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** Chester bellows it out hard in the bridge of "Given Up", capped off by the infamous seventeen-second, two-note scream.

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** Chester bellows it out hard (read: swings that axe like a goddamn hurricane) in the bridge of "Given Up", capped off by the infamous seventeen-second, two-note scream.

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Changed: 2991

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[[caption-width-right:350:''And the shadow of the day, will embrace the world in gray...'']]

''Minutes to Midnight'' is the third studio album by Music/LinkinPark, released in 2007. This album marked an [[NewSoundAlbum unusual change in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate the album, vocalist Mike Shinoda began to embrace singing and harmonizing over traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.

The album became a massive hit, even though it undersold its predecessors. "Given Up" and "Bleed It Out" served as the heavier singles, while "Leave Out All the Rest", "Shadow of the Day", and "What I've Done" helped expand the band's appeal into mainstream AlternativeRock. The political themes of the DoomsdayClock, environmentalism, UsefulNotes/TheWarOnTerror, and social unrest helped transition the band members into a more mature phase in their development. The recurring concerns of betrayal and loss helped keep the subject matter consistent with Linkin Park's previous work.

The change in the band's style heavily divided the fanbase, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographic they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.

to:

[[caption-width-right:350:''And the shadow of the day, day,\\
will embrace the world in gray...'']]

''Minutes to Midnight'' is the third studio album by Music/LinkinPark, released in 2007. This The album marked an a [[NewSoundAlbum unusual change definitive shift in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate studio.

Following
the album, {{nu metal}} sound of their successful first two albums (''Music/HybridTheory'', ''Music/{{Meteora}}'') [[DeadHorseGenre steadily falling out of style]] nearing the end of the 2000s, ''Minutes'' marked the band's first foray away from that genre and towards [[ArenaRock arena-ready]] {{alternative rock}} and [[AlternativeMetal metal]], overseen by record producer Music/RickRubin. As such, the instrumentation used in songs is generally lighter, and lead vocalist Mike Shinoda began to embrace embraces singing and harmonizing over his traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.

The album became a massive hit, even though it undersold
rapping.

Further unique characteristics of ''Minutes'' include
its predecessors. "Given Up" and "Bleed It Out" served as the heavier singles, while "Leave Out All the Rest", "Shadow of the Day", and "What I've Done" helped expand the band's appeal into mainstream AlternativeRock. The political themes of themes, revolving around the DoomsdayClock, DoomsdayClock (which inspired the album's name), environmentalism, UsefulNotes/TheWarOnTerror, and social unrest unrest, which helped transition the band members into a more mature phase in their development. The recurring concerns of betrayal and loss helped keep the subject matter consistent with Linkin Park's the band's previous work.

work. The album also contains profanity unlike its predecessors, which made it the band's first full-length album to receive a Parental Advisory label.

While ''Minutes'' became a massive hit, debuting at #1 in 15 countries, the
change in the band's style heavily divided the split their fanbase, despite having praise for the lead singles. and remains a point of mild divisiveness in their history considering they would only experiment further with alternative influences in future releases. Older listeners who love the NuMetal loved their work in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think nu metal thought [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographic they tend to like who enjoyed softer rock]]. It has sold over 15 million copies, rock and helped Linkin Park remain relevant for may not have had an entry point to the latter half of band]] embraced the decade.
newer direction.
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* SurprisinglyGentleSong: "In Between" was the softest song the band had released up to that point (unless you want to count "My December" from the Music/HybridTheory sessions).

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* SurprisinglyGentleSong: "In Between" was the softest song the band had released up to that point (unless you want to count (other than the ''Hybrid Theory'' B-side track "My December" December", as well as the then-unreleased "She Couldn't", also from the Music/HybridTheory sessions).''Hybrid Theory'' sessions). That being said, "Leave Out All the Rest" and "Valentine's Day" are also this.
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* MohsScaleOfRockAndMetalHardness: The album covers everything from 1 to 8.
** 1: "In Between"
** 2: "Shadow of the Day", "Hands Held High"
** 3: "Leave Out All the Rest", "Valentine's Day", "The Little Things Give You Away"
** 4: "Wake", "In Pieces"
** 5: "What I've Done"
** 6: "Bleed It Out"
** 7: "Given Up"
** 8: "No More Sorrow"
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** The seventeen-second, two-note scream Chester bellows out in "Given Up"

to:

** The Chester bellows it out hard in the bridge of "Given Up", capped off by the infamous seventeen-second, two-note scream Chester bellows out in "Given Up"scream.
Is there an issue? Send a MessageReason:
No longer a trope.


* YourCheatingHeart: "In Pieces":
--> ''There's truth in your lies\\
Doubt in your faith\\
All I've got is what you didn't take''
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* DemotedToExtra: Mike is largely demoted to a backing vocalist who harmonizes with Chester, rather than one half of a tag team. Only three songs feature him rapping, and only one features their signature VocalTagTeam.

to:

* DemotedToExtra: Mike is largely demoted to a backing vocalist who harmonizes with Chester, rather than one half of a tag team. Only three two songs feature him rapping, and only one features their signature VocalTagTeam.
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There is no rapping in "In Between"; not sure where this entry came from


* RapRock: The notable ''lack'' of rapping was one of the main criticisms of the album. Only "Bleed It Out" can be classed as rap rock, as the other two songs with rapping in them ("Hands Held High" and "In Between") are PoliticalRap songs that sound like they belong in Music/FortMinor.

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* RapRock: The notable ''lack'' of rapping was one of the main criticisms of the album. Only "Bleed It Out" can be classed as rap rock, as the other two songs song with rapping in them it ("Hands Held High" and "In Between") are High") is a PoliticalRap songs song that sound sounds like they belong it belongs in Music/FortMinor.
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** Additionally, Mike gets two songs to himself, one PoliticalRap songs that sound like they'd belong in Music/FortMinor and another song that has him singing solo for the first time. The iTunes version adds another track that just featured Mike Shinoda singing

to:

** Additionally, Mike gets two songs to himself, one PoliticalRap songs song that sound sounds like they'd it would belong in to Music/FortMinor and another song that has him singing solo for the first time. The iTunes version adds another track that just featured Mike Shinoda singing
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None


** Additionally, Mike gets two songs to himself, both PoliticalRap songs that sound like they'd belong in Music/FortMinor.

to:

** Additionally, Mike gets two songs to himself, both one PoliticalRap songs that sound like they'd belong in Music/FortMinor.Music/FortMinor and another song that has him singing solo for the first time. The iTunes version adds another track that just featured Mike Shinoda singing
Is there an issue? Send a MessageReason:
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The album became a massive hit, even though it undersold its predecessors. "Given Up" and "Bleed It Out" served as the heavier singles, while "Leave Out All the Rest", "Shadow of the Day", and "What I've Done" helped expand the band's appeal into mainstream AlternativeRock. The political themes of the DoomsdayClock, environmentalism, TheWarOnTerror, and social unrest helped transition the band members into a more mature phase in their development. The recurring concerns of betrayal and loss helped keep the subject matter consistent with Linkin Park's previous work.

to:

The album became a massive hit, even though it undersold its predecessors. "Given Up" and "Bleed It Out" served as the heavier singles, while "Leave Out All the Rest", "Shadow of the Day", and "What I've Done" helped expand the band's appeal into mainstream AlternativeRock. The political themes of the DoomsdayClock, environmentalism, TheWarOnTerror, UsefulNotes/TheWarOnTerror, and social unrest helped transition the band members into a more mature phase in their development. The recurring concerns of betrayal and loss helped keep the subject matter consistent with Linkin Park's previous work.



** "Hands Held High" protests TheWarOnTerror.

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** "Hands Held High" protests TheWarOnTerror.UsefulNotes/TheWarOnTerror.

Added: 153

Changed: 71

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* CarefulWithThatAxe: The seventeen-second, two-note scream Chester bellows out in "Given Up"

to:

* CarefulWithThatAxe: CarefulWithThatAxe:
**
The seventeen-second, two-note scream Chester bellows out in "Given Up"Up"
** He then repeats the screaming throughout the latter half of "No More Sorrow"
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* MetalScream: "Given Up". It's ''seventeen seconds long''. However, Chester generally avoids holding it for that long during live performances in order to preserve his voice.

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* MetalScream: IncrediblyLongNote: The last line of the bridge in "Given Up". It's ''seventeen seconds long''.Up" combines this with MetalScream, resulting in a ''seventeen-second long, two-note'' scream. However, Chester generally avoids holding it for that long during live performances in order to preserve his voice.
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'''Minutes to Midnight'' is the third studio album by Music/LinkinPark, released in 2007. This album marked an [[NewSoundAlbum unusual change in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate the album, vocalist Mike Shinoda began to embrace singing and harmonizing over traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.

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'''Minutes ''Minutes to Midnight'' is the third studio album by Music/LinkinPark, released in 2007. This album marked an [[NewSoundAlbum unusual change in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate the album, vocalist Mike Shinoda began to embrace singing and harmonizing over traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.
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None

Added DiffLines:

* MohsScaleOfRockAndMetalHardness: The album covers everything from 1 to 8.
**1: "In Between"
**2: "Shadow of the Day", "Hands Held High"
**3: "Leave Out All the Rest", "Valentine's Day", "The Little Things Give You Away"
**4: "Wake", "In Pieces"
**5: "What I've Done"
**6: "Bleed It Out"
**7: "Given Up"
**8: "No More Sorrow"
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* BackToFront: The "Given Up" music video does this creatively. While the band performs in real time, the surrounding bar fight rewinds from its culmination to its beginning.

to:

* BackToFront: The "Given Up" "Bleed it Out" music video does this creatively. While the band performs in real time, the surrounding bar fight rewinds from its culmination to its beginning.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''''Minutes to Midnight''''' is the third studio album by Music/LinkinPark, released in 2007. This album marked an [[NewSoundAlbum unusual change in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate the album, vocalist Mike Shinoda began to embrace singing and harmonizing over traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.

to:

'''''Minutes '''Minutes to Midnight''''' Midnight'' is the third studio album by Music/LinkinPark, released in 2007. This album marked an [[NewSoundAlbum unusual change in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate the album, vocalist Mike Shinoda began to embrace singing and harmonizing over traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.
Is there an issue? Send a MessageReason:
None


* NewSoundAlbum: Very much so. This led to their decline in popularity, even though they broke out of their niche to appeal to a wider fanbase.

to:

* NewSoundAlbum: Very much so. This led to their decline in popularity, even though they broke out of their niche to appeal to a wider fanbase. It was also a "new technique album," where the band abandoned their usual songwriting practice of recording the songs as individual productions, then figuring out how to play them live, and wrote songs based on jam sessions.
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Critics panned the change in the band's style, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographic they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.

to:

Critics panned the The change in the band's style, style heavily divided the fanbase, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographic they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.
Is there an issue? Send a MessageReason:
None


Nevertheless, ''Minutes to Midnight'' remains a BaseBreaker. Critics panned the change in the band's style, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographic they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.

to:

Nevertheless, ''Minutes to Midnight'' remains a BaseBreaker. Critics panned the change in the band's style, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographic they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.
Is there an issue? Send a MessageReason:
None


** It is rumored that "The Little Things Give You Away" is about the Bush Administration's delayed response to Hurricane Katrina, though this has not been confirmed by the band.

to:

** It is rumored that "The Little Things Give You Away" is about the Bush [[UsefulNotes/GeorgeWBush Bush]] Administration's delayed response to Hurricane Katrina, though this has not been confirmed by the band.
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None

Added DiffLines:

* AtomicFBomb: Found at the end of the bridge of "Given Up."


Added DiffLines:

* CarefulWithThatAxe: The seventeen-second, two-note scream Chester bellows out in "Given Up"
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* RapRock: The notable ''lack'' of rapping was one of the main criticisms of the album. Only "Bleed It Out" can be classed as rap rock, as the other two songs with rapping in them ("Hands Held High" and "In Between") are PoliticalRap songs that sound like they belong in Music/FortMinor.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AWildRapperAppears: A variation. The album doesn't feature a lot of rapping, so when Mike ''does'' show up to rap, it feels like this is in effect.
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* GrowingTheBeard: This album marked the first of many albums for the band to reference more political themes and develop a distinct style.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DemotedToExtra: Mike is largely demoted to a backing vocalist who harmonizes with Chester, rather than one half of a tag team. Only three songs feature him rapping, and only one features their signature VocalTagTeam.


Added DiffLines:

** Additionally, Mike gets two songs to himself, both PoliticalRap songs that sound like they'd belong in Music/FortMinor.


Added DiffLines:

* VocalTagTeam: Only "Bleed It Out" features this dynamic. Otherwise, Chester has all the lead vocals with Mike doing backing vocals. The only exceptions being "Hands Held High" and "In Between", where Mike has the whole song.
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Nevertheless, ''Minutes to Midnight'' remains a BaseBreaker. Critics panned the change in the band's style, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographics they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.

to:

Nevertheless, ''Minutes to Midnight'' remains a BaseBreaker. Critics panned the change in the band's style, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographics [[PeripheryDemographic they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.
Is there an issue? Send a MessageReason:
None


[[caption-width-right:350:some caption text]]

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[[caption-width-right:350:some caption text]]
[[caption-width-right:350:''And the shadow of the day, will embrace the world in gray...'']]
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/minutestomidnight.jpg]]
[[caption-width-right:350:some caption text]]

'''''Minutes to Midnight''''' is the third studio album by Music/LinkinPark, released in 2007. This album marked an [[NewSoundAlbum unusual change in the band's repertoire]] in many ways, spurred on by the band members' desire to experiment in the studio. LighterAndSofter tunes dominate the album, vocalist Mike Shinoda began to embrace singing and harmonizing over traditional rapping, and famous record producer Music/RickRubin encouraged the change in musical direction by introducing new styles in ArenaRock.

The album became a massive hit, even though it undersold its predecessors. "Given Up" and "Bleed It Out" served as the heavier singles, while "Leave Out All the Rest", "Shadow of the Day", and "What I've Done" helped expand the band's appeal into mainstream AlternativeRock. The political themes of the DoomsdayClock, environmentalism, TheWarOnTerror, and social unrest helped transition the band members into a more mature phase in their development. The recurring concerns of betrayal and loss helped keep the subject matter consistent with Linkin Park's previous work.

Nevertheless, ''Minutes to Midnight'' remains a BaseBreaker. Critics panned the change in the band's style, despite having praise for the lead singles. Older listeners who love the NuMetal in ''Music/HybridTheory'' and ''Music/{{Meteora}}'' think [[TheyChangedItNowItSucks the band sold out]], while others embrace the newer direction because [[PeripheryDemographics they tend to like softer rock]]. It has sold over 15 million copies, and helped Linkin Park remain relevant for the latter half of the decade.

----
!!Tracklist:
# "Wake" (1:40)
# "Given Up" (3:09)
# "Leave Out All the Rest" (3:29)
# "Bleed It Out" (2:44)
# "Shadow of the Day" (4:49)
# "What I've Done" (3:25)
# "Hands Held High" (3:53)
# "No More Sorrow" (3:41)
# "Valentine's Day" (3:16)
# "In Between" (3:16)
# "In Pieces" (3:38)
# "The Little Things Give You Away" (6:23)

----
!!Principal Members:
* Chester Bennington – lead vocals
* Mike Shinoda – vocals, rhythm guitar, keyboard, piano, production
* Brad Delson – lead guitar
* Dave Farrell – bass
* Joe Hahn – turntables, samples, keyboard, programming
* Rob Bourdon – drums, percussion

----
!!''The Little Tropes Give You Away''

* AlbumIntroTrack: "Wake", a calm and uplifting instrumental.
* AntiLoveSong: "Valentine's Day", ostensibly:
--> ''And the ground below grew colder\\
As they put you down inside\\
But the heartless wind kept blowing, blowing\\
So now you're gone, and I was wrong\\
I never knew what it was like, to be alone\\
On a Valentine's Day, on a Valentine's Day''
* AudienceParticipationSong: "Hands Held High" features a chorus of amens, which the audience gladly replicates live.
* BackToFront: The "Given Up" music video does this creatively. While the band performs in real time, the surrounding bar fight rewinds from its culmination to its beginning.
* BreakUpSong: "In Pieces", ostensibly. "Valentine's Day" seems to count too.
* CallBack: The video for "Given Up" has various callbacks to the band's previous music videos between all the special effects.
* DarkerAndEdgier: Not so much in music or style, but in lyrical content. The lyrics to "Hands Held High" are notably pretty angry, with swear words:
--> ''Jump when they tell us they want to see jumpin'\\
Fuck that! I want to see some fists pumpin'\\
Risk somethin', take back what's yours\\
Say somethin' that you know they might attack you for''
* DoomsdayClock: The title of the album stems from this. While they didn't really get into their concerns toward nuclear warfare until the following album, ''A Thousand Suns'', the video for "Shadow of the Day" references this amid political unrest. The opening features Chester waking up at 11:55 pm and proceeding to go out, and the song is just under five minutes long.
* EpicRocking: The end of "The Little Things Give You Away" has two minutes of Brad, Chester, and Mike harmonizing with one another to awesome effects.
* EpicTrackingShot: The camera in the "Given Up" video never once pans away or cuts.
* GrowingTheBeard: This album marked the first of many albums for the band to reference more political themes and develop a distinct style.
* InTheStyleOf: The ArenaRock concerns of the album sound very similar to Music/{{U2}}: indeed, Chester's mannerisms in the "What I've Done" video seem to mimic Bono's.
* MetalScream: "Given Up". It's ''seventeen seconds long''. However, Chester generally avoids holding it for that long during live performances in order to preserve his voice.
* MinimalisticCoverArt: A black-and-white, shadowy picture of the band from a distance.
* NewSoundAlbum: Very much so. This led to their decline in popularity, even though they broke out of their niche to appeal to a wider fanbase.
* PrecisionFStrike: Twice in "Bleed It Out":
--> ''Yeah here we go for the hundredth time\\
Hand grenade pins in every line\\
Throw 'em up and let something shine\\
Going out of my ''fucking'' mind [...]\\
Candy paint on his brand new Hearse\\
Can't contain him he knows he works\\
''Fuck'' this hurts, I won't lie\\
Doesn't matter how hard I try''
* ProtestSong: The video for "What I've Done" is very moving, as it juxtaposes various hate groups, nuclear bombings, and starving people with freedom fighters, peacemakers, and the privileged elite.
** "Hands Held High" protests TheWarOnTerror.
** It is rumored that "The Little Things Give You Away" is about the Bush Administration's delayed response to Hurricane Katrina, though this has not been confirmed by the band.
* RepurposedPopSong: "Leave Out All the Rest" was used to promote both Creator/DannyBoyle's film Film/{{Sunshine}} and the first Film/{{Twilight}} movie.
* StepUpToTheMicrophone: The rest of the band encouraged Brad Delson to play more prominent guitar parts, despite the fact that he was previously too shy to play solos because he hated showing off. He also contributed harmonies for a number of the tracks.
** This also marks the first time Mike began to sing, rather than just letting Chester sing the choruses or the entire vocal harmony.
* SurprisinglyGentleSong: "In Between" was the softest song the band had released up to that point (unless you want to count "My December" from the Music/HybridTheory sessions).
* SwitchingPOV: "Hands Held High" switches from the perspective of the average American in the first verse, to the perspective of an average Iraqi in the second verse. It shows how the war in Iraq destroys the life of both the American kids who fight, and the innocent Middle Eastern people who face the threat of bombings every day.
* UncommonTime: "The Little Things Give You Away" is done in 3/4.
* VideoFullOfFilmClips: Since "Leave Out All the Rest" was done to promote Creator/DannyBoyle's Film/{{Sunshine}}, the video features the band on the spacecraft of the film, though there are no clips featured explicitly from the film.
** An alternate version of "Leave Out All the Rest" was done for Film/{{Twilight}}.
** Similarly, "What I've Done" has an alternate music video full of Film/{{Transformers}} clips.
* WatchingTheSunset: Invoked in "Shadow of the Day":
--> ''The shadow of the day\\
Will embrace the world in gray\\
And the sun will set for you''
* WeHaveBecomeComplacent: The purpose of "What I've Done" is to warn against this and instead begin to embrace the fact that we all need to step up and make a difference.
* YourCheatingHeart: "In Pieces":
--> ''There's truth in your lies\\
Doubt in your faith\\
All I've got is what you didn't take''
----

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