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Despite the initial mixed response, history has largely [[VindicatedByHistory vindicated]] ''Adz''--especially after Stevens returned to straightforward acoustic folk on 2015's ''Music/CarrieAndLowell'', thus proving that he hadn't abandoned the genre permanently. While some fans never warmed to the unique sound, others now consider ''Adz'' a contender for Stevens' best release, and individual tracks have been [[{{Sampling}} sampled]] by the likes of Music/KendrickLamar and Music/MacMiller and used in--for instance--the 2017 film ''Film/CallMeByYourName''.
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Despite the initial mixed response, history has largely [[VindicatedByHistory vindicated]] ''Adz''--especially after Stevens returned to straightforward acoustic folk on 2015's ''Music/CarrieAndLowell'', thus proving that he hadn't abandoned the genre permanently. While some fans never warmed to the unique sound, others now consider ''Adz'' a contender for Stevens' best release, and individual tracks have been [[{{Sampling}} sampled]] by the likes of Music/KendrickLamar and Music/MacMiller and used in--for instance--the 2017 film ''Film/CallMeByYourName''.
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Even more surprisingly, ''Adz'' was a NewSoundAlbum which replaced Stevens' signature banjo-led [[FolkMusic indie folk]] and BaroquePop with dense, manic, and occasionally autotune-inflected [[ElectronicMusic electronica]]. While Stevens had experimented with synth-led music in the past--his second LP, ''Enjoy Your Rabbit'', was an instrumental {{glitch}} album--he'd become best known and loved for what he once referred to as "[[ThreeChordsAndTheTruth strummy-strum acoustic guitar songs]]". The unexpected sonic shift startled fans and critics alike, and to this day ''Adz'' remains one of his most [[BrokenBase divisive]] albums.
In keeping with the album's more-personal-than-usual tone, Stevens' lyrics on ''Adz'' are also more confessional and less story-driven than his earlier work tended to be. Notably, the album includes Stevens' [[EpicRocking longest song]] to date, the 25-minute-plus "Impossible Soul", as well as his [[PrecisionFStrike first ever lyrical use of profanity]]--[[ClusterFBomb many times]]--in "I Want to Be Well".
In keeping with the album's more-personal-than-usual tone, Stevens' lyrics on ''Adz'' are also more confessional and less story-driven than his earlier work tended to be. Notably, the album includes Stevens' [[EpicRocking longest song]] to date, the 25-minute-plus "Impossible Soul", as well as his [[PrecisionFStrike first ever lyrical use of profanity]]--[[ClusterFBomb many times]]--in "I Want to Be Well".
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Even more surprisingly, ''Adz'' was a NewSoundAlbum which replaced Stevens' signature banjo-led [[FolkMusic indie folk]] and BaroquePop with dense, manic, and occasionally autotune-inflected [[ElectronicMusic electronica]]. While Stevens had experimented with synth-led music in the past--his second LP, ''Enjoy Your Rabbit'', was an instrumental {{glitch}} album--he'd become best known and loved for what he once referred to as "[[ThreeChordsAndTheTruth strummy-strum acoustic guitar songs]]". The unexpected sonic shift startled fans and critics alike, and to this day day, ''Adz'' remains one of his most [[BrokenBase divisive]] albums.
In keeping with the album's more-personal-than-usual tone, Stevens' lyrics on ''Adz'' are also more confessional and less story-driven than his earlier work tended to be. Notably, the album includes Stevens' [[EpicRocking longest song]] to date, the 25-minute-plus "Impossible Soul", as well as his [[PrecisionFStrikefirst ever first-ever lyrical use of profanity]]--[[ClusterFBomb many times]]--in "I Want to Be Well".
In keeping with the album's more-personal-than-usual tone, Stevens' lyrics on ''Adz'' are also more confessional and less story-driven than his earlier work tended to be. Notably, the album includes Stevens' [[EpicRocking longest song]] to date, the 25-minute-plus "Impossible Soul", as well as his [[PrecisionFStrike
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No Pronunciation Guide is now a disambig. Dewicking
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''The Age of Adz'' ([[NoPronunciationGuide pronounced]] "The Age of '''Odds'''") is the sixth studio LP by American singer-songwriter and multi-instrumentalist Music/SufjanStevens.
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''The Age of Adz'' ([[NoPronunciationGuide pronounced]] (pronounced "The Age of '''Odds'''") is the sixth studio LP by American singer-songwriter and multi-instrumentalist Music/SufjanStevens.
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* NoPronunciationGuide: "Adz" is supposed to be pronounced "Odds", though first-time listeners won't realize this until they hear it said aloud in the TitleTrack.
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* ObsessionSong: "All for Myself", in which the narrator expresses his desire to have his lover... well, [ExactlyWhatItSaysOnTheTin all for himself.]
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* ObsessionSong: "All for Myself", in which the narrator expresses his desire to have his lover... well, [ExactlyWhatItSaysOnTheTin [[ExactlyWhatItSaysOnTheTin all for himself.]]]
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* IntercourseWithYou: "All for Myself" ("impressions of the unmade bed / you cradled close to me, close to my ear").
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* IntercourseWithYou: Discussed most explicitly in "All for Myself" ("impressions Myself":
-->''Impressions of the unmadebed / you bed''
-->''You cradled close to me, close to myear").ear''
-->''Impressions of the unmade
-->''You cradled close to me, close to my
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* LoveHurts:
** "I Walked" ("at least I deserve the respect of a kiss goodbye").
** "Bad Communication" ("I'll talk, but I know you won't listen to me").
** "I Walked" ("at least I deserve the respect of a kiss goodbye").
** "Bad Communication" ("I'll talk, but I know you won't listen to me").
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* LoveHurts:
**LoveHurts: Many of the songs involve romantic heartbreak or frustration. "I Walked" ("at least I deserve the respect of a kiss goodbye").
**Walked", "Bad Communication" ("I'll talk, but I know you won't listen to me").Communication", and "Impossible Soul" are especially strong in their expressions of emotional woundedness.
**
**
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* ObsessionSong: "All for Myself".
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* ObsessionSong: "All for Myself".Myself", in which the narrator expresses his desire to have his lover... well, [ExactlyWhatItSaysOnTheTin all for himself.]
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moved to ymmv
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* SongAssociation: While slightly overshadowed by the two film-exclusive tracks Sufjan also contributed to the soundtrack, a lightly-remixed version of "Futile Devices" appears in ''Call Me By Your Name'' and has come to be associated with the film by (especially newer) fans.
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* SongAssociation: While slightly overshadowed by the two film-exclusive tracks Sufjan also contributed to the soundtrack, a lightly-remixed version of "Futile Devices" appears in ''Call Me By Your Name'' and has come to be associated with the film by (especially newer) fans.
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Despite the initial mixed response, history has largely [[VindicatedByHistory vindicated]] ''Adz''--especially after Stevens returned to straightforward acoustic folk on 2015's ''Music/CarrieAndLowell'', thus proving that he hadn't abandoned the genre permanently. While some fans never warmed to the unique sound, others now consider ''Adz'' a contender for Stevens' best release, and individual tracks have been [[{{Sampling}} sampled]] by the likes of Music/KendrickLamar and Music/MacMiller.
to:
Despite the initial mixed response, history has largely [[VindicatedByHistory vindicated]] ''Adz''--especially after Stevens returned to straightforward acoustic folk on 2015's ''Music/CarrieAndLowell'', thus proving that he hadn't abandoned the genre permanently. While some fans never warmed to the unique sound, others now consider ''Adz'' a contender for Stevens' best release, and individual tracks have been [[{{Sampling}} sampled]] by the likes of Music/KendrickLamar and Music/MacMiller.Music/MacMiller and used in--for instance--the 2017 film ''Film/CallMeByYourName''.
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->''"This is [[AlbumTitleDrop the Age of Adz]], eternal living."''
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