Is there an issue? Send a MessageReason:
None
Changed line(s) 53 (click to see context) from:
* FaceOnTheCover: Elvis playing guitar.
to:
* FaceOnTheCover: The cover photo is a still from the opening "Guitar Man" performance in the [[Music/ElvisNBCTVSpecial 1968 TV special]], showing Elvis playing guitar.guitar, with a bunch of guitarists in silhouette behind him.
Is there an issue? Send a MessageReason:
None
Changed line(s) 45 (click to see context) from:
* CountryMusic[=/=]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.
to:
* CountryMusic[=/=]{{Soul}}: The main backing group here, American Sound Studios house band, informally known as "The Memphis Boys", Boys" (led by guitarist Reggie Young and bassist Tommy Cogbill), tended to toward a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.
Is there an issue? Send a MessageReason:
None
Changed line(s) 38 (click to see context) from:
* BirthDeathJuxtaposition:
to:
* BirthDeathJuxtaposition:BirthDeathJuxtaposition: Along with some HereWeGoAgain, PlayedForDrama.
Is there an issue? Send a MessageReason:
None
Changed line(s) 60 (click to see context) from:
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addressing a socially conscious topic: poverty in city ghettos.
to:
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, lead (by Memphis legend Tommy Cogbill), another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addressing a socially conscious topic: poverty in city ghettos.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* UnbuiltTrope: With its 120 beats-per-minute tempo and various orchestral flourishes, "Any Day Now" is probably the closest Elvis ever came to {{Disco}}, a genre that, of course, wouldn't exist for another few years.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,12 (click to see context) from:
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In the Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.
The album was listed at #190 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
The album was listed at #190 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
to:
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In the Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.
The album was listed at #190 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
Ghetto".
The album was listed at #190 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
Deleted line(s) 17 (click to see context) :
Changed line(s) 25,26 (click to see context) from:
[[AC: Side Two]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:''From Elvis In Memphis''.]]
to:
[[caption-width-right:350:''From Elvis In in Memphis''.]]
Changed line(s) 18,19 (click to see context) from:
# "Wearin' That Loved On Look" (2:46)
# "Only The Strong Survive" (2:46)
# "Only The Strong Survive" (2:46)
to:
# "Wearin' That Loved On Loved-On Look" (2:46)
# "OnlyThe the Strong Survive" (2:46)
# "Only
Changed line(s) 22 (click to see context) from:
# "It Keeps Right On A-Hurtin'" (2:36)
to:
# "It Keeps Right On A-Hurtin'" a-Hurtin'" (2:36)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* RecordProducer: As per usual for an Elvis album, none was credited. By that point, Elvis was his own ''de facto'' producer, in the sense that he led the sessions and didn't really answer to anyone else. But after working with RCA staff producer Felton Jarvis on his Nashville-based sessions starting in 1966, Presley brought him along to Memphis as a co-producer[=/=]A&R representative for this album, the role Jarvis would fill for the rest of Presley's career. However, American Sound Studio owner Chips Moman was one of the hottest producers in the music business at the time, with a very distinct {{Soul}}-influenced pop sound, so he became the main driver for the album.
Is there an issue? Send a MessageReason:
No longer a trope.
Deleted line(s) 76,77 (click to see context) :
* YourCheatingHeart:
--> ''[[WaxingLyrical Baby, you're wearing that loved-on look...]]''
--> ''[[WaxingLyrical Baby, you're wearing that loved-on look...]]''
Is there an issue? Send a MessageReason:
Repair Don't Respond.
Changed line(s) 51,52 (click to see context) from:
* CoverAlbum: All tracks are covers.
** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In the Ghetto", which was written for Elvis by Mac Davis.
** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In the Ghetto", which was written for Elvis by Mac Davis.
to:
* CoverAlbum: All tracks are covers.
** Most, but not all. These were recorded first by Elvis:covers, except for "Wearin' That Loved On Look", "Power of My Love", and "In the Ghetto", which was written for Elvis were first recorded by Mac Davis.Elvis.
** Most, but not all. These were recorded first by Elvis:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* TruckDriversGearChange: The key shifts twice in the last verse of "Long Black Limousine".
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* LyricalDissonance: "Wearin' That Loved On Look" is a fun uptempo song where a man confronts his cheating lover.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,10 (click to see context) from:
''From Elvis In Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie.
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.
to:
''From Elvis In in Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie.
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "InThe the Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In
Changed line(s) 20 (click to see context) from:
# "I'll Hold You In My Heart (Till I Can Hold You In My Arms)" (4:34)
to:
# "I'll Hold You In in My Heart (Till I Can Hold You In in My Arms)" (4:34)
Changed line(s) 27,28 (click to see context) from:
# "Power Of My Love" (2:36)
# "Gentle On My Mind" (3:21)
# "Gentle On My Mind" (3:21)
to:
# "Power Of of My Love" (2:36)
# "GentleOn on My Mind" (3:21)
# "Gentle
Changed line(s) 30 (click to see context) from:
# "True Love Travels On A Gravel Road" (2:38)
to:
# "True Love Travels On A on a Gravel Road" (2:38)
Changed line(s) 32,33 (click to see context) from:
# "In The Ghetto" (2:45)
to:
# "In The the Ghetto" (2:45)
Deleted line(s) 36 (click to see context) :
Changed line(s) 49 (click to see context) from:
* {{Bookends}}: "In The Ghetto" starts and ends with a boy being born in the ghetto.
to:
* {{Bookends}}: "In The the Ghetto" starts and ends with a boy being born in the ghetto.
Changed line(s) 53,54 (click to see context) from:
** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In The Ghetto", which was written for Elvis by Mac Davis.
* DoubleEntendre: "Power Of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:
* DoubleEntendre: "Power Of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:
to:
** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In The the Ghetto", which was written for Elvis by Mac Davis.
* DoubleEntendre: "PowerOf of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:
* DoubleEntendre: "Power
Changed line(s) 62,64 (click to see context) from:
* LongTitle: "I'll Hold You In My Heart (Till I Can Hold You In My Arms)".
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic {{Tearjerker}} into an intense experience.
* MoralityBallad: "In The Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic {{Tearjerker}} into an intense experience.
* MoralityBallad: "In The Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.
to:
* LongTitle: "I'll Hold You In in My Heart (Till I Can Hold You In in My Arms)".
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic{{Tearjerker}} TearJerker into an intense experience.
* MoralityBallad: "InThe the Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic
* MoralityBallad: "In
Changed line(s) 66 (click to see context) from:
* ThePowerOfLove: "The Power Of My Love" is literally about this subject.
to:
* ThePowerOfLove: "The Power Of of My Love" is literally about this subject.
Changed line(s) 68 (click to see context) from:
* ProtestSong: "In The Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.
to:
* ProtestSong: "In The the Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.
Changed line(s) 70,73 (click to see context) from:
* SelfTitledAlbum: "From Elvis In Memphis".
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occurring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* SpokenWordInMusic: "Only The Strong Survive" retains Jerry Butler's spoken intro.
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occurring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* SpokenWordInMusic: "Only The Strong Survive" retains Jerry Butler's spoken intro.
to:
* SelfTitledAlbum: "From ''From Elvis In Memphis".
in Memphis''.
* ShootTheShaggyDog: "InThe the Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occurring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "InThe the Ghetto" as their debut single in 1984.
* SpokenWordInMusic: "OnlyThe the Strong Survive" retains Jerry Butler's spoken intro.
* ShootTheShaggyDog: "In
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In
* SpokenWordInMusic: "Only
Changed line(s) 75 (click to see context) from:
* ViciousCycle: "In The Ghetto", where a poor boy is born in the ghetto, dies in a life of crime and misery near the end, and the final line mentions yet another child is brought into this world, implying that there is no change or escape possible.
to:
* ViciousCycle: "In The the Ghetto", where a poor boy is born in the ghetto, dies in a life of crime and misery near the end, and the final line mentions yet another child is brought into this world, implying that there is no change or escape possible.
Deleted line(s) 78 (click to see context) :
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,10 (click to see context) from:
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
to:
His 1968 comeback special had made Presley interested in his native city and the CountryMusic and {{Soul}} music that was made popular there. The album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen by many as his last classic album.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
''From Elvis In Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
to:
''From Elvis In Memphis'' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie.
His 1968 comeback special had made Presley interested in his native cityMemphis and the CountryMusic and {{Soul}} music that was made popular by the town. there. The album album, cut with ace producer Chips Moman, shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
His 1968 comeback special had made Presley interested in his native city
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,3 (click to see context) from:
[[quoteright:348:http://static.tvtropes.org/pmwiki/pub/images/d5a342aad421edc220f0ce83c1484ba3.jpg]]
[[caption-width-right:348:''From Elvis In Memphis''.]]
[[caption-width-right:348:''From Elvis In Memphis''.]]
to:
[[caption-width-right:348:''From
[[caption-width-right:350:''From Elvis In Memphis''.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* {{Melodrama}}: "Long Black Limousine". Elvis gradually gets more emotional as the song goes on until he's wailing in full-blown grief in the final verse, turning a standard CountryMusic {{Tearjerker}} into an intense experience.
Is there an issue? Send a MessageReason:
fixing YMMV tropes
Deleted line(s) 52,53 (click to see context) :
* CutSong: Elvis completed 35 songs during the sessions. Two of the finished takes, "Kentucky Rain" and "Suspicious Minds", ended up as non-LP singles and stand among his most famous songs. Others ended up on the later ''Back In Memphis'' album.
** CompilationRerelease: 1999's ''Suspicious Minds'' features every final cut and several alternate versions.
** CompilationRerelease: 1999's ''Suspicious Minds'' features every final cut and several alternate versions.
Is there an issue? Send a MessageReason:
No bolding for work titles. See format rules on How To Create A Works Page, 4th paragraph "No bolding is used for work titles" and FAQ: "What emphasis do I use for the title?: Whatever you do, it does not belong in boldface-font."
Changed line(s) 5,8 (click to see context) from:
-->'''Music/ElvisPresley''', opening the album
'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success, critical reception was also favorable and it's seen as his last classic album.
to:
Is there an issue? Send a MessageReason:
Minor edits.
Changed line(s) 7,10 (click to see context) from:
'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favourable and it's seen as his last classic album.
The album was listed at nr. #190 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]]
The album was listed at nr. #190 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]]
to:
'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success success, critical reception was also favourable favorable and it's seen as his last classic album.
The album was listed atnr. #190 in Magazine/RollingStone's ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of of All Time]]
Time]].
The album was listed at
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Most, but not all. These were recorded first by Elvis: "Wearin' That Loved On Look", "Power of My Love", and "In The Ghetto", which was written for Elvis by Mac Davis.
Is there an issue? Send a MessageReason:
None
Changed line(s) 63 (click to see context) from:
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addresses a socially conscious topic: poverty in city ghettos.
to:
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually addresses addressing a socially conscious topic: poverty in city ghettos.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
The album was listed at nr. #190 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 33,34 (click to see context) from:
* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
* ArsonMurderAndJaywalking: "Wearin' That Loved On Look"
* ArsonMurderAndJaywalking: "Wearin' That Loved On Look"
to:
* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
'''L'''imousine".
* ArsonMurderAndJaywalking: "Wearin' That Loved OnLook"Look".
* ArsonMurderAndJaywalking: "Wearin' That Loved On
Changed line(s) 47 (click to see context) from:
** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul number
to:
** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul numbernumber.
Changed line(s) 57 (click to see context) from:
* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."
to:
* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."Ghetto".
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the live ''Music/ElvisNBCTVSpecial'' from 1968 and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favourable and it's seen as his last classic album.
to:
'''''From Elvis In Memphis''''' is the twenty-ninth studio album by Music/ElvisPresley, released in 1969. It was released directly after the live LiveAlbum ''Music/ElvisNBCTVSpecial'' from 1968 and, just like this album, and also a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him Presley interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favourable and it's seen as his last classic album.
Changed line(s) 35,38 (click to see context) from:
-->"Baby, if you ever loved me
-->Then Bonnie and Clyde loved the law
-->Well, a bird can't fly and I don't like apple pie
-->And a tree won't grow in Arkansas!"
-->Then Bonnie and Clyde loved the law
-->Well, a bird can't fly and I don't like apple pie
-->And a tree won't grow in Arkansas!"
to:
-->Then
--> ''Then Bonnie and Clyde loved the
-->Well,
--> ''Well, a bird can't fly and I don't like apple
-->And
--> ''And a tree won't grow in
Changed line(s) 63 (click to see context) from:
-->"There's just no stoppin the love I have for you!"
to:
Changed line(s) 70,73 (click to see context) from:
-->"I remember my first love affair...somehow or another the whole darn thing went wrong. My mama had some great advice, so I thought I'd put it into words of this song. I can still hear her sayin'..."
* ViciousCycle: "In The Ghetto"
* YourCheatingHeart: [[WaxingLyrical Baby, you're wearing that loved-on look...]]
* ViciousCycle: "In The Ghetto"
* YourCheatingHeart: [[WaxingLyrical Baby, you're wearing that loved-on look...]]
to:
* ViciousCycle: "In The
*
--> ''[[WaxingLyrical Baby, you're wearing that loved-on look...
Is there an issue? Send a MessageReason:
None
Changed line(s) 46 (click to see context) from:
* CountryMusic[=/]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.
to:
* CountryMusic[=/]{{Soul}}: CountryMusic[=/=]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the two styles. String and horn overdubs tend to push individual songs toward one or the other.
Is there an issue? Send a MessageReason:
Tropes list revamped a bit; album description could use a little work but why the hell am I even still awake?
->''"I had to leave town for a little while..."''
-->'''Music/ElvisPresley''', opening the album
-->'''Music/ElvisPresley''', opening the album
Changed line(s) 28,29 (click to see context) from:
!! ''Tropin' in the ghetto''
to:
* ArsonMurderAndJaywalking: "Wearin' That Loved On Look"
-->"Baby, if you ever loved me
-->Then Bonnie and Clyde loved the law
-->Well, a bird can't fly and I don't like apple pie
-->And a tree won't grow in Arkansas!"
* BirthDeathJuxtaposition:
-->''"As her young man dies,''
-->''On a cold and gray Chicago mornin',''
-->''Another little baby child is born''
-->''[[TitleDrop In the ghetto]]''
-->''And his mama cries..."''
-->"Baby, if you ever loved me
-->Then Bonnie and Clyde loved the law
-->Well, a bird can't fly and I don't like apple pie
-->And a tree won't grow in Arkansas!"
* BirthDeathJuxtaposition:
-->''"As her young man dies,''
-->''On a cold and gray Chicago mornin',''
-->''Another little baby child is born''
-->''[[TitleDrop In the ghetto]]''
-->''And his mama cries..."''
Changed line(s) 32,33 (click to see context) from:
* CountryMusic: Elvis returned to the music of his youth with this album.
* CoverAlbum: All tracks are covers.
* CoverAlbum: All tracks are covers.
to:
* CountryMusic: Elvis returned CountryMusic[=/]{{Soul}}: The main backing group here, informally known as "The Memphis Boys", tended to a fusion of the music of his youth with this album.
two styles. String and horn overdubs tend to push individual songs toward one or the other.
** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul number
* CoverAlbum: All tracks arecovers. covers.
* CutSong: Elvis completed 35 songs during the sessions. Two of the finished takes, "Kentucky Rain" and "Suspicious Minds", ended up as non-LP singles and stand among his most famous songs. Others ended up on the later ''Back In Memphis'' album.
** CompilationRerelease: 1999's ''Suspicious Minds'' features every final cut and several alternate versions.
** SongStyleShift: "I'm Movin' On" is particularly illustrative - it opens as a country shuffle before turning into a horn- and bass-driven soul number
* CoverAlbum: All tracks are
* CutSong: Elvis completed 35 songs during the sessions. Two of the finished takes, "Kentucky Rain" and "Suspicious Minds", ended up as non-LP singles and stand among his most famous songs. Others ended up on the later ''Back In Memphis'' album.
** CompilationRerelease: 1999's ''Suspicious Minds'' features every final cut and several alternate versions.
* GriefSong: One type of "long black limousine" is a hearse...
-->"There's just no stoppin the love I have for you!"
* RealLifeWritesThePlot: Though it's a cover album, that opening line up top is no accident.
Changed line(s) 48,50 (click to see context) from:
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* {{Soul}}: This album saw Elvis embracing Memphis soul.
* {{Soul}}: This album saw Elvis embracing Memphis soul.
to:
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
1984.
*{{Soul}}: This album saw Elvis embracing Memphis soul.
SpokenWordInMusic: "Only The Strong Survive" retains Jerry Butler's spoken intro.
-->"I remember my first love affair...somehow or another the whole darn thing went wrong. My mama had some great advice, so I thought I'd put it into words of this song. I can still hear her sayin'..."
* ViciousCycle: "In The Ghetto"
* YourCheatingHeart: [[WaxingLyrical Baby, you're wearing that loved-on look...]]
*
-->"I remember my first love affair...somehow or another the whole darn thing went wrong. My mama had some great advice, so I thought I'd put it into words of this song. I can still hear her sayin'..."
* ViciousCycle: "In The Ghetto"
* YourCheatingHeart: [[WaxingLyrical Baby, you're wearing that loved-on look...]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,7 (click to see context) from:
[[caption-width-right:348:]]
'''From Elvis in Memphis''' is a 1969 album by Music/ElvisPresley, released directly after ''Music/ElvisNBCTVSpecial'' (1968) and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable and it's seen as his last classic album.
'''Tracklist'''
'''From Elvis in Memphis''' is a 1969 album by Music/ElvisPresley, released directly after ''Music/ElvisNBCTVSpecial'' (1968) and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable and it's seen as his last classic album.
'''Tracklist'''
to:
'''From
'''''From Elvis In Memphis''''' is
!! Tracklist:
Changed line(s) 17 (click to see context) from:
[[AC:Side Two]]
to:
----
Changed line(s) 39 (click to see context) from:
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses a socially concscious topic: poverty in city ghettos.
to:
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses addresses a socially concscious conscious topic: poverty in city ghettos.
Changed line(s) 43 (click to see context) from:
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring in the future if nothing is done about it.
to:
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring occurring in the future if nothing is done about it.
Added DiffLines:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SelfTitledAlbum: "From Elvis In Memphis".
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:348:http://static.tvtropes.org/pmwiki/pub/images/d5a342aad421edc220f0ce83c1484ba3.jpg]]
[[caption-width-right:348:]]
'''From Elvis in Memphis''' is a 1969 album by Music/ElvisPresley, released directly after ''Music/ElvisNBCTVSpecial'' (1968) and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable and it's seen as his last classic album.
'''Tracklist'''
[[AC:Side One]]
# "Wearin' That Loved On Look" (2:46)
# "Only The Strong Survive" (2:46)
# "I'll Hold You In My Heart (Till I Can Hold You In My Arms)" (4:34)
# "Long Black Limousine" (3:38)
# "It Keeps Right On A-Hurtin'" (2:36)
# "I'm Movin' On" (2:43)
[[AC:Side Two]]
# "Power Of My Love" (2:36)
# "Gentle On My Mind" (3:21)
# "After Loving You" (3:05)
# "True Love Travels On A Gravel Road" (2:38)
# "Any Day Now" (2:59)
# "In The Ghetto" (2:45)
!! ''Tropin' in the ghetto''
* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
* {{Bookends}}: "In The Ghetto" starts and ends with a boy being born in the ghetto.
* CountryMusic: Elvis returned to the music of his youth with this album.
* CoverAlbum: All tracks are covers.
* DoubleEntendre: "Power Of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:
--> ''Crush it, kick it''
--> ''You can never win''
--> ''I know baby you can't lick it''
--> ''I'll make you give in''
* FaceOnTheCover: Elvis playing guitar.
* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."
* LongTitle: "I'll Hold You In My Heart (Till I Can Hold You In My Arms)".
* MoralityBallad: "In The Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses a socially concscious topic: poverty in city ghettos.
* ThePowerOfLove: "The Power Of My Love" is literally about this subject.
* ProtestSong: "In The Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* {{Soul}}: This album saw Elvis embracing Memphis soul.
----
[[caption-width-right:348:]]
'''From Elvis in Memphis''' is a 1969 album by Music/ElvisPresley, released directly after ''Music/ElvisNBCTVSpecial'' (1968) and, just like this album, a return to making actual music that wasn't the CultSoundtrack to some movie. His 1968 comeback special had made him interested in his native city Memphis and the CountryMusic and {{Soul}} music that was made popular by the town. The album shows Elvis in top form, enjoying himself by covering music he actually liked and even bringing him back to the top of the charts with "In The Ghetto". Apart from its commercial success critical reception was also favorable and it's seen as his last classic album.
'''Tracklist'''
[[AC:Side One]]
# "Wearin' That Loved On Look" (2:46)
# "Only The Strong Survive" (2:46)
# "I'll Hold You In My Heart (Till I Can Hold You In My Arms)" (4:34)
# "Long Black Limousine" (3:38)
# "It Keeps Right On A-Hurtin'" (2:36)
# "I'm Movin' On" (2:43)
[[AC:Side Two]]
# "Power Of My Love" (2:36)
# "Gentle On My Mind" (3:21)
# "After Loving You" (3:05)
# "True Love Travels On A Gravel Road" (2:38)
# "Any Day Now" (2:59)
# "In The Ghetto" (2:45)
!! ''Tropin' in the ghetto''
* AlliterativeTitle: "'''L'''ong Black '''L'''imousine"
* {{Bookends}}: "In The Ghetto" starts and ends with a boy being born in the ghetto.
* CountryMusic: Elvis returned to the music of his youth with this album.
* CoverAlbum: All tracks are covers.
* DoubleEntendre: "Power Of My Love", which has female backing singers groaning in a suggestive manner, not to mention the lyrics:
--> ''Crush it, kick it''
--> ''You can never win''
--> ''I know baby you can't lick it''
--> ''I'll make you give in''
* FaceOnTheCover: Elvis playing guitar.
* GenerationXerox: The vicious cycle of poverty implied at the end of "In The Ghetto."
* LongTitle: "I'll Hold You In My Heart (Till I Can Hold You In My Arms)".
* MoralityBallad: "In The Ghetto" shows that poverty in ghettos is a generational problem. People born poor will have children who grew up in poverty and raise other children in poverty.
* NewSoundAlbum: Elvis singing Memphis soul and country was certainly something the general public hadn't heard him do before. "Wearin' That Loved On Look" also featured an electric-bass lead, another novelty for Elvis. And "In The Ghetto" has the normally non-political musician actually adresses a socially concscious topic: poverty in city ghettos.
* ThePowerOfLove: "The Power Of My Love" is literally about this subject.
* ProtestSong: "In The Ghetto" shows Elvis' compassion for inner-city youth, born in poverty.
* ShootTheShaggyDog: "In The Ghetto", where a boy is born in poverty, lead to a life of crime and gets murdered. And while this happens "another little baby child is born in the ghetto", proving that this kind of situation will keep on occuring in the future if nothing is done about it.
* ShoutOut: Music/NickCaveAndTheBadSeeds covered "In The Ghetto" as their debut single in 1984.
* {{Soul}}: This album saw Elvis embracing Memphis soul.
----