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Changed line(s) 16 (click to see context) from:
[[AC:Discography:]]
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* ''The Queen Is Dead'' (1986)
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* ''The Queen Is Dead'' ''Music/TheQueenIsDead'' (1986)
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Changed line(s) 92 (click to see context) from:
* OnlyOneName: Morrissey.
to:
* OnlyOneName: Morrissey. Well, it's Steven Patrick Morrissey in full, but you only need the last one.
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Changed line(s) 102 (click to see context) from:
** The band's practice of crediting "cover stars" on their album comes from Music/RoxyMusic doing the same thing.
to:
** The band's practice of crediting "cover stars" on their album albums comes from Music/RoxyMusic doing the same thing.
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Changed line(s) 104 (click to see context) from:
** The line, "Throw your homework onto the fire" is taken from Bowie's "Kooks".
to:
** The line, "Throw your homework onto the fire" from "Sheila Take A Bow" is taken from Bowie's "Kooks".
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* ShoutOut:
** The band's practice of crediting "cover stars" on their album comes from Music/RoxyMusic doing the same thing.
** The guitar riff on "I Started Something I Couldn't Finish" is similar to Music/DavidBowie's "Cracked Actor"
** The line, "Throw your homework onto the fire" is taken from Bowie's "Kooks".
** The band's practice of crediting "cover stars" on their album comes from Music/RoxyMusic doing the same thing.
** The guitar riff on "I Started Something I Couldn't Finish" is similar to Music/DavidBowie's "Cracked Actor"
** The line, "Throw your homework onto the fire" is taken from Bowie's "Kooks".
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Changed line(s) 30 (click to see context) from:
!!! "I'd go out tonight, but I haven't got a trope to wear...":
to:
!!! "I'd "I would go out tonight, but I haven't got a trope to wear...":
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-->''So you go on your own''\\
to:
-->''So you go and you stand on your own''\\
Changed line(s) 50,51 (click to see context) from:
''And you go home and you cry''\\
''And you want to die''
''And you want to die''
to:
''And you go home and you cry''\\
''Andcry and you want to die''
''And
Changed line(s) 62 (click to see context) from:
* DumbassDJ: "Panic" was inspired by Steve Wright at the BBC, who played Wham's "I'm Your Man" after announcing the Chernobyl disaster.
to:
* DumbassDJ: "Panic" was inspired by Steve Wright at the BBC, who played Wham's Music/{{Wham}}'s "I'm Your Man" after announcing the Chernobyl disaster.
Changed line(s) 81 (click to see context) from:
* LyricalDissonance: Sonically, they were like a slightly less murky Music/{{REM}}. Lyrically, they were like a funnier Music/TheCure.
to:
* LyricalDissonance: Sonically, they were like a slightly less murky Music/{{REM}}. Lyrically, they were like a funnier Music/TheCure. One good example is "Barbarism Begins at Home", a song about parental abuse set to a funky guitar beat.
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Changed line(s) 14,15 (click to see context) from:
After the break up, Music/{{Morrissey}} went on to have a successful solo career. Johnny formed Electronic with Music/JoyDivision[=/=]Music/NewOrder guitarist Bernard Sumner, and also formed the short-lived Johnny Marr & the Healers. He also played with cult alternative rockers The The and has done session work for too many artists to list. He was a member of the American indie rock band Music/ModestMouse from 2005 to 2008. After leaving Modest Mouse, he joined the British indie band The Cribs which he was a member of from 2008 to 2011.
to:
After the break up, Music/{{Morrissey}} went on to have a successful solo career. Johnny formed Electronic with Music/JoyDivision[=/=]Music/NewOrder guitarist Bernard Sumner, and also formed the short-lived Johnny Marr & the Healers. He also played with cult alternative rockers The The Music/TheThe and has done session work for too many artists to list. He was a member of the American indie rock band Music/ModestMouse from 2005 to 2008. After leaving Modest Mouse, he joined the British indie band The Cribs which he was a member of from 2008 to 2011.2011, before setting off on a solo career of his own.
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Deleted line(s) 71 (click to see context) :
* FiftiesHair: Morrissey's trademark pompadour.
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* FiftiesHair: Morrissey's trademark pompadour.
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* FiftiesHair: Morrissey's trademark pompadour.
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Changed line(s) 71 (click to see context) from:
* LesserStar: Mike Joyce and Andy Rourke. The band's contract apparently only listed Morrissey and Marr as the official members of the band. Joyce and Rourke even sued the other half of the band for royalties that were owed them. Although Rourke wound up settling amicably out of court with Morrissey and Marr, Joyce kept pushing his part of the lawsuit and received a 1 million pound settlement (which in turn alienated him from Rourke). Morrissey claims that Joyce is the main reason why the Smiths will never reunite, moreso than his rift with Marr.
to:
* LesserStar: Mike Joyce and Andy Rourke. The band's contract apparently only listed Morrissey and Marr as the official members of the band. Joyce and Rourke even sued the other half of the band for royalties that were owed them. Although Rourke wound up settling amicably out of court with Morrissey and Marr, Joyce kept pushing his part of the lawsuit and received a 1 million pound settlement (which in turn alienated him from Rourke). Rourke eventually patched things up with his childhood friend Marr and found steady work as a session musician for bands like Music/ThePretenders. Joyce, meanwhile, left the music business and never reconciled with any of his old bandmates apart from Rourke. Morrissey claims that Joyce Joyce's lawsuit is the main reason why the Smiths will never reunite, moreso than his rift with Marr.
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Changed line(s) 35 (click to see context) from:
** "Death of a Disco Dancer", "Meat is Murder", "Rubber Ring", "Rushholme Ruffians", "Shakespeare's Sister", "These Things Take Time",[[note]]Doubled down![[/note]] "Well I Wonder", "What's the World", "Wonderful Woman".
to:
** "Death of a Disco Dancer", "Meat is Is Murder", "Rubber Ring", "Rushholme Ruffians", "Shakespeare's Sister", "These Things Take Time",[[note]]Doubled down![[/note]] "Well I Wonder", "What's the World", "Wonderful Woman".
Changed line(s) 39,42 (click to see context) from:
%%* AntiLoveSong: "Unhappy Birthday"
* AuthorAppeal: "This Charming Man" and "That Joke Isn't Funny Anymore" both mention leather car seats, which Morrissey admitted to finding "[[{{Fetish}} erotic]]." And then there's his interest in ruffians and criminals, which became even more pronounced in his solo work.
%%* AutoErotica: "You've Got Everything Now"
%%* BanisterSlide: "Vicar In A Tutu"
* AuthorAppeal: "This Charming Man" and "That Joke Isn't Funny Anymore" both mention leather car seats, which Morrissey admitted to finding "[[{{Fetish}} erotic]]." And then there's his interest in ruffians and criminals, which became even more pronounced in his solo work.
%%* AutoErotica: "You've Got Everything Now"
%%* BanisterSlide: "Vicar In A Tutu"
to:
%%* AutoErotica: "You've Got Everything Now"
%%* BanisterSlide: "Vicar In A Tutu"
Changed line(s) 49 (click to see context) from:
* CoolestClubEver: Subverted by "How Soon is Now?" The singer is told "''there's a club if you'd like to go / You could meet somebody who really loves you ...''" But what actually happens is:
to:
* CoolestClubEver: Subverted by "How Soon is Is Now?" The singer is told "''there's a club if you'd like to go / You could meet somebody who really loves you ...''" But what actually happens is:
Deleted line(s) 54 (click to see context) :
%%* CovertPervert: [[FanNickname Moz]] himself.
Changed line(s) 59,61 (click to see context) from:
* DeadpanSnarker: Morrissey is a RealLife example of this.
%%* DeanBitterman: "The Headmaster Ritual"
%%* DoubleEntendre: Too many lyrics to list.
%%* DeanBitterman: "The Headmaster Ritual"
%%* DoubleEntendre: Too many lyrics to list.
to:
* DeadpanSnarker: Morrissey is a RealLife example of this.
%%* DeanBitterman: "The Headmaster Ritual"
%%* DoubleEntendre: Too many lyrics to list.Morrissey.
%%* DeanBitterman: "The Headmaster Ritual"
%%* DoubleEntendre: Too many lyrics to list.
Changed line(s) 70,75 (click to see context) from:
** ''The Smiths'': Reel Around The Fountain (5:58) and Suffer Little Children (5:28)
** ''Meat Is Murder'': Barbarism Begins At Home (6:57) and the title track (6:06)
** ''The Queen Is Dead'': The title track (6:24) and I Know It's Over (5:48)
** ''Strangeways, Here We Come'': Death Of A Disco Dancer (5:26), Last Night I Dreamt That Somebody Loved Me (5:01), Paint A Vulgar Picture (5:35)
** ''Hatful Of Hollow'': How Soon Is Now? (6:44), Reel Around The Fountain (5:51, from The Peel Sessions)
** ''Rank'': Bigmouth Strikes Again (5:51)
** ''Meat Is Murder'': Barbarism Begins At Home (6:57) and the title track (6:06)
** ''The Queen Is Dead'': The title track (6:24) and I Know It's Over (5:48)
** ''Strangeways, Here We Come'': Death Of A Disco Dancer (5:26), Last Night I Dreamt That Somebody Loved Me (5:01), Paint A Vulgar Picture (5:35)
** ''Hatful Of Hollow'': How Soon Is Now? (6:44), Reel Around The Fountain (5:51, from The Peel Sessions)
** ''Rank'': Bigmouth Strikes Again (5:51)
to:
** ''The Queen Is Dead'': The title track
** ''Strangeways, Here We Come'': Death Of A Disco Dancer (5:26), Last Night I Dreamt That Somebody Loved Me (5:01), Paint A Vulgar Picture (5:35)
** ''Hatful
** ''Rank'': Bigmouth Strikes Again (5:51)
Changed line(s) 81,82 (click to see context) from:
%%* {{Gayngst}}
* {{Hypocrite}}: Even after releasing ''Meat is Murder'', Morrissey admitted to wearing leather shoes until synthetic leather shoes became more widespread years later.
* {{Hypocrite}}: Even after releasing ''Meat is Murder'', Morrissey admitted to wearing leather shoes until synthetic leather shoes became more widespread years later.
to:
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%%* MadLove: A theme in some of their songs.
Deleted line(s) 95 (click to see context) :
%%* MoneySong: "Frankly, Mr. Shankly".
Changed line(s) 99 (click to see context) from:
** ''The Queen is Dead'', which featured more elaborate production than on their previous albums and singles.
to:
** ''The Queen is Is Dead'', which featured more elaborate production than on their previous albums and singles.
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* NonAppearingTitle: "Paint a Vulgar Picture," though the original demo version does include it ("and they paint a vulgar picture / of the way they say you were").
%%* ObsessionSong: "Paint a Vulgar Picture"
%%* ObsessionSong: "Paint a Vulgar Picture"
to:
* NonAppearingTitle: "Paint a Vulgar Picture," Picture", though the original demo version does include it ("and they paint a vulgar picture / of the way they say you were").
%%* ObsessionSong: "Paint a Vulgar Picture"were").
%%* ObsessionSong: "Paint a Vulgar Picture"
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* SerialKiller: The song "Suffer Little Children" was written about RealLife killers Ian Brady and Myra Hindley. Morrissey's fascination with serial killers continued in his solo career with songs like "UsefulNotes/JackTheRipper."
to:
* SerialKiller: The song "Suffer Little Children" was written about RealLife killers Ian Brady and Myra Hindley. Morrissey's fascination with serial killers continued in his solo career with songs like "UsefulNotes/JackTheRipper.""UsefulNotes/JackTheRipper".
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** ''Strangeways, Here We Come'' opens with the guitarless "A Rush And A Push And The Land Is Ours."
to:
** ''Strangeways, Here We Come'' opens with the guitarless "A Rush And A and a Push And The and the Land Is Ours."Ours".
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* SpoofAesop: The entirety of "Accept Yourself," but especially:
to:
* SpoofAesop: The entirety of "Accept Yourself," Yourself", but especially:
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* SuspiciouslySpecificDenial: The narrator of "Stop Me if You Think You've Heard This One Before" names off some of the injuries he received from his bicycle accident, then follows them with "Who said I lied to her?/Because I never".
to:
* SuspiciouslySpecificDenial: The narrator of "Stop Me if If You Think You've Heard This One Before" names off some of the injuries he received from his bicycle accident, then follows them with "Who said I lied to her?/Because I never".
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* TruckDriversGearChange: Quite a few of them in "Paint A Vulgar Picture," so that each verse seems to ascend into the next one, finally building up to the climatic guitar solo (the only one the Smiths' musical catalogue).
to:
* TruckDriversGearChange: Quite a few of them in "Paint A a Vulgar Picture," Picture", so that each verse seems to ascend into the next one, finally building up to the climatic guitar solo (the only one in the Smiths' musical catalogue).
Changed line(s) 130,131 (click to see context) from:
* UrExample: "How Soon is Now?" is an UrExample of {{Shoegazing}}.
* TheVicar: The subject of the aptly named "Vicar In A Tutu."
* TheVicar: The subject of the aptly named "Vicar In A Tutu."
to:
* UrExample: "How Soon is Is Now?" is an UrExample of {{Shoegazing}}.
* TheVicar: The subject of the aptly named "VicarIn A Tutu."in a Tutu".
* TheVicar: The subject of the aptly named "Vicar
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* WholesomeCrossdresser: The title character of "Vicar in a Tutu."
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* WholesomeCrossdresser: The title character of "Vicar in a Tutu."Tutu".
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* WriterOnBoard: ''Meat is Murder,'' as Morrissey supports PETA, and has stated he accepts the violent actions of {{Animal Wrongs Group}}s. Based on interviews they've given, the rest of the band seems to have reacted to his fervency with mild exasperation, but they are all vegetarians as well and avoid animal products.
to:
* WriterOnBoard: ''Meat is Murder,'' Is Murder'', as Morrissey supports PETA, and has stated he accepts the violent actions of {{Animal Wrongs Group}}s. Based on interviews they've given, the rest of the band seems to have reacted to his fervency with mild exasperation, but they are all vegetarians as well and avoid animal products.
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Changed line(s) 27,28 (click to see context) from:
Vote for your favourite Smiths album by heading over to the [[http://tvtropes.org/pmwiki/crowner.php/Sandbox/BestAlbumTheSmiths Best Album crowner]]!
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Vote for your favourite Smiths album by heading over to the [[http://tvtropes.org/pmwiki/crowner.php/Sandbox/BestAlbumTheSmiths Best Album crowner]]!
crowner]]! There's also a [[http://tvtropes.org/pmwiki/crowner.php/Sandbox/BestSongTheSmiths Best Song crowner]] as well!
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Changed line(s) 14,15 (click to see context) from:
After the break up, Music/{{Morrissey}} went on to have a successful solo career. Johnny formed Electronic with Music/JoyDivision[=/=]Music/NewOrder guitarist Bernard Sumner, and also formed the short-lived Johnny Marr & the Healers. He also played with cult alternative rockers The The and has done session work for too many artists to list. He was a member of the American indie rock band Modest Mouse from 2005 to 2008. After leaving Modest Mouse, he joined the British indie band The Cribs which he was a member of from 2008 to 2011.
to:
After the break up, Music/{{Morrissey}} went on to have a successful solo career. Johnny formed Electronic with Music/JoyDivision[=/=]Music/NewOrder guitarist Bernard Sumner, and also formed the short-lived Johnny Marr & the Healers. He also played with cult alternative rockers The The and has done session work for too many artists to list. He was a member of the American indie rock band Modest Mouse Music/ModestMouse from 2005 to 2008. After leaving Modest Mouse, he joined the British indie band The Cribs which he was a member of from 2008 to 2011.
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**Morrissey's lyrical style has been compared to the style of Irish literature, and considering his well-known fixation on Oscar Wilde it is perhaps not a surprise. He's also covered "Irish" topics such as family dysfunction, alcoholism and, of course, a death-fixation, although his take on it is perhaps closer to "Cré na Cille" than "The Dead".
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* OopNorth: One of Manchester's beloved musical exports.
to:
* OopNorth: One of Manchester's beloved musical exports.exports, and noted for featuring Manchester prominently in their promotional pictures (especially for "The Queen Is Dead") and in their lyrics. Their first album featured a song focused entirely around the Moors Murders, "Suffer Little Children".
Changed line(s) 115 (click to see context) from:
* SmokingIsCool: Johnny looked pretty damn cool with a cigarette.
to:
* SmokingIsCool: Johnny looked pretty damn cool with a cigarette.cigarette, especially in the OGWT Meat Is Murder tapes.
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Changed line(s) 33 (click to see context) from:
''And somehow that really impressed me''\\
to:
''And somehow that really impressed me''\\me''
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Changed line(s) 31 (click to see context) from:
* [[AllGirlsWantBadBoys All Boys Want Bad Boys]]
to:
* [[AllGirlsWantBadBoys All Boys Want Bad Boys]]Boys]]: It became slowly more evident in Morrissey's lyrics, reaching its culmination in his solo work. Stand-out examples include "Sweet and Tender Hooligan" and "I Want The One I Can't Have".
-->''He killed a policeman when he was thirteen''\\
''And somehow that really impressed me''\\
-->''He killed a policeman when he was thirteen''\\
''And somehow that really impressed me''\\
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Changed line(s) 6 (click to see context) from:
I said: 'That's nothing - you should hear me play piano.'"''
to:
I said: 'That's nothing - you should hear me play piano.'"'''''
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Uncommon Time
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* UncommonTime: "Back to the Old House" is in 6/8
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Oirish
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* [[{{Oireland}} Oirish]]: Morrissey, Marr and Rourke are the sons of first-generation Irish immigrants to Manchester; Joyce's father is Irish as well. Morrissey and Marr were both taken to visit relatives back in the Auld Sod many times in their childhood where they were exposed to a lot of Irish musical traditions; the influence is most evident in Morrissey's crooning style and some of Marr's acoustic guitar work.
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add note
Changed line(s) 33 (click to see context) from:
** "Death of a Disco Dancer", "Meat is Murder", "Rubber Ring", "Rushholme Ruffians", "Shakespeare's Sister", "These Things Take Time", "Well I Wonder", "What's the World", "Wonderful Woman".
to:
** "Death of a Disco Dancer", "Meat is Murder", "Rubber Ring", "Rushholme Ruffians", "Shakespeare's Sister", "These Things Take Time", Time",[[note]]Doubled down![[/note]] "Well I Wonder", "What's the World", "Wonderful Woman".
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explain why they forbade Cameron from listening to them
Changed line(s) 131 (click to see context) from:
* YourApprovalFillsMeWithShame: Both Morrissey and Marr forbade the Prime Minister David Cameron from listening to The Smiths.
to:
* YourApprovalFillsMeWithShame: Both Morrissey and Marr forbade the Prime Minister David Cameron from listening to The Smiths.Smiths after he told the media that "This Charming Man" is his favorite song.
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Gray Rain of Depression
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* GrayRainOfDepression: The opening line of "William, It Was Really Nothing": "''The rain falls hard on this humdrum town / This town has dragged you down ...''"
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oops
Changed line(s) 47 (click to see context) from:
* CoolestClubEver: * Subverted by "How Soon is Now?" The singer is told "''there's a club if you'd like to go / You could meet somebody who really loves you ...''" But what actually happens is:
to:
* CoolestClubEver: * Subverted by "How Soon is Now?" The singer is told "''there's a club if you'd like to go / You could meet somebody who really loves you ...''" But what actually happens is:
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Subversion of Coolest Club Ever, by "How Soon is Now?"
Added DiffLines:
* CoolestClubEver: * Subverted by "How Soon is Now?" The singer is told "''there's a club if you'd like to go / You could meet somebody who really loves you ...''" But what actually happens is:
-->''So you go on your own''\\
''And you leave on your own''\\
''And you go home and you cry''\\
''And you want to die''
-->''So you go on your own''\\
''And you leave on your own''\\
''And you go home and you cry''\\
''And you want to die''
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Changed line(s) 2 (click to see context) from:
to:
[[caption-width-right:350: The Smiths in 1986. From left to right: Andy Rourke, Music/{{Morrissey}}, Music/JohnnyMarr, Mike Joyce.]]
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Changed line(s) 77 (click to see context) from:
%%* JerkWithAHeartOfGold: Morrissey.
to:
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Trope misuse, A lot of comma misuse, A lot of no context examples, Adding context to a couple I know for sure
Changed line(s) 36,37 (click to see context) from:
* AmusingInjuries: "Stop Me If You Think You've Heard This One Before."
* AntiLoveSong: "Unhappy Birthday"
* AntiLoveSong: "Unhappy Birthday"
to:
* AmusingInjuries: The narrator of "Stop Me If You Think You've Heard This One Before."
*Before" injures himself on the crossbar of his bicycle, apparently breaking his spleen and knee.
%%* AntiLoveSong: "Unhappy Birthday"
*
%%* AntiLoveSong: "Unhappy Birthday"
Changed line(s) 39,40 (click to see context) from:
* AutoErotica: "You've Got Everything Now"
* BanisterSlide: "Vicar In A Tutu"
* BanisterSlide: "Vicar In A Tutu"
to:
Changed line(s) 45 (click to see context) from:
* ClosetKey: "This Charming Man"
to:
* ClosetKey: "This Charming Man"Man" is about a man's bicycle getting a flat tire, and he's picked up by a passing, charming rich man. They proceed to flirt during the ride, though the protagonist is still hesitant about it.
Changed line(s) 47 (click to see context) from:
* CovertPervert: [[FanNickname Moz]] himself.
to:
Changed line(s) 53,54 (click to see context) from:
* DeanBitterman: "The Headmaster Ritual"
* DoubleEntendre: Too many lyrics to list.
* DoubleEntendre: Too many lyrics to list.
to:
Changed line(s) 56,59 (click to see context) from:
-->Oh, so I drank one
-->It became four
-->And when I fell on the floor
-->...I drank more
-->It became four
-->And when I fell on the floor
-->...I drank more
to:
-->It
''It became
-->And
''And when I fell on the
-->...
''...I drank
Deleted line(s) 61 (click to see context) :
* DudeShesLikeInAComa: "Girlfriend in a coma, I know, I know, it's really serious." Alternate trope title.
Changed line(s) 74 (click to see context) from:
* {{Gayngst}}
to:
Changed line(s) 78 (click to see context) from:
* JerkWithAHeartOfGold: Morrissey.
to:
Changed line(s) 84 (click to see context) from:
* MadLove: A theme in some of their songs.
to:
Changed line(s) 86,89 (click to see context) from:
* MohsScaleOfRockAndMetalHardness: The Smiths never went very high up it, pushing a 3-4 at most in their most aggressive moments- the lyrics were where the darkness was, not the music. However, when asked in an [[http://www.avclub.com/articles/johnny-marr-has-no-negative-thoughts-about-the-smi,73276/ AV Club interview]], Johnny Marr [[DiscussedTrope discussed]] the trope by mentioning how he felt that bands that drew inspiration from the Smiths like Belle and Sebastian were too lightweight compared to them:
-->I’ve heard some records by bands that came after us who had their music been any more fey and lightweight, then I’d expect petals to come out of the speakers. [Laughs.] That’s kind of missing what we were about, because The Smiths were not all “Oscar Wilde at 3:30 in the afternoon” and feyness. The truth of it is, if you were to see any songs from any of our shows, we were, what I would say, quite heavy. Even the ballads were intense. We were a rock band, really, that played a type of pop music, if I care to analyze it. I don’t know very much about The Wedding Present’s music, but what I’ve heard of Belle & Sebastian was often quite fey, and light in a very deliberate way. I think they have their own thing, which is absolutely fine. But I don’t actually think they sound like The Smiths.
** "How Soon is Now?" is probably a 5 or 6
* MoneySong: "Frankly, Mr. Shankly".
-->I’ve heard some records by bands that came after us who had their music been any more fey and lightweight, then I’d expect petals to come out of the speakers. [Laughs.] That’s kind of missing what we were about, because The Smiths were not all “Oscar Wilde at 3:30 in the afternoon” and feyness. The truth of it is, if you were to see any songs from any of our shows, we were, what I would say, quite heavy. Even the ballads were intense. We were a rock band, really, that played a type of pop music, if I care to analyze it. I don’t know very much about The Wedding Present’s music, but what I’ve heard of Belle & Sebastian was often quite fey, and light in a very deliberate way. I think they have their own thing, which is absolutely fine. But I don’t actually think they sound like The Smiths.
** "How Soon is Now?" is probably a 5 or 6
* MoneySong: "Frankly, Mr. Shankly".
to:
* MohsScaleOfRockAndMetalHardness: The Smiths never went very high up it, pushing a 3-4 at most in their most aggressive moments- moments and 5-6 for "How Soon is Now?" - the lyrics were where the darkness was, not the music. However, when asked in an [[http://www.avclub.com/articles/johnny-marr-has-no-negative-thoughts-about-the-smi,73276/ AV Club interview]], Johnny Marr [[DiscussedTrope discussed]] the trope by mentioning how he felt that bands that drew inspiration from the Smiths like Belle and Sebastian were too lightweight compared to them:
-->I’ve -->"I’ve heard some records by bands that came after us who had their music been any more fey and lightweight, then I’d expect petals to come out of the speakers. [Laughs.] That’s kind of missing what we were about, because The Smiths were not all “Oscar Wilde at 3:30 in the afternoon” and feyness. The truth of it is, if you were to see any songs from any of our shows, we were, what I would say, quite heavy. Even the ballads were intense. We were a rock band, really, that played a type of pop music, if I care to analyze it. I don’t know very much about The Wedding Present’s music, but what I’ve heard of Belle & Sebastian was often quite fey, and light in a very deliberate way. I think they have their own thing, which is absolutely fine. But I don’t actually think they sound like The Smiths.
** "How Soon is Now?" is probably a 5 or 6
*Smiths."
%%* MoneySong: "Frankly, Mr. Shankly".
** "How Soon is Now?" is probably a 5 or 6
*
%%* MoneySong: "Frankly, Mr. Shankly".
Changed line(s) 91 (click to see context) from:
--> I wish I could remember exactly how we did the slide part -- not writing it down is one of the banes of my life! We did it in three passes through a harmonizer, set to some weird interval, like a sixth. There was a different harmonization for each pass. For the line in harmonics, I retuned the guitar so that I could play it all at the 12th fret with natural harmonics. It's doubled several times.
to:
--> I "I wish I could remember exactly how we did the slide part -- not writing it down is one of the banes of my life! We did it in three passes through a harmonizer, set to some weird interval, like a sixth. There was a different harmonization for each pass. For the line in harmonics, I retuned the guitar so that I could play it all at the 12th fret with natural harmonics. It's doubled several times."
Changed line(s) 96 (click to see context) from:
* ObsessionSong: "Paint a Vulgar Picture"
to:
Changed line(s) 98,99 (click to see context) from:
* OopNorth
* ProtestSong: "The Headmaster Ritual", "Meat Is Murder", and "Barbarism Begins At Home"
* ProtestSong: "The Headmaster Ritual", "Meat Is Murder", and "Barbarism Begins At Home"
to:
* OopNorth
OopNorth: One of Manchester's beloved musical exports.
*ProtestSong: ProtestSong:
** "The HeadmasterRitual", "Meat Is Murder", Ritual" and "Barbarism Begins At Home"Home" against child abuse, the former by teachers and the latter by parents.
** "Meat Is Murder" against animal slaughter.
*
** "The Headmaster
** "Meat Is Murder" against animal slaughter.
Changed line(s) 105,106 (click to see context) from:
* SmallNameBigEgo: Morrissey.
* SmokingIsCool: Admit it, Johnny looked pretty damn cool with a cigarette.
* SmokingIsCool: Admit it, Johnny looked pretty damn cool with a cigarette.
to:
* SmallNameBigEgo: Morrissey.
Morrissey was mouthy and pissed off a lot of music industry people all throughout The Smiths' rise in popularity.
* SmokingIsCool:Admit it, Johnny looked pretty damn cool with a cigarette.
* SmokingIsCool:
Changed line(s) 115 (click to see context) from:
* ThreeChordsAndTheTruth: To an extent. The band's music was generally intricate and melodic but the emphasis on guitar-based rock was a reaction against synthesizer-heavy Eighties pop music.
to:
* SuspiciouslySpecificDenial: The narrator of "Stop Me if You Think You've Heard This One Before" names off some of the injuries he received from his bicycle accident, then follows them with "Who said I lied to her?/Because I never".
* ThreeChordsAndTheTruth: To an extent. The band's music was generally intricate andmelodic melodic, but the emphasis on guitar-based rock was a reaction against synthesizer-heavy Eighties pop music.
* ThreeChordsAndTheTruth: To an extent. The band's music was generally intricate and
Changed line(s) 122,124 (click to see context) from:
* WordSaladTitle: The band named themselves "The Smiths" as a [[AvertedTrope reaction, against]] the word salad band names of their contemporaries.
* WriterOnBoard: ''Meat is Murder,'' as Morrissey supports PETA, and has stated he accepts the violent actions of {{Animal Wrongs Group}}s. Based on interviews they've given, the rest of the band, seems to have reacted to his fervency with mild exasperation, but they are all vegetarians as well, and avoid animal products.
* YourApprovalFillsMeWithShame: Both Morrissey and Marr, forbade the Prime Minister David Cameron, from listening to The Smiths.
* WriterOnBoard: ''Meat is Murder,'' as Morrissey supports PETA, and has stated he accepts the violent actions of {{Animal Wrongs Group}}s. Based on interviews they've given, the rest of the band, seems to have reacted to his fervency with mild exasperation, but they are all vegetarians as well, and avoid animal products.
* YourApprovalFillsMeWithShame: Both Morrissey and Marr, forbade the Prime Minister David Cameron, from listening to The Smiths.
to:
* WordSaladTitle: The band named themselves "The Smiths" as a [[AvertedTrope reaction, reaction against]] the word salad band names of their contemporaries.
* WriterOnBoard: ''Meat is Murder,'' as Morrissey supports PETA, and has stated he accepts the violent actions of {{Animal Wrongs Group}}s. Based on interviews they've given, the rest of theband, band seems to have reacted to his fervency with mild exasperation, but they are all vegetarians as well, well and avoid animal products.
* YourApprovalFillsMeWithShame: Both Morrissey andMarr, Marr forbade the Prime Minister David Cameron, Cameron from listening to The Smiths.
* WriterOnBoard: ''Meat is Murder,'' as Morrissey supports PETA, and has stated he accepts the violent actions of {{Animal Wrongs Group}}s. Based on interviews they've given, the rest of the
* YourApprovalFillsMeWithShame: Both Morrissey and
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Changed line(s) 117 (click to see context) from:
* UnrequitedLove: A recurring lyrical theme, often going straight into ObsessionSong territory. Examples include "There Is A Light That Never Goes Out", "I Want The One I Can't Have", and "I Know It's Over."
to:
* UnrequitedLove: {{Unrequited Love|Tropes}}: A recurring lyrical theme, often going straight into ObsessionSong territory. Examples include "There Is A Light That Never Goes Out", "I Want The One I Can't Have", and "I Know It's Over."