or four LPs [=LPs=] and a cassette along with a bunch of {{Feelies}} (unlike the previous edition, this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.
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Added DiffLines:

* LimitedSpecialCollectorsUltimateEdition: There have been two versions of this for the band's "black metal Trilogie". One, released in 1997, was called ''The Trilogie: Three Journeyes Through the Norwegian Netherworlde'', which was a box set with three picture discs and a bunch of {{Feelies}}. The second, released in 2014, was called ''Trolsk Sortmetall 1993-1997'' and included either five CDs or four LPs and a cassette along with a bunch of {{Feelies}} (unlike the previous edition, this included the band's demo ''Vargnatt'' and a rehearsal of four ''Nattens Madrigal'' tracks). The material was also remastered for ''Trolsk Sortmetall''.
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** The remaster of ''Nattens'' on ''Trolsk Sortmetall'' averts this. Unfortunately, the version of ''Bergtatt'' on the same release is louder than the original.
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* ''Shadows of the Sun'' (Dark Ambient)

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* ''Shadows of the Sun'' (Dark Ambient)([[{{Ambient}} Dark Ambient]])



* ''Messe I.X-VI.X'' (Modern Classical, Dark Ambient, ProgressiveRock)

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* ''Messe I.X-VI.X'' (Modern Classical, Dark Ambient, ProgressiveRock)
ProgressiveRock, PostRock)
* ''Terrestrials'' (collaboration with Music/SunnO; [[{{Ambient}} Dark Ambient]], Drone)
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* MohsScaleOfRockAndMetalHardness: ''Anywhere'' from a 1 to an 11.
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* ''Messe I.X-VI.X'' (Modern Classical, Dark Ambient, ProgressiveRock)
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* NewSoundAlbum: Basically, all of them.
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* CoverVersion: The band covered Music/BlackSabbath 's "Solitude" on ''Shadows of the Sun'' and {{Prince}}'s "Thieves" for a tribute album. Furthermore, ''Childhood's End'' consists entirely of covers of material from the late sixties, mostly quite obscure (JeffersonAirplane's "Today" is by far the best known song covered).

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* CoverVersion: The band covered Music/BlackSabbath 's Music/BlackSabbath's "Solitude" on ''Shadows of the Sun'' and {{Prince}}'s "Thieves" for a tribute album. Furthermore, ''Childhood's End'' ''[[CoverAlbum Childhood's End]]'' consists entirely of covers of material from the late sixties, mostly quite obscure (JeffersonAirplane's "Today" is by far the best known song covered).
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* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. To their credit, the band took care to avoid any clipping when mastering it, and the remainder of their records are mastered at more reasonable levels. Fortunately, ''Nattens Madrigal'' was recently reissued on vinyl. It was also released on vinyl in the late 90s as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.

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* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. To their credit, the band took care to avoid any clipping when mastering it, and the remainder of their records are mastered at more reasonable levels.levels (although, inexplicably, ''Blood Inside'' actually does clip in some parts). Fortunately, ''Nattens Madrigal'' was recently reissued on vinyl. It was also released on vinyl in the late 90s as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.
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* ''Wars of the Roses'' (AvantGarde, ProgressiveRock)

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* ''Wars of the Roses'' (AvantGarde, (Avant-Garde, ProgressiveRock)
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* ''Wars of the Roses''

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* ''Wars of the Roses''Roses'' (AvantGarde, ProgressiveRock)
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* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels. Fortunately, ''Nattens Madrigal'' was recently reissued on vinyl. It was also released on vinyl in the late 90s as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.

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* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The To their credit, the band took care to avoid any clipping when mastering it, and the remainder of their records are mastered at more reasonable levels. Fortunately, ''Nattens Madrigal'' was recently reissued on vinyl. It was also released on vinyl in the late 90s as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.
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* CrowningMusicOfAwesome: Despite being significanty more "accessible" than most of their material, many fans will cite "Nowhere/Catastrophe" to be among their favorite selections from their discography.
* CrowningMomentOfHeartwarming: Doubles with BilingualBonus. On the aforementioned remix track (called "Der Alte"), the German conversation is about an old man lamenting about how useless he is to his family, and a younger man assuring him how much he'd be missed when he finally does pass on.



* FaceOfTheBand: Although the band insists on being a collective, most fans can only seem to recognize the name of Krystoffer Rygg (better known as Garm).



* TheyChangedItNowItSucks: MASSIVELY subverted; even the die-hard black metal fans of the first few albums seem to readily embrace the band's later work.
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* CoverVersion: The band covered Music/BlackSabbath 's "Solitude" on ''Shadows of the Sun'' and {{Prince}}'s "Thieves" for a tribute album. There is also a forthcoming album which will consist of covers of material from the late sixties.

to:

* CoverVersion: The band covered Music/BlackSabbath 's "Solitude" on ''Shadows of the Sun'' and {{Prince}}'s "Thieves" for a tribute album. There is also a forthcoming album which will consist Furthermore, ''Childhood's End'' consists entirely of covers of material from the late sixties.sixties, mostly quite obscure (JeffersonAirplane's "Today" is by far the best known song covered).
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* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels. ''Nattens Madrigal'' was released on vinyl as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.

to:

* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels. Fortunately, ''Nattens Madrigal'' was recently reissued on vinyl. It was also released on vinyl in the late 90s as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.
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* ConceptAlbum: ''Perdition City'' is meant to be "Music to an Interior Film" (as it says on the cover). The Blake Album as well, see AudioAdaptation above.

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* ConceptAlbum: ''Perdition City'' is meant to be "Music to an Interior Film" (as it says on the cover). The ''The Blake Album Album'' as well, see AudioAdaptation above.above. ''Bergtatt'' and ''Nattens Madrigal'' are also concept albums.



* ExactlyWhatItSaysOnTheTin: ''Nattens Madrigal'''s full title translates to "The Madrigal Of The Night - Eight Hymns To The Wolf In Man", and it's eight songs, numbered "Hymn I" through "Hymn VIII", in a concept album about... well...

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* ExactlyWhatItSaysOnTheTin: ''Nattens Madrigal'''s full title translates to "The Madrigal Of The Night - Eight Hymns To The Wolf In Man", and it's its eight songs, numbered "Hymn I" through "Hymn VIII", in a concept album ConceptAlbum about... well...
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* SopranoAndGravel: Demonstrated in "Your Call" and a good deal of "The Blake Album"

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* SopranoAndGravel: Demonstrated in "Your Call" and Call", a good deal of "The ''The Blake Album"Album'', and several songs on ''Bergtatt''.



* UrbanLegend: The reason why Nattens Madrigal is so underproduced is either because they recorded the album in the woods at night or because they stole all the money their label gave them to buy Armani suits, cocaine and a new car. WordOfGod dismissed the former as impossible but said the band did have rather expensive tastes when asked about the latter.

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* UrbanLegend: The reason why Nattens Madrigal ''Nattens Madrigal'' is so underproduced is either because they recorded the album in the woods at night or because they stole all the money their label gave them to buy Armani suits, cocaine and a new car. WordOfGod dismissed the former as impossible but said the band did have rather expensive tastes when asked about the latter.
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* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels.

to:

* LoudnessWar: ''Nattens Madrigal'' has a [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels. ''Nattens Madrigal'' was released on vinyl as part of ''The trilogie'' box set, but good luck finding a copy at a reasonable price - they go for more than $200 on [=eBay=] and Discogs.
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* BilingualBonus: The first three albums are sung entirely in an archaic form of Danish. A track on their remix album, ''1st Decade in the Machines'', contains a conversation entierly in German. Not to mention their very name is Norwegian for "wolves".

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* BilingualBonus: The first three albums are sung entirely in an archaic form of Danish.Danish (note that modern Norwegian evolved from Danish). A track on their remix album, ''1st Decade in the Machines'', contains a conversation entierly in German. Not to mention their very name is Norwegian for "wolves".
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* CrowningMomentofHeartwarming: Doubles with BilingualBonus. On the aforementioned remix track (called "Der Alte"), the German conversation is about an old man lamenting about how useless he is to his family, and a younger man assuring him how much he'd be missed when he finally does pass on.

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* CrowningMomentofHeartwarming: CrowningMomentOfHeartwarming: Doubles with BilingualBonus. On the aforementioned remix track (called "Der Alte"), the German conversation is about an old man lamenting about how useless he is to his family, and a younger man assuring him how much he'd be missed when he finally does pass on.



* {{TheyChangedItNowItSucks}}: MASSIVELY subverted; even the die-hard black metal fans of the first few albums seem to readily embrace the band's later work.

to:

* {{TheyChangedItNowItSucks}}: TheyChangedItNowItSucks: MASSIVELY subverted; even the die-hard black metal fans of the first few albums seem to readily embrace the band's later work.
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* ''Nattens Madrigal'' (Raw BlackMetal)

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* ''Nattens Madrigal'' madrigal - Aatte hymne til ulven i manden'' (Raw BlackMetal)
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* LoudnessWar: ''Nattens Madrigal'' has a ReplayGain value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels.

to:

* LoudnessWar: ''Nattens Madrigal'' has a ReplayGain [=ReplayGain=] value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels.
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None

Added DiffLines:

* LoudnessWar: ''Nattens Madrigal'' has a ReplayGain value of -16.22 dB, which indicates a gigantic amount of volume compression (especially considering that there are probably five minutes' worth of ambient passages between the tracks dragging the values down somewhat). This was likely a deliberate aesthetic choice to make the album's production even colder. The remainder of their records are mastered at more reasonable levels.
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* ''Childhood's End'' (PsychedelicRock, CoverAlbum)



* ConceptAlbum: ''Perdition City'' is meant to be "Music to an Interior Film" (as it says on the cover).
* CoverVersion: The band covered Music/BlackSabbath 's "Solitude" on ''Shadows of the Sun'' and {{Prince}}'s "Thieves" for a tribute album. There is also a forthcoming album which will consist of covers of material from the sixties and seventies.

to:

* ConceptAlbum: ''Perdition City'' is meant to be "Music to an Interior Film" (as it says on the cover).
cover). The Blake Album as well, see AudioAdaptation above.
* CoverVersion: The band covered Music/BlackSabbath 's "Solitude" on ''Shadows of the Sun'' and {{Prince}}'s "Thieves" for a tribute album. There is also a forthcoming album which will consist of covers of material from the sixties and seventies.late sixties.

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