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* FaceOnTheCover: Elvis playing guitar.

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* FaceOnTheCover: The cover photo is a still from the opening "Guitar Man" performance in the [[Music/ElvisNBCTVSpecial 1968 TV special]], showing Elvis playing guitar.guitar, with a bunch of guitarists in silhouette behind him.
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* CountryMusic[=/=]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.

to:

* CountryMusic[=/=]{{Soul}}: The main backing group here, American Sound Studios house band, informally known as "The Memphis Boys", Boys" (led by guitarist Reggie Young and bassist Tommy Cogbill), tended to toward a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.
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* BirthDeathJuxtaposition:

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* BirthDeathJuxtaposition:BirthDeathJuxtaposition: Along with some HereWeGoAgain, PlayedForDrama.
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* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addressing a socially conscious topic: poverty in city ghettos.

to:

* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, lead (by Memphis legend Tommy Cogbill), another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addressing a socially conscious topic: poverty in city ghettos.
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* UnbuiltTrope: With its 120 beats-per-minute tempo and various orchestral flourishes, "Any Day Now" is probably the closest Elvis ever came to {{Disco}}, a genre that, of course, wouldn't exist for another few years.

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His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In the Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.

The album was listed at #190 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].

to:

His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In the Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.

The album was listed at #190 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
Ghetto".






[[AC: Side Two]]

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[[AC: Side Two]]
[[AC:Side Two]]
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[[caption-width-right:350:''From Elvis In Memphis''.]]

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[[caption-width-right:350:''From Elvis In in Memphis''.]]



# "Wearin' That Loved On Look" (2:46)
# "Only The Strong Survive" (2:46)

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# "Wearin' That Loved On Loved-On Look" (2:46)
# "Only The the Strong Survive" (2:46)



# "It Keeps Right On A-Hurtin'" (2:36)

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# "It Keeps Right On A-Hurtin'" a-Hurtin'" (2:36)
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* RecordProducer: As per usual for an Elvis album, none was credited. By that point, Elvis was his own ''de facto'' producer, in the sense that he led the sessions and didn't really answer to anyone else. But after working with RCA staff producer Felton Jarvis on his Nashville-based sessions starting in 1966, Presley brought him along to Memphis as a co-producer[=/=]A&R representative for this album, the role Jarvis would fill for the rest of Presley's career. However, American Sound Studio owner Chips Moman was one of the hottest producers in the music business at the time, with a very distinct {{Soul}}-influenced pop sound, so he became the main driver for the album.
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No longer a trope.


* YourCheatingHeart:
--> ''[[WaxingLyrical Baby, you're wearing that loved-on look...]]''

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Repair Don't Respond.


* CoverAlbum: All tracks are covers.
** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In the Ghetto", which was written for Elvis by Mac Davis.

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* CoverAlbum: All tracks are covers.
** Most, but not all. These were recorded first by Elvis:
covers, except for "Wearin' That Loved On Look", "Power of My Love", and "In the Ghetto", which was written for Elvis were first recorded by Mac Davis.Elvis.
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* TruckDriversGearChange: The key shifts twice in the last verse of "Long Black Limousine".
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* LyricalDissonance: "Wearin' That Loved On Look" is a fun uptempo song where a man confronts his cheating lover.
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''From Elvis In Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie.

His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.

to:

''From Elvis In in Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie.

His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The the Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.



# "I'll Hold You In My Heart (Till I Can Hold You In My Arms)" (4:34)

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# "I'll Hold You In in My Heart (Till I Can Hold You In in My Arms)" (4:34)



# "Power Of My Love" (2:36)
# "Gentle On My Mind" (3:21)

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# "Power Of of My Love" (2:36)
# "Gentle On on My Mind" (3:21)



# "True Love Travels On A Gravel Road" (2:38)

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# "True Love Travels On A on a Gravel Road" (2:38)



# "In The Ghetto" (2:45)

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# "In The the Ghetto" (2:45)






* {{Bookends}}: "In The Ghetto" starts and ends with a boy being born in the ghetto.

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* {{Bookends}}: "In The the Ghetto" starts and ends with a boy being born in the ghetto.



** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In The Ghetto", which was written for Elvis by Mac Davis.
* DoubleEntendre: "Power Of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:

to:

** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In The the Ghetto", which was written for Elvis by Mac Davis.
* DoubleEntendre: "Power Of of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:



* LongTitle: "I'll Hold You In My Heart (Till I Can Hold You In My Arms)".
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic {{Tearjerker}} into an intense experience.
* MoralityBallad: "In The Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.

to:

* LongTitle: "I'll Hold You In in My Heart (Till I Can Hold You In in My Arms)".
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic {{Tearjerker}} TearJerker into an intense experience.
* MoralityBallad: "In The the Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.



* ThePowerOfLove: "The Power Of My Love" is literally about this subject.

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* ThePowerOfLove: "The Power Of of My Love" is literally about this subject.



* ProtestSong: "In The Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.

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* ProtestSong: "In The the Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.



* SelfTitledAlbum: "From Elvis In Memphis".
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occurring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* SpokenWordInMusic: "Only The Strong Survive" retains Jerry Butler's spoken intro.

to:

* SelfTitledAlbum: "From ''From Elvis In Memphis".
in Memphis''.
* ShootTheShaggyDog: "In The the Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occurring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The the Ghetto" as their debut single in 1984.
* SpokenWordInMusic: "Only The the Strong Survive" retains Jerry Butler's spoken intro.



* ViciousCycle: "In The Ghetto", where a poor boy is born in the ghetto, dies in a life of crime and misery near the end, and the final line mentions yet another child is brought into this world, implying that there is no change or escape possible.

to:

* ViciousCycle: "In The the Ghetto", where a poor boy is born in the ghetto, dies in a life of crime and misery near the end, and the final line mentions yet another child is brought into this world, implying that there is no change or escape possible.



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His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.

to:

His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.

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Changed: 432

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''From Elvis In Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.

to:

''From Elvis In Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie.

His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. there. The album album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
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[[quoteright:348:http://static.tvtropes.org/pmwiki/pub/images/d5a342aad421edc220f0ce83c1484ba3.jpg]]
[[caption-width-right:348:''From Elvis In Memphis''.]]

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[[quoteright:348:http://static.[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/d5a342aad421edc220f0ce83c1484ba3.jpg]]
[[caption-width-right:348:''From
org/pmwiki/pub/images/from_elvis_in_memphis.jpg]]
[[caption-width-right:350:''From
Elvis In Memphis''.]]
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* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic {{Tearjerker}} into an intense experience.
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fixing YMMV tropes


* CutSong: Elvis completed 35 songs during the sessions. Two of the finished takes, "Kentucky Rain" and "Suspicious Minds", ended up as non-LP singles and stand among his most famous songs. Others ended up on the later ''Back In Memphis'' album.
** CompilationRerelease: 1999's ''Suspicious Minds'' features every final cut and several alternate versions.
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No bolding for work titles. See format rules on How To Create A Works Page, 4th paragraph "No bolding is used for work titles" and FAQ: "What emphasis do I use for the title?: Whatever you do, it does not belong in boldface-font."


-->'''Music/ElvisPresley''', opening the album

'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.

to:

-->'''Music/ElvisPresley''', -->-- '''Music/ElvisPresley''', opening the album

'''''From ''From Elvis In Memphis''''' Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
Is there an issue? Send a MessageReason:
Minor edits.


'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favourable and it's seen as his last classic album.

The album was listed at nr. #190 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]]

to:

'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success success, critical reception was also favourable favorable and it's seen as his last classic album.

The album was listed at nr. #190 in Magazine/RollingStone's ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of of All Time]]
Time]].
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None

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** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In The Ghetto", which was written for Elvis by Mac Davis.
Is there an issue? Send a MessageReason:
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* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addresses a socially conscious topic: poverty in city ghettos.

to:

* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addresses addressing a socially conscious topic: poverty in city ghettos.
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Added DiffLines:

The album was listed at nr. #190 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]]
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* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
* ArsonMurderAndJaywalking: "Wearin' That Loved On Look"

to:

* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
'''L'''imousine".
* ArsonMurderAndJaywalking: "Wearin' That Loved On Look"Look".



** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul number

to:

** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul numbernumber.



* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."

to:

* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."Ghetto".
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'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the live ''Music/ElvisNBCTVSpecial'' from 1968 and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favourable and it's seen as his last classic album.

to:

'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the live LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and, just like this album, and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favourable and it's seen as his last classic album.



-->"Baby, if you ever loved me
-->Then Bonnie and Clyde loved the law
-->Well, a bird can't fly and I don't like apple pie
-->And a tree won't grow in Arkansas!"

to:

-->"Baby, --> ''Baby, if you ever loved me
-->Then
me''
--> ''Then
Bonnie and Clyde loved the law
-->Well,
law''
--> ''Well,
a bird can't fly and I don't like apple pie
-->And
pie''
--> ''And
a tree won't grow in Arkansas!"Arkansas!''



-->"There's just no stoppin the love I have for you!"

to:

-->"There's --> ''There's just no stoppin the love I have for you!"you!''



-->"I remember my first love affair...somehow or another the whole darn thing went wrong. My mama had some great advice, so I thought I'd put it into words of this song. I can still hear her sayin'..."
* ViciousCycle: "In The Ghetto"
* YourCheatingHeart: [[WaxingLyrical Baby, you're wearing that loved-on look...]]

to:

-->"I --> ''I remember my first love affair...somehow or another the whole darn thing went wrong. My mama had some great advice, so I thought I'd put it into words of this song. I can still hear her sayin'..."
''
* ViciousCycle: "In The Ghetto"
Ghetto", where a poor boy is born in the ghetto, dies in a life of crime and misery near the end, and the final line mentions yet another child is brought into this world, implying that there is no change or escape possible.
* YourCheatingHeart: [[WaxingLyrical YourCheatingHeart:
--> ''[[WaxingLyrical
Baby, you're wearing that loved-on look...]]
]]''
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* CountryMusic[=/]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.

to:

* CountryMusic[=/]{{Soul}}: CountryMusic[=/=]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.

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Tropes list revamped a bit; album description could use a little work but why the hell am I even still awake?


->''"I had to leave town for a little while..."''
-->'''Music/ElvisPresley''', opening the album



!! ''Tropin' in the ghetto''

to:

!! ''Tropin' in the ghetto''
!!Baby, you're wearin' that tropes list look:



* ArsonMurderAndJaywalking: "Wearin' That Loved On Look"
-->"Baby, if you ever loved me
-->Then Bonnie and Clyde loved the law
-->Well, a bird can't fly and I don't like apple pie
-->And a tree won't grow in Arkansas!"
* BirthDeathJuxtaposition:
-->''"As her young man dies,''
-->''On a cold and gray Chicago mornin',''
-->''Another little baby child is born''
-->''[[TitleDrop In the ghetto]]''
-->''And his mama cries..."''



* CountryMusic: Elvis returned to the music of his youth with this album.
* CoverAlbum: All tracks are covers.

to:

* CountryMusic: Elvis returned CountryMusic[=/]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the music of his youth with this album.
two styles. String and horn overdubs tend to push individual songs toward one or the other.
** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul number
* CoverAlbum: All tracks are covers. covers.
* CutSong: Elvis completed 35 songs during the sessions. Two of the finished takes, "Kentucky Rain" and "Suspicious Minds", ended up as non-LP singles and stand among his most famous songs. Others ended up on the later ''Back In Memphis'' album.
** CompilationRerelease: 1999's ''Suspicious Minds'' features every final cut and several alternate versions.



* GriefSong: One type of "long black limousine" is a hearse...



-->"There's just no stoppin the love I have for you!"



* RealLifeWritesThePlot: Though it's a cover album, that opening line up top is no accident.



* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* {{Soul}}: This album saw Elvis embracing Memphis soul.

to:

* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
1984.
* {{Soul}}: This album saw Elvis embracing Memphis soul.
SpokenWordInMusic: "Only The Strong Survive" retains Jerry Butler's spoken intro.
-->"I remember my first love affair...somehow or another the whole darn thing went wrong. My mama had some great advice, so I thought I'd put it into words of this song. I can still hear her sayin'..."
* ViciousCycle: "In The Ghetto"
* YourCheatingHeart: [[WaxingLyrical Baby, you're wearing that loved-on look...]]

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Changed: 137

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[[caption-width-right:348:]]

'''From Elvis in Memphis''' is a 1969 album by Music/ElvisPresley, released directly after ''Music/ElvisNBCTVSpecial'' (1968) and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable and it's seen as his last classic album.

'''Tracklist'''

to:

[[caption-width-right:348:]]

'''From
[[caption-width-right:348:''From Elvis in Memphis''' In Memphis''.]]

'''''From Elvis In Memphis'''''
is a 1969 the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the live ''Music/ElvisNBCTVSpecial'' (1968) from 1968 and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable favourable and it's seen as his last classic album.

'''Tracklist'''
----
!! Tracklist:



[[AC:Side Two]]

to:

[[AC:Side Two]][[AC: Side Two]]



----






* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses a socially concscious topic: poverty in city ghettos.

to:

* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses addresses a socially concscious conscious topic: poverty in city ghettos.



* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring in the future if nothing is done about it.

to:

* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring occurring in the future if nothing is done about it.


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* SelfTitledAlbum: "From Elvis In Memphis".
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'''From Elvis in Memphis''' is a 1969 album by Music/ElvisPresley, released directly after ''Music/ElvisNBCTVSpecial'' (1968) and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable and it's seen as his last classic album.

'''Tracklist'''

[[AC:Side One]]

# "Wearin' That Loved On Look" (2:46)
# "Only The Strong Survive" (2:46)
# "I'll Hold You In My Heart (Till I Can Hold You In My Arms)" (4:34)
# "Long Black Limousine" (3:38)
# "It Keeps Right On A-Hurtin'" (2:36)
# "I'm Movin' On" (2:43)

[[AC:Side Two]]
# "Power Of My Love" (2:36)
# "Gentle On My Mind" (3:21)
# "After Loving You" (3:05)
# "True Love Travels On A Gravel Road" (2:38)
# "Any Day Now" (2:59)
# "In The Ghetto" (2:45)

!! ''Tropin' in the ghetto''
* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
* {{Bookends}}: "In The Ghetto" starts and ends with a boy being born in the ghetto.
* CountryMusic: Elvis returned to the music of his youth with this album.
* CoverAlbum: All tracks are covers.
* DoubleEntendre: "Power Of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:
--> ''Crush it, kick it''
--> ''You can never win''
--> ''I know baby you can't lick it''
--> ''I'll make you give in''
* FaceOnTheCover: Elvis playing guitar.
* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."
* LongTitle: "I'll Hold You In My Heart (Till I Can Hold You In My Arms)".
* MoralityBallad: "In The Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses a socially concscious topic: poverty in city ghettos.
* ThePowerOfLove: "The Power Of My Love" is literally about this subject.
* ProtestSong: "In The Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* {{Soul}}: This album saw Elvis embracing Memphis soul.
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