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Hailing from Peoria, Illinois, [[HeavyMetal metal]] band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

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Hailing from Peoria, Illinois, [[HeavyMetal metal]] band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal [[HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]
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:: The group has more in common with purveyors of [[ProgressiveRock Progressive]] or {{Funk}} music than many of their Metal peers and this ability on their instruments insofar as time signatures and riffing raises the bar on what is expected in most Metal bands today.
:::- [[http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3160 Sea of Tranquility], reviewing Mudvayne's album ''Lost and Found''


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:: The group has more in common with purveyors of [[ProgressiveRock Progressive]] or {{Funk}} music than many of their Metal peers and this ability on their instruments insofar as time signatures and riffing raises the bar on what is expected in most Metal bands today.
:::- [[http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3160 Sea of Tranquility]], reviewing Mudvayne's album ''Lost and Found''
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:::- [http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3160 Sea of Tranquility], reviewing Mudvayne's album ''Lost and Found''

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:::- [http://www.[[http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3160 Sea of Tranquility], reviewing Mudvayne's album ''Lost and Found''

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:: The group has more in common with purveyors of [[ProgressiveRock Progressive]] or {{Funk}} music than many of their Metal peers and this ability on their instruments insofar as time signatures and riffing raises the bar on what is expected in most Metal bands today.
:::- [http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3160 Sea of Tranquility], reviewing Mudvayne's album ''Lost and Found''



Hailing from Peoria, Illinois, [[HeavyMetal metal]] band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

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Hailing from Peoria, Illinois, [[HeavyMetal metal]] ProgressiveMetal band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]



* ClusterFBomb: As noted in an album review, they toss around dozens of F-Bombs, but fill up their liner notes with [[EvenBadMenLoveTheirMamas thank-yous to their families and mothers]].

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* ClusterFBomb: As noted in [[http://www.allmusic.com/album/ld-50-mw0000091917 an album review, review]], they toss around dozens of F-Bombs, but fill up their liner notes with [[EvenBadMenLoveTheirMamas thank-yous to their families and mothers]].



* NuMetal
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* IHaveManyNames: All band members (see above).

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* IHaveManyNames: All band members (see above). Greg said in one interview that "if you hang with us for more than half an hour, you're going to get a nickname. It's just how we are."



* ProgressiveMetal

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* ProgressiveMetalProgressiveMetal: Tribbett at one point got so tired of answering questions about the band's style that he jokingly said "It's math metal. Bring your abacus." Unfortunately, people jumped on the 'math metal' thing, to his irritation.
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* XMeetsY: Music/{{Voivod}} meets Music/{{Meshuggah}} meets Music/MrBungle.

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* XMeetsY: Music/{{Voivod}} meets Music/{{Meshuggah}} meets Music/MrBungle.Music/MrBungle.

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They do not sound like Korn - who wrote this?


* XMeetsY: Music/{{Korn}} meets Music/{{Meshuggah}} meets Music/MrBungle.

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* XMeetsY: Music/{{Korn}} Music/{{Voivod}} meets Music/{{Meshuggah}} meets Music/MrBungle.

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Don\'t use weasel words. Either they are, they aren\'t, or there\'s a citable fan argument.


* NuMetal: Although some fans would argue this categorization due to the band's highly technical sound.

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* NuMetal: Although some fans would argue this categorization due to the band's highly technical sound.NuMetal
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moderator restored to earlier version

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reverting vandalism


Hailing from Peoria, Illinois, [[HeavyMetal metal]] band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

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Hailing from Peoria, Illinois, [[HeavyMetal metal]] ProgressiveMetal band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]



* NuMetal: Although some fans would argue this categorization due to the band's highly technical sound.



* XMeetsY: Music/{{Korn}} meets Music/{{Meshuggah}} meets Music/MrBungle.

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* XMeetsY: Music/{{Korn}} Music/{{Voivod}} meets Music/{{Meshuggah}} meets Music/MrBungle.

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You really have to stop trying to whitewash this stuff. Just because you like a band, it doesn\'t not make them part of the genre.


* NuMetal: Although some fans would argue this categorization due to the band's highly technical sound.



* XMeetsY: Music/{{Voivod}} meets Music/{{Meshuggah}} meets Music/MrBungle.

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* XMeetsY: Music/{{Voivod}} Music/{{Korn}} meets Music/{{Meshuggah}} meets Music/MrBungle.
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Better to use the more generic metal tag here to prevent edit wars


Hailing from Peoria, Illinois, ProgressiveMetal band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

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Hailing from Peoria, Illinois, ProgressiveMetal [[HeavyMetal metal]] band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]
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* XMeetsY: Music/{{Voivod}} meets Music/{{Tool}} meets Music/MrBungle.

to:

* XMeetsY: Music/{{Voivod}} meets Music/{{Tool}} Music/{{Meshuggah}} meets Music/MrBungle.
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Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

to:

Hailing from Peoria, Illinois, ProgressiveMetal band Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

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* UpdatedRerelease: ''The New Game'' was reissued with a bonus disc of rare material.

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* UpdatedRerelease: Their demo ''Kill, I Oughtta'' was reissued with bonus tracks as ''The Beginning of All Things to End''.
**''The
New Game'' was reissued with a bonus disc of rare material.

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not a part of this genre


* NuMetal: Although some fans would argue this categorization due to the band's highly technical sound.
* {{Piss Take|Rap}} RapMetal: Occurs in "Under My Skin", which has an entirely rapped verse, as opposed to the rest of the track, which is largely [[HarshVocals screamed]]. Oddly enough, it actually works.



* XMeetsY: {{Korn}} meets {{Tool}} meets MrBungle.

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* XMeetsY: {{Korn}} Music/{{Voivod}} meets {{Tool}} Music/{{Tool}} meets MrBungle.Music/MrBungle.
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* UpdatedRerelease: ''The New Game'' was reissued with a bonus disc of rare material.

to:

* UpdatedRerelease: ''The New Game'' was reissued with a bonus disc of rare material.material.
* XMeetsY: {{Korn}} meets {{Tool}} meets MrBungle.
Is there an issue? Send a MessageReason:
None


Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]

to:

Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite StanleyKubrick Creator/StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]
Is there an issue? Send a MessageReason:
None


Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).

to:

Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[Music/HeavyMetal Metal]] band to cite StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).
night).[[note]][=McDonough=] later rejected the "math metal" label, saying that it was a joke he cracked in an interview that was taken seriously and that he doesn't think that Mudvayne was a pioneer of anything.[[/note]]



* LeadBassist: Ryan is a Type A and B, and arguably a Type C as well; after all, there are more than a few bassists out there who aren't particularly fond of Mudvayne's music as a whole but who are heavily influenced by his playing.

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* LeadBassist: Ryan is a Type A and B, and arguably a Type C as well; after all, there are more than a few bassists out there who aren't particularly fond of Mudvayne's music as a whole but who are heavily influenced by his playing.
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Added DiffLines:

The future of Mudvayne currently remains unknown. In 2011, the band went on an indefinite hiatus which continues to this day. The members have made indications that they will return someday, but exactly when was not made clear. This is partially due to Chad Gray's involvement with Hellyeah.
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* LeadBassist: Ryan is a type A and B.

to:

* LeadBassist: Ryan is a type Type A and B.B, and arguably a Type C as well; after all, there are more than a few bassists out there who aren't particularly fond of Mudvayne's music as a whole but who are heavily influenced by his playing.
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Added DiffLines:

* LeadBassist: Ryan is a type A and B.
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* NuMetal: Although some fans would argue this categorization due to the band's highly technical sound.
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Added \"Letting the Air Out of the Band\".

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* LettingTheAirOutOfTheBand: At the end of "A Key to Nothing".
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** "[[TheShining All work and no play, makes me, a dull boy]], [[MadnessMantra all work and no play, makes me, a dull boy]]"

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** "[[TheShining "[[Film/TheShining All work and no play, makes me, a dull boy]], [[MadnessMantra all work and no play, makes me, a dull boy]]"

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Rearranged some tropes and removed a duplicate one.


* HarshVocals: Chad and Greg both scream, roar and {{g|utturalGrowler}}rowl at various points.
* IndecipherableLyrics: Often.

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* HarshVocals: Chad and Greg both scream, roar and {{g|utturalGrowler}}rowl at various points.points.
* IHaveManyNames: All band members (see above).

* IndecipherableLyrics: Often.A few of their songs, particularly "Dig".



* IHaveManyNames: All band members (see above).
* IndecipherableLyrics: A few of their songs, particularly "Dig".

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Moved Epic Riff to the YMMV tab.


+{{Emperor}}, KingCrimson, Music/{{Metallica}}, PinkFloyd, PorcupineTree

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+{{Emperor}}, KingCrimson, +Music/{{Emperor}}, Music/KingCrimson, Music/{{Metallica}}, PinkFloyd, PorcupineTreeMusic/PinkFloyd, Music/PorcupineTree



The band also performed in {{Horror}} movie-inspired face paint and masks and called themselves Kud, Gurrg, [=RyKnow=], and sPaG. The album involved themes inspired by human evolution and ''[[{{ptitleh3elkyxdypyw}} 2001: A Space Odyssey]]'', with samples taken from a recording of Terence [=McKenna=] discussing his theory that evolution was triggered by psychedelic mushrooms. ''The End of All Things to Come'' had the band wearing alien masks and performing under the names Chüd, Güüg, Rü-D, and Spüg. Since then, however, they've performed without stage names or disguises.

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The band also performed in {{Horror}} movie-inspired face paint and masks and called themselves Kud, Gurrg, [=RyKnow=], and sPaG. The album involved themes inspired by human evolution and ''[[{{ptitleh3elkyxdypyw}} 2001: A Space Odyssey]]'', ''Film/TwoThousandOneASpaceOdyssey'', with samples taken from a recording of Terence [=McKenna=] discussing his theory that evolution was triggered by psychedelic mushrooms. ''The End of All Things to Come'' had the band wearing alien masks and performing under the names Chüd, Güüg, Rü-D, and Spüg. Since then, however, they've performed without stage names or disguises.



* CoverVersion: ''By the People, for the People'' has the band covering ThePolice's "King of Pain"
* EpicRiff

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* CoverVersion: ''By the People, for the People'' has the band covering ThePolice's Music/ThePolice's "King of Pain"
* EpicRiff
Pain"



* HarshVocals: Chad and Greg both scream, roar and [[GutturalGrowler Growl]] at various points.

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* HarshVocals: Chad and Greg both scream, roar and [[GutturalGrowler Growl]] {{g|utturalGrowler}}rowl at various points.



* NeoclassicalPunkZydecoRockabilly: Mudvayne often combines [[AlternativeMetal Alt]] and ProgressiveMetal with [[DeathMetal death]], [[ThrashMetal thrash]] or SpeedMetal and elements of HardcorePunk, [[{{Jazz}} Jazz Fusion]] and HardRock.

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* NeoclassicalPunkZydecoRockabilly: Mudvayne often combines [[AlternativeMetal Alt]] {{Alt|ernativeMetal}} and ProgressiveMetal with [[DeathMetal death]], [[ThrashMetal thrash]] {{death|Metal}}, {{thrash|Metal}} or SpeedMetal and elements of HardcorePunk, [[{{Jazz}} Jazz Fusion]] and HardRock.



* [[PissTakeRap Piss Take]]RapMetal: Occurs in "Under My Skin", which has an entirely rapped verse, as opposed to the rest of the track, which is largely [[HarshVocals screamed]]. Oddly enough, it actually works.

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* [[PissTakeRap Piss Take]]RapMetal: {{Piss Take|Rap}} RapMetal: Occurs in "Under My Skin", which has an entirely rapped verse, as opposed to the rest of the track, which is largely [[HarshVocals screamed]]. Oddly enough, it actually works.



** One of the songs on ''L.D. 50'' was titled "Monolith". This and "Eternal Primates Forever" are references to ''[[{{ptitleh3elkyxdypyw}} 2001: A Space Odyssey]]''.

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** One of the songs on ''L.D. 50'' was titled "Monolith". This and "Eternal Primates Forever" are references to ''[[{{ptitleh3elkyxdypyw}} 2001: A Space Odyssey]]''.''Film/TwoThousandOneASpaceOdyssey''.



* UpdatedReRelease: ''The New Game'' was reissued with a bonus disc of rare material.

to:

* UpdatedReRelease: UpdatedRerelease: ''The New Game'' was reissued with a bonus disc of rare material.
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None


Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[HeavyMetal Metal]] band to cite StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).

to:

Hailing from Peoria, Illinois, Mudvayne was formed in 1996, and is probably the only [[HeavyMetal [[Music/HeavyMetal Metal]] band to cite StanleyKubrick as an influence. Originally solely an AlternativeMetal band, a lot had changed by the time they got to their debut, ''L.D. 50''. The band members dipped into their ''extremely'' technical backgrounds to combine elements of ProgressiveRock, DeathMetal, ThrashMetal, SpeedMetal and HardcorePunk into something they called "math metal", which owed to the fact that the composition involved riffs chosen via numbers symbolism directly related to the song's subject matter (I.E., "Nothing To Gein", about SerialKiller Ed Gein, uses a riff which alternates in bars of four and five, because nine is a lunar number and Gein's activities were usually performed at night).
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+{{Emperor}}, KingCrimson, {{Metallica}}, PinkFloyd, PorcupineTree

to:

+{{Emperor}}, KingCrimson, {{Metallica}}, Music/{{Metallica}}, PinkFloyd, PorcupineTree

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